Get Your Premium Membership

Best Famous Flatteries Poems

Here is a collection of the all-time best famous Flatteries poems. This is a select list of the best famous Flatteries poetry. Reading, writing, and enjoying famous Flatteries poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of flatteries poems.

Search and read the best famous Flatteries poems, articles about Flatteries poems, poetry blogs, or anything else Flatteries poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by Eavan Boland | Create an image from this poem

My Country in Darkness

 After the wolves and before the elms
the bardic order ended in Ireland.

Only a few remained to continue
a dead art in a dying land:

This is a man
on the road from Youghal to Cahirmoyle.
He has no comfort, no food and no future.
He has no fire to recite his friendless measures by.
His riddles and flatteries will have no reward.
His patrons sheath their swords in Flanders and Madrid.

Reader of poems, lover of poetry—
in case you thought this was a gentle art
follow this man on a moonless night
to the wretched bed he will have to make:

The Gaelic world stretches out under a hawthorn tree
and burns in the rain. This is its home,
its last frail shelter. All of it—
Limerick, the Wild Geese and what went before—
falters into cadence before he sleeps:
He shuts his eyes. Darkness falls on it.


Written by Ben Jonson | Create an image from this poem

A Pindaric Ode

 THE TURN
Brave infant of Saguntum, clear
Thy coming forth in that great year,
When the prodigious Hannibal did crown
His rage with razing your immortal town.
Thou looking then about,
Ere thou wert half got out,
Wise child, didst hastily return,
And mad'st thy mother's womb thine urn.
How summ'd a circle didst thou leave mankind
Of deepest lore, could we the centre find!

THE COUNTER-TURN

Did wiser nature draw thee back,
From out the horror of that sack;
Where shame, faith, honour, and regard of right,
Lay trampled on? The deeds of death and night
Urg'd, hurried forth, and hurl'd
Upon th' affrighted world;
Sword, fire and famine with fell fury met,
And all on utmost ruin set:
As, could they but life's miseries foresee,
No doubt all infants would return like thee.

THE STAND

For what is life, if measur'd by the space,
Not by the act?
Or masked man, if valu'd by his face,
Above his fact?
Here's one outliv'd his peers
And told forth fourscore years:
He vexed time, and busied the whole state;
Troubled both foes and friends;
But ever to no ends:
What did this stirrer but die late?
How well at twenty had he fall'n or stood!
For three of his four score he did no good.

THE TURN

He enter'd well, by virtuous parts
Got up, and thriv'd with honest arts;
He purchas'd friends, and fame, and honours then,
And had his noble name advanc'd with men;
But weary of that flight,
He stoop'd in all men's sight
To sordid flatteries, acts of strife,
And sunk in that dead sea of life,
So deep, as he did then death's waters sup,
But that the cork of title buoy'd him up.

THE COUNTER-TURN

Alas, but Morison fell young!
He never fell,--thou fall'st, my tongue.
He stood, a soldier to the last right end,
A perfect patriot and a noble friend;
But most, a virtuous son.
All offices were done
By him, so ample, full, and round,
In weight, in measure, number, sound,
As, though his age imperfect might appear,
His life was of humanity the sphere.

THE STAND

Go now, and tell out days summ'd up with fears,
And make them years;
Produce thy mass of miseries on the stage,
To swell thine age;
Repeat of things a throng,
To show thou hast been long,
Not liv'd; for life doth her great actions spell,
By what was done and wrought
In season, and so brought
To light: her measures are, how well
Each syllabe answer'd, and was form'd, how fair;
These make the lines of life, and that's her air.

THE TURN

It is not growing like a tree
In bulk, doth make men better be;
Or standing long an oak, three hundred year,
To fall a log at last, dry, bald, and sear:
A lily of a day
Is fairer far, in May,
Although it fall and die that night,
It was the plant and flower of light.
In small proportions we just beauties see;
And in short measures life may perfect be.

THE COUNTER-TURN

Call, noble Lucius, then, for wine,
And let thy looks with gladness shine;
Accept this garland, plant it on thy head,
And think, nay know, thy Morison's not dead.
He leap'd the present age,
Possest with holy rage,
To see that bright eternal day;
Of which we priests and poets say
Such truths as we expect for happy men;
And there he lives with memory, and Ben

THE STAND

Jonson, who sung this of him, ere he went
Himself, to rest,
Or taste a part of that full joy he meant
To have exprest,
In this bright asterism,
Where it were friendship's schism,
Were not his Lucius long with us to tarry,
To separate these twi{-}
Lights, the Dioscuri,
And keep the one half from his Harry.
But fate doth so alternate the design,
Whilst that in heav'n, this light on earth must shine.

