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Best Famous Fertile Poems

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Written by Charlotte Bronte | Create an image from this poem

The Wood

 BUT two miles more, and then we rest ! 
Well, there is still an hour of day, 
And long the brightness of the West 
Will light us on our devious way; 
Sit then, awhile, here in this wood­ 
So total is the solitude, 
We safely may delay. 

These massive roots afford a seat, 
Which seems for weary travellers made. 
There rest. The air is soft and sweet 
In this sequestered forest glade, 
And there are scents of flowers around, 
The evening dew draws from the ground;
How soothingly they spread ! 

Yes; I was tired, but not at heart; 
No­that beats full of sweet content, 
For now I have my natural part 
Of action with adventure blent; 
Cast forth on the wide vorld with thee, 
And all my once waste energy
To weighty purpose bent. 

Yet­say'st thou, spies around us roam, 
Our aims are termed conspiracy ? 
Haply, no more our English home 
An anchorage for us may be ? 
That there is risk our mutual blood 
May redden in some lonely wood 
The knife of treachery ? 

Say'st thou­that where we lodge each night, 
In each lone farm, or lonelier hall 
Of Norman Peer­ere morning light 
Suspicion must as duly fall,
As day returns­such vigilance 
Presides and watches over France, 
Such rigour governs all ? 

I fear not, William; dost thou fear ? 
So that the knife does not divide, 
It may be ever hovering near: 
I could not tremble at thy side, 
And strenuous love­like mine for thee­
Is buckler strong, 'gainst treachery, 
And turns its stab aside. 

I am resolved that thou shalt learn 
To trust my strength as I trust thine; 
I am resolved our souls shall burn, 
With equal, steady, mingling shine;
Part of the field is conquered now, 
Our lives in the same channel flow, 
Along the self-same line; 

And while no groaning storm is heard, 
Thou seem'st content it should be so, 
But soon as comes a warning word 
Of danger­straight thine anxious brow 
Bends over me a mournful shade, 
As doubting if my powers are made 
To ford the floods of woe. 

Know, then it is my spirit swells, 
And drinks, with eager joy, the air 
Of freedom­where at last it dwells,
Chartered, a common task to share 
With thee, and then it stirs alert,
And pants to learn what menaced hurt
Demands for thee its care. 

Remember, I have crossed the deep, 
And stood with thee on deck, to gaze 
On waves that rose in threatening heap, 
While stagnant lay a heavy haze, 
Dimly confusing sea with sky, 
And baffling, even, the pilot's eye, 
Intent to thread the maze­ 

Of rocks, on Bretagne's dangerous coast,
And find a way to steer our band
To the one point obscure, which lost,
Flung us, as victims, on the strand;­
All, elsewhere, gleamed the Gallic sword,
And not a wherry could be moored
Along the guarded land. 

I feared not then­I fear not now; 
The interest of each stirring scene 
Wakes a new sense, a welcome glow, 
In every nerve and bounding vein; 
Alike on turbid Channel sea, 
Or in still wood of Normandy, 
I feel as born again. 

The rain descended that wild morn 
When, anchoring in the cove at last, 
Our band, all weary and forlorn, 
Ashore, like wave-worn sailors, cast­ 
Sought for a sheltering roof in vain, 
And scarce could scanty food obtain 
To break their morning fast. 

Thou didst thy crust with me divide, 
Thou didst thy cloak around me fold; 
And, sitting silent by thy side, 
I ate the bread in peace untold: 
Given kindly from thy hand, 'twas sweet 
As costly fare or princely treat 
On royal plate of gold. 

Sharp blew the sleet upon my face, 
And, rising wild, the gusty wind 
Drove on those thundering waves apace, 
Our crew so late had left behind; 
But, spite of frozen shower and storm, 
So close to thee, my heart beat warm, 
And tranquil slept my mind. 

So now­nor foot-sore nor opprest
With walking all this August day,
I taste a heaven in this brief rest,
This gipsy-halt beside the way.
England's wild flowers are fair to view,
Like balm is England's summer dew,
Like gold her sunset ray. 

