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Best Famous File Poems

Here is a collection of the all-time best famous File poems. This is a select list of the best famous File poetry. Reading, writing, and enjoying famous File poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of file poems.

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Written by Ralph Waldo Emerson | Create an image from this poem

Days

DAUGHTERS of Time the hypocritic Days  
Muffled and dumb like barefoot dervishes  
And marching single in an endless file  
Bring diadems and fagots in their hands.
To each they offer gifts after his will 5 Bread kingdoms stars and sky that holds them all.
I in my pleach¨¨d garden watched the pomp Forgot my morning wishes hastily Took a few herbs and apples and the Day Turned and departed silent.
I too late 10 Under her solemn fillet saw the scorn.


Written by Ogden Nash | Create an image from this poem

Just Keep Quiet and Nobody Will Notice

 There is one thing that ought to be taught in all the colleges,
Which is that people ought to be taught not to go around always making apologies.
I don't mean the kind of apologies people make when they run over you or borrow five dollars or step on your feet, Because I think that is sort of sweet; No, I object to one kind of apology alone, Which is when people spend their time and yours apologizing for everything they own.
You go to their house for a meal, And they apologize because the anchovies aren't caviar or the partridge is veal; They apologize privately for the crudeness of the other guests, And they apologize publicly for their wife's housekeeping or their husband's jests; If they give you a book by Dickens they apologize because it isn't by Scott, And if they take you to the theater, they apologize for the acting and the dialogue and the plot; They contain more milk of human kindness than the most capacious diary can, But if you are from out of town they apologize for everything local and if you are a foreigner they apologize for everything American.
I dread these apologizers even as I am depicting them, I shudder as I think of the hours that must be spend in contradicting them, Because you are very rude if you let them emerge from an argument victorious, And when they say something of theirs is awful, it is your duty to convince them politely that it is magnificent and glorious, And what particularly bores me with them, Is that half the time you have to politely contradict them when you rudely agree with them, So I think there is one rule every host and hostess ought to keep with the comb and nail file and bicarbonate and aromatic spirits on a handy shelf, Which is don't spoil the denouement by telling the guests everything is terrible, but let them have the thrill of finding it out for themselves.
Written by Sylvia Plath | Create an image from this poem

A Life

 Touch it: it won't shrink like an eyeball,
This egg-shaped bailiwick, clear as a tear.
Here's yesterday, last year --- Palm-spear and lily distinct as flora in the vast Windless threadwork of a tapestry.
Flick the glass with your fingernail: It will ping like a Chinese chime in the slightest air stir Though nobody in there looks up or bothers to answer.
The inhabitants are light as cork, Every one of them permanently busy.
At their feet, the sea waves bow in single file.
Never trespassing in bad temper: Stalling in midair, Short-reined, pawing like paradeground horses.
Overhead, the clouds sit tasseled and fancy As Victorian cushions.
This family Of valentine faces might please a collector: They ring true, like good china.
Elsewhere the landscape is more frank.
The light falls without letup, blindingly.
A woman is dragging her shadow in a circle About a bald hospital saucer.
It resembles the moon, or a sheet of blank paper And appears to have suffered a sort of private blitzkrieg.
She lives quietly With no attachments, like a foetus in a bottle, The obsolete house, the sea, flattened to a picture She has one too many dimensions to enter.
Grief and anger, exorcised, Leave her alone now.
The future is a grey seagull Tattling in its cat-voice of departure.
Age and terror, like nurses, attend her, And a drowned man, complaining of the great cold, Crawls up out of the sea.
Written by Walt Whitman | Create an image from this poem

