Written by
Robert Browning |
(PETER RONSARD _loquitur_.)
``Heigho!'' yawned one day King Francis,
``Distance all value enhances!
``When a man's busy, why, leisure
``Strikes him as wonderful pleasure:
`` 'Faith, and at leisure once is he?
``Straightway he wants to be busy.
``Here we've got peace; and aghast I'm
``Caught thinking war the true pastime.
``Is there a reason in metre?
``Give us your speech, master Peter!''
I who, if mortal dare say so,
Ne'er am at loss with my Naso,
``Sire,'' I replied, ``joys prove cloudlets:
``Men are the merest Ixions''---
Here the King whistled aloud, ``Let's
``---Heigho---go look at our lions!''
Such are the sorrowful chances
If you talk fine to King Francis.
And so, to the courtyard proceeding,
Our company, Francis was leading,
Increased by new followers tenfold
Before be arrived at the penfold;
Lords, ladies, like clouds which bedizen
At sunset the western horizon.
And Sir De Lorge pressed 'mid the foremost
With the dame he professed to adore most.
Oh, what a face! One by fits eyed
Her, and the horrible pitside;
For the penfold surrounded a hollow
Which led where the eye scarce dared follow,
And shelved to the chamber secluded
Where Bluebeard, the great lion, brooded.
The King bailed his keeper, an Arab
As glossy and black as a scarab,*1
And bade him make sport and at once stir
Up and out of his den the old monster.
They opened a hole in the wire-work
Across it, and dropped there a firework,
And fled: one's heart's beating redoubled;
A pause, while the pit's mouth was troubled,
The blackness and silence so utter,
By the firework's slow sparkling and sputter;
Then earth in a sudden contortion
Gave out to our gaze her abortion.
Such a brute! Were I friend Clement Marot
(Whose experience of nature's but narrow,
And whose faculties move in no small mist
When he versifies David the Psalmist)
I should study that brute to describe you
_Illim Juda Leonem de Tribu_.
One's whole blood grew curdling and creepy
To see the black mane, vast and heapy,
The tail in the air stiff and straining,
The wide eyes, nor waxing nor waning,
As over the barrier which bounded
His platform, and us who surrounded
The barrier, they reached and they rested
On space that might stand him in best stead:
For who knew, he thought, what the amazement,
The eruption of clatter and blaze meant,
And if, in this minute of wonder,
No outlet, 'mid lightning and thunder,
Lay broad, and, his shackles all shivered,
The lion at last was delivered?
Ay, that was the open sky o'erhead!
And you saw by the flash on his forehead,
By the hope in those eyes wide and steady,
He was leagues in the desert already,
Driving the flocks up the mountain,
Or catlike couched hard by the fountain
To waylay the date-gathering negress:
So guarded he entrance or egress.
``How he stands!'' quoth the King: ``we may well swear,
(``No novice, we've won our spurs elsewhere
``And so can afford the confession,)
``We exercise wholesome discretion
``In keeping aloof from his threshold;
``Once hold you, those jaws want no fresh hold,
``Their first would too pleasantly purloin
``The visitor's brisket or surloin:
``But who's he would prove so fool-hardy?
``Not the best man of Marignan, pardie!''
The sentence no sooner was uttered,
Than over the rails a glove flattered,
Fell close to the lion, and rested:
The dame 'twas, who flung it and jested
With life so, De Lorge had been wooing
For months past; he sat there pursuing
His suit, weighing out with nonchalance
Fine speeches like gold from a balance.
Sound the trumpet, no true knight's a tarrier!
De Lorge made one leap at the barrier,
Walked straight to the glove,---while the lion
Neer moved, kept his far-reaching eye on
The palm-tree-edged desert-spring's sapphire,
And the musky oiled skin of the Kaffir,---
Picked it up, and as calmly retreated,
Leaped back where the lady was seated,
And full in the face of its owner
Flung the glove.
``Your heart's queen, you dethrone her?
``So should I!''---cried the King---``'twas mere vanity,
``Not love, set that task to humanity!''
