Written by
Charles Bukowski |
either peace or happiness,
let it enfold you
when i was a young man
I felt these things were
dumb,unsophisticated.
I had bad blood,a twisted
mind, a pecarious
upbringing.
I was hard as granite,I
leered at the
sun.
I trusted no man and
especially no
woman.
I was living a hell in
small rooms, I broke
things, smashed things,
walked through glass,
cursed.
I challenged everything,
was continually being
evicted,jailed,in and
out of fights,in and aout
of my mind.
women were something
to screw and rail
at,i had no male
freinds,
I changed jobs and
cities,I hated holidays,
babies,history,
newspapers, museums,
grandmothers,
marriage, movies,
spiders, garbagemen,
english accents,spain,
france,italy,walnuts and
the color
orange.
algebra angred me,
opera sickened me,
charlie chaplin was a
fake
and flowers were for
pansies.
peace an happiness to me
were signs of
inferiority,
tenants of the weak
an
addled
mind.
but as I went on with
my alley fights,
my suicidal years,
my passage through
any number of
women-it gradually
began to occur to
me
that I wasn't diffrent
from the
others, I was the same,
they were all fulsome
with hatred,
glossed over with petty
greivances,
the men I fought in
alleys had hearts of stone.
everybody was nudging,
inching, cheating for
some insignificant
advantage,
the lie was the
weapon and the
plot was
emptey,
darkness was the
dictator.
cautiously, I allowed
myself to feel good
at times.
I found moments of
peace in cheap
rooms
just staring at the
knobs of some
dresser
or listening to the
rain in the
dark.
the less i needed
the better i
felt.
maybe the other life had worn me
down.
I no longer found
glamour
in topping somebody
in conversation.
or in mounting the
body of some poor
drunken female
whose life had
slipped away into
sorrow.
I could never accept
life as it was,
i could never gobble
down all its
poisons
but there were parts,
tenous magic parts
open for the
asking.
I re formulated
I don't know when,
date,time,all
that
but the change
occured.
something in me
relaxed, smoothed
out.
i no longer had to
prove that i was a
man,
I did'nt have to prove
anything.
I began to see things:
coffe cups lined up
behind a counter in a
cafe.
or a dog walking along
a sidewalk.
or the way the mouse
on my dresser top
stopped there
with its body,
its ears,
its nose,
it was fixed,
a bit of life
caught within itself
and its eyes looked
at me
and they were
beautiful.
then- it was
gone.
I began to feel good,
I began to feel good
in the worst situations
and there were plenty
of those.
like say, the boss
behind his desk,
he is going to have
to fire me.
I've missed too many
days.
he is dressed in a
suit, necktie, glasses,
he says, "i am going
to have to let you go"
"it's all right" i tell
him.
He must do what he
must do, he has a
wife, a house, children.
expenses, most probably
a girlfreind.
I am sorry for him
he is caught.
I walk onto the blazing
sunshine.
the whole day is
mine
temporailiy,
anyhow.
(the whole world is at the
throat of the world,
everybody feels angry,
short-changed, cheated,
everybody is despondent,
dissillusioned)
I welcomed shots of
peace, tattered shards of
happiness.
I embraced that stuff
like the hottest number,
like high heels,breasts,
singing,the
works.
(dont get me wrong,
there is such a thing as cockeyed optimism
that overlooks all
basic problems justr for
the sake of
itself-
this is a sheild and a
sickness.)
The knife got near my
throat again,
I almost turned on the
gas
again
but when the good
moments arrived
again
I did'nt fight them off
like an alley
adversary.
I let them take me,
i luxuriated in them,
I bade them welcome
home.