But the white violets, growing here,
Are sweeter than I yet have seen,
And ne'er did dew so pure and clear
Distil on forest mosses green,
As now, called forth by summer heat,
Perfumes our cool and fresh retreat­
These fragrant limes between. 

That sunset ! Look beneath the boughs,
Over the copse­beyond the hills;
How soft, yet deep and warm it glows,
And heaven with rich suffusion fills;
With hues where still the opal's tint,
Its gleam of poisoned fire is blent,
Where flame through azure thrills ! 

Depart we now­for fast will fade
That solemn splendour of decline,
And deep must be the after-shade
As stars alone to-night will shine;
No moon is destined­pale­to gaze
On such a day's vast Phoenix blaze,
A day in fires decayed ! 

There­hand-in-hand we tread again 
The mazes of this varying wood, 
And soon, amid a cultured plain, 
Girt in with fertile solitude, 
We shall our resting-place descry, 
Marked by one roof-tree, towering high 
Above a farm-stead rude. 

Refreshed, erelong, with rustic fare, 
We'll seek a couch of dreamless ease; 
Courage will guard thy heart from fear, 
And Love give mine divinest peace: 
To-morrow brings more dangerous toil, 
And through its conflict and turmoil 
We'll pass, as God shall please.


Written by Anonymous | Create an image from this poem

Ode To Joy

Wild and fearful in his cavern
Hid the naked troglodyte,
And the homeless nomad wandered
Laying waste the fertile plain.
Menacing with spear and arrow
In the woods the hunter strayed ...
Woe to all poor wreteches stranded
On those cruel and hostile shores!

From the peak of high Olympus
Came the mother Ceres down,
Seeeking in those savage regions
Her lost daughter Prosperine.
But the Goddess found no refuge,
Found no kindly welcome there,
And no temple bearing witness
To the worship of the gods.

From the fields and from the vineyards
Came no fruit to deck the feasts,
Only flesh of blood-stained victims
Smouldered on the alter-fires,
And where'er the grieving goddess
Turns her melancholy gaze,
Sunk in vilest degradation
Man his loathsomeness displays.

Would he purge his soul from vileness
And attain to light and worth,
He must turn and cling forever
To his ancient Mother Earth.

Joy everlasting fostereth
The soul of all creation,
It is her secret ferment fires
The cup of life with flame.
'Tis at her beck the grass hath turned
Each blade toward the light
and solar systems have evolved
From chaos and dark night,
Filling the realms of boundless space
Beyond the sage's sight.

At bounteous nature's kindly breast,
All things that breath drink Joy,
And bird and beasts and creaping things
All follow where she leads.
Her gifts to man are friends in need,
The wreath, the foaming must,
To angels -- visions of God's throne,
To insects -- sensual lust. 
Written by Joseph Brodsky | Create an image from this poem

I Sit By The Window

 I said fate plays a game without a score,
and who needs fish if you've got caviar?
The triumph of the Gothic style would come to pass
and turn you on--no need for coke, or grass.
I sit by the window. Outside, an aspen.
When I loved, I loved deeply. It wasn't often.

I said the forest's only part of a tree.
Who needs the whole girl if you've got her knee?
Sick of the dust raised by the modern era,
the Russian eye would rest on an Estonian spire.
I sit by the window. The dishes are done.
I was happy here. But I won't be again.

I wrote: The bulb looks at the flower in fear,
and love, as an act, lacks a verb; the zer-
o Euclid thought the vanishing point became
wasn't math--it was the nothingness of Time.
I sit by the window. And while I sit
my youth comes back. Sometimes I'd smile. Or spit.

I said that the leaf may destory the bud;
what's fertile falls in fallow soil--a dud;
that on the flat field, the unshadowed plain
nature spills the seeds of trees in vain.
I sit by the window. Hands lock my knees.
My heavy shadow's my squat company.

My song was out of tune, my voice was cracked,
but at least no chorus can ever sing it back.
That talk like this reaps no reward bewilders
no one--no one's legs rest on my sholders.
I sit by the window in the dark. Like an express,
the waves behind the wavelike curtain crash.