American Feuillage

 AMERICA always! 
Always our own feuillage! 
Always Florida’s green peninsula! Always the priceless delta of Louisiana! Always the
 cotton-fields of Alabama and Texas! 
Always California’s golden hills and hollows—and the silver mountains of New
 Mexico!
 Always soft-breath’d Cuba! 
Always the vast slope drain’d by the Southern Sea—inseparable with the slopes
 drain’d
 by the Eastern and Western Seas;
The area the eighty-third year of These States—the three and a half millions of
 square
 miles; 
The eighteen thousand miles of sea-coast and bay-coast on the main—the thirty
 thousand
 miles of
 river navigation, 
The seven millions of distinct families, and the same number of dwellings—Always
 these,
 and
 more, branching forth into numberless branches; 
Always the free range and diversity! always the continent of Democracy! 
Always the prairies, pastures, forests, vast cities, travelers, Kanada, the snows;
Always these compact lands—lands tied at the hips with the belt stringing the huge
 oval
 lakes; 
Always the West, with strong native persons—the increasing density there—the
 habitans,
 friendly, threatening, ironical, scorning invaders; 
All sights, South, North, East—all deeds, promiscuously done at all times, 
All characters, movements, growths—a few noticed, myriads unnoticed, 
Through Mannahatta’s streets I walking, these things gathering;
On interior rivers, by night, in the glare of pine knots, steamboats wooding up; 
Sunlight by day on the valley of the Susquehanna, and on the valleys of the Potomac and
 Rappahannock, and the valleys of the Roanoke and Delaware; 
In their northerly wilds, beasts of prey haunting the Adirondacks, the hills—or
 lapping
 the
 Saginaw waters to drink; 
In a lonesome inlet, a sheldrake, lost from the flock, sitting on the water, rocking
 silently; 
In farmers’ barns, oxen in the stable, their harvest labor done—they rest
 standing—they are too tired;
Afar on arctic ice, the she-walrus lying drowsily, while her cubs play around; 
The hawk sailing where men have not yet sail’d—the farthest polar sea, ripply,
 crystalline, open, beyond the floes; 
White drift spooning ahead, where the ship in the tempest dashes; 
On solid land, what is done in cities, as the bells all strike midnight together; 
In primitive woods, the sounds there also sounding—the howl of the wolf, the scream
 of the
 panther, and the hoarse bellow of the elk;
In winter beneath the hard blue ice of Moosehead Lake—in summer visible through the
 clear
 waters, the great trout swimming; 
In lower latitudes, in warmer air, in the Carolinas, the large black buzzard floating
 slowly,
 high
 beyond the tree tops, 
Below, the red cedar, festoon’d with tylandria—the pines and cypresses, growing
 out
 of the
 white sand that spreads far and flat; 
Rude boats descending the big Pedee—climbing plants, parasites, with color’d
 flowers
 and
 berries, enveloping huge trees, 
The waving drapery on the live oak, trailing long and low, noiselessly waved by the wind;
The camp of Georgia wagoners, just after dark—the supper-fires, and the cooking and
 eating
 by
 whites and *******, 
Thirty or forty great wagons—the mules, cattle, horses, feeding from troughs, 
The shadows, gleams, up under the leaves of the old sycamore-trees—the
 flames—with
 the
 black smoke from the pitch-pine, curling and rising; 
Southern fishermen fishing—the sounds and inlets of North Carolina’s
 coast—the
 shad-fishery and the herring-fishery—the large sweep-seines—the windlasses on
 shore
 work’d by horses—the clearing, curing, and packing-houses; 
Deep in the forest, in piney woods, turpentine dropping from the incisions in the
 trees—There
 are the turpentine works,
There are the ******* at work, in good health—the ground in all directions is
 cover’d
 with
 pine straw: 
—In Tennessee and Kentucky, slaves busy in the coalings, at the forge, by the
 furnace-blaze, or
 at the corn-shucking; 
In Virginia, the planter’s son returning after a long absence, joyfully welcom’d
 and
 kiss’d by the aged mulatto nurse; 
On rivers, boatmen safely moor’d at night-fall, in their boats, under shelter of high
 banks, 
Some of the younger men dance to the sound of the banjo or fiddle—others sit on the
 gunwale,
 smoking and talking;
Late in the afternoon, the mocking-bird, the American mimic, singing in the Great Dismal
 Swamp—there are the greenish waters, the resinous odor, the plenteous moss, the
 cypress
 tree,
 and the juniper tree; 
—Northward, young men of Mannahatta—the target company from an excursion
 returning
 home at
 evening—the musket-muzzles all bear bunches of flowers presented by women; 
Children at play—or on his father’s lap a young boy fallen asleep, (how his lips