I even looked into
the mirror
once having thought
myself to be
ugly,
I now liked what
I saw,almost
handsome,yes,
a bit ripped and
ragged,
scares,lumps,
odd turns,
but all in all,
not too bad,
almost handsome,
better at least than
some of those movie
star faces
like the cheeks of
a babys
butt.
and finally I discovered
real feelings fo
others,
unhearleded,
like latley,
like this morning,
as I was leaving,
for the track,
i saw my wif in bed,
just the
shape of
her head there
(not forgetting
centuries of the living
and the dead and
the dying,
the pyarimids,
Mozart dead
but his music still
there in the
room, weeds growing,
the earth turning,
the toteboard waiting for
me)
I saw the shape of my
wife's head,
she so still,
i ached for her life,
just being there
under the
covers.
i kissed her in the,
forehead,
got down the stairway,
got outside,
got into my marvelous
car,
fixed the seatbelt,
backed out the
drive.
feeling warm to
the fingertips,
down to my
foot on the gas
pedal,
I entered the world
once
more,
drove down the
hill
past the houses
full and emptey
of
people,
i saw the mailman,
honked,
he waved
back
at me.
|
Written by
Anne Sexton |
Sleepmonger,
deathmonger,
with capsules in my palms each night,
eight at a time from sweet pharmaceutical bottles
I make arrangements for a pint-sized journey.
I'm the queen of this condition.
I'm an expert on making the trip
and now they say I'm an addict.
Now they ask why.
WHY!
Don't they know that I promised to die!
I'm keeping in practice.
I'm merely staying in shape.
The pills are a mother, but better,
every color and as good as sour balls.
I'm on a diet from death.
Yes, I admit
it has gotten to be a bit of a habit-
blows eight at a time, socked in the eye,
hauled away by the pink, the orange,
the green and the white goodnights.
I'm becoming something of a chemical
mixture.
that's it!
My supply
of tablets
has got to last for years and years.
I like them more than I like me.
It's a kind of marriage.
It's a kind of war where I plant bombs inside
of myself.
Yes
I try
to kill myself in small amounts,
an innocuous occupation.
Actually I'm hung up on it.
But remember I don't make too much noise.
And frankly no one has to lug me out
and I don't stand there in my winding sheet.
I'm a little buttercup in my yellow nightie
eating my eight loaves in a row
and in a certain order as in
the laying on of hands
or the black sacrament.
It's a ceremony
but like any other sport
it's full of rules.
It's like a musical tennis match where
my mouth keeps catching the ball.
Then I lie on; my altar
elevated by the eight chemical kisses.
What a lay me down this is
with two pink, two orange,
two green, two white goodnights.
Fee-fi-fo-fum-
Now I'm borrowed.
Now I'm numb.
|
Written by
Alfred Noyes |
PART ONE
The wind was a torrent of darkness among the gusty trees,
The moon was a ghostly galleon tossed upon cloudy seas,
The road was a ribbon of moonlight over the purple moor,
And the highwayman came riding--
Riding--riding--
The highwayman came riding, up to the old inndoor.
He'd a French cocked-hat on his forehead, a bunch of lace at his chin,
A coat of claret velvet, and breeches of brown doeskin;
They fitted with never a wrinkle: his boots were up to the thigh!
And he rode with a jewelled twinkle,
His pistol butts a-twinkle
His rapier hilt a-twinkle, under the jewelled sky.
Over the cobbles he clattered and clashed in the dard inn-yard,
And he tapped with his whip on the shutters, but all was locked and barred;
He whistled a tune to the window, and who should be waiting there
But the landlord's black-eyed daughter,
Bess, the landlord's daughter,
Plaiting a dark red love-knot into her long black hair.
And dark in the dark old inn-yard a stable-wicket creaked
Where Tim the ostler listened; his face was white and peaked;
His eyes were hollows of madness, his hair like moldy hay,
But he loved the landlord's daughter,
The landlord's red-lipped daughter,
Dumb as a dog he listened, and heard the robber say--
"One kiss, my bonny sweetheart, I'm after a prize tonight,
But I shall be back with the yellow gold before morning light;
Yet, if they press me sharply, and harry me through the day,
Then look for me by moonlight,
Watch for me by moonlight,
I'll come to thee by moonlight, though hell should bar the way."
