Written by
Robinson Jeffers |
I followed the narrow cliffside trail half way up the mountain
Above the deep river-canyon.
There was a little cataract crossed the path,
flinging itself
Over tree roots and rocks, shaking the jeweled fern-fronds, bright bubbling
water
Pure from the mountain, but a bad smell came up.
Wondering at it I clam-
bered down the steep stream
Some forty feet, and found in the midst of bush-oak and laurel,
Hung like a bird's nest on the precipice brink a small hidden clearing,
Grass and a shallow pool.
But all about there were bones Iying in the grass,
clean bones and stinking bones,
Antlers and bones: I understood that the place was a refuge for wounded
deer; there are so many
Hurt ones escape the hunters and limp away to lie hidden; here they have
water for the awful thirst
And peace to die in; dense green laurel and grim cliff
Make sanctuary, and a sweet wind blows upward from the deep gorge.
--I
wish my bones were with theirs.
But that's a foolish thing to confess, and a little cowardly.
We know that life
Is on the whole quite equally good and bad, mostly gray neutral, and can
be endured
To the dim end, no matter what magic of grass, water and precipice, and
pain of wounds,
Makes death look dear.
We have been given life and have used it--not a
great gift perhaps--but in honesty
Should use it all.
Mine's empty since my love died--Empty? The flame-
haired grandchild with great blue eyes
That look like hers?--What can I do for the child? I gaze at her and wonder
what sort of man
In the fall of the world .
.
.
I am growing old, that is the trouble.
My chil-
dren and little grandchildren
Will find their way, and why should I wait ten years yet, having lived sixty-
seven, ten years more or less,
Before I crawl out on a ledge of rock and die snapping, like a wolf
Who has lost his mate?--I am bound by my own thirty-year-old decision:
who drinks the wine
Should take the dregs; even in the bitter lees and sediment
New discovery may lie.
The deer in that beautiful place lay down their
bones: I must wear mine.
|
Written by
Barry Tebb |
As soon as we crossed into Yorkshire
Hughes’ voice assailed me, unmistakable
Gravel and honey, a raw celebration of rain
Like a tattered lacework window;
Black glisten on roof slates,
Tarmac turned to shining ice,
Blusters of naked wind whipping
The wavelets of shifting water
To imaginary floating islets
On the turbulent river
Glumly he asked, "Where are the mills?"
Knowing their goneness in his lonely heart.
"Where are the mines with their turning spokes,
Lurking slag heaps, bolts of coal split with
Shimmering fools’ gold tumbling into waiting wagons?
Mostly what I came for was a last glimpse
Of the rock hanging over my cot, that towering
Sheerness fifty fathoms high screed with ferns
And failing tree roots, crumbling footholds
And dour smile.
A monument needs to be known
For what it is, not a tourist slot or geological stratum
But the dark mentor loosing wolf’s bane
At my sleeping head.
"
When the coach lurches over the county boundary,
If not Hughes’ voice then Heaney’s or Hill’s
Ringing like miners’ boots flinging sparks
From the flagstones, piercing the lens of winter,
Jutting like tongues of crooked rock
Lapping a mossed slab, an altar outgrown,
Dumped when the trumpeting hosannas
Had finally riven the air of the valley.
And I, myself, what did I make of it?
The voices coming into my head
Welcoming kin, alive or dead, my eyes
Jerking to the roadside magpie,
Its white tail-bar doing a hop, skip and jump.
|
Written by
Galway Kinnell |
1
We walk across the snow,
The stars can be faint,
The moon can be eating itself out,
There can be meteors flaring to death on earth,
The Northern Lights can be blooming and seething
And tearing themselves apart all night,
We walk arm in arm, and we are happy.
2
You in whose ultimate madness we live,
You flinging yourself out into the emptiness,
You - like us - great an instant,
O only universe we know, forgive us.
|
Written by
Amy Lowell |
Streaks of green and yellow iridescence,
Silver shiftings,
Rings veering out of rings,
Silver -- gold --
Grey-green opaqueness sliding down,
With sharp white bubbles
Shooting and dancing,
Flinging quickly outward.
Nosing the bubbles,
Swallowing them,
Fish.