A loyal subject of these second-rate years,
I proudly admit that my finest ideas
are second-rate, and may the future take them
as trophies of my struggle against suffocation.
I sit in the dark. And it would be hard to figure out
which is worse; the dark inside, or the darkness out.
Written by Pablo Neruda | Create an image from this poem

Ode To Tomatoes

 The street
filled with tomatoes,
midday,
summer,
light is
halved
like
a
tomato,
its juice
runs
through the streets.
In December,
unabated,
the tomato
invades
the kitchen,
it enters at lunchtime,
takes
its ease
on countertops,
among glasses,
butter dishes,
blue saltcellars.
It sheds
its own light,
benign majesty.
Unfortunately, we must
murder it:
the knife
sinks
into living flesh,
red
viscera
a cool
sun,
profound,
inexhaustible,
populates the salads
of Chile,
happily, it is wed
to the clear onion,
and to celebrate the union
we
pour
oil,
essential
child of the olive,
onto its halved hemispheres,
pepper
adds
its fragrance,
salt, its magnetism;
it is the wedding
of the day,
parsley
hoists
its flag,
potatoes
bubble vigorously,
the aroma
of the roast
knocks
at the door,
it's time!
come on!
and, on
the table, at the midpoint
of summer,
the tomato,
star of earth, recurrent
and fertile
star,
displays
its convolutions,
its canals,
its remarkable amplitude
and abundance,
no pit,
no husk,
no leaves or thorns,
the tomato offers
its gift
of fiery color
and cool completeness.
Written by Andrew Marvell | Create an image from this poem

The Gallery

Clora, come view my soul, and tell
Whether I have contrived it well.
Now all its several lodgings lie
Composed into one gallery;
And the great arras-hangings, made
Of various faces, by are laid;
That, for all furniture, you'll find
Only your picture in my mind.

Here thou art painted in the dress
Of an inhuman murderess;
Examining upon our hearts
Thy fertile shop of cruel arts:
Engines more keen than ever yet
Adornèd tyrant's cabinet;
Of which the most tormenting are
Black eyes, red lips, and curlèd hair.

But, on the other side, thou'rt drawn
Like to Aurora in the dawn;
When in the east she slumb'ring lies,
And stretches out her milky thighs;
While all the morning choir does sing,
And manna falls, and roses spring;
And, at thy feet, the wooing doves
Sit perfecting their harmless loves.

Like an enchantress here thou show'st,
Vexing thy restless lover's ghost;
And, by a light obscure, dost rave
Over his entrails, in the cave;
Divining thence, with horrid care,
How long thou shalt continue fair;
And (when informed) them throw'st away,
To be the greedy vulture's prey.

But, against that, thou sit'st afloat
Like Venus in her pearly boat.
The halcyons, calming all that's nigh,
Betwixt the air and water fly:
Or, if some rolling wave appears,
A mass of ambergris it bears:
Nor blows more wind than what may well
Convoy the perfume to the smell.

These pictures and a thousand more,
Of thee, my gallery do store;
In all the forms thou canst invent
Either to please me, or torment:
For thou alone to people me,
Art grown a num'rous colony;
And a collection choicer far
Than or Whitehall's, or Mantua's were.

But, of these pictures and the rest,
That at the entrance likes me best;
Where the same posture, and the look
Remains, with which I first was took:
A tender shepherdess, whose hair
Hangs loosely playing in the air,
Transplanting flowers from the green hill,
To crown her head, and bosom fill.


Written by Charlotte Bronte | Create an image from this poem

The Wood

 But two miles more, and then we rest ! 
Well, there is still an hour of day, 
And long the brightness of the West 
Will light us on our devious way; 
Sit then, awhile, here in this wood­ 
So total is the solitude, 
We safely may delay. 

These massive roots afford a seat, 
Which seems for weary travellers made. 
There rest. The air is soft and sweet 
In this sequestered forest glade, 
And there are scents of flowers around, 
The evening dew draws from the ground;
How soothingly they spread ! 

Yes; I was tired, but not at heart; 
No­that beats full of sweet content, 
For now I have my natural part 
Of action with adventure blent; 
Cast forth on the wide vorld with thee, 
And all my once waste energy
To weighty purpose bent. 