Lords and ladies alike turned with loathing
From such a proved wolf in sheep's clothing.
Not so, I; for I caught an expression
In her brow's undisturbed self-possession
Amid the Court's scoffing and merriment,---
As if from no pleasing experiment
She rose, yet of pain not much heedful
So long as the process was needful,---
As if she had tried in a crucible,
To what ``speeches like gold'' were reducible,
And, finding the finest prove copper,
Felt the smoke in her face was but proper;
To know what she had _not_ to trust to,
Was worth all the ashes and dust too.
She went out 'mid hooting and laughter;
Clement Marot stayed; I followed after,
And asked, as a grace, what it all meant?
If she wished not the rash deed's recalment?
``For I''---so I spoke---``am a poet:
``Human nature,---behoves that I know it!''
She told me, ``Too long had I heard
``Of the deed proved alone by the word:
``For my love---what De Lorge would not dare!
``With my scorn---what De Lorge could compare!
``And the endless descriptions of death
``He would brave when my lip formed a breath,
``I must reckon as braved, or, of course,
``Doubt his word---and moreover, perforce,
``For such gifts as no lady could spurn,
``Must offer my love in return.
``When I looked on your lion, it brought
``All the dangers at once to my thought,
``Encountered by all sorts of men,
``Before he was lodged in his den,---
``From the poor slave whose club or bare hands
``Dug the trap, set the snare on the sands,
``With no King and no Court to applaud,
``By no shame, should he shrink, overawed,
``Yet to capture the creature made shift,
``That his rude boys might laugh at the gift,
``---To the page who last leaped o'er the fence
``Of the pit, on no greater pretence
``Than to get back the bonnet he dropped,
``Lest his pay for a week should be stopped.
``So, wiser I judged it to make
``One trial what `death for my sake'
``Really meant, while the power was yet mine,
``Than to wait until time should define
``Such a phrase not so simply as I,
``Who took it to mean just `to die.'
``The blow a glove gives is but weak:
``Does the mark yet discolour my cheek?
``But when the heart suffers a blow,
``Will the pain pass so soon, do you know?''
I looked, as away she was sweeping,
And saw a youth eagerly keeping
As close as he dared to the doorway.
No doubt that a noble should more weigh
His life than befits a plebeian;
And yet, had our brute been Nemean---
(I judge by a certain calm fervour
The youth stepped with, forward to serve her)
---He'd have scarce thought you did him the worst turn
If you whispered ``Friend, what you'd get, first earn!''
And when, shortly after, she carried
Her shame from the Court, and they married,
To that marriage some happiness, maugre
The voice of the Court, I dared augur.
For De Lorge, he made women with men vie,
Those in wonder and praise, these in envy;
And in short stood so plain a head taller
That he wooed and won ... how do you call her?
The beauty, that rose in the sequel
To the King's love, who loved her a week well.
And 'twas noticed he never would honour
De Lorge (who looked daggers upon her)
With the easy commission of stretching
His legs in the service, and fetching
His wife, from her chamber, those straying
Sad gloves she was always mislaying,
While the King took the closet to chat in,---
But of course this adventure came pat in.
And never the King told the story,
How bringing a glove brought such glory,
But the wife smiled---``His nerves are grown firmer:
``Mine he brings now and utters no murmur.''
_Venienti occurrite morbo!_
With which moral I drop my theorbo.
*1 A beetle.
|
Written by
Jane Austen |
My dearest Frank, I wish you joy
Of Mary's safety with a Boy,
Whose birth has given little pain
Compared with that of Mary Jane.--
May he a growing Blessing prove,
And well deserve his Parents' Love!--
Endow'd with Art's and Nature's Good,
Thy Name possessing with thy Blood,
In him, in all his ways, may we
Another Francis WIlliam see!--
Thy infant days may he inherit,
THey warmth, nay insolence of spirit;--
We would not with one foult dispense
To weaken the resemblance.