Blue shadows against silver-saffron water,
The light rippling over them
In steel-bright tremors.
Outspread translucent fins
Flute, fold, and relapse;
The threaded light prints through them on the pebbles
In scarcely tarnished twinklings.
Curving of spotted spines,
Slow up-shifts,
Lazy convolutions:
Then a sudden swift straightening
And darting below:
Oblique grey shadows
Athwart a pale casement.
Roped and curled,
Green man-eating eels
Slumber in undulate rhythms,
With crests laid horizontal on their backs.
Barred fish,
Striped fish,
Uneven disks of fish,
Slip, slide, whirl, turn,
And never touch.
Metallic blue fish,
With fins wide and yellow and swaying
Like Oriental fans,
Hold the sun in their bellies
And glow with light:
Blue brilliance cut by black bars.
An oblong pane of straw-coloured shimmer,
Across it, in a tangent,
A smear of rose, black, silver.
Short twists and upstartings,
Rose-black, in a setting of bubbles:
Sunshine playing between red and black flowers
On a blue and gold lawn.
Shadows and polished surfaces,
Facets of mauve and purple,
A constant modulation of values.
Shaft-shaped,
With green bead eyes;
Thick-nosed,
Heliotrope-coloured;
Swift spots of chrysolite and coral;
In the midst of green, pearl, amethyst irradiations.
Outside,
A willow-tree flickers
With little white jerks,
And long blue waves
Rise steadily beyond the outer islands.
|
Written by
Robert Burns |
A Tale
"Of Brownyis and of Bogilis full is this Buke.
"
—Gawin Douglas.
When chapman billies leave the street,
And drouthy neebors neebors meet,
As market-days are wearing late,
An' folk begin to tak' the gate;
While we sit bousing at the nappy,
An' getting fou and unco happy,
We think na on the lang Scots miles,
The mosses, waters, slaps, and stiles,
That lie between us and our hame,
Whare sits our sulky, sullen dame,
Gathering her brows like gathering storm,
Nursing her wrath to keep it warm.
This truth fand honest Tam o'Shanter,
As he frae Ayr ae night did canter,
(Auld Ayr, wham ne'er a town surpasses,
For honest men and bonie lasses).
O Tam! hadst thou but been sae wise,
As ta'en thy ain wife Kate's advice!
She tauld thee weel thou was a skellum,
A blethering, blustering, drunken blellum,
That frae November till October,
Ae market-day thou was nae sober;
That ilka melder, wi' the miller,
Thou sat as lang as thou had siller;
That ev'ry naig was ca'd a shoe on,
The smith and thee gat roarin fou on;
That at the Lord's house, ev'n on Sunday,
Thou drank wi' Kirkton Jean till Monday.
She prophesied that, late or soon,
Thou would be found deep drowned in Doon;
Or catched wi' warlocks in the mirk,
By Alloway's auld haunted kirk.
Ah, gentle dames! it gars me greet,
To think how mony counsels sweet,
How mony lengthened sage advices,
The husband frae the wife despises!
But to our tale: Ae market-night,
Tam had got planted unco right;
Fast by an ingle, bleezing finely,
Wi' reaming swats, that drank divinely;
And at his elbow, Souter Johnny,
His ancient, trusty, drouthy crony;
Tam lo'ed him like a vera brither;
They had been fou for weeks thegither.
The night drave on wi' sangs an' clatter;
And aye the ale was growing better:
The landlady and Tam grew gracious,
Wi' favours, secret, sweet, and precious:
The Souter tauld his queerest stories;
The landlord's laugh was ready chorus:
The storm without might rair and rustle,
Tam did na mind the storm a whistle.
Care, mad to see a man sae happy,
E'en drowned himself amang the nappy;
As bees flee hame wi' lades o' treasure,
The minutes winged their way wi' pleasure:
Kings may be blest, but Tam was glorious,
O'er a' the ills o' life victorious!
But pleasures are like poppies spread,
You seize the flow'r, its bloom is shed;
Or like the snow falls in the river,
A moment white—then melts for ever;
Or like the borealis race,
That flit ere you can point their place;
Or like the rainbow's lovely form
Evanishing amid the storm.