He rose upright in the stirrups; he scarce could reach her hand,
But she loosened her hair i' the casement! His face burnt like a brand
As the black cascade of perfume came tumbling over his breast;
And he kissed its waves in the moonlight,
(Oh, sweet black waves in the moonlight!)
Then he tugged at his rein in the moonlight, and galloped away to the West.
PART TWO
He did not come in the dawning; he did not come at noon;
And out o' the tawny sunset, before the rise o' the moon,
When the road was a gypsy's ribbon, looping the purple moor,
A red coat troop came marching--
marching--marching--
King George's men came marching, up to the old inn-door.
They said no word to the landlord, they drank his ale instead,
But they gagged his daughter and bound her to the foot of her narrow bed;
Two fo them knelt at her casement, with muskets at their side!
There was death at every window;
And hell at one dark window;
For Bess could see, through her casement, the road that he would ride.
They had tied her up to attention, with many a sniggering jest;
They had bound a musket beside her, with the barrel beneath her breast!
"Now keep good watch!" and they kissed her. She heard the dead man say--
Look for me by moonlight;
Watch for me by moonlight;
I'll come to thee by moonlight, though hell should bar the way!
She twisted her hands behind her; but all the knots held good!
She writhed her hands till her fingers were wet with sweat or blood!
They stretched and strained in the darkness, and the hours crawled by like years,
Till, now, on the stroke of midnight,
Cold, on the stroke of midnight,
The tip of one finger touched it! The trigger at least was hers!
The tip of one finger touched it; she strove no more for rest!
Up, she stood to attention, with the barrel beneath her breast,
She would not risk their hearing; she would not strive again;
For the road lay bare in the moonlight;
Blank and bare in the moonlight;
And the blood of her veins in the moonlight throbbed to her love's refrain
Tlot-tlot; tlot-tlot! Had they heard it? This horse-hoofs ringing clear;
Tlot-tlot, tlot-tlot, in the distance? Were they deaf that they did not hear?
Down the ribbon of moonlight, over the brow of the hill,
The highwayman came riding,
Riding, riding!
The red-coats looked to their priming! She stood up, straight and still!
Tlot-tlot, in the frosty silence! Tlot-tlot in the echoing night!
Nearer he came and nearer! Her face was like a light!
Her eyes grew wide for a moment; she drew one last deep breath,
Then her finger moved in the moonlight,
Her musket shattered the moonlight,
Shattered her breast in the moonlight and warned him - with her death.
He turned; he spurred to the West; he did not know who stood
Bowed, with her head o'er the musket, drenched with her own red blood!
Not till the dawn he heard it, his face grew gray to hear
How Bess, the landlord's daughter,
The landlords black-eyed daughter,
Had watched her love in the moonlight, and died in the darkness there.
Back, he spurred like a madman, shreiking a curse to the sky,
with the white road smoking behind him, and his rapier brain dished high!
Blood-red were his spurs i' the golden noon; wine-red was his velvet coat.
When they shot him down in the highway,
Down like a dog on the highway,
And he lay his blood on the highway, with a bunch of lace at his throat.
And still of a winter's night, they say, when the wind is in the trees,
When the moon is a ghostly galleon tossed upon cluody seas,
When the road is a ribbon of moonlight over the purple moor,
A highwayman comes riding--
Riding--riding--
A highwayman comes riding, up to the old inn-door.
Over the cobbles he clatters and clangs in the dark inn-yard;
He taps with his whip on the shutters, but all is locked and barred;
He whistles a tune to the window, and who should be waiting there
But the landlord's daughter,
Bess, the landlord's daughter,
Plaiting a dark red love-knot into her long black hair.
|
Written by
Philip Freneau |
Emporers and kings! in vain you strive
Your torments to conceal--
The age is come that shakes your thrones,
Tramples in dust despotic crowns,
And bids the sceptre fail.
