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Best Famous Forbidding Poems

Here is a collection of the all-time best famous Forbidding poems. This is a select list of the best famous Forbidding poetry. Reading, writing, and enjoying famous Forbidding poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of forbidding poems.

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Written by Olu Oguibe | Create an image from this poem

All because i loved you

once i wrote with the irreverence of youth
and the fire of a heart burning to ash 
i plucked words like faggots from blazing coal 
and on the anvil of exile i hammered sorrow into verse 
the burden of your suffering tore poetry from my flesh 
and on the night of your hanging there was dust in my lines 
i aimed for song and there was not an eye without tears 

i marked the fourteen stations of the cross 
but your death has killed my verse 
each day i wake on the hour to mourn 
and i feel like a wanderer in a city without lights 
passion flees in the fog and words crumble at my touch 
and my throat feels like a concrete floor 
the power of tears has deserted me 

i walk through the streets of this forbidding town 
searching for faces i used to know 
and your memory is like a faded picture in the pocket 
here and there i hear your name like the distant crack of a whip 
and there is a dull pain where the scars remain 
i recall your stubbornness and the ring of blood on your wrist 
and i embrace this cold that severed you from me 

once i howled with the rage of a bard 
there was epiphany in the pain 
and all because i loved you 
now i claw the walls for the naked word 
my lines are a hollow sepulchre 
ready for the final dust 
silence claims us at last 


Written by Adrienne Rich | Create an image from this poem

A Valediction Forbidding Mourning

 My swirling wants. Your frozen lips.
The grammar turned and attacked me.
Themes, written under duress.
Emptiness of the notations.

They gave me a drug that slowed the healing of wounds.

I want you to see this before I leave:
the experience of repetition as death
the failure of criticism to locate the pain
the poster in the bus that said:
my bleeding is under control

A red plant in a cemetary of plastic wreaths.

A last attempt: the language is a dialect called metaphor.
These images go unglossed: hair, glacier, flashlight.
When I think of a landscape I am thinking of a time.
When I talk of taking a trip I mean forever.
I could say: those mountains have a meaning
but further than that I could not say.

To do something very common, in my own way.
Written by T S (Thomas Stearns) Eliot | Create an image from this poem

Growltigers Last Stand

 GROWLTIGER was a Bravo Cat, who lived upon a barge;
In fact he was the roughest cat that ever roamed at large.
From Gravesend up to Oxford he pursued his evil aims,
Rejoicing in his title of "The Terror of the Thames."

His manners and appearance did not calculate to please;
His coat was torn and seedy, he was baggy at the knees;
One ear was somewhat missing, no need to tell you why,
And he scowled upon a hostile world from one forbidding eye.

The cottagers of Rotherhithe knew something of his fame,
At Hammersmith and Putney people shuddered at his name.
They would fortify the hen-house, lock up the silly goose,
When the rumour ran along the shore: GROWLTIGER'S ON THE LOOSE!

Woe to the weak canary, that fluttered from its cage;
Woe to the pampered Pekinese, that faced Growltiger's rage.
Woe to the bristly Bandicoot, that lurks on foreign ships,
And woe to any Cat with whom Growltiger came to grips!

But most to Cats of foreign race his hatred had been vowed;
To Cats of foreign name and race no quarter was allowed.
The Persian and the Siamese regarded him with fear--
Because it was a Siamese had mauled his missing ear.

Now on a peaceful summer night, all nature seemed at play,
The tender moon was shining bright, the barge at Molesey lay.
All in the balmy moonlight it lay rocking on the tide--
And Growltiger was disposed to show his sentimental side.

His bucko mate, GRUMBUSKIN, long since had disappeared,
For to the Bell at Hampton he had gone to wet his beard;
And his bosun, TUMBLEBRUTUS, he too had stol'n away-
In the yard behind the Lion he was prowling for his prey.

In the forepeak of the vessel Growltiger sate alone,
Concentrating his attention on the Lady GRIDDLEBONE.
And his raffish crew were sleeping in their barrels and their bunks--
As the Siamese came creeping in their sampans and their junks.

Growltiger had no eye or ear for aught but Griddlebone,
And the Lady seemed enraptured by his manly baritone,
Disposed to relaxation, and awaiting no surprise--
But the moonlight shone reflected from a thousand bright blue eyes.