—
Nae man can tether time or tide;
The hour approaches Tam maun ride;
That hour, o' night's black arch the key-stane,
That dreary hour he mounts his beast in;
And sic a night he tak's the road in,
As ne'er poor sinner was abroad in.
The wind blew as 'twad blawn its last;
The rattling showers rose on the blast;
The speedy gleams the darkness swallowed;
Loud, deep, and lang the thunder bellowed:
That night, a child might understand,
The De'il had business on his hand.
Weel mounted on his grey mare, Meg,
A better never lifted leg,
Tam skelpit on thro' dub and mire,
Despising wind, and rain, and fire;
Whiles holding fast his gude blue bonnet;
Whiles crooning o'er some auld Scots sonnet;
Whiles glow'rin round wi' prudent cares,
Lest bogles catch him unawares;
Kirk-Alloway was drawing nigh,
Whare ghaists and houlets nightly cry.
By this time he was cross the ford,
Whare in the snaw the chapman smoored;
And past the birks and meikle stane,
Whare drunken Charlie brak's neck-bane;
And thro' the whins, and by the cairn,
Whare hunters fand the murdered bairn;
And near the thorn, aboon the well,
Whare Mungo's mither hanged hersel'.
Before him Doon pours all his floods;
The doubling storm roars thro' the woods;
The lightnings flash from pole to pole;
Near and more near the thunders roll;
When, glimmering thro' the groaning trees,
Kirk-Alloway seemed in a bleeze;
Thro' ilka bore the beams were glancing;
And loud resounded mirth and dancing.
Inspiring bold John Barleycorn!
What dangers thou canst mak' us scorn!
Wi' tippenny, we fear nae evil;
Wi' usquabae, we'll face the devil!
The swats sae reamed in Tammie's noddle,
Fair play, he cared na deils a boddle.
But Maggie stood right sair astonished,
Till, by the heel and hand admonished,
She ventured forward on the light;
And, wow! Tam saw an unco sight!
Warlocks and witches in a dance;
Nae cotillion, brent new frae France,
But hornpipes, jigs, strathspeys, and reels,
Put life and mettle in their heels.
A winnock-bunker in the east,
There sat auld Nick, in shape o' beast;
A towzie tyke, black, grim, and large,
To gie them music was his charge:
He screwed the pipes and gart them skirl,
Till roof and rafters a' did dirl.
—
Coffins stood round, like open presses,
That shawed the Dead in their last dresses;
And by some devilish cantraip sleight
Each in its cauld hand held a light,
By which heroic Tam was able
To note upon the haly table,
A murderer's banes in gibbet-airns;
Twa span-lang, wee, unchristened bairns;
A thief, new-cutted frae a rape,
Wi' his last gasp his gab did gape;
Five tomahawks, wi' blude red-rusted;
Five scimitars, wi' murder crusted;
A garter, which a babe had strangled;
A knife, a father's throat had mangled,
Whom his ain son o' life bereft,
The grey hairs yet stack to the heft;
Wi' mair of horrible and awfu',
Which even to name wad be unlawfu'.
As Tammie glowered, amazed and curious,
The mirth and fun grew fast and furious:
The Piper loud and louder blew;
The dancers quick and quicker flew;
They reeled, they set, they crossed, they cleekit,
Till ilka carlin swat and reekit,
And coost her duddies to the wark,
And linket at it in her sark!
Now Tam, O Tam! had they been queans,
A' plump and strapping in their teens;
Their sarks, instead o' creeshie flainen,
Been snaw-white seventeen hunder linen!—
Thir breeks o' mine, my only pair,
That ance were plush, o' gude blue hair,
I wad hae gi'en them off my hurdies,
For ae blink o' the bonie burdies!
But withered beldams, auld and droll,
Rigwoodie hags wad spean a foal,
Lowping and flinging on a crummock,
I wonder didna turn thy stomach.
But Tam kenned what was what fu' brawlie:
`There was ae winsome wench and waulie',
That night enlisted in the core
(Lang after kenned on Carrick shore;
For mony a beast to dead she shot,
And perished mony a bonie boat,
And shook baith meikle corn and bear,
And kept the country-side in fear);
Her cutty sark, o' Paisley harn,
That while a lassie she had worn,
In longitude tho' sorely scanty,
It was her best, and she was vauntie.