THE TURN

And shine as you exalted are;
Two names of friendship, but one star:
Of hearts the union, and those not by chance
Made, or indenture, or leas'd out t' advance
The profits for a time.
No pleasures vain did chime,
Of rhymes, or riots, at your feasts,
Orgies of drink, or feign'd protests;
But simple love of greatness and of good,
That knits brave minds and manners more than blood.

THE COUNTER-TURN


This made you first to know the why
You lik'd, then after, to apply
That liking; and approach so one the t'other
Till either grew a portion of the other;
Each styled by his end,
The copy of his friend.
You liv'd to be the great surnames
And titles by which all made claims
Unto the virtue: nothing perfect done,
But as a Cary or a Morison.

THE STAND


And such a force the fair example had,
As they that saw
The good and durst not practise it, were glad
That such a law
Was left yet to mankind;
Where they might read and find
Friendship, indeed, was written not in words:
And with the heart, not pen,
Of two so early men,
Whose lines her rolls were, and records;
Who, ere the first down bloomed on the chin,
Had sow'd these fruits, and got the harvest in.
Written by Elizabeth Barrett Browning | Create an image from this poem

The Ladys Yes

 "Yes," I answered you last night;
"No," this morning, Sir, I say.
Colours seen by candlelight,
Will not look the same by day.

When the viols played their best,
Lamps above, and laughs below---
Love me sounded like a jest,
Fit for Yes or fit for No.

Call me false, or call me free---
Vow, whatever light may shine,
No man on your face shall see
Any grief for change on mine.

Yet the sin is on us both---
Time to dance is not to woo---
Wooer light makes fickle troth---
Scorn of me recoils on you.

Learn to win a lady's faith
Nobly, as the thing is high;
Bravely, as for life and death---
With a loyal gravity.

Lead her from the festive boards,
Point her to the starry skies,
Guard her, by your truthful words,
Pure from courtship's flatteries.

By your truth she shall be true---
Ever true, as wives of yore---
And her Yes, once said to you,
SHALL be Yes for evermore.
Written by Anna Akhmatova | Create an image from this poem

I hear the orioles always-grieving voice

 I hear the oriole's always-grieving voice, 
And the rich summer's welcome loss I hear 
In the sickle's serpentine hiss 
Cutting the corn's ear tightly pressed to ear. 
And the short skirts of the slim reapers 
Fly in the wind like holiday pennants, 
The clash of joyful cymbals, and creeping 
From under dusty lashes, the long glance. 

I don't expect love's tender flatteries, 
In premonition of some dark event, 
But come, come and see this paradise 
Where together we were blessed and innocent.
Written by Constantine P Cavafy | Create an image from this poem

Caesarion

 Partly to verify an era,
partly also to pass the time,
last night I picked up a collection
of Ptolemaic epigrams to read.
The plentiful praises and flatteries
for everyone are similar. They are all brilliant,
glorious, mighty, beneficent;
each of their enterprises the wisest.
If you talk of the women of that breed, they too,
all the Berenices and Cleopatras are admirable.

When I had managed to verify the era
I would have put the book away, had not a small
and insignificant mention of king Caesarion
immediately attracted my attention.....

Behold, you came with your vague
charm. In history only a few
lines are found about you,
and so I molded you more freely in my mind.
I molded you handsome and sentimental.
My art gives to your face
a dreamy compassionate beauty.
And so fully did I envision you,
that late last night, as my lamp
was going out -- I let go out on purpose --
I fancied that you entered my room,
it seemed that you stood before me; as you might have been
in vanquished Alexandria,
pale and tired, idealistic in your sorrow,
still hoping that they would pity you,
the wicked -- who whispered "Too many Caesars."


Written by Francesco Petrarch | Create an image from this poem

Sonnet CLXXVI

SONNET CLXXVI.

Voglia mi sprona; Amor mi guida e scorge.

HE DESCRIBES HIS STATE, SPECIFYING THE DATE OF HIS ATTACHMENT.