May he revive thy Nursery sin,
Peeping as daringly within,
His curley Locks but just descried,
With 'Bet, my be not come to bide.'--
Fearless of danger, braving pain,
And threaten'd very oft in vain,
Still may one Terror daunt his Soul,
One needful engine of Controul
Be found in this sublime array,
A neigbouring Donkey's aweful Bray.
So may his equal faults as Child,
Produce Maturity as mild!
His saucy words and fiery ways
In early Childhood's pettish days,
In Manhood, shew his Father's mind
Like him, considerate and Kind;
All Gentleness to those around,
And anger only not to wound.
Then like his Father too, he must,
To his own former struggles just,
Feel his Deserts with honest Glow,
And all his self-improvement know.
A native fault may thus give birth
To the best blessing, conscious Worth.
As for ourselves we're very well;
As unaffected prose will tell.--
Cassandra's pen will paint our state,
The many comforts that await
Our Chawton home, how much we find
Already in it, to our mind;
And how convinced, that when complete
It will all other Houses beat
The ever have been made or mended,
With rooms concise, or rooms distended.
You'll find us very snug next year,
Perhaps with Charles and Fanny near,
For now it often does delight us
To fancy them just over-right us.--
|
Written by
Gil Scott-Heron |
You will not be able to stay home, brother
You will not be able to plug in, turn on and cop out
You will not be able to lose yourself on skag
And skip out for beer during commercials
Because the revolution will not be televised
The revolution will not be televised
The revolution will not be brought to you by Xerox
In 4 parts without commercial interruptions
The revolution will not show you pictures of Nixon
Blowing a bugle and leading a charge by John Mitchell
General Abrams and Spiro Agnew to eat hog maws
Confiscated from a Harlem sanctuary
The revolution will not be televised
The revolution will not be brought to you by the
Schaefer Award Theater and will not star Natalie Woods
And Steve McQueen or Bullwinkle and Julia
The revolution will not give your mouth sex appeal
The revolution will not get rid of the nubs
The revolution will not make you look five pounds thinner
Because the revolution will not be televised, Brother
There will be no pictures of you and Willie May
Pushing that shopping cart down the block on the dead run
Or trying to slide that color TV into a stolen ambulance
NBC will not be able predict the winner at 8:32
Or report from 29 districts
The revolution will not be televised
There will be no pictures of pigs shooting down
Brothers on the instant replay
There will be no pictures of pigs shooting down
Brothers on the instant replay
There will be no pictures of Whitney Young
Being run out of Harlem on a rail with a brand new process
There will be no slow motion or still life of Roy Wilkens
Strolling through Watts in a red, black and green
Liberation jumpsuit that he had been saving
For just the proper occasion
Green Acres, The Beverly Hillbillies and Hooter ville Junction
Will no longer be so damned relevant
And women will not care if Dick finally gets down with Jane
On search for tomorrow because black people
Will be in the street looking for a brighter day
The revolution will not be televised
There will be no highlights on the eleven o'clock news
And no pictures of hairy armed women liberationists
And Jackie Onassis blowing her nose
The theme song will not be written by Jim Webb
Francis Scott Key, nor sung by Glen Campbell, Tom Jones
Johnny Cash, Englebert Humperdink or the Rare Earth
The revolution will not be televised
The revolution will not be right back after a message
About a white tornado, white lightning, or white people
You will not have to worry about a dove in your bedroom
The tiger in your tank or the giant in your toilet bowl
The revolution will not go better with Coke
The revolution will not fight the germs that may cause bad breath
The revolution will put you in the driver's seat
The revolution will not be televised, will not be televised
Will not be televised, will not be televised
The revolution will be no re-run brothers
The revolution will be live
|
Written by
Francis Thompson |
I fled Him down the nights and down the days
I fled Him down the arches of the years
I fled Him down the labyrinthine ways
Of my own mind, and in the midst of tears
I hid from him, and under running laughter.
Up vistaed hopes I sped and shot precipitated
Adown titanic glooms of chasme d hears
From those strong feet that followed, followed after
But with unhurrying chase and unperturbe d pace,
Deliberate speed, majestic instancy,
They beat, and a Voice beat,
More instant than the feet:
All things betray thee who betrayest me.