In western worlds the flame began:
From thence to France it flew--
Through Europe, now, it takes its way,
Beams an insufferable day,
And lays all tyrants low.
Genius fo France! pursue the chace
Till Reason's laws restore
Man to be Man, in every clime;--
That Being, active, great, sublime
Debas'd in dust no more.
In dreadful pomp he takes his way
O'er ruin'd crowns, demolish'd thrones--
Pale tyrants shrink before his blaze--
Round him terrific lightenings play--
With eyes of fire, he looks then through,
Crushes the vile despotic crew,
And Pride in ruin lays.
|
Written by
Robert Burns |
AULD chuckie Reekie’s 1 sair distrest,
Down droops her ance weel burnish’d crest,
Nae joy her bonie buskit nest
Can yield ava,
Her darling bird that she lo’es best—
Willie’s awa!
O Willie was a witty wight,
And had o’ things an unco’ sleight,
Auld Reekie aye he keepit tight,
And trig an’ braw:
But now they’ll busk her like a fright,—
Willie’s awa!
The stiffest o’ them a’ he bow’d,
The bauldest o’ them a’ he cow’d;
They durst nae mair than he allow’d,
That was a law:
We’ve lost a birkie weel worth gowd;
Willie’s awa!
Now gawkies, tawpies, gowks and fools,
Frae colleges and boarding schools,
May sprout like simmer puddock-stools
In glen or shaw;
He wha could brush them down to mools—
Willie’s awa!
The brethren o’ the Commerce-chaumer
May mourn their loss wi’ doolfu’ clamour;
He was a dictionar and grammar
Among them a’;
I fear they’ll now mak mony a stammer;
Willie’s awa!
Nae mair we see his levee door
Philosophers and poets pour,
And toothy critics by the score,
In bloody raw!
The adjutant o’ a’ the core—
Willie’s awa!
Now worthy Gregory’s Latin face,
Tytler’s and Greenfield’s modest grace;
Mackenzie, Stewart, such a brace
As Rome ne’er saw;
They a’ maun meet some ither place,
Willie’s awa!
Poor Burns ev’n Scotch Drink canna quicken,
He cheeps like some bewilder’d chicken
Scar’d frae it’s minnie and the cleckin,
By hoodie-craw;
Grieg’s gien his heart an unco kickin,
Willie’s awa!
Now ev’ry sour-mou’d girnin blellum,
And Calvin’s folk, are fit to fell him;
Ilk self-conceited critic skellum
His quill may draw;
He wha could brawlie ward their bellum—
Willie’s awa!
Up wimpling stately Tweed I’ve sped,
And Eden scenes on crystal Jed,
And Ettrick banks, now roaring red,
While tempests blaw;
But every joy and pleasure’s fled,
Willie’s awa!
May I be Slander’s common speech;
A text for Infamy to preach;
And lastly, streekit out to bleach
In winter snaw;
When I forget thee, Willie Creech,
Tho’ far awa!
May never wicked Fortune touzle him!
May never wicked men bamboozle him!
Until a pow as auld’s Methusalem
He canty claw!
Then to the blessed new Jerusalem,
Fleet wing awa!
Note 1. Edinburgh. [back]
|
Written by
Paul Laurence Dunbar |
Dear Miss Lucy: I been t'inkin' dat I 'd write you long fo' dis,
But dis writin' 's mighty tejous, an' you know jes' how it is.
But I 's got a little lesure, so I teks my pen in han'
Fu' to let you know my feelin's since I retched dis furrin' lan'.
I 's right well, I 's glad to tell you (dough dis climate ain't to blame),
An' I hopes w'en dese lines reach you, dat dey 'll fin' yo' se'f de same.
Cose I 'se feelin kin' o' homesick—dat 's ez nachul ez kin be,[Pg 152]
Wen a feller 's mo'n th'ee thousand miles across dat awful sea.