Ah! little kenned thy reverend grannie,
That sark she coft for her wee Nannie,
Wi' twa pund Scots ('twas a' her riches),
Wad ever graced a dance of witches!
But here my Muse her wing maun cour,
Sic flights are far beyond her power;
To sing how Nannie lap and flang,
(A souple jade she was and strang),
And how Tam stood, like ane bewitched,
And thought his very een enriched;
Even Satan glowered, and fidged fu' fain,
And hotched and blew wi' might and main:
Till first ae caper, syne anither,
Tam tint his reason a' thegither,
And roars out, "Weel done, Cutty-sark!"
And in an instant all was dark:
And scarcely had he Maggie rallied,
When out the hellish legion sallied.
As bees bizz out wi' angry fyke,
When plundering herds assail their byke;
As open pussie's mortal foes,
When, pop! she starts before their nose;
As eager runs the market-crowd,
When "Catch the thief!" resounds aloud;
So Maggie runs, the witches follow,
Wi' mony an eldritch screech and hollow.
Ah, Tam! ah, Tam! thou'll get thy fairin!
In hell they'll roast thee like a herrin!
In vain thy Kate awaits thy comin!
Kate soon will be a woefu' woman!
Now, do thy speedy utmost, Meg,
And win the key-stane of the brig;
There at them thou thy tail may toss,
A running stream they dare na cross.
But ere the key-stane she could make,
The fient a tail she had to shake!
For Nannie, far before the rest,
Hard upon noble Maggie prest,
And flew at Tam wi' furious ettle;
But little wist she Maggie's mettle—
Ae spring brought off her master hale,
But left behind her ain grey tail:
The carlin claught her by the rump,
And left poor Maggie scarce a stump.
Now, wha this tale o' truth shall read,
Ilk man and mother's son, take heed:
Whene'er to drink you are inclined,
Or cutty-sarks run in your mind,
Think, ye may buy the joys o'er dear,
Remember Tam o'Shanter's mare.
|
Written by
Amy Lowell |
A bullet through his heart at dawn.
On
the table a letter signed
with a woman's name.
A wind that goes howling round the
house,
and weeping as in shame.
Cold November dawn peeping through
the windows,
cold dawn creeping over the floor, creeping up his cold legs,
creeping over his cold body, creeping across his cold face.
A glaze of thin yellow sunlight on the staring eyes.
Wind
howling
through bent branches.
A wind which never dies down.
Howling,
wailing.
The gazing eyes glitter in the sunlight.
The lids are
frozen open
and the eyes glitter.
The thudding of a pick on hard earth.
A spade grinding
and crunching.
Overhead, branches writhing, winding, interlacing, unwinding, scattering;
tortured twinings, tossings, creakings.
Wind flinging
branches apart,
drawing them together, whispering and whining among them.
A
waning,
lobsided moon cutting through black clouds.
A stream
of pebbles and earth
and the empty spade gleams clear in the moonlight, then is rammed
again
into the black earth.
Tramping of feet.
Men
and horses.
Squeaking of wheels.
"Whoa! Ready, Jim?"
"All ready.
"
Something falls, settles, is still.
Suicides
have no coffin.
"Give us the stake, Jim.
Now.
"
Pound! Pound!
"He'll never walk.
Nailed to the ground.
"
An ash stick pierces his heart, if it buds the
roots will hold him.
He is a part of the earth now, clay to clay.
Overhead
the branches sway,
and writhe, and twist in the wind.
He'll never walk with
a bullet
in his heart, and an ash stick nailing him to the cold, black ground.
Six months he lay still.
Six months.
And the
water welled up in his body,
and soft blue spots chequered it.
He lay still, for the
ash stick
held him in place.
Six months! Then her face
came out of a mist of green.
Pink and white and frail like Dresden china, lilies-of-the-valley
at her breast, puce-coloured silk sheening about her.
Under
the young
green leaves, the horse at a foot-pace, the high yellow wheels of
the chaise
scarcely turning, her face, rippling like grain a-blowing,
under her puce-coloured bonnet; and burning beside her, flaming
within
his correct blue coat and brass buttons, is someone.