Yet­say'st thou, spies around us roam, 
Our aims are termed conspiracy ? 
Haply, no more our English home 
An anchorage for us may be ? 
That there is risk our mutual blood 
May redden in some lonely wood 
The knife of treachery ? 

Say'st thou­that where we lodge each night, 
In each lone farm, or lonelier hall 
Of Norman Peer­ere morning light 
Suspicion must as duly fall,
As day returns­such vigilance 
Presides and watches over France, 
Such rigour governs all ? 

I fear not, William; dost thou fear ? 
So that the knife does not divide, 
It may be ever hovering near: 
I could not tremble at thy side, 
And strenuous love­like mine for thee­
Is buckler strong, 'gainst treachery, 
And turns its stab aside. 

I am resolved that thou shalt learn 
To trust my strength as I trust thine; 
I am resolved our souls shall burn, 
With equal, steady, mingling shine;
Part of the field is conquered now, 
Our lives in the same channel flow, 
Along the self-same line; 

And while no groaning storm is heard, 
Thou seem'st content it should be so, 
But soon as comes a warning word 
Of danger­straight thine anxious brow 
Bends over me a mournful shade, 
As doubting if my powers are made 
To ford the floods of woe. 

Know, then it is my spirit swells, 
And drinks, with eager joy, the air 
Of freedom­where at last it dwells,
Chartered, a common task to share 
With thee, and then it stirs alert,
And pants to learn what menaced hurt
Demands for thee its care. 

Remember, I have crossed the deep, 
And stood with thee on deck, to gaze 
On waves that rose in threatening heap, 
While stagnant lay a heavy haze, 
Dimly confusing sea with sky, 
And baffling, even, the pilot's eye, 
Intent to thread the maze­ 

Of rocks, on Bretagne's dangerous coast,
And find a way to steer our band
To the one point obscure, which lost,
Flung us, as victims, on the strand;­
All, elsewhere, gleamed the Gallic sword,
And not a wherry could be moored
Along the guarded land. 

I feared not then­I fear not now; 
The interest of each stirring scene 
Wakes a new sense, a welcome glow, 
In every nerve and bounding vein; 
Alike on turbid Channel sea, 
Or in still wood of Normandy, 
I feel as born again. 

The rain descended that wild morn 
When, anchoring in the cove at last, 
Our band, all weary and forlorn, 
Ashore, like wave-worn sailors, cast­ 
Sought for a sheltering roof in vain, 
And scarce could scanty food obtain 
To break their morning fast. 

Thou didst thy crust with me divide, 
Thou didst thy cloak around me fold; 
And, sitting silent by thy side, 
I ate the bread in peace untold: 
Given kindly from thy hand, 'twas sweet 
As costly fare or princely treat 
On royal plate of gold. 

Sharp blew the sleet upon my face, 
And, rising wild, the gusty wind 
Drove on those thundering waves apace, 
Our crew so late had left behind; 
But, spite of frozen shower and storm, 
So close to thee, my heart beat warm, 
And tranquil slept my mind. 

So now­nor foot-sore nor opprest
With walking all this August day,
I taste a heaven in this brief rest,
This gipsy-halt beside the way.
England's wild flowers are fair to view,
Like balm is England's summer dew,
Like gold her sunset ray. 

But the white violets, growing here,
Are sweeter than I yet have seen,
And ne'er did dew so pure and clear
Distil on forest mosses green,
As now, called forth by summer heat,
Perfumes our cool and fresh retreat­
These fragrant limes between. 

That sunset ! Look beneath the boughs,
Over the copse­beyond the hills;
How soft, yet deep and warm it glows,
And heaven with rich suffusion fills;
With hues where still the opal's tint,
Its gleam of poisoned fire is blent,
Where flame through azure thrills ! 

Depart we now­for fast will fade
That solemn splendour of decline,
And deep must be the after-shade
As stars alone to-night will shine;
No moon is destined­pale­to gaze
On such a day's vast Phoenix blaze,
A day in fires decayed ! 

There­hand-in-hand we tread again 
The mazes of this varying wood, 
And soon, amid a cultured plain, 
Girt in with fertile solitude, 
We shall our resting-place descry, 
Marked by one roof-tree, towering high 
Above a farm-stead rude. 