 move! how
 he smiles in his sleep!) 
The scout riding on horseback over the plains west of the Mississippi—he ascends a
 knoll
 and
 sweeps his eye around; 
California life—the miner, bearded, dress’d in his rude costume—the stanch
 California
 friendship—the sweet air—the graves one, in passing, meets, solitary, just
 aside the
 horsepath;
Down in Texas, the cotton-field, the *****-cabins—drivers driving mules or oxen
 before
 rude
 carts—cotton bales piled on banks and wharves; 
Encircling all, vast-darting, up and wide, the American Soul, with equal
 hemispheres—one
 Love,
 one Dilation or Pride; 
—In arriere, the peace-talk with the Iroquois, the aborigines—the calumet, the
 pipe
 of
 good-will, arbitration, and indorsement, 
The sachem blowing the smoke first toward the sun and then toward the earth, 
The drama of the scalp-dance enacted with painted faces and guttural exclamations,
The setting out of the war-party—the long and stealthy march, 
The single-file—the swinging hatchets—the surprise and slaughter of enemies; 
—All the acts, scenes, ways, persons, attitudes of These States—reminiscences,
 all
 institutions, 
All These States, compact—Every square mile of These States, without excepting a
 particle—you also—me also, 
Me pleas’d, rambling in lanes and country fields, Paumanok’s fields,
Me, observing the spiral flight of two little yellow butterflies, shuffling between each
 other,
 ascending high in the air; 
The darting swallow, the destroyer of insects—the fall traveler southward, but
 returning
 northward early in the spring; 
The country boy at the close of the day, driving the herd of cows, and shouting to them as
 they
 loiter to browse by the road-side; 
The city wharf—Boston, Philadelphia, Baltimore, Charleston, New Orleans, San
 Francisco, 
The departing ships, when the sailors heave at the capstan;
—Evening—me in my room—the setting sun, 
The setting summer sun shining in my open window, showing the swarm of flies, suspended,
 balancing
 in the air in the centre of the room, darting athwart, up and down, casting swift shadows
 in
 specks
 on the opposite wall, where the shine is; 
The athletic American matron speaking in public to crowds of listeners; 
Males, females, immigrants, combinations—the copiousness—the individuality of
 The
 States,
 each for itself—the money-makers; 
Factories, machinery, the mechanical forces—the windlass, lever, pulley—All
 certainties,
The certainty of space, increase, freedom, futurity, 
In space, the sporades, the scatter’d islands, the stars—on the firm earth, the
 lands, my
 lands; 
O lands! all so dear to me—what you are, (whatever it is,) I become a part of that,
 whatever it
 is; 
Southward there, I screaming, with wings slowly flapping, with the myriads of gulls
 wintering
 along
 the coasts of Florida—or in Louisiana, with pelicans breeding; 
Otherways, there, atwixt the banks of the Arkansaw, the Rio Grande, the Nueces, the
 Brazos, the
 Tombigbee, the Red River, the Saskatchawan, or the Osage, I with the spring waters
 laughing
 and
 skipping and running;
Northward, on the sands, on some shallow bay of Paumanok, I, with parties of snowy herons
 wading in
 the wet to seek worms and aquatic plants; 
Retreating, triumphantly twittering, the king-bird, from piercing the crow with its bill,
 for
 amusement—And I triumphantly twittering; 
The migrating flock of wild geese alighting in autumn to refresh themselves—the body
 of
 the
 flock feed—the sentinels outside move around with erect heads watching, and are from
 time
 to
 time reliev’d by other sentinels—And I feeding and taking turns with the rest; 
In Kanadian forests, the moose, large as an ox, corner’d by hunters, rising
 desperately on
 his
 hind-feet, and plunging with his fore-feet, the hoofs as sharp as knives—And I,
 plunging
 at the
 hunters, corner’d and desperate; 
In the Mannahatta, streets, piers, shipping, store-houses, and the countless workmen
 working in
 the
 shops,
And I too of the Mannahatta, singing thereof—and no less in myself than the whole of
 the
 Mannahatta in itself, 
Singing the song of These, my ever united lands—my body no more inevitably united,
 part to
 part, and made one identity, any more than my lands are inevitably united, and made ONE
 IDENTITY; 
Nativities, climates, the grass of the great Pastoral Plains; 
Cities, labors, death, animals, products, war, good and evil—these me, 
These affording, in all their particulars, endless feuillage to me and to America, how can
 I do
 less
 than pass the clew of the union of them, to afford the like to you?
Whoever you are! how can I but offer you divine leaves, that you also be eligible as I am?