And closer still and closer the sampans circled round,
And yet from all the enemy there was not heard a sound.
The lovers sang their last duet, in danger of their lives--
For the foe was armed with toasting forks and cruel carving knives.
Then GILBERT gave the signal to his fierce Mongolian horde;
With a frightful burst of fireworks the Chinks they swarmed aboard.
Abandoning their sampans, and their pullaways and junks,
They battened down the hatches on the crew within their bunks.

Then Griddlebone she gave a screech, for she was badly skeered;
I am sorry to admit it, but she quickly disappeared.
She probably escaped with ease, I'm sure she was not drowned--
But a serried ring of flashing steel Growltiger did surround.

The ruthless foe pressed forward, in stubborn rank on rank;
Growltiger to his vast surprise was forced to walk the plank.
He who a hundred victims had driven to that drop,
At the end of all his crimes was forced to go ker-flip, ker-flop.

Oh there was joy in Wapping when the news flew through the land;
At Maidenhead and Henley there was dancing on the strand.
Rats were roasted whole at Brentford, and at Victoria Dock,
And a day of celebration was commanded in Bangkok.
Written by John Donne | Create an image from this poem

A Valediction: Forbidding Mourning

 As virtuous men pass mildly away,
And whisper to their souls to go,
Whilst some of their sad friends do say
The breath goes now, and some say, No:

So let us melt, and make no noise,
No tear-floods, nor sigh-tempests move,
'Twere profanation of our joys
To tell the laity our love.

Moving of th' earth brings harms and fears,
Men reckon what it did and meant,
But trepidation of the spheres,
Though greater far, is innocent.

Dull sublunary lovers' love
(Whose soul is sense) cannot admit
Absence, because it doth remove
Those things which elemented it.

But we by a love so much refined
That our selves know not what it is,
Inter-assurèd of the mind,
Care less, eyes, lips, and hands to miss.

Our two souls therefore, which are one,
Though I must go, endure not yet
A breach, but an expansion,
Like gold to aery thinness beat.

If they be two, they are two so
As stiff twin compasses are two;
Thy soul, the fixed foot, makes no show
To move, but doth, if th' other do.

And though it in the centre sit,
Yet when the other far doth roam,
It leans and hearkens after it,
And grows erect, as that comes home.

Such wilt thou be to me, who must
Like th' other foot, obliquely run;
Thy firmness makes my circle just,
And makes me end where I begun.
Written by David St John | Create an image from this poem

Stone Shadows

 For an entire year she dressed in all the shades
Of ash — the gray of old paper; the deeper,
Almost auburn ash of pencil boxes; the dark, nearly

Black marl of oak beds pulled from burning houses.
That year, even her hair itself was woven
With an ashen white, just single threads here & there.

Yet the effect at last was of a woman
Constructed entirely of evening shadows . . . walking
Toward you out of an antique ink-&-pearl snapshot.

Still, it was exactly the kind of sadness
I could understand, & even love; & so, I spent hours
Walking the back streets of Trastevere looking in the most

Forbidding & derelict shops for some element of ash
She’d never seen before. It may seem odd to you, now,
But this was the single ambition of my life. Finally.

I had to give it up; I'd failed. She knew them all. So,
To celebrate our few months together, I gave her
Before we parted one night a necklace with a huge fake

Ruby. She slipped it immediately over her head, & its knuckle
Of red glass caught the light reflecting off the thin candles
Rising by the bed. On her naked breasts it looked exactly

Like an unworldly, burgundy coal.