Refreshed, erelong, with rustic fare, 
We'll seek a couch of dreamless ease; 
Courage will guard thy heart from fear, 
And Love give mine divinest peace: 
To-morrow brings more dangerous toil, 
And through its conflict and turmoil 
We'll pass, as God shall please.


[The preceding composition refers, doubtless, to the scenes acted in France during
the last year of the Consulate.]
Written by John Ashbery | Create an image from this poem

Daffy Duck In Hollywood

 Something strange is creeping across me.
La Celestina has only to warble the first few bars
Of "I Thought about You" or something mellow from
Amadigi di Gaula for everything--a mint-condition can
Of Rumford's Baking Powder, a celluloid earring, Speedy
Gonzales, the latest from Helen Topping Miller's fertile
Escritoire, a sheaf of suggestive pix on greige, deckle-edged
Stock--to come clattering through the rainbow trellis
Where Pistachio Avenue rams the 2300 block of Highland
Fling Terrace. He promised he'd get me out of this one,
That mean old cartoonist, but just look what he's 
Done to me now! I scarce dare approach me mug's attenuated
Reflection in yon hubcap, so jaundiced, so déconfit
Are its lineaments--fun, no doubt, for some quack phrenologist's
Fern-clogged waiting room, but hardly what you'd call
Companionable. But everything is getting choked to the point of
Silence. Just now a magnetic storm hung in the swatch of sky
Over the Fudds' garage, reducing it--drastically--
To the aura of a plumbago-blue log cabin on
A Gadsden Purchase commemorative cover. Suddenly all is
Loathing. I don't want to go back inside any more. You meet
Enough vague people on this emerald traffic-island--no,
Not people, comings and goings, more: mutterings, splatterings,
The bizarrely but effectively equipped infantries of 
happy-go-nutty
Vegetal jacqueries, plumed, pointed at the little
White cardboard castle over the mill run. "Up
The lazy river, how happy we could be?"
How will it end? That geranium glow
Over Anaheim's had the riot act read to it by the
Etna-size firecracker that exploded last minute into
A carte du Tendre in whose lower right-hand corner
(Hard by the jock-itch sand-trap that skirts
The asparagus patch of algolagnic nuits blanches) Amadis
Is cozening the Princesse de Cleves into a midnight 
micturition spree
On the Tamigi with the Wallets (Walt, Blossom, and little
Sleezix) on a lamé barge "borrowed" from Ollie
Of the Movies' dread mistress of the robes. Wait!
I have an announcement! This wide, tepidly meandering, 
Civilized Lethe (one can barely make out the maypoles
And châlets de nécessitê on its sedgy shore) 
leads to Tophet, that
Landfill-haunted, not-so-residential resort from which
Some travellers return! This whole moment is the groin
Of a borborygmic giant who even now
Is rolling over on us in his sleep. Farewell bocages,
Tanneries, water-meadows. The allegory comes unsnarled
Too soon; a shower of pecky acajou harpoons is 
About all there is to be noted between tornadoes. I have
Only my intermittent life in your thoughts to live
Which is like thinking in another language. Everything
Depends on whether somebody reminds you of me.
That this is a fabulation, and that those "other times"
Are in fact the silences of the soul, picked out in 
Diamonds on stygian velvet, matters less than it should.
Prodigies of timing may be arranged to convince them
We live in one dimension, they in ours. While I
Abroad through all the coasts of dark destruction seek
Deliverance for us all, think in that language: its 
Grammar, though tortured, offers pavillions
At each new parting of the ways. Pastel
Ambulances scoop up the quick and hie them to hospitals.
"It's all bits and pieces, spangles, patches, really; nothing
Stands alone. What happened to creative evolution?"
Sighed Aglavaine. Then to her Sélysette: "If his
Achievement is only to end up less boring than the others, 
What's keeping us here? Why not leave at once?
I have to stay here while they sit in there,
Laugh, drink, have fine time. In my day
One lay under the tough green leaves,
Pretending not to notice how they bled into
The sky's aqua, the wafted-away no-color of regions supposed
Not to concern us. And so we too
Came where the others came: nights of physical endurance,
Or if, by day, our behavior was anarchically
Correct, at least by New Brutalism standards, all then
Grew taciturn by previous agreement. We were spirited 
Away en bateau, under cover of fudge dark.
It's not the incomplete importunes, but the spookiness
Of the finished product. True, to ask less were folly, yet
If he is the result of himself, how much the better 
For him we ought to be! And how little, finally, 
We take this into account! Is the puckered garance satin
Of a case that once held a brace of dueling pistols our 
Only acknowledging of that color? I like not this,
Methinks, yet this disappointing sequel to ourselves
Has been applauded in London and St. Petersburg. Somewhere
Ravens pray for us." The storm finished brewing. And thus
She questioned all who came in at the great gate, but none
She found who ever heard of Amadis,
Nor of stern Aureng-Zebe, his first love. Some
They were to whom this mattered not a jot: since all
By definition is completeness (so
In utter darkness they reasoned), why not
Accept it as it pleases to reveal itself? As when
Low skyscrapers from lower-hanging clouds reveal
A turret there, an art-deco escarpment here, and last perhaps
The pattern that may carry the sense, but
Stays hidden in the mysteries of pagination. 
Not what we see but how we see it matters; all's
Alike, the same, and we greet him who announces
The change as we would greet the change itself. 
All life is but a figment; conversely, the tiny
Tome that slips from your hand is not perhaps the 
Missing link in this invisible picnic whose leverage
Shrouds our sense of it. Therefore bivouac we 
On this great, blond highway, unimpeded by
Veiled scruples, worn conundrums. Morning is
Impermanent. Grab sex things, swing up
Over the horizon like a boy
On a fishing expedition. No one really knows
Or cares whether this is the whole of which parts
Were vouchsafed--once--but to be ambling on's
The tradition more than the safekeeping of it. This mulch for
Play keeps them interested and busy while the big,
Vaguer stuff can decide what it wants--what maps, what
Model cities, how much waste space. Life, our
Life anyway, is between. We don't mind 
Or notice any more that the sky is green, a parrot
One, but have our earnest where it chances on us, 
Disingenuous, intrigued, inviting more,
Always invoking the echo, a summer's day.
Written by Andrew Barton Paterson | Create an image from this poem