(Don't you let nobidy fool you 'bout de ocean bein' gran';
If you want to see de billers, you jes' view dem f'om de lan'.)
'Bout de people? We been t'inkin' dat all white folks was alak;
But dese Englishmen is diffunt, an' dey 's curus fu' a fac'.
Fust, dey's heavier an' redder in dey make-up an' dey looks,
An' dey don't put salt nor pepper in a blessed t'ing dey cooks!
Wen dey gin you good ol' tu'nips, ca'ots, pa'snips, beets, an' sich,
Ef dey ain't some one to tell you, you cain't 'stinguish which is which.
Wen I t'ought I 's eatin' chicken—you may b'lieve dis hyeah 's a lie—
But de waiter beat me down dat I was eatin' rabbit pie.
An' dey 'd t'ink dat you was crazy—jes' a reg'lar ravin' loon,
Ef you 'd speak erbout a 'possum or a piece o' good ol' coon.
O, hit's mighty nice, dis trav'lin', an' I 's kin' o' glad I come.
But, I reckon, now I 's willin' fu' to tek my way back home.
I done see de Crystal Palace, an' I 's hyeahd dey string-band play,
But I has n't seen no banjos layin' nowhahs roun' dis way.
Jes' gin ol' Jim Bowles a banjo, an' he 'd not go very fu',
'Fo' he 'd outplayed all dese fiddlers, wif dey flourish and dey stir.
Evahbiddy dat I 's met wif has been monst'ous kin an' good;
But I t'ink I 'd lak it better to be down in Jones's wood,
Where we ust to have sich frolics, Lucy, you an' me an' Nelse,
Dough my appetite 'ud call me, ef dey was n't nuffin else.
I 'd jes' lak to have some sweet-pertaters roasted in de skin;
I 's a-longin' fu' my chittlin's an' my mustard greens ergin;
I 's a-wishin' fu' some buttermilk, an' co'n braid, good an' brown,
An' a drap o' good ol' bourbon fu' to wash my feelin's down!
An' I 's comin' back to see you jes' as ehly as I kin,
So you better not go spa'kin' wif dat wuffless scoun'el Quin!
Well, I reckon, I mus' close now; write ez soon's dis reaches you;
Gi' my love to Sister Mandy an' to Uncle Isham, too.
Tell de folks I sen' 'em howdy; gin a kiss to pap an' mam;
Closin' I is, deah Miss Lucy, Still Yo' Own True-Lovin' Sam.[Pg 153]
P. S. Ef you cain't mek out dis letter, lay it by erpon de she'f,
An' when I git home, I 'll read it, darlin', to you my own se'f.
|
Written by
Vachel Lindsay |
Sometimes I dip my pen and find the bottle full of fire,
The salamanders flying forth I cannot but admire.
It's Etna, or Vesuvius, if those big things were small,
And then 'tis but itself again, and does not smoke at all.
And so my blood grows cold. I say, "The bottle held but ink,
And, if you thought it otherwise, the worser for your think."
And then, just as I throw my scribbled paper on the floor,
The bottle says, "Fe, fi, fo, fum," and steams and shouts some more.
O sad deceiving ink, as bad as liquor in its way—
All demons of a bottle size have pranced from you to-day,
And seized my pen for hobby-horse as witches ride a broom,
And left a trail of brimstone words and blots and gobs of gloom.
And yet when I am extra good and say my prayers at night,
And mind my ma, and do the chores, and speak to folks polite,
My bottle spreads a rainbow-mist, and from the vapor fine
Ten thousand troops from fairyland come riding in a line.
I've seen them on their chargers race around my study chair,
They opened wide the window and rode forth upon the air.
The army widened as it went, and into myriads grew,
O how the lances shimmered, how the silvery trumpets blew!
|
Written by
William Topaz McGonagall |
Sir William Wallace of Ellerslie,
I'm told he went to the High School in Dundee,
For to learn to read and write,
And after that he learned to fight,
While at the High School in Dundee,
The Provost's son with him disagree,
Because Wallace did wear a dirk,
He despised him like an ignorant stirk,
Which with indignation he keenly felt,
And told him it would become him better in his belt.