I pleaded, outlaw--wise by many a hearted casement,
curtained red, trellised with inter-twining charities,
For though I knew His love who followe d,
Yet was I sore adread, lest having Him,
I should have nought beside.
But if one little casement parted wide,
The gust of his approach would clash it to.
Fear wist not to evade as Love wist to pursue.
Across the margent of the world I fled,
And troubled the gold gateways of the stars,
Smiting for shelter on their clange d bars,
Fretted to dulcet jars and silvern chatter
The pale ports of the moon.
I said to Dawn --- be sudden, to Eve --- be soon,
With thy young skiey blossoms heap me over
From this tremendous Lover.
Float thy vague veil about me lest He see.
I tempted all His servitors but to find
My own betrayal in their constancy,
In faith to Him, their fickleness to me,
Their traitorous trueness and their loyal deceit.
To all swift things for swiftness did I sue,
Clung to the whistling mane of every wind,
But whether they swept, smoothly fleet,
The long savannahs of the blue,
Or whether, thunder-driven,
They clanged His chariot thwart a heaven,
Plashy with flying lightnings round the spurn of their feet,
Fear wist not to evade as Love wist to pursue.
Still with unhurrying chase and unperturbed pace
Deliberate speed, majestic instancy,
Came on the following feet, and a Voice above their beat:
Nought shelters thee who wilt not shelter Me.
I sought no more that after which I strayed
In face of Man or Maid.
But still within the little childrens' eyes
Seems something, something that replies,
They at least are for me, surely for me.
But just as their young eyes grew sudden fair,
With dawning answers there,
Their angel plucked them from me by the hair.
Come then, ye other children, Nature's
Share with me, said I, your delicate fellowship.
Let me greet you lip to lip,
Let me twine with you caresses,
Wantoning with our Lady Mother's vagrant tresses,
Banqueting with her in her wind walled palace,
Underneath her azured dai:s,
Quaffing, as your taintless way is,
From a chalice, lucent weeping out of the dayspring.
So it was done.
I in their delicate fellowship was one.
Drew the bolt of Nature's secrecies,
I knew all the swift importings on the wilful face of skies,
I knew how the clouds arise,
Spume d of the wild sea-snortings.
All that's born or dies,
Rose and drooped with,
Made them shapers of mine own moods, or wailful, or Divine.
With them joyed and was bereaven.
I was heavy with the Even,
when she lit her glimmering tapers round the day's dead sanctities.
I laughed in the morning's eyes.
I triumphed and I saddened with all weather,
Heaven and I wept together,
and its sweet tears were salt with mortal mine.
Against the red throb of its sunset heart,
I laid my own to beat
And share commingling heat.
But not by that, by that was eased my human smart.
In vain my tears were wet on Heaven's grey cheek.
For ah! we know what each other says,
these things and I; In sound I speak,
Their sound is but their stir, they speak by silences.
Nature, poor step-dame, cannot slake my drouth.
Let her, if she would owe me
Drop yon blue-bosomed veil of sky
And show me the breasts o' her tenderness.
Never did any milk of hers once bless my thirsting mouth.
Nigh and nigh draws the chase, with unperturbe d pace
Deliberate speed, majestic instancy,
And past those noise d feet, a Voice comes yet more fleet:
Lo, nought contentst thee who content'st nought Me.
Naked, I wait thy Love's uplifted stroke. My harness, piece by piece,
thou'st hewn from me
And smitten me to my knee,
I am defenceless, utterly.
I slept methinks, and awoke.
And slowly gazing, find me stripped in sleep.
In the rash lustihead of my young powers,
I shook the pillaring hours,
and pulled my life upon me.
Grimed with smears,
I stand amidst the dust o' the mounded years--
My mangled youth lies dead beneath the heap.
My days have crackled and gone up in smoke,
Have puffed and burst like sunstarts on a stream.
Yeah, faileth now even dream the dreamer
and the lute, the lutanist.