Written by Henry Wadsworth Longfellow | Create an image from this poem

Hiawathas Friends

 Two good friends had Hiawatha, 
Singled out from all the others, 
Bound to him in closest union, 
And to whom he gave the right hand 
Of his heart, in joy and sorrow; 
Chibiabos, the musician,
And the very strong man, Kwasind.
Straight between them ran the pathway, 
Never grew the grass upon it; 
Singing birds, that utter falsehoods, 
Story-tellers, mischief-makers, 
Found no eager ear to listen, 
Could not breed ill-will between them, 
For they kept each other's counsel, 
Spake with naked hearts together, 
Pondering much and much contriving 
How the tribes of men might prosper.
Most beloved by Hiawatha 
Was the gentle Chibiabos, 
He the best of all musicians, 
He the sweetest of all singers. 
Beautiful and childlike was he, 
Brave as man is, soft as woman, 
Pliant as a wand of willow, 
Stately as a deer with antlers.
When he sang, the village listened; 
All the warriors gathered round him, 
All the women came to hear him; 
Now he stirred their souls to passion, 
Now he melted them to pity.
From the hollow reeds he fashioned 
Flutes so musical and mellow, 
That the brook, the Sebowisha, 
Ceased to murmur in the woodland, 
That the wood-birds ceased from singing, 
And the squirrel, Adjidaumo, 
Ceased his chatter in the oak-tree, 
And the rabbit, the Wabasso, 
Sat upright to look and listen.
Yes, the brook, the Sebowisha, 
Pausing, said, "O Chibiabos, 
Teach my waves to flow in music, 
Softly as your words in singing!"
Yes, the bluebird, the Owaissa, 
Envious, said, "O Chibiabos, 
Teach me tones as wild and wayward, 
Teach me songs as full of frenzy!"
Yes, the robin, the Opechee, 
Joyous, said, "O Chibiabos, 
Teach me tones as sweet and tender, 
Teach me songs as full of gladness!"
And the whippoorwill, Wawonaissa, 
Sobbing, said, "O Chibiabos, 
Teach me tones as melancholy, 
Teach me songs as full of sadness!"
All the many sounds of nature 
Borrowed sweetness from his singing; 
All the hearts of men were softened 
By the pathos of his music; 
For he sang of peace and freedom, 
Sang of beauty, love, and longing; 
Sang of death, and life undying 
In the Islands of the Blessed,
In the kingdom of Ponemah, 
In the land of the Hereafter.
Very dear to Hiawatha 
Was the gentle Chibiabos, 
He the best of all musicians, 
He the sweetest of all singers; 
For his gentleness he loved him, 
And the magic of his singing.
Dear, too, unto Hiawatha 
Was the very strong man, Kwasind, 
He the strongest of all mortals, 
He the mightiest among many; 
For his very strength he loved him, 
For his strength allied to goodness.
Idle in his youth was Kwasind, 
Very listless, dull, and dreamy, 
Never played with other children, 
Never fished and never hunted, 
Not like other children was he; 
But they saw that much he fasted, 
Much his Manito entreated, 
Much besought his Guardian Spirit.
"Lazy Kwasind!" said his mother, 
"In my work you never help me! 
In the Summer you are roaming 
Idly in the fields and forests; 
In the Winter you are cowering 
O'er the firebrands in the wigwam! 
In the coldest days of Winter 
I must break the ice for fishing; 
With my nets you never help me! 
At the door my nets are hanging, 
Dripping, freezing with the water; 
Go and wring them, Yenadizze! 
Go and dry them in the sunshine!"
Slowly, from the ashes, Kwasind 
Rose, but made no angry answer; 
From the lodge went forth in silence, 
Took the nets, that hung together,
Dripping, freezing at the doorway; 
Like a wisp of straw he wrung them, 
Like a wisp of straw he broke them, 
Could not wring them without breaking, 
Such the strength was in his fingers.
"Lazy Kwasind!" said his father, 
"In the hunt you never help me; 
Every bow you touch is broken, 
Snapped asunder every arrow; 
Yet come with me to the forest, 
You shall bring the hunting homeward."
Down a narrow pass they wandered, 
Where a brooklet led them onward, 
Where the trail of deer and bison 
Marked the soft mud on the margin, 
Till they found all further passage 
Shut against them, barred securely 
By the trunks of trees uprooted, 
Lying lengthwise, lying crosswise, 
And forbidding further passage.
"We must go back," said the old man, 
"O'er these logs we cannot clamber; 
Not a woodchuck could get through them, 
Not a squirrel clamber o'er them!" 
And straightway his pipe he lighted, 
And sat down to smoke and ponder. 
But before his pipe was finished, 
Lo! the path was cleared before him; 
All the trunks had Kwasind lifted, 
To the right hand, to the left hand, 
Shot the pine-trees swift as arrows, 
Hurled the cedars light as lances.
"Lazy Kwasind!" said the young men, 
As they sported in the meadow:
"Why stand idly looking at us, 
Leaning on the rock behind you? 
Come and wrestle with the others, 
Let us pitch the quoit together!"
Lazy Kwasind made no answer, 
To their challenge made no answer, 
Only rose, and slowly turning, 
Seized the huge rock in his fingers, 
Tore it from its deep foundation, 
Poised it in the air a moment, 
Pitched it sheer into the river, 
Sheer into the swift Pauwating, 
Where it still is seen in Summer.
Once as down that foaming river, 
Down the rapids of Pauwating, 
Kwasind sailed with his companions, 
In the stream he saw a beaver, 
Saw Ahmeek, the King of Beavers, 
Struggling with the rushing currents, 
Rising, sinking in the water.
Without speaking, without pausing, 
Kwasind leaped into the river, 
Plunged beneath the bubbling surface, 
Through the whirlpools chased the beaver, 
Followed him among the islands, 
Stayed so long beneath the water, 
That his terrified companions 
Cried, "Alas! good-by to Kwasind! 
We shall never more see Kwasind!" 
But he reappeared triumphant, 
And upon his shining shoulders 
Brought the beaver, dead and dripping, 
Brought the King of all the Beavers.
And these two, as I have told you, 
Were the friends of Hiawatha, 
Chibiabos, the musician, 
And the very strong man, Kwasind. 
Long they lived in peace together, 
Spake with naked hearts together, 
Pondering much and much contriving 
How the tribes of men might prosper.
Written by Sir Henry Newbolt | Create an image from this poem

