Get Your Premium Membership

Best Famous Forsaking Poems

Here is a collection of the all-time best famous Forsaking poems. This is a select list of the best famous Forsaking poetry. Reading, writing, and enjoying famous Forsaking poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of forsaking poems.

Search and read the best famous Forsaking poems, articles about Forsaking poems, poetry blogs, or anything else Forsaking poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by Sir Thomas Wyatt | Create an image from this poem

They Flee from Me

They flee from me that sometime did me seek
   With naked foot stalking in my chamber.
I have seen them gentle tame and meek
   That now are wild and do not remember
   That sometime they put themselves in danger
To take bread at my hand; and now they range
Busily seeking with a continual change.

Thanked be fortune, it hath been otherwise
   Twenty times better; but once in special,
In thin array after a pleasant guise,
   When her loose gown from her shoulders did fall,
   And she me caught in her arms long and small;
And therewithal sweetly did me kiss,
And softly said, Dear heart, how like you this?

It was no dream, I lay broad waking.
   But all is turned thorough my gentleness
Into a strange fashion of forsaking;
   And I have leave to go of her goodness
   And she also to use newfangleness.
But since that I so kindely am served,
I would fain know what she hath deserved.


Written by Alfred Lord Tennyson | Create an image from this poem

All Things Will Die

 Clearly the blue river chimes in its flowing

 Under my eye;
Warmly and broadly the south winds are blowing

 Over the sky.
One after another the white clouds are fleeting;
Every heart this May morning in joyance is beating

 Full merrily;
 Yet all things must die.
The stream will cease to flow;
The wind will cease to blow;
The clouds will cease to fleet;
The heart will cease to beat;
 For all things must die.
 All things must die.
Spring will come never more.
 O, vanity!
Death waits at the door.
See! our friends are all forsaking
The wine and the merrymaking.
We are call'd—we must go.
Laid low, very low,
In the dark we must lie.
The merry glees are still;
The voice of the bird
Shall no more be heard,
Nor the wind on the hill.
 O, misery!
Hark! death is calling
While I speak to ye,
The jaw is falling,
The red cheek paling,
The strong limbs failing;
Ice with the warm blood mixing;
The eyeballs fixing.
Nine times goes the passing bell:
Ye merry souls, farewell.
 The old earth
 Had a birth,
 As all men know,
 Long ago.
And the old earth must die.
So let the warm winds range,
And the blue wave beat the shore;
For even and morn
Ye will never see
Thro' eternity.
All things were born.
Ye will come never more,
For all things must die.
Written by John Wilmot | Create an image from this poem

A Ramble in St. Jamess Park

 Much wine had passed, with grave discourse
Of who fucks who, and who does worse
(Such as you usually do hear
From those that diet at the Bear),
When I, who still take care to see
Drunkenness relieved by lechery,
Went out into St. James's Park
To cool my head and fire my heart.
But though St. James has th' honor on 't,
'Tis consecrate to prick and ****.
There, by a most incestuous birth,
Strange woods spring from the teeming earth;
For they relate how heretofore,
When ancient Pict began to whore,
Deluded of his assignation
(Jilting, it seems, was then in fashion),
Poor pensive lover, in this place
Would frig upon his mother's face;
Whence rows of mandrakes tall did rise
Whose lewd tops fucked the very skies.
Each imitative branch does twine
In some loved fold of Aretine,
And nightly now beneath their shade
Are buggeries, rapes, and incests made.
Unto this all-sin-sheltering grove
Whores of the bulk and the alcove,
Great ladies, chambermaids, and drudges,
The ragpicker, and heiress trudges.
Carmen, divines, great lords, and tailors,
Prentices, poets, pimps, and jailers,
Footmen, fine fops do here arrive,
And here promiscuously they swive.

Along these hallowed walks it was
That I beheld Corinna pass.
Whoever had been by to see
The proud disdain she cast on me
Through charming eyes, he would have swore
She dropped from heaven that very hour,
Forsaking the divine abode
In scorn of some despairing god.
But mark what creatures women are:
How infinitely vile, when fair!

Three knights o' the' elbow and the slur
With wriggling tails made up to her.

The first was of your Whitehall baldes,
Near kin t' th' Mother of the Maids;
Graced by whose favor he was able
To bring a friend t' th' Waiters' table,
Where he had heard Sir Edward Sutton
Say how the King loved Banstead mutton;
Since when he'd ne'er be brought to eat
By 's good will any other meat.
In this, as well as all the rest,
He ventures to do like the best,
But wanting common sense, th' ingredient
In choosing well not least expedient,
Converts abortive imitation
To universal affectation.
Thus he not only eats and talks
But feels and smells, sits down and walks,
Nay looks, and lives, and loves by rote,
In an old tawdry birthday coat.