Even the linked fantasies in whose blossomy twist,
I swung the Earth, a trinket at my wrist,
Have yielded, cords of all too weak account,
For Earth, with heavy grief so overplussed.
Ah! is thy Love indeed a weed,
albeit an Amaranthine weed,
Suffering no flowers except its own to mount?
Ah! must, Designer Infinite,
Ah! must thou char the wood 'ere thou canst limn with it ?
My freshness spent its wavering shower i' the dust.
And now my heart is as a broken fount,
Wherein tear-drippings stagnate, spilt down ever
From the dank thoughts that shiver upon the sighful branches of my
mind.
Such is. What is to be ?
The pulp so bitter, how shall taste the rind ?
I dimly guess what Time in mists confounds,
Yet ever and anon, a trumpet sounds
From the hid battlements of Eternity.
Those shaken mists a space unsettle,
Then round the half-glimpse d turrets, slowly wash again.
But not 'ere Him who summoneth
I first have seen, enwound
With glooming robes purpureal; Cypress crowned.
His name I know, and what his trumpet saith.
Whether Man's Heart or Life it be that yield thee harvest,
Must thy harvest fields be dunged with rotten death ?
Now of that long pursuit,
Comes at hand the bruit.
That Voice is round me like a bursting Sea:
And is thy Earth so marred,
Shattered in shard on shard?
Lo, all things fly thee, for thou fliest me.
Strange, piteous, futile thing;
Wherefore should any set thee love apart?
Seeing none but I makes much of Naught (He said).
And human love needs human meriting ---
How hast thou merited,
Of all Man's clotted clay, the dingiest clot.
Alack! Thou knowest not
How little worthy of any love thou art.
Whom wilt thou find to love ignoble thee,
Save me, save only me?
All which I took from thee, I did'st but take,
Not for thy harms,
But just that thou might'st seek it in my arms.
All which thy childs mistake fancies as lost,
I have stored for thee at Home.
Rise, clasp my hand, and come.
Halts by me that Footfall.
Is my gloom, after all,
Shade of His hand, outstretched caressingly?
Ah, Fondest, Blindest, Weakest,
I am He whom thou seekest.
Thou dravest Love from thee who dravest Me.
|
Written by
Robert Francis |
A wind's word, the Hebrew Hallelujah.
I wonder they never gave it to a boy
(Hal for short) boy with wind-wild hair.
It means Praise God, as well it should since praise
Is what God's for. Why didn't they call my father
Hallelujah instead of Ebenezer?
Eben, of course, but christened Ebenezer,
Product of Nova Scotia (hallelujah).
Daniel, a country doctor, was his father
And my father his tenth and final boy.
A baby and last, he had a baby's praise:
Red petticoats, red cheeks, and crow-black hair.
A boy has little to say about his hair
And little about a name like Ebenezer
Except that you can shorten either. Praise
God for that, for that shout Hallelujah.
Shout Hallelujah for everything a boy
Can be that is not his father or grandfather.
But then, before you know it, he is a father
Too and passing on his brand of hair
To one more perfectly defenseless boy,
Dubbing him John or James or Ebenezer
But never, so far as I know, Hallelujah,
As if God didn't need quite that much praise.
But what I'm coming to - Could I ever praise
My father half enough for being a father
Who let me be myself? Sing Hallelujah.
Preacher he was with a prophet's head of hair
And what but a prophet's name was Ebenezer,
However little I guessed it as a boy?
Outlandish names of course are never a boy's
Choice. And it takes some time to learn to praise.
Stone of Help is the meaning of Ebenezer.
Stone of Help - what fitter name for my father?
Always the Stone of Help however his hair
Might graduate from black to Hallelujah.
Such is the old drama of boy and father.
Praise from a grayhead now with thinning hair.
Sing Ebenezer, Robert, sing Hallelujah!
|
Written by
Ogden Nash |
May I join you in the doghouse, Rover?
I wish to retire till the party's over.
Since three o'clock I've done my best
To entertain each tiny guest. My conscience now I've left behind me,
And if they want me, let them find me.