Then Wallace's blood began to boil,
Just like the serpent in its coil,
Before it leaps upon its prey;
And unto him he thus did say:
'Proud saucy cur, come cease your prate,
for no longer shall i wait,
For to hear you insult me,
At the High School in Dundee;
For such insolence makes my heart to smart,
And I'll plunge my dagger in you heart,'
Then his heart's blood did quickly flow,
And poor Wallace did not know where to go;
And he stood by him until dead.
Then far from him he quickly fled,
Lamenting greatly the deed he had done,
the murdering of the Provost's son.
The scene shifts to where he was fishing on day,
Where three English soldiers met him by the way,
And they asked him fo give them some fish,
And from them they would make a delicious dish,
then Wallace gave them share of his fish,
For to satisfy their wish;
But they seemed dissatisfied with the share they got,
So they were resolved to have all the lot.
Then Wallace he thought it was time to look out,
When they were resolved to have all his trout;
So he swung his fishing-rod with great force round his head,
And struck on of them a blow that killed him dead;
So he instantly seized the fallen man's sword,
And the other two fled without uttering a word.
Sir William Wallace of Ellerslie,
You were a warrior of great renown,
And might have worn Scotland's crown;
Had it not been for Monteith, the base traitor knave,
That brought you to a premature grave;
Yes! you were sold for English gold,
And brought like a sheep from the fold,
To die upon a shameful scaffold high,
Amidst the derisive shouts of your enemies standing by.
But you met your doom like a warrior bold,
Bidding defiance to them that had you sold,
And bared your neck for the headsman's stroke;
And cried, 'Marion, dear, my heart is broke;
My lovely dear I come to thee,
Oh! I am longing thee to see!'
But the headsman was as stolid as the rock,
And the axe fell heavily on the block,
And the scaffold did shake with the terrible shock,
As the body of noble Wallace fell,
Who had fought for Scotland so well.
|
Written by
Robert Herrick |
Chorus.
What sweeter music can we bring,
Than a Carol, for to sing
The Birth of this our heavenly King?
Awake the Voice! Awake the String!
Heart, Ear, and Eye, and every thing
Awake! the while the active Finger
Runs division with the Singer.
From the Flourish they came to the Song.
Voice 1:
Dark and dull night, fly hence away,
And give the honor to this Day,
That sees December turn'd to May.
Voice 2:
If we may ask the reason, say:
The why, and wherefore all things here
Seem like the Spring-time fo the year?
Voice 3:
Why does the chilling Winter's morn
Smile, like a field beset with corn?
Or smell, like to a mead new-shorn,
Thus, on the sudden?
Voice 4:
Come and see
The cause, why things thus fragrant be:
'Tis He is born, whose quick'ning Birth
Gives life and luster, public mirth,
To Heaven and the under-Earth.
Chorus:
We see Him come, and know Him ours,
Who, with His Sun-shine, and His Showers,
Turns all the patient ground to flowers.
Voice 1:
The Darling of the World is come,
And fit it is, we find a room
To welcome Him.
Voice 2:
The nobler part
Of all the house here, is the Heart,
Chorus:
Which we will give Him; and bequeath
This Holly and this Ivy Wreath,
To do Him honor; who's our King,
And Lord of all this Revelling.
|
Written by
Sidney Lanier |
or, The First Steamboat up the Alabama.
You, Dinah! Come and set me whar de ribber-roads does meet.
De Lord, HE made dese black-jack roots to twis' into a seat.
Umph, dar! De Lord have mussy on dis blin' ole ******'s feet.
It 'pear to me dis mornin' I kin smell de fust o' June.
I 'clar', I b'lieve dat mockin'-bird could play de fiddle soon!