The second was a Grays Inn wit,
A great inhabiter of the pit,
Where critic-like he sits and squints,
Steals pocket handkerchiefs, and hints
From 's neighbor, and the comedy,
To court, and pay, his landlady.

The third, a lady's eldest son
Within few years of twenty-one
Who hopes from his propitious fate,
Against he comes to his estate,
By these two worthies to be made
A most accomplished tearing blade.

One, in a strain 'twixt tune and nonsense,
Cries, "Madam, I have loved you long since.
Permit me your fair hand to kiss";
When at her mouth her **** cries, "Yes!"
In short, without much more ado,
Joyful and pleased, away she flew,
And with these three confounded asses
From park to hackney coach she passes.

So a proud ***** does lead about
Of humble curs the amorous rout,
Who most obsequiously do hunt
The savory scent of salt-swoln ****.
Some power more patient now relate
The sense of this surprising fate.
Gods! that a thing admired by me
Should fall to so much infamy.
Had she picked out, to rub her **** on,
Some stiff-pricked clown or well-hung parson,
Each job of whose spermatic sluice
Had filled her **** with wholesome juice,
I the proceeding should have praised
In hope sh' had quenched a fire I raised.
Such natural freedoms are but just:
There's something generous in mere lust.
But to turn a damned abandoned jade
When neither head nor tail persuade;
To be a whore in understanding,
A passive pot for fools to spend in!
The devil played booty, sure, with thee
To bring a blot on infamy.

But why am I, of all mankind,
To so severe a fate designed?
Ungrateful! Why this treachery
To humble fond, believing me,
Who gave you privilege above
The nice allowances of love?
Did ever I refuse to bear
The meanest part your lust could spare?
When your lewd **** came spewing home
Drenched with the seed of half the town,
My dram of sperm was supped up after
For the digestive surfeit water.
Full gorged at another time
With a vast meal of slime
Which your devouring **** had drawn
From porters' backs and footmen's brawn,
I was content to serve you up
My ballock-full for your grace cup,
Nor ever thought it an abuse
While you had pleasure for excuse -
You that could make my heart away
For noise and color, and betray
The secrets of my tender hours
To such knight-errant paramours,
When, leaning on your faithless breast,
Wrapped in security and rest,
Soft kindness all my powers did move,
And reason lay dissolved in love!

May stinking vapors choke your womb
Such as the men you dote upon
May your depraved appetite,
That could in whiffling fools delight,
Beget such frenzies in your mind
You may go mad for the north wind,
And fixing all your hopes upon't
To have him bluster in your ****,
Turn up your longing **** t' th' air
And perish in a wild despair!
But cowards shall forget to rant,
Schoolboys to frig, old whores to paint;
The Jesuits' fraternity
Shall leave the use of buggery;
Crab-louse, inspired with grace divine,
From earthly cod to heaven shall climb;
Physicians shall believe in Jesus,
And disobedience cease to please us,
Ere I desist with all my power
To plague this woman and undo her.
But my revenge will best be timed
When she is married that is limed.
In that most lamentable state
I'll make her feel my scorn and hate:
Pelt her with scandals, truth or lies,
And her poor cur with jealousied,
Till I have torn him from her breech,
While she whines like a dog-drawn *****;
Loathed and despised, kicked out o' th' Town
Into some dirty hole alone,
To chew the cud of misery
And know she owes it all to me.

And may no woman better thrive 
That dares prophane the **** I swive!
Written by John Matthew | Create an image from this poem

To my son

 You will realize this wisdom,
When you are my age, and experience,
Gained from being in vexing situations,
Yet, being out of it. You do the same,
There is a joy in detachment,
Forsaking instant pleasures, pains,
For things deeper and enduring.

Don’t be a slave to the work,
Of smart slave-drivers in cubicles,
Instead explore the works of men,
Who have experienced the truths,
And distilled in their words, wisdoms,
Which may grate your ears now.

Like me, don’t be prey to sudden,
Rushes of anger that comes over cables,
And with emails and posts demolish,
Without thinking of consequences -
I have done that and am living to regret.