I blew their bubbles, I sailed their boats,
I kept them from each other's throats. I told them tales of magic lands,
I took them out to wash their hands.
I sorted their rubbers and tied their laces,
I wiped their noses and dried their faces. Of similarities there's lots
Twixt tiny tots and Hottentots.
I've earned repose to heal the ravages
Of these angelic-looking savages. Oh, progeny playing by itself
Is a lonely little elf,
But progeny in roistering batches
Would drive St. francis from here to Natchez. Shunned are the games a parent proposes,
They prefer to squirt each other with hoses,
Their playmates are their natural foemen
And they like to poke each other's abdomen. Their joy needs another woe's to cushion it,
Say a puddle, and someone littler to push in it.
They observe with glee the ballistic results
Of ice cream with spoons for catapults, And inform the assembly with tears and glares
That everyone's presents are better than theirs.
Oh, little women and little men,
Someday I hope to love you again, But not till after the party's over,
So give me the key to the doghouse, Rover
|
Written by
Friedrich von Schiller |
Hark where the bells toll, chiming, dull and steady,
The clock's slow hand hath reached the appointed time.
Well, be it so--prepare, my soul is ready,
Companions of the grave--the rest for crime!
Now take, O world! my last farewell--receiving
My parting kisses--in these tears they dwell!
Sweet are thy poisons while we taste believing,
Now we are quits--heart-poisoner, fare-thee-well!
Farewell, ye suns that once to joy invited,
Changed for the mould beneath the funeral shade;
Farewell, farewell, thou rosy time delighted,
Luring to soft desire the careless maid,
Pale gossamers of gold, farewell, sweet dreaming
Fancies--the children that an Eden bore!
Blossoms that died while dawn itself was gleaming,
Opening in happy sunlight never more.
Swanlike the robe which innocence bestowing,
Decked with the virgin favors, rosy fair,
In the gay time when many a young rose glowing,
Blushed through the loose train of the amber hair.
Woe, woe! as white the robe that decks me now--
The shroud-like robe hell's destined victim wears;
Still shall the fillet bind this burning brow--
That sable braid the Doomsman's hand prepares!
Weep ye, who never fell-for whom, unerring,
The soul's white lilies keep their virgin hue,
Ye who when thoughts so danger-sweet are stirring,
Take the stern strength that Nature gives the few!
Woe, for too human was this fond heart's feeling--
Feeling!--my sin's avenger doomed to be;
Woe--for the false man's arm around me stealing,
Stole the lulled virtue, charmed to sleep, from me.
Ah, he perhaps shall, round another sighing
(Forgot the serpents stinging at my breast),
Gayly, when I in the dumb grave am lying,
Pour the warm wish or speed the wanton jest,
Or play, perchance, with his new maiden's tresses,
Answer the kiss her lip enamored brings,
When the dread block the head he cradled presses,
And high the blood his kiss once fevered springs.
Thee, Francis, Francis, league on league, shall follow
The death-dirge of the Lucy once so dear;
From yonder steeple dismal, dull, and hollow,
Shall knell the warning horror on thy ear.
On thy fresh leman's lips when love is dawning,
And the lisped music glides from that sweet well--
Lo, in that breast a red wound shall be yawning,
And, in the midst of rapture, warn of hell!
Betrayer, what! thy soul relentless closing
To grief--the woman-shame no art can heal--
To that small life beneath my heart reposing!
Man, man, the wild beast for its young can feel!
Proud flew the sails--receding from the land,
I watched them waning from the wistful eye,
Round the gay maids on Seine's voluptuous strand,
Breathes the false incense of his fatal sigh.
And there the babe! there, on the mother's bosom,
Lulled in its sweet and golden rest it lay,
Fresh in life's morning as a rosy blossom,
It smiled, poor harmless one, my tears away.
Deathlike yet lovely, every feature speaking
In such dear calm and beauty to my sadness,
And cradled still the mother's heart, in breaking,
The softening love and the despairing madness.