How can I but, as here, chanting, invite you for yourself to collect bouquets of the
 incomparable
 feuillage of These States?
Written by Charles Baudelaire | Create an image from this poem

Beauty

 WHAT does it mean? Tired, angry, and ill at ease, 
No man, woman, or child alive could please 
Me now.
And yet I almost dare to laugh Because I sit and frame an epitaph-- "Here lies all that no one loved of him And that loved no one.
" Then in a trice that whim Has wearied.
But, though I am like a river At fall of evening when it seems that never Has the sun lighted it or warmed it, while Cross breezes cut the surface to a file, This heart, some fraction of me, hapily Floats through a window even now to a tree Down in the misting, dim-lit, quiet vale; Not like a pewit that returns to wail For something it has lost, but like a dove That slants unanswering to its home and love.
There I find my rest, and through the dusk air Flies what yet lives in me.
Beauty is there


Written by T S (Thomas Stearns) Eliot | Create an image from this poem

Macavity: The Mystery Cat

 Macavity's a Mystery Cat: he's called the Hidden Paw--
For he's the master criminal who can defy the Law.
He's the bafflement of Scotland Yard, the Flying Squad's despair: For when they reach the scene of crime--Macavity's not there! Macavity, Macavity, there's no on like Macavity, He's broken every human law, he breaks the law of gravity.
His powers of levitation would make a fakir stare, And when you reach the scene of crime--Macavity's not there! You may seek him in the basement, you may look up in the air-- But I tell you once and once again, Macavity's not there! Macavity's a ginger cat, he's very tall and thin; You would know him if you saw him, for his eyes are sunken in.
His brow is deeply lined with thought, his head is highly doomed; His coat is dusty from neglect, his whiskers are uncombed.
He sways his head from side to side, with movements like a snake; And when you think he's half asleep, he's always wide awake.
Macavity, Macavity, there's no one like Macavity, For he's a fiend in feline shape, a monster of depravity.
You may meet him in a by-street, you may see him in the square-- But when a crime's discovered, then Macavity's not there! He's outwardly respectable.
(They say he cheats at cards.
) And his footprints are not found in any file of Scotland Yard's.
And when the larder's looted, or the jewel-case is rifled, Or when the milk is missing, or another Peke's been stifled, Or the greenhouse glass is broken, and the trellis past repair-- Ay, there's the wonder of the thing! Macavity's not there! And when the Foreign Office finds a Treaty's gone astray, Or the Admiralty lose some plans and drawings by the way, There may be a scap of paper in the hall or on the stair-- But it's useless of investigate--Macavity's not there! And when the loss has been disclosed, the Secret Service say: "It must have been Macavity!"--but he's a mile away.
You'll be sure to find him resting, or a-licking of his thumbs, Or engaged in doing complicated long division sums.
Macavity, Macavity, there's no one like Macacity, There never was a Cat of such deceitfulness and suavity.
He always has an alibit, or one or two to spare: And whatever time the deed took place--MACAVITY WASN'T THERE! And they say that all the Cats whose wicked deeds are widely known (I might mention Mungojerrie, I might mention Griddlebone) Are nothing more than agents for the Cat who all the time Just controls their operations: the Napoleon of Crime!
Written by Charles Bukowski | Create an image from this poem

16-bit Intel 8088 chip

 with an Apple Macintosh
you can't run Radio Shack programs
in its disc drive.
nor can a Commodore 64 drive read a file you have created on an IBM Personal Computer.
both Kaypro and Osborne computers use the CP/M operating system but can't read each other's handwriting for they format (write on) discs in different ways.
the Tandy 2000 runs MS-DOS but can't use most programs produced for the IBM Personal Computer unless certain bits and bytes are altered but the wind still blows over Savannah and in the Spring the turkey buzzard struts and flounces before his hens.
Written by Andrew Barton Paterson | Create an image from this poem