Don’t drink bottled and sealed lifestyles,
Its sugar, water and carbon dioxide,
Will dither you, disorient you, and sap you,
And don’t eat fast food with loose change,
They will suck you into their assembly line.

Lastly do not try to see with closed eyes,
And hear with deaf ears, keep them open.
The music and rhythm can corrupt,
And make sinning seem so tempting.
The age of innocence, son, is gone,
Every man is a mercenary army.

If you follow this advise, son,
When you are mature and wise as me,
You will say, one day, “Thank you Papa,
For your words of advice, wisdom,
To my children, too, I will pass this wisdom.”
Written by Conrad Aiken | Create an image from this poem

The House Of Dust: Part 03: 10: Letter

 From time to time, lifting his eyes, he sees
The soft blue starlight through the one small window,
The moon above black trees, and clouds, and Venus,—
And turns to write . . . The clock, behind ticks softly.

It is so long, indeed, since I have written,—
Two years, almost, your last is turning yellow,—
That these first words I write seem cold and strange.
Are you the man I knew, or have you altered?
Altered, of course—just as I too have altered—
And whether towards each other, or more apart,
We cannot say . . . I've just re-read your letter—
Not through forgetfulness, but more for pleasure—

Pondering much on all you say in it
Of mystic consciousness—divine conversion—
The sense of oneness with the infinite,—
Faith in the world, its beauty, and its purpose . . .
Well, you believe one must have faith, in some sort,
If one's to talk through this dark world contented.
But is the world so dark? Or is it rather
Our own brute minds,—in which we hurry, trembling,
Through streets as yet unlighted? This, I think.

You have been always, let me say, "romantic,"—
Eager for color, for beauty, soon discontented
With a world of dust and stones and flesh too ailing:
Even before the question grew to problem
And drove you bickering into metaphysics,
You met on lower planes the same great dragon,
Seeking release, some fleeting satisfaction,
In strange aesthetics . . . You tried, as I remember,
One after one, strange cults, and some, too, morbid,
The cruder first, more violent sensations,
Gorgeously carnal things, conceived and acted
With splendid animal thirst . . . Then, by degrees,—
Savoring all more delicate gradations

In all that hue and tone may play on flesh,
Or thought on brain,—you passed, if I may say so,
From red and scarlet through morbid greens to mauve.
Let us regard ourselves, you used to say,
As instruments of music, whereon our lives
Will play as we desire: and let us yield
These subtle bodies and subtler brains and nerves
To all experience plays . . . And so you went
From subtle tune to subtler, each heard once,
Twice or thrice at the most, tiring of each;
And closing one by one your doors, drew in
Slowly, through darkening labyrinths of feeling,
Towards the central chamber . . . Which now you've reached.

What, then's, the secret of this ultimate chamber—
Or innermost, rather? If I see it clearly
It is the last, and cunningest, resort
Of one who has found this world of dust and flesh,—
This world of lamentations, death, injustice,
Sickness, humiliation, slow defeat,
Bareness, and ugliness, and iteration,—
Too meaningless; or, if it has a meaning,
Too tiresomely insistent on one meaning:

Futility . . . This world, I hear you saying,—
With lifted chin, and arm in outflung gesture,
Coldly imperious,—this transient world,
What has it then to give, if not containing
Deep hints of nobler worlds? We know its beauties,—
Momentary and trivial for the most part,
Perceived through flesh, passing like flesh away,—
And know how much outweighed they are by darkness.
We are like searchers in a house of darkness,
A house of dust; we creep with little lanterns,
Throwing our tremulous arcs of light at random,
Now here, now there, seeing a plane, an angle,
An edge, a curve, a wall, a broken stairway
Leading to who knows what; but never seeing
The whole at once . . . We grope our way a little,
And then grow tired. No matter what we touch,
Dust is the answer—dust: dust everywhere.
If this were all—what were the use, you ask?
But this is not: for why should we be seeking,
Why should we bring this need to seek for beauty,
To lift our minds, if there were only dust?
This is the central chamber you have come to:
Turning your back to the world, until you came
To this deep room, and looked through rose-stained windows,
And saw the hues of the world so sweetly changed.

Well, in a measure, so only do we all.
I am not sure that you can be refuted.
At the very last we all put faith in something,—
You in this ghost that animates your world,
This ethical ghost,—and I, you'll say, in reason,—
Or sensuous beauty,—or in my secret self . . .
Though as for that you put your faith in these,
As much as I do—and then, forsaking reason,—
Ascending, you would say, to intuition,—
You predicate this ghost of yours, as well.
Of course, you might have argued,—and you should have,—
That no such deep appearance of design
Could shape our world without entailing purpose:
For can design exist without a purpose?
Without conceiving mind? . . . We are like children
Who find, upon the sands, beside a sea,
Strange patterns drawn,—circles, arcs, ellipses,
Moulded in sand . . . Who put them there, we wonder?