"Woman, where is my father?" freezing through me,
Lisped the mute innocence with thunder-sound;
"Woman, where is thy husband?"--called unto me,
In every look, word, whisper, busying round!
Alas, for thee, there is no father's kiss;--
He fondleth other children on his knee.
How thou wilt curse our momentary bliss,
When bastard on thy name shall branded be!
Thy mother--oh, a hell her heart concealeth,
Lone-sitting, lone in social nature's all!
Thirsting for that glad fount thy love revealeth,
While still thy look the glad fount turns to gall.
In every infant cry my soul is hearkening,
The haunting happiness forever o'er,
And all the bitterness of death is darkening
The heavenly looks that smiled mine eyes before.
Hell, if my sight those looks a moment misses--
Hell, when my sight upon those looks is turned--
The avenging furies madden in thy kisses,
That slept in his what time my lips they burned.
Out from their graves his oaths spoke back in thunder!
The perjury stalked like murder in the sun--
Forever--God!--sense, reason, soul, sunk under--
The deed was done!
Francis, O Francis! league on league shall chase thee
The shadows hurrying grimly on thy flight--
Still with their icy arms they shall embrace thee,
And mutter thunder in thy dream's delight!
Down from the soft stars, in their tranquil glory,
Shall look thy dead child with a ghastly stare;
That shape shall haunt thee in its cerements gory,
And scourge thee back from heaven--its home is there!
Lifeless--how lifeless!--see, oh see, before me
It lies cold--stiff--O God!--and with that blood
I feel, as swoops the dizzy darkness o'er me
Mine own life mingled--ebbing in the flood--
Hark, at the door they knock--more loud within me--
More awful still--its sound the dread heart gave!
Gladly I welcome the cold arms that win me--
Fire, quench thy tortures in the icy grave!
Francis--a God that pardons dwells in heaven--
Francis, the sinner--yes--she pardons thee--
So let my wrongs unto the earth be given
Flame seize the wood!--it burns--it kindles--see!
There--there his letters cast--behold are ashes--
His vows--the conquering fire consumes them here
His kisses--see--see--all are only ashes--
All, all--the all that once on earth were dear!
Trust not the roses which your youth enjoyeth,
Sisters, to man's faith, changeful as the moon!
Beauty to me brought guilt--its bloom destroyeth
Lo, in the judgment court I curse the boon
Tears in the headsman's gaze--what tears?--'tis spoken!
Quick, bind mine eyes--all soon shall be forgot--
Doomsman--the lily hast thou never broken?
Pale Doomsman--tremble not!
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Written by
Delmore Schwartz |
Nothing is given which is not taken.
Little or nothing is taken which is not freely desired,
freely, truly and fully.
"You would not seek me if you had not found me": this is
true of all that is supremely desired and admired...
"An enigma is an animal," said the hurried, harried
schoolboy:
And a horse divided against itself cannot stand;
And a moron is a man who believes in having too many
wives: what harm is there in that?
O the endless fecundity of poetry is equaled
By its endless inexhaustible freshness, as in the discovery
of America and of poetry.
Hence it is clear that the truth is not strait and narrow but infinite:
All roads lead to Rome and to poetry
and to poem, sweet poem
and from, away and towards are the same typography.
Hence the poet must be, in a way, stupid and naive and a
little child;
Unless ye be as a little child ye cannot enter the kingdom
of poetry.
Hence the poet must be able to become a tiger like Blake; a
carousel like Rilke.
Hence he must be all things to be free, for all impersonations
a doormat and a monument
to all situations possible or actual
The cuckold, the cuckoo, the conqueror, and the coxcomb.
It is to him in the zoo that the zoo cries out and the hyena:
"Hello, take off your hat, king of the beasts, and be seated,
Mr. Bones."
And hence the poet must seek to be essentially anonymous.
He must die a little death each morning.
He must swallow his toad and study his vomit
as Baudelaire studied la charogne of Jeanne Duval.
The poet must be or become both Keats and Renoir and
Keats as Renoir.
Mozart as Figaro and Edgar Allan Poe as Ophelia, stoned
out of her mind
drowning in the river called forever river and ever...
