They Flee from Me

They flee from me that sometime did me seek
   With naked foot stalking in my chamber.
I have seen them gentle tame and meek
   That now are wild and do not remember
   That sometime they put themselves in danger
To take bread at my hand; and now they range
Busily seeking with a continual change.

Thanked be fortune, it hath been otherwise
   Twenty times better; but once in special,
In thin array after a pleasant guise,
   When her loose gown from her shoulders did fall,
   And she me caught in her arms long and small;
And therewithal sweetly did me kiss,
And softly said, Dear heart, how like you this?

It was no dream, I lay broad waking.
   But all is turned thorough my gentleness
Into a strange fashion of forsaking;
   And I have leave to go of her goodness
   And she also to use newfangleness.
But since that I so kindely am served,
I would fain know what she hath deserved.

Form: Rhyme Royal Comments

Literary Analysis

This literary analysis was generated with AI and may contain interpretive differences. Provide your analysis in the comments section.

Summary

Sir Thomas Wyatt presents a remembered relationship that has turned sharply from intimacy to rejection. The poem begins with a figure of pursuit and retreat: those who once sought the poet now avoid him, and the opening complaint is shaped by the language of animals or guests who were once tame but have become skittish and elusive. That contrast sets up the poem's larger emotional movement, from grievance to a vivid private recollection of tenderness, and then back to hurt disappointment.

The central memory in the middle stanza is more intimate and unsettling than the opening suggests. A woman appears in close physical contact, offering affection in a scene that feels both sensual and fleeting. Yet the final stanza reveals the poet's unease: what was once mutual warmth has become abandonment, and he interprets the change as springing from his own over-gentleness as well as from her fickleness. The ending does not fully settle the matter of blame. Instead, it leaves the reader between regret, irony, and wounded pride, with the poem's force lying in how quickly desire can become loss and how uncertain human affection can be.

Form Breakdown

Theme

  • Rejection and abandonment - The poem traces the painful reversal of being sought after to being avoided, turning emotional neglect into its central wound.
  • Mutability in relationships - Wyatt emphasizes how quickly affection changes, suggesting that love and desire are unstable rather than secure.
  • Desire and memory - The remembered encounter in the middle stanza preserves a moment of closeness, but memory only sharpens the contrast with the present loss.
  • Pride and self-blame - The ending balances resentment with a sense that the poet's own gentleness may have contributed to his dismissal.
  • Power and pursuit - The poem reverses social and romantic roles, showing the poet first in a position of being pursued and later in one of exclusion.
  • Sexual intimacy and restraint - The physical closeness of the central scene is suggested rather than fully explained, creating tension between private desire and public complaint.

Literary Devices

  • Extended metaphor - The opening image of creatures that once came willingly but now flee frames the relationship as a shift from domestication to wildness.
  • Contrast - Wyatt repeatedly sets former tenderness against present coldness, making the emotional reversal feel abrupt and severe.
  • Allusion to courtly language - The polished phrasing and references to service, goodness, and favor echo the social codes of aristocratic love and court behavior.
  • Direct speech - The woman's quoted words in the middle stanza bring the remembered scene to life and make the intimacy more immediate.
  • Irony - The poet's complaint is sharpened by the fact that he once enjoyed the very attention he now mourns, and his closing question carries bitter wit.
  • Enjambment - The lines move fluidly across syntax, mirroring the shifting emotional state and the instability of the relationship.
  • Rhetorical question - The final line asks what the woman has deserved, but the question functions more as a sting than a request for an answer.

Symbolism

  • Naked foot - This image suggests vulnerability, intimacy, and unguarded access to the poet's private space.
  • Chamber - The room symbolizes a secluded sphere of personal and erotic contact, now marked by memory and loss.
  • Bread at my hand - The offering of bread can symbolize trust, sustenance, and the poet's role as giver or host within the relationship.
  • Loose gown - The falling garment evokes physical openness and the transient nature of the remembered moment.
  • Arms long and small - The embrace stands for intimate possession and fleeting closeness, a physical sign of affection that cannot be kept.
  • Wild - The shift from tame to wild symbolizes emotional untethering and the refusal of former bonds.

Tone

Wyatt's tone is wounded, restrained, and quietly bitter, with flashes of irony that keep the complaint from becoming openly melodramatic. The mood for the reader is more uneasy than sorrowful: the poem feels intimate, tense, and a little холодly reflective, as if tenderness has been remembered only to underline how thoroughly it has been lost. The closing question leaves an aftertaste of sarcasm and hurt pride, but also a sense of unresolved vulnerability.

Historical Context

Wyatt wrote within the world of the Tudor court, where poetry often drew on the conventions of courtly love, service, and shifting favor. His lyrics helped shape the English sonnet and the shorter personal poem by adapting continental models to an aristocratic English setting. In that environment, emotional language often overlapped with political experience, so themes of pursuit, dismissal, and fickle favor carried more than one kind of meaning.

The poem also reflects Renaissance anxieties about instability in human relationships and the difficulty of trusting appearances. Its elegant restraint and compressed bitterness are characteristic of early Tudor lyric poetry, where private feeling is often filtered through wit, social form, and controlled self-presentation.

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