Did someone draw them here before we came?
Or was it just the sea?—We pore upon them,
But find no answer—only suppositions.
And if these perfect shapes are evidence
Of immanent mind, it is but circumstantial:
We never come upon him at his work,
He never troubles us. He stands aloof—
Well, if he stands at all: is not concerned
With what we are or do. You, if you like,
May think he broods upon us, loves us, hates us,
Conceives some purpose of us. In so doing
You see, without much reason, will in law.
I am content to say, 'this world is ordered,
Happily so for us, by accident:
We go our ways untroubled save by laws
Of natural things.' Who makes the more assumption?

If we were wise—which God knows we are not—
(Notice I call on God!) we'd plumb this riddle
Not in the world we see, but in ourselves.
These brains of ours—these delicate spinal clusters—
Have limits: why not learn them, learn their cravings?
Which of the two minds, yours or mine, is sound?
Yours, which scorned the world that gave it freedom,
Until you managed to see that world as omen,—
Or mine, which likes the world, takes all for granted,
Sorrow as much as joy, and death as life?—
You lean on dreams, and take more credit for it.
I stand alone . . . Well, I take credit, too.
You find your pleasure in being at one with all things—
Fusing in lambent dream, rising and falling
As all things rise and fall . . . I do that too—
With reservations. I find more varied pleasure
In understanding: and so find beauty even
In this strange dream of yours you call the truth.

Well, I have bored you. And it's growing late.
For household news—what have you heard, I wonder?
You must have heard that Paul was dead, by this time—
Of spinal cancer. Nothing could be done—
We found it out too late. His death has changed me,
Deflected much of me that lived as he lived,
Saddened me, slowed me down. Such things will happen,
Life is composed of them; and it seems wisdom
To see them clearly, meditate upon them,
And understand what things flow out of them.
Otherwise, all goes on here much as always.
Why won't you come and see us, in the spring,
And bring old times with you?—If you could see me
Sitting here by the window, watching Venus
Go down behind my neighbor's poplar branches,—
Just where you used to sit,—I'm sure you'd come.
This year, they say, the springtime will be early.


Written by Anne Kingsmill Finch | Create an image from this poem

An Apology for my fearfull temper

 Tis true of courage I'm no mistress
No Boadicia nor Thalestriss
Nor shall I e'er be famed hereafter
For such a Soul as Cato's Daughter
Nor active valour nor enduring 
Nor leading troops nor forts securing
Like Teckley's wife or Pucell valiant
Will e'er be reckonded for my talent
Who all things fear whilst day is shining
And my own shadow light declining 
And from the Spleen's prolifick fountain
Can of a mole hill make a mountain
And if a Coach that was invented
Since Bess on Palfrey rode contented
Threatens to tumble topsy turvy 
With screeches loud and faces scurvey
I break discourse whilst some are laughing
Some fall to chear me some to chaffing
As secretly the driver curses
And whips my fault upon the horses 
These and ten thousand are the errours
Arising from tumultuous terrours
Yet can't I understand the merit
In Female's of a daring spirit
Since to them never was imparted 
In manly strengh tho' manly hearted
Nor need that sex be self defending
Who charm the most when most depending
And by sweet plaints and soft distresses
First gain asistance then adresses 
As our fourth Edward (beauty suing)
From but releiving fell to wooing
Who by Heroick speech or ranting
Had ne'er been melted to galanting
Nor had th'Egyptian Queen defying 
Drawn off that fleet she led by flying
Whilst Cesar and his ships crew hollow'd
To see how Tony row'd and follow'd
Oh Action triumph of the Ladies
And plea for her who most afraid is 
Then let my conduct work no wonder
When fame who cleaves the air asunder
And every thing in time discovers
Nor council keeps for Kings or Lovers
Yet stoops when tired with States and battles 
To Gossips chats and idler tattles
When she I say has given no knowledge
Of what has happen'd at Wye College
Think it not strange to save my Person
I gave the family diversion 
'Twas at an hour when most were sleeping
Some chimnies clean some wanted sweeping
Mine thro' good fires maintain'd this winter
(Of which no FINCH was e'er a stinter)
Pour'd down such flakes not Etna bigger 
Throws up as did my fancy figure
Nor does a Cannon ram'd with Powder
To others seem to Bellow louder
All that I thought or spoke or acted
Can't in a letter be compacted 
Nor how I threatn'd those with burning
Who thoughtless on their beds were turning
As Shakespear says they serv'd old Prium
When that the Greeks were got too nigh'em
And such th'effect in spite of weather 
Our Hecuba's all rose together
I at their head half cloath'd and shaking
Was instantly the house forsaking
And told them 'twas no time for talking
But who'd be safe had best be walking 
This hasty councel and conclusion
Seem'd harsh to those who had no shoes on
And saw no flames and heard no clatter
But as I had rehears'd the matter
And wildly talk't of fire and water 
For sooner then 'thas took to tell it
Right applications did repell it
And now my fear our mirth creating
Affords still subject for repeating
Whilst some deplore th'unusual folly 
Some (kinder) call it melancholy
Tho' certainly the spirits sinking
Comes not from want of wit or thinking
Since Rochester all dangers hated
And left to those were harder pated.
Written by Elizabeth Bishop | Create an image from this poem