Song of the Future

 'Tis strange that in a land so strong 
So strong and bold in mighty youth, 
We have no poet's voice of truth 
To sing for us a wondrous song. 
Our chiefest singer yet has sung 
In wild, sweet notes a passing strain, 
All carelessly and sadly flung 
To that dull world he thought so vain. 

"I care for nothing, good nor bad, 
My hopes are gone, my pleasures fled, 
I am but sifting sand," he said: 
What wonder Gordon's songs were sad! 

And yet, not always sad and hard; 
In cheerful mood and light of heart 
He told the tale of Britomarte, 
And wrote the Rhyme of Joyous Garde. 

And some have said that Nature's face 
To us is always sad; but these 
Have never felt the smiling grace 
Of waving grass and forest trees 
On sunlit plains as wide as seas. 

"A land where dull Despair is king 
O'er scentless flowers and songless bird!" 
But we have heard the bell-birds ring 
Their silver bells at eventide, 
Like fairies on the mountain side, 
The sweetest note man ever heard. 

The wild thrush lifts a note of mirth; 
The bronzewing pigeons call and coo 
Beside their nests the long day through; 
The magpie warbles clear and strong 
A joyous, glad, thanksgiving song, 
For all God's mercies upon earth. 

And many voices such as these 
Are joyful sounds for those to tell, 
Who know the Bush and love it well, 
With all its hidden mysteries. 

We cannot love the restless sea, 
That rolls and tosses to and fro 
Like some fierce creature in its glee; 
For human weal or human woe 
It has no touch of sympathy. 

For us the bush is never sad: 
Its myriad voices whisper low, 
In tones the bushmen only know, 
Its sympathy and welcome glad. 
For us the roving breezes bring 
From many a blossum-tufted tree -- 
Where wild bees murmur dreamily -- 
The honey-laden breath of Spring. 