What
has dimmed the sun?
The horse steps on a rolling stone; a wind in the branches makes
a moan.
The little leaves tremble and shake, turn and quake, over and over,
tearing their stems.
There is a shower of young leaves,
and a sudden-sprung gale wails in the trees.
The yellow-wheeled chaise is rocking -- rocking,
and all the branches
are knocking -- knocking.
The sun in the sky is a flat,
red plate,
the branches creak and grate.
She screams and cowers,
for the green foliage
is a lowering wave surging to smother her.
But she sees
nothing.
The stake holds firm.
The body writhes, the body squirms.
The blue spots widen, the flesh tears, but the stake wears well
in the deep, black ground.
It holds the body in the still,
black ground.
Two years! The body has been in the ground two years.
It
is worn away;
it is clay to clay.
Where the heart moulders, a greenish
dust, the stake
is thrust.
Late August it is, and night; a night flauntingly
jewelled
with stars, a night of shooting stars and loud insect noises.
Down the road to Tilbury, silence -- and the slow flapping of large
leaves.
Down the road to Sutton, silence -- and the darkness of heavy-foliaged
trees.
Down the road to Wayfleet, silence -- and the whirring scrape of
insects
in the branches.
Down the road to Edgarstown, silence
-- and stars like
stepping-stones in a pathway overhead.
It is very quiet
at the cross-roads,
and the sign-board points the way down the four roads, endlessly
points
the way where nobody wishes to go.
A horse is galloping, galloping up from Sutton.
Shaking
the wide,
still leaves as he goes under them.
Striking sparks with
his iron shoes;
silencing the katydids.
Dr.
Morgan riding to a child-birth
over Tilbury way;
riding to deliver a woman of her first-born son.
One
o'clock from
Wayfleet bell tower, what a shower of shooting stars! And
a breeze
all of a sudden, jarring the big leaves and making them jerk up
and down.
Dr.
Morgan's hat is blown from his head, the horse swerves, and
curves away
from the sign-post.
An oath -- spurs -- a blurring of
grey mist.
A quick left twist, and the gelding is snorting and racing
down the Tilbury road with the wind dropping away behind him.
The stake has wrenched, the stake has started,
the body, flesh from flesh,
has parted.
But the bones hold tight, socket and ball,
and clamping them down
in the hard, black ground is the stake, wedged through ribs and
spine.
The bones may twist, and heave, and twine, but the stake holds them
still
in line.
The breeze goes down, and the round stars shine,
for the stake
holds the fleshless bones in line.
Twenty years now! Twenty long years! The body
has powdered itself away;
it is clay to clay.
It is brown earth mingled with brown
earth.
Only flaky
bones remain, lain together so long they fit, although not one bone
is knit
to another.
The stake is there too, rotted through, but
upright still,
and still piercing down between ribs and spine in a straight line.
Yellow stillness is on the cross-roads, yellow
stillness is on the trees.
The leaves hang drooping, wan.
The four roads point four
yellow ways,
saffron and gamboge ribbons to the gaze.
A little swirl
of dust
blows up Tilbury road, the wind which fans it has not strength to
do more;
it ceases, and the dust settles down.
A little whirl
of wind
comes up Tilbury road.
It brings a sound of wheels and
feet.
The wind reels a moment and faints to nothing under the sign-post.
Wind again, wheels and feet louder.
Wind again -- again
-- again.
A drop of rain, flat into the dust.
Drop! -- Drop! Thick
heavy raindrops,
and a shrieking wind bending the great trees and wrenching off their
leaves.
Under the black sky, bowed and dripping with rain,
up Tilbury road,
comes the procession.
A funeral procession, bound for
the graveyard
at Wayfleet.
Feet and wheels -- feet and wheels.
And
among them
one who is carried.
The bones in the deep, still earth shiver and pull.
There
is a quiver
through the rotted stake.
Then stake and bones fall together
in a little puffing of dust.
Like meshes of linked steel the rain shuts down
behind the procession,
now well along the Wayfleet road.
He wavers like smoke in the buffeting wind.
His
fingers blow out like smoke,
his head ripples in the gale.