Passion impels me, Love escorts and leads,Pleasure attracts me, habits old enchain,Hope with its flatteries comforts me again,And, at my harass'd heart, with fond touch pleads.Poor wretch! it trusts her still, and little heedsThe blind and faithless leader of our train;Reason is dead, the senses only reign:One fond desire another still succeeds.Virtue and honour, beauty, courtesy,With winning words and many a graceful way,My heart entangled in that laurel sweet.In thirteen hundred seven and twenty, I—'Twas April, the first hour, on its sixth day—Enter'd Love's labyrinth, whence is no retreat.
Macgregor.
By will impell'd, Love o'er my path presides;By Pleasure led, o'ercome by Habit's reign,Sweet Hope deludes, and comforts me again;At her bright touch, my heart's despair subsides.It takes her proffer'd hand, and there confides.To doubt its blind disloyal guide were vain;Each sense usurps poor Reason's broken rein;On each desire, another wilder rides!Grace, virtue, honour, beauty, words so dear,Have twined me with that laurell'd bough, whose power[Pg 192]My heart hath tangled in its lab'rinth sweet:The thirteen hundred twenty-seventh year,The sixth of April's suns—in that first hour,My entrance mark'd, whence I see no retreat.
Wollaston.
Written by Friedrich von Schiller | Create an image from this poem

The Assignation

 Hear I the creaking gate unclose?
The gleaming latch uplifted?
No--'twas the wind that, whirring, rose,
Amidst the poplars drifted!
Adorn thyself, thou green leaf-bowering roof,
Destined the bright one's presence to receive,
For her, a shadowy palace-hall aloof
With holy night, thy boughs familiar weave.
And ye sweet flatteries of the delicate air,
Awake and sport her rosy cheek around,
When their light weight the tender feet shall bear,
When beauty comes to passion's trysting-ground.

Hush! what amidst the copses crept--
So swiftly by me now?
No-'twas the startled bird that swept
The light leaves of the bough!
Day, quench thy torch! come, ghostlike, from on high,
With thy loved silence, come, thou haunting Eve,
Broaden below thy web of purple dye,
Which lulled boughs mysterious round us weave.
For love's delight, enduring listeners none,
The froward witness of the light will flee;
Hesper alone, the rosy silent one,
Down-glancing may our sweet familiar be!

What murmur in the distance spoke,
And like a whisper died?
No--'twas the swan that gently broke
In rings the silver tide!
Soft to my ear there comes a music-flow;
In gleesome murmur glides the waterfall;
To zephyr's kiss the flowers are bending low;
Through life goes joy, exchanging joy with all.
Tempt to the touch the grapes--the blushing fruit, [15]
Voluptuous swelling from the leaves that bide;
And, drinking fever from my cheek, the mute
Air sleeps all liquid in the odor-tide!

Hark! through the alley hear I now
A footfall? Comes the maiden?
No,--'twas the fruit slid from the bough,
With its own richness laden!

Day's lustrous eyes grow heavy in sweet death,
And pale and paler wane his jocund hues,
The flowers too gentle for his glowing breath,
Ope their frank beauty to the twilight dews.
The bright face of the moon is still and lone,
Melts in vast masses the world silently;
Slides from each charm the slowly-loosening zone;
And round all beauty, veilless, roves the eye.

What yonder seems to glimmer?
Her white robe's glancing hues?
No,--'twas the column's shimmer
Athwart the darksome yews!

O, longing heart, no more delight-upbuoyed
Let the sweet airy image thee befool!
The arms that would embrace her clasp the void
This feverish breast no phantom-bliss can cool,
O, waft her here, the true, the living one!
Let but my hand her hand, the tender, feel--
The very shadow of her robe alone!--
So into life the idle dream shall steal!

As glide from heaven, when least we ween,
The rosy hours of bliss,
All gently came the maid, unseen:--
He waked beneath her kiss!
Written by Ben Jonson | Create an image from this poem

To Thomas Earl of Suffolk

LXVII. — TO THOMAS EARL OF SUFFOLK. Since men have left to do praiseworthy things, Most think all praises flatteries :  but truth brings That sound and that authority with her name, As, to be raised by her, is only fame. Stand high, then, HOWARD, high in eyes of men, High in thy blood, thy place ; but highest then, When, in men's wishes, so thy virtues wrought, As all thy honors were by them first sought : And thou design'd to be the same thou art, Before thou wert it, in each good man's heart : Which, by no less confirmed, than thy king's choice, Proves that is God's, which was the people's voice.

Book: Reflection on the Important Things