* * * * 

We have our tales of other days, 
Good tales the northern wanderers tell 
When bushmen meet and camp-fires blaze, 
And round the ring of dancing light 
The great, dark bush with arms of night 
Folds every hearer in its spell. 

We have our songs -- not songs of strife 
And hot blood spilt on sea and land; 
But lilts that link achievement grand 
To honest toil and valiant life. 

Lift ye your faces to the sky 
Ye barrier mountains in the west 
Who lie so peacefully at rest 
Enshrouded in a haze of blue; 
'Tis hard to feel that years went by 
Before the pioneers broke through 
Your rocky heights and walls of stone, 
And made your secrets all their own. 

For years the fertile Western plains 
Were hid behind your sullen walls, 
Your cliffs and crags and waterfalls 
All weatherworn with tropic rains. 

Between the mountains and the sea 
Like Israelites with staff in hand, 
The people waited restlessly: 
They looked towards the mountains old 
And saw the sunsets come and go 
With gorgeous golden afterglow, 
That made the West a fairyland, 
And marvelled what that West might be 
Of which such wondrous tales were told. 

For tales were told of inland seas 
Like sullen oceans, salt and dead, 
And sandy deserts, white and wan, 
Where never trod the foot of man, 
Nor bird went winging overhead, 
Nor ever stirred a gracious breeze 
To wake the silence with its breath -- 
A land of loneliness and death. 

At length the hardy pioneers 
By rock and crag found out the way, 
And woke with voices of today 
A silence kept for years and tears. 

Upon the Western slope they stood 
And saw -- a wide expanse of plain 
As far as eye could stretch or see 
Go rolling westward endlessly. 
The native grasses, tall as grain, 
Bowed, waved and rippled in the breeze; 
From boughs of blossom-laden trees 
The parrots answered back again. 
They saw the land that it was good, 
A land of fatness all untrod, 
And gave their silent thanks to God. 

The way is won! The way is won! 
And straightway from the barren coast 
There came a westward-marching host, 
That aye and ever onward prest 
With eager faces to the West, 
Along the pathway of the sun. 

The mountains saw them marching by: 
They faced the all-consuming drought, 
They would not rest in settled land: 
But, taking each his life in hand, 
Their faces ever westward bent 
Beyond the farthest settlement, 
Responding to the challenge cry 
of "better country farther out". 

And lo, a miracle! the land 
But yesterday was all unknown, 
The wild man's boomerang was thrown 
Where now great busy cities stand. 
It was not much, you say, that these 
Should win their way where none withstood; 
In sooth there was not much of blood -- 
No war was fought between the seas. 

It was not much! but we who know 
The strange capricious land they trod -- 
At times a stricken, parching sod, 
At times with raging floods beset -- 
Through which they found their lonely way 
Are quite content that you should say 
It was not much, while we can feel 
That nothing in the ages old, 
In song or story written yet 
On Grecian urn or Roman arch, 
Though it should ring with clash of steel, 
Could braver histories unfold 
Than this bush story, yet untold -- 
The story of their westward march. 

* * * * 

But times are changed, and changes rung 
From old to new -- the olden days, 
The old bush life and all its ways, 
Are passing from us all unsung. 
The freedom, and the hopeful sense 
Of toil that brought due recompense, 
Of room for all, has passed away, 
And lies forgotten with the dead. 
Within our streets men cry for bread 
In cities built but yesterday. 
About us stretches wealth of land, 
A boundless wealth of virgin soil 
As yet unfruitful and untilled! 
Our willing workmen, strong and skilled, 
Within our cities idle stand, 
And cry aloud for leave to toil. 

The stunted children come and go 
In squalid lanes and alleys black: 
We follow but the beaten track 
Of other nations, and we grow 
In wealth for some -- for many, woe. 

And it may be that we who live 
In this new land apart, beyond 
The hard old world grown fierce and fond 
And bound by precedent and bond, 
May read the riddle right, and give 
New hope to those who dimly see 
That all things yet shall be for good, 
And teach the world at length to be 
One vast united brotherhood. 