Dem yonder town-bells sounds like dey was ringin' in de moon.
Well, ef dis ****** IS been blind for fo'ty year or mo',
Dese ears, DEY sees the world, like, th'u' de cracks dat's in de do'.
For de Lord has built dis body wid de windows 'hind and 'fo'.
I know my front ones IS stopped up, and things is sort o' dim,
But den, th'u' DEM, temptation's rain won't leak in on ole Jim!
De back ones show me earth enough, aldo' dey's mons'ous slim.
And as for Hebben, -- bless de Lord, and praise His holy name --
DAT shines in all de co'ners of dis cabin jes' de same
As ef dat cabin hadn't nar' a plank upon de frame!
Who CALL me? Listen down de ribber, Dinah! Don't you hyar
Somebody holl'in' "Hoo, Jim, hoo?" My Sarah died las' y'ar;
IS dat black angel done come back to call ole Jim f'om hyar?
My stars, dat cain't be Sarah, shuh! Jes' listen, Dinah, NOW!
What KIN be comin' up dat bend, a-makin' sich a row?
Fus' bellerin' like a pawin' bull, den squealin' like a sow?
De Lord 'a' mussy sakes alive, jes' hear, -- ker-woof, ker-woof --
De Debble's comin' round dat bend, he's comin' shuh enuff,
A-splashin' up de water wid his tail and wid his hoof!
I'se pow'ful skeered; but neversomeless I ain't gwine run away:
I'm gwine to stand stiff-legged for de Lord dis blessed day.
YOU screech, and swish de water, Satan! I'se a gwine to pray.
O hebbenly Marster, what thou willest, dat mus' be jes' so,
And ef Thou hast bespoke de word, some ******'s bound to go.
Den, Lord, please take ole Jim, and lef young Dinah hyar below!
'Scuse Dinah, 'scuse her, Marster; for she's sich a little chile,
She hardly jes' begin to scramble up de homeyard stile,
But dis ole traveller's feet been tired dis many a many a mile.
I'se wufless as de rotten pole of las' year's fodder-stack.
De rheumatiz done bit my bones; you hear 'em crack and crack?
I cain'st sit down 'dout gruntin' like 'twas breakin' o' my back.
What use de wheel, when hub and spokes is warped and split, and rotten?
What use dis dried-up cotton-stalk, when Life done picked my cotton?
I'se like a word dat somebody said, and den done been forgotten.
But, Dinah! Shuh dat gal jes' like dis little hick'ry tree,
De sap's jes' risin in her; she do grow owdaciouslee --
Lord, ef you's clarin' de underbrush, don't cut her down, cut me!
I would not proud persume -- but I'll boldly make reques';
Sence Jacob had dat wrastlin'-match, I, too, gwine do my bes';
When Jacob got all underholt, de Lord he answered Yes!
And what for waste de vittles, now, and th'ow away de bread,
Jes' for to strength dese idle hands to scratch dis ole bald head?
T'ink of de 'conomy, Marster, ef dis ole Jim was dead!
Stop; -- ef I don't believe de Debble's gone on up de stream!
Jes' now he squealed down dar; -- hush; dat's a mighty weakly scream!
Yas, sir, he's gone, he's gone; -- he snort way off, like in a dream!
O glory hallelujah to de Lord dat reigns on high!
De Debble's fai'ly skeered to def, he done gone flyin' by;
I know'd he couldn' stand dat pra'r, I felt my Marster nigh!
You, Dinah; ain't you 'shamed, now, dat you didn' trust to grace?
I heerd you thrashin' th'u' de bushes when he showed his face!
You fool, you think de Debble couldn't beat YOU in a race?
I tell you, Dinah, jes' as shuh as you is standin' dar,
When folks starts prayin', answer-angels drops down th'u' de a'r.
YAS, DINAH, WHAR 'OULD YOU BE NOW, JES' 'CEPTIN' FUR DAT PRA'R?
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