Under the sign-post, in
the pouring rain,
he stands, and watches another quavering figure drifting down
the Wayfleet road.
Then swiftly he streams after it.
It
flickers
among the trees.
He licks out and winds about them.
Over,
under,
blown, contorted.
Spindrift after spindrift; smoke following
smoke.
There is a wailing through the trees, a wailing of fear,
and after it laughter -- laughter -- laughter, skirling up to the
black sky.
Lightning jags over the funeral procession.
A heavy clap
of thunder.
Then darkness and rain, and the sound of feet and wheels.
|
Written by
Amy Lowell |
A music-stand of crimson lacquer, long since brought
In some fast clipper-ship from China, quaintly wrought
With bossed and carven flowers and fruits in blackening gold,
The slender shaft all twined about and thickly scrolled
With vine leaves and young twisted tendrils, whirling, curling,
Flinging their new shoots over the four wings, and swirling
Out on the three wide feet in golden lumps and streams;
Petals and apples in high relief, and where the seams
Are worn with handling, through the polished crimson sheen,
Long streaks of black, the under lacquer, shine out clean.
Four desks, adjustable, to suit the heights of players
Sitting to viols or standing up to sing, four layers
Of music to serve every instrument, are there,
And on the apex a large flat-topped golden pear.
It burns in red and yellow, dusty, smouldering lights,
When the sun flares the old barn-chamber with its flights
And skips upon the crystal knobs of dim sideboards,
Legless and mouldy, and hops, glint to glint, on hoards
Of scythes, and spades, and dinner-horns, so the old tools
Are little candles throwing brightness round in pools.
With Oriental splendour, red and gold, the dust
Covering its flames like smoke and thinning as a gust
Of brighter sunshine makes the colours leap and range,
The strange old music-stand seems to strike out and change;
To stroke and tear the darkness with sharp golden claws;
To dart a forked, vermilion tongue from open jaws;
To puff out bitter smoke which chokes the sun; and fade
Back to a still, faint outline obliterate in shade.
Creeping up the ladder into the loft, the Boy
Stands watching, very still, prickly and hot with joy.
He sees the dusty sun-mote slit by streaks of red,
He sees it split and stream, and all about his head
Spikes and spears of gold are licking, pricking, flicking,
Scratching against the walls and furniture, and nicking
The darkness into sparks, chipping away the gloom.
The Boy's nose smarts with the pungence in the room.
The wind pushes an elm branch from before the door
And the sun widens out all along the floor,
Filling the barn-chamber with white, straightforward light,
So not one blurred outline can tease the mind to fright.
"O All ye Works of the Lord, Bless
ye the Lord; Praise Him, and Magnify Him
for ever.
O let the Earth Bless the Lord; Yea, let it Praise Him,
and Magnify Him
for ever.
O ye Mountains and Hills, Bless ye the Lord; Praise
Him, and Magnify Him
for ever.
O All ye Green Things upon the Earth, Bless ye the Lord;
Praise Him,
and Magnify Him for ever.
"
The Boy will praise his God on an altar builded
fair,
Will heap it with the Works of the Lord.
In the morning
air,
Spices shall burn on it, and by their pale smoke curled,
Like shoots of all the Green Things, the God of this bright World
Shall see the Boy's desire to pay his debt of praise.
The Boy turns round about, seeking with careful gaze
An altar meet and worthy, but each table and chair
Has some defect, each piece is needing some repair
To perfect it; the chairs have broken legs and backs,
The tables are uneven, and every highboy lacks
A handle or a drawer, the desks are bruised and worn,
And even a wide sofa has its cane seat torn.
Only in the gloom far in the corner there
The lacquer music-stand is elegant and rare,
Clear and slim of line, with its four wings outspread,
The sound of old quartets, a tenuous, faint thread,
Hanging and floating over it, it stands supreme --
Black, and gold, and crimson, in one twisted scheme!
A candle on the bookcase feels a draught and wavers,
Stippling the white-washed walls with dancing shades and quavers.
A bed-post, grown colossal, jigs about the ceiling,
And shadows, strangely altered, stain the walls, revealing
Eagles, and rabbits, and weird faces pulled awry,
And hands which fetch and carry things incessantly.