A Letter From the Front

 I was out early to-day, spying about 
From the top of a haystack -- such a lovely morning -- 
And when I mounted again to canter back 
I saw across a field in the broad sunlight 
A young Gunner Subaltern, stalking along 
With a rook-rifle held at the read, and -- would you believe it? -- 
A domestic cat, soberly marching beside him. 

So I laughed, and felt quite well disposed to the youngster, 
And shouted out "the top of the morning" to him, 
And wished him "Good sport!" -- and then I remembered 
My rank, and his, and what I ought to be doing: 
And I rode nearer, and added, "I can only suppose 
You have not seen the Commander-in-Chief's order 
Forbidding English officers to annoy their Allies 
By hunting and shooting." 
But he stood and saluted 
And said earnestly, "I beg your pardon, Sir, 
I was only going out to shoot a sparrow 
To feed my cat with." 
So there was the whole picture, 
The lovely early morning, the occasional shell 
Screeching and scattering past us, the empty landscape, -- 
Empty, except for the young Gunner saluting, 
And the cat, anxiously watching his every movement. 

I may be wrong, or I may have told it badly, 
But it struck me as being extremely ludicrous.
Written by Emma Lazarus | Create an image from this poem

To R.W.E

 As when a father dies, his children draw 
About the empty hearth, their loss to cheat 
With uttered praise & love, & oft repeat 
His all-familiar words with whispered awe. 
The honored habit of his daily law, 
Not for his sake, but theirs whose feeble feet 
Need still that guiding lamp, whose faith, less sweet, 
Misses that tempered patience without flaw, 
So do we gather round thy vacant chair, 
In thine own elm-roofed, amber-rivered town, 
Master & Father! For the love we bear, 
Not for thy fame's sake, do we weave this crown, 
And feel thy presence in the sacred air, 
Forbidding us to weep that thou art gone.
Written by Philip Larkin | Create an image from this poem

Skin

 Obedient daily dress,
You cannot always keep
That unfakable young surface.
You must learn your lines -
Anger, amusement, sleep;
Those few forbidding signs

Of the continuous coarse
Sand-laden wind, time;
You must thicken, work loose
Into an old bag
Carrying a soiled name.
Parch then; be roughened; sag;

And pardon me, that
I Could find, when you were new,
No brash festivity
To wear you at, such as
Clothes are entitled to
Till the fashion changes.
Written by Osip Mandelstam | Create an image from this poem

This

 Today, my love,
leaves are thrashing the wind
just as pedestrians are erecting again the buildings of this drab
forbidding city,
and our lives, as I lose track of them,
are the lives of others derailing in time and
getting things done.
Impossible to make sense of any one face
or mouth, though
each distance
is clear, and you are miles
from here.
Let your pure
space crowd my heart,
that we might stay awhile longer amid the flying
debris.
This moment,
I swear it,
isn't going anywhere.

Book: Radiant Verses: A Journey Through Inspiring Poetry