The Armadillo

for Robert Lowell


This is the time of year
when almost every night
the frail, illegal fire balloons appear.
Climbing the mountain height,

rising toward a saint
still honored in these parts,
the paper chambers flush and fill with light
that comes and goes, like hearts.

Once up against the sky it's hard 
to tell them from the stars--
planets, that is--the tinted ones:
Venus going down, or Mars,

or the pale green one. With a wind,
they flare and falter, wobble and toss;
but if it's still they steer between
the kite sticks of the Southern Cross,

receding, dwindling, solemnly
and steadily forsaking us,
or, in the downdraft from a peak,
suddenly turning dangerous.

Last night another big one fell.
It splattered like an egg of fire
against the cliff behind the house.
The flame ran down. We saw the pair

of owls who nest there flying up 
and up, their whirling black-and-white
stained bright pink underneath, until
they shrieked up out of sight.

The ancient owls' nest must have burned.
Hastily, all alone,
a glistening armadillo left the scene,
rose-flecked, head down, tail down,

and then a baby rabbit jumped out,
short-eared, to our surprise.
So soft!--a handful of intangible ash
with fixed, ignited eyes.

Too pretty, dreamlike mimicry!
O falling fire and piercing cry 
and panic, and a weak mailed fist 
clenched ignorant against the sky!
Written by The Bible | Create an image from this poem

Proverbs 28:13

If we keep hiding away our sin
And cover our transgressions up
And we do not come to a place of confession
To allow the light of His love
To reveal to us where we're in need
Of forgiveness from the Lord
Then we will not prosper in our ways
Or know His mercy at all
But when we confess all of our sins
Forsaking what is not right,
We will surely obtain God's mercy
And walk in it all our lives.Scripture Poem © Copyright Of M.S.Lowndes
Written by Francis Thompson | Create an image from this poem

What shall I your true love tell?

 What shall I your true love tell, 
Earth forsaking maid? 
What shall I your true love tell 
When life's spectre's laid? 
"Tell him that, our side the grave, 
Maid may not believe 
Life should be so sad to have, 
That's so sad to leave!" 
What shall I your true love tell 
When I come to him? 
What shall I your true love tell 
Eyes growing dim? 
"Tell him this, when you shall part 
From a maiden pined; 
That I see him with my heart, 
Now my eyes are blind." 
What shall I your true love tell 
Speaking while is scant? 
What shall I your true love tell 
Death's white postulant? 
"Tell him love, with speech at strife, 
For last utterance saith: 
`I who loved with all my life, 
Loved with all my death.'"
Written by Rabindranath Tagore | Create an image from this poem

The Gardener LXXV: At Midnight

 At midnight the would-be ascetic
announced:
"This is the time to give up my
home and seek for God. Ah, who has
held me so long in delusion here?"
God whispered, "I," but the ears
of the man were stopped.
With a baby asleep at her breast
lay his wife, peacefully sleeping on
one side of the bed.
The man said, "Who are ye that
have fooled me so long?"
The voice said again, "They are
God," but he heard it not.
The baby cried out in its dream,
nestling close to its mother.
God commanded, "Stop, fool, leave
not thy home," but still he heard not.
God sighed and complained, "Why
does my servant wander to seek me,
forsaking me?"

Book: Radiant Verses: A Journey Through Inspiring Poetry