Under the Eastern window, where the morning sun
Must touch it, stands the music-stand, and on each one
Of its broad platforms is a pyramid of stones,
And metals, and dried flowers, and pine and hemlock cones,
An oriole's nest with the four eggs neatly blown,
The rattle of a rattlesnake, and three large brown
Butternuts uncracked, six butterflies impaled
With a green luna moth, a snake-skin freshly scaled,
Some sunflower seeds, wampum, and a bloody-tooth shell,
A blue jay feather, all together piled pell-mell
The stand will hold no more.
The Boy with humming head
Looks once again, blows out the light, and creeps to bed.
The Boy keeps solemn vigil, while outside the wind
Blows gustily and clear, and slaps against the blind.
He hardly tries to sleep, so sharp his ecstasy
It burns his soul to emptiness, and sets it free
For adoration only, for worship.
Dedicate,
His unsheathed soul is naked in its novitiate.
The hours strike below from the clock on the stair.
The Boy is a white flame suspiring in prayer.
Morning will bring the sun, the Golden Eye of Him
Whose splendour must be veiled by starry cherubim,
Whose Feet shimmer like crystal in the streets of Heaven.
Like an open rose the sun will stand up even,
Fronting the window-sill, and when the casement glows
Rose-red with the new-blown morning, then the fire which flows
From the sun will fall upon the altar and ignite
The spices, and his sacrifice will burn in perfumed light.
Over the music-stand the ghosts of sounds will swim,
`Viols d'amore' and `hautbois' accorded to a hymn.
The Boy will see the faintest breath of angels' wings
Fanning the smoke, and voices will flower through the strings.
He dares no farther vision, and with scalding eyes
Waits upon the daylight and his great emprise.
The cold, grey light of dawn was whitening the
wall
When the Boy, fine-drawn by sleeplessness, started his ritual.
He washed, all shivering and pointed like a flame.
He threw the shutters open, and in the window-frame
The morning glimmered like a tarnished Venice glass.
He took his Chinese pastilles and put them in a mass
Upon the mantelpiece till he could seek a plate
Worthy to hold them burning.
Alas! He had
been late
In thinking of this need, and now he could not find
Platter or saucer rare enough to ease his mind.
The house was not astir, and he dared not go down
Into the barn-chamber, lest some door should be blown
And slam before the draught he made as he went out.
The light was growing yellower, and still he looked about.
A flash of almost crimson from the gilded pear
Upon the music-stand, startled him waiting there.
The sun would rise and he would meet it unprepared,
Labelled a fool in having missed what he had dared.
He ran across the room, took his pastilles and laid
Them on the flat-topped pear, most carefully displayed
To light with ease, then stood a little to one side,
Focussed a burning-glass and painstakingly tried
To hold it angled so the bunched and prismed rays
Should leap upon each other and spring into a blaze.
Sharp as a wheeling edge of disked, carnation flame,
Gem-hard and cutting upward, slowly the round sun came.
The arrowed fire caught the burning-glass and glanced,
Split to a multitude of pointed spears, and lanced,
A deeper, hotter flame, it took the incense pile
Which welcomed it and broke into a little smile
Of yellow flamelets, creeping, crackling, thrusting up,
A golden, red-slashed lily in a lacquer cup.
"O ye Fire and Heat, Bless ye the Lord;
Praise Him, and Magnify Him
for ever.
O ye Winter and Summer, Bless ye the Lord; Praise Him,
and Magnify Him
for ever.
O ye Nights and Days, Bless ye the Lord; Praise Him,
and Magnify Him
for ever.
O ye Lightnings and Clouds, Bless ye the Lord; Praise
Him, and Magnify Him
for ever.
"
A moment so it hung, wide-curved, bright-petalled,
seeming
A chalice foamed with sunrise.
The Boy woke from his
dreaming.
A spike of flame had caught the card of butterflies,
The oriole's nest took fire, soon all four galleries
Where he had spread his treasures were become one tongue
Of gleaming, brutal fire.
The Boy instantly swung
His pitcher off the wash-stand and turned it upside down.