Keats as Mimi, Camille, and an aging gourmet.
He must also refuse the favors of the unattainable lady
(As Baudelaire refused Madame Sabatier when the fair
blonde summoned him,
For Jeanne Duval was enough and more than enough,
although she cuckolded him
With errand boys, servants, waiters; reality was Jeanne Duval.
Had he permitted Madame Sabatier to teach the poet a greater whiteness,
His devotion and conception of the divinity of Beauty
would have suffered an absolute diminution.)
The poet must be both Casanova and St. Anthony,
He must be Adonis, Nero, Hippolytus, Heathcliff, and
Phaedre,
Genghis Kahn, Genghis Cohen, and Gordon Martini
Dandy Ghandi and St. Francis,
Professor Tenure, and Dizzy the dean and Disraeli of Death.
He would have worn the horns of existence upon his head,
He would have perceived them regarding the looking-glass,
He would have needed them the way a moose needs a hatrack;
Above his heavy head and in his loaded eyes, black and scorched,
He would have seen the meaning of the hat-rack, above the glass
Looking in the dark foyer.
For the poet must become nothing but poetry,
He must be nothing but a poem when he is writing
Until he is absent-minded as the dead are
Forgetful as the nymphs of Lethe and a lobotomy...
("the fat weed that rots on Lethe wharf").
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Written by
Robert Francis |
Lingo of birds was easier than lingo of peasants-
they were elusive, though, the birds, for excellent reasons.
He thought of Virgil, Virgil who wasn't there to chat with.
History he never forgave for letting Latin
lapse into Italian, a renegade jabbering
musical enough but not enough to call music
So he conversed with stones, imperial and papal.
Even the preposterous popes he could condone
a moment for the clean arrogance of their inscriptions.
He asked the Italians only to leave him in the past
alone, but this was what they emphatically never did.
Being the present, they never ceased to celebrate it.
Something was always brushing him on the street, satyr
or saint-impossible to say which the more foreign.
At home he was called touchy; here he knew he was.
Impossible to say. The dazzling nude with sex
lovingly displayed like carven fruit, the black
robe sweeping a holy and unholy dust.
Always the flesh whether to lacerate of kiss-
Conspiracy of fauns and clerics smiling back
and forth at each other acquiescently through leaves.
Caught between wan monastic mountains wearing the tonsure
and the all-siren, ever-dimpling sea, he saw
(how could he fail?) at heart geography to blame.
So home to Concord where (as he might have known he would)
he found the Italy he wanted to remember.
Why had he sailed if not for the savour of returning?
An Italy distilled of all extreme, conflict,
Collusion-an Italy without the Italians-
in whose green context he could con again his Virgil.
In cedar he read cypress, in the wild apple, olive.
His hills would stand up favorably to the hills of Rome.
His arrowheads could hold their own with are Etruscan.
And Walden clearly was his Mediterranean
whose infinite colors were his picture gallery.
How far his little boat transported him-how far.
He coughed discreetly and we likewise coughed;
we waited and we heard him clear his throat.
How to be perfect prisoners of the past
this was the thing but now he too is past.
Shall we go sit beside the Mississippi
and watch the riffraft driftwood floating by?
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Written by
Galway Kinnell |
The bud
stands for all things,
even those things that don't flower,
for everything flowers, from within, of self-blessing;
though sometimes it is necessary
to reteach a thing its loveliness,
to put a hand on its brow
of the flower
and retell it in words and in touch
it is lovely
until it flowers again from within, of self-blessing;
as St. Francis
put his hand on the creased forehead
of the sow, and told her in words and in touch
blessings of earth on the sow, and the sow
began remembering all down her thick length,
from the earthen snout all the way
through the fodder and slops to the spiritual curl of
the tail,
from the hard spininess spiked out from the spine
down through the great broken heart
to the blue milken dreaminess spurting and shuddering
from the fourteen teats into the fourteen mouths sucking
and blowing beneath them:
the long, perfect loveliness of sow.
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