Old Schooldays

 Awake, of Muse, the echoes of a day 
Long past, the ghosts of mem'ries manifold -- 
Youth's memories that once were green and gold 
But now, alas, are grim and ashen grey.
The drowsy schoolboy wakened up from sleep, First stays his system with substantial food, Then off for school with tasks half understood, Alas, alas, that cribs should be so cheap! The journey down to town -- 'twere long to tell The storm and riot of the rabble rout; The wild Walpurgis revel in and out That made the ferry boat a floating hell.
What time the captive locusts fairly roared: And bulldog ants, made stingless with a knife, Climbed up the seats and scared the very life From timid folk, who near jumped overboard.
The hours of lessons -- hours with feet of clay Each hour a day, each day more like a week: While hapless urchins heard with blanched cheek The words of doom "Come in on Saturday".
The master gowned and spectacled, precise, Trying to rule by methods firm and kind But always just a little bit behind The latest villainy, the last device, Born of some smoothfaced urchin's fertile brain To irritate the hapless pedagogue, And first involve him in a mental fog Then "have" him with the same old tale again.
The "bogus" fight that brought the sergeant down To that dark corner by the old brick wall, Where mimic combat and theatric brawl Made noise enough to terrify the town.
But on wet days the fray was genuine, When small boys pushed each other in the mud And fought in silence till thin streams of blood Their dirty faces would incarnadine.
The football match or practice in the park With rampant hoodlums joining in the game Till on one famous holiday there came A gang that seized the football for a lark.
Then raged the combat without rest or pause, Till one, a hero, Hawkins unafraid Regained the ball, and later on displayed His nose knocked sideways in his country's cause.
Before the mind quaint visions rise and fall, Old jokes, old students dead and gone: And some that lead us still, while some toil on As rank and file, but "Grammar" children all.
And he, the pilot, who has laid the course For all to steer by, honest, unafraid -- Truth is his beacon light, so he has made The name of the old School a living force.
Written by Philip Larkin | Create an image from this poem

Faith Healing

 Slowly the women file to where he stands
Upright in rimless glasses, silver hair,
Dark suit, white collar.
Stewards tirelessly Persuade them onwards to his voice and hands, Within whose warm spring rain of loving care Each dwells some twenty seconds.
Now, dear child, What's wrong, the deep American voice demands, And, scarcely pausing, goes into a prayer Directing God about this eye, that knee.
Their heads are clasped abruptly; then, exiled Like losing thoughts, they go in silence; some Sheepishly stray, not back into their lives Just yet; but some stay stiff, twitching and loud With deep hoarse tears, as if a kind of dumb And idiot child within them still survives To re-awake at kindness, thinking a voice At last calls them alone, that hands have come To lift and lighten; and such joy arrives Their thick tongues blort, their eyes squeeze grief, a crowd Of huge unheard answers jam and rejoice - What's wrong! Moustached in flowered frocks they shake: By now, all's wrong.
In everyone there sleeps A sense of life lived according to love.
To some it means the difference they could make By loving others, but across most it sweeps As all they might have done had they been loved.
That nothing cures.
An immense slackening ache, As when, thawing, the rigid landscape weeps, Spreads slowly through them - that, and the voice above Saying Dear child, and all time has disproved.
Written by Vladimir Mayakovsky | Create an image from this poem

My Soviet Passport

 I'd tear
 like a wolf
 at bureaucracy.
For mandates my respect's but the slightest.
To the devil himself I'd chuck without mercy every red-taped paper.
But this .
.
.
Down the long front of coupés and cabins File the officials politely.
They gather up passports and I give in My own vermilion booklet.
For one kind of passport - smiling lips part For others - an attitude scornful.
They take with respect, for instance, the passport From a sleeping-car English Lionel.
The good fellows eyes almost slip like pips when, bowing as low as men can, they take, as if they were taking a tip, the passport from an American.
At the Polish, they dolefully blink and wheeze in dumb police elephantism - where are they from, and what are these geographical novelties? And without a turn of their cabbage heads, their feelings hidden in lower regions, they take without blinking, the passports from Swedes and various old Norwegians.
Then sudden as if their mouths were aquake those gentlemen almost whine Those very official gentlemen take that red-skinned passport of mine.
Take- like a bomb take - like a hedgehog, like a razor double-edge stropped, take - like a rattlesnake huge and long with at least 20 fangs poison-tipped.
The porter's eyes give a significant flick (I'll carry your baggage for nix, mon ami.
.
.
) The gendarmes enquiringly look at the tec, the tec, - at the gendarmerie.
With what delight that gendarme caste would have me strung-up and whipped raw because I hold in my hands hammered-fast sickle-clasped my red Soviet passport.
I'd tear like a wolf at bureaucracy.
For mandates my respect's but the slightest.
To the devil himself I'd chuck without mercy every red-taped paper, But this .
.
.
I pull out of my wide trouser-pockets duplicate of a priceless cargo.
You now: read this and envy, I'm a citizen of the Soviet Socialist Union! Transcribed: by Liviu Iacob.

Book: Shattered Sighs