The flames drooped back and sizzled, and all his senses grown
Acute by fear, the Boy grabbed the quilt from his bed
And flung it over all, and then with aching head
He watched the early sunshine glint on the remains
Of his holy offering.
The lacquer stand had stains
Ugly and charred all over, and where the golden pear
Had been, a deep, black hole gaped miserably.
His dear
Treasures were puffs of ashes; only the stones were there,
Winking in the brightness.
The clock upon the stair
Struck five, and in the kitchen someone shook a grate.
The Boy began to dress, for it was getting late.
|
Written by
Katharine Tynan |
So I have sunk my roots in earth
Since that my pretty boys had birth;
And fear no more the grave and gloom,
I, with the centuries to come.
As the tree blossoms so bloom I,
Flinging wild branches to the sky;
Renew each year my leafy suit,
Strike with the years a deeper root.
Shelter a thousand birds to be,
A thousand herds give praise to me;
And in my kind and grateful shade
How many a weary head be laid.
I clothe myself without a stain.
In me a child is born again,
A child that looks with innocent eyes
On a new world with glad surprise.
The old mistakes are all undone,
All the old sins are purged and gone.
Old wounds and scars have left no trace,
There are no lines in this young face.
To hear the cuckoo the first time,
And 'mid new roses in the prime
To read the poets newly.
This,
Year after year, shall be my bliss.
Of me shall love be born anew;
I shall be loved and lover too;
Years after this poor body has died
Shall be the bridegroom and the bride.
Of me shall mothers spring to know
The mother's bliss, the mother's woe;
And children's children yet to be
Shall learn their prayers about my knee.
And many million lights of home
Shall light for me the time to come.
Unto me much shall be forgiven,
I that make many souls for heaven.
|
Written by
Julia Ward Howe |
The shell of objects inwardly consumed
Will stand, till some convulsive wind awakes;
Such sense hath Fire to waste the heart of things,
Nature, such love to hold the form she makes.
Thus, wasted joys will show their early bloom,
Yet crumble at the breath of a caress;
The golden fruitage hides the scathèd bough,
Snatch it, thou scatterest wide its emptiness.
For pleasure bidden, I went forth last night
To where, thick hung, the festal torches gleamed;
Here were the flowers, the music, as of old,
Almost the very olden time it seemed.
For one with cheek unfaded, (though he brings
My buried brothers to me, in his look,)
Said, `Will you dance?' At the accustomed words
I gave my hand, the old position took.
Sound, gladsome measure! at whose bidding once
I felt the flush of pleasure to my brow,
While my soul shook the burthen of the flesh,
And in its young pride said, `Lie lightly thou!'
Then, like a gallant swimmer, flinging high
My breast against the golden waves of sound,
I rode the madd'ning tumult of the dance,
Mocking fatigue, that never could be found.
Chide not,--it was not vanity, nor sense,
(The brutish scorn such vaporous delight,)
But Nature, cadencing her joy of strength
To the harmonious limits of her right.
She gave her impulse to the dancing Hours,
To winds that sweep, to stars that noiseless turn;
She marked the measure rapid hearts must keep
Devised each pace that glancing feet should learn.
And sure, that prodigal o'erflow of life,
Unvow'd as yet to family or state,
Sweet sounds, white garments, flowery coronals
Make holy, in the pageant of our fate.
Sound, measure! but to stir my heart no more--
For, as I moved to join the dizzy race,
My youth fell from me; all its blooms were gone,
And others showed them, smiling, in my face.
Faintly I met the shock of circling forms
Linked each to other, Fashion's galley-slaves,
Dream-wondering, like an unaccustomed ghost
That starts, surprised, to stumble over graves.
For graves were 'neath my feet, whose placid masks
Smiled out upon my folly mournfully,
While all the host of the departed said,
`Tread lightly--thou art ashes, even as we.
'
|
Written by
Wallace Stevens |
As the immense dew of Florida
Brings forth
The big-finned palm
And green vine angering for life,
As the immense dew of Florida
Brings forth hymn and hymn
From the beholder,
Beholding all these green sides
And gold sides of green sides,
And blessed mornings,
Meet for the eye of the young alligator,
And lightning colors
So, in me, comes flinging
Forms, flames, and the flakes of flames.
|