* * * * 

So may it be! and he who sings 
In accents hopeful, clear, and strong, 
The glories which that future brings 
Shall sing, indeed, a wondrous song.
Written by Louisa May Alcott | Create an image from this poem

The Lay of a Golden Goose

 Long ago in a poultry yard 
One dull November morn, 
Beneath a motherly soft wing 
A little goose was born. 

Who straightway peeped out of the shell 
To view the world beyond, 
Longing at once to sally forth 
And paddle in the pond. 

"Oh! be not rash," her father said, 
A mild Socratic bird; 
Her mother begged her not to stray 
With many a warning word. 

But little goosey was perverse, 
And eagerly did cry, 
"I've got a lovely pair of wings, 
Of course I ought to fly." 

In vain parental cacklings, 
In vain the cold sky's frown, 
Ambitious goosey tried to soar, 
But always tumbled down. 

The farmyard jeered at her attempts, 
The peacocks screamed, "Oh fie! 
You're only a domestic goose, 
So don't pretend to fly." 

Great cock-a-doodle from his perch 
Crowed daily loud and clear, 
"Stay in the puddle, foolish bird, 
That is your proper sphere," 

The ducks and hens said, one and all, 
In gossip by the pool, 
"Our children never play such pranks; 
My dear, that fowl's a fool." 

The owls came out and flew about, 
Hooting above the rest, 
"No useful egg was ever hatched 
From transcendental nest." 

Good little goslings at their play 
And well-conducted chicks 
Were taught to think poor goosey's flights 
Were naughty, ill-bred tricks. 

They were content to swim and scratch, 
And not at all inclined 
For any wild goose chase in search 
Of something undefined. 

Hard times she had as one may guess, 
That young aspiring bird, 
Who still from every fall arose 
Saddened but undeterred. 

She knew she was no nightingale 
Yet spite of much abuse, 
She longed to help and cheer the world, 
Although a plain gray goose 

She could not sing, she could not fly, 
Nor even walk, with grace, 
And all the farmyard had declared 
A puddle was her place. 

But something stronger than herself 
Would cry, "Go on, go on! 
Remember, though an humble fowl, 
You're cousin to a swan." 

So up and down poor goosey went, 
A busy, hopeful bird. 
Searched many wide unfruitful fields, 
And many waters stirred. 

At length she came unto a stream 
Most fertile of all Niles, 
Where tuneful birds might soar and sing 
Among the leafy isles. 

Here did she build a little nest 
Beside the waters still, 
Where the parental goose could rest 
Unvexed by any bill. 

And here she paused to smooth her plumes, 
Ruffled by many plagues; 
When suddenly arose the cry, 
"This goose lays golden eggs." 

At once the farmyard was agog; 
The ducks began to quack; 
Prim Guinea fowls relenting called, 
"Come back, come back, come back." 

Great chanticleer was pleased to give 
A patronizing crow, 
And the contemptuous biddies clucked, 
"I wish my chicks did so." 

The peacocks spread their shining tails, 
And cried in accents soft, 
"We want to know you, gifted one, 
Come up and sit aloft." 

Wise owls awoke and gravely said, 
With proudly swelling breasts, 
"Rare birds have always been evoked 
From transcendental nests!" 

News-hunting turkeys from afar 
Now ran with all thin legs 
To gobble facts and fictions of 
The goose with golden eggs. 

But best of all the little fowls 
Still playing on the shore, 
Soft downy chicks and goslings gay, 
Chirped out, "Dear Goose, lay more." 

But goosey all these weary years 
Had toiled like any ant, 
And wearied out she now replied 
"My little dears, I can't. 

"When I was starving, half this corn 
Had been of vital use, 
Now I am surfeited with food 
Like any Strasbourg goose." 

So to escape too many friends, 
Without uncivil strife, 
She ran to the Atlantic pond 
And paddled for her life. 

Soon up among the grand old Alps 
She found two blessed things, 
The health she had so nearly lost, 
And rest for weary limbs. 

But still across the briny deep 
Couched in most friendly words, 
Came prayers for letters, tales, or verse 
From literary birds. 

Whereat the renovated fowl 
With grateful thanks profuse, 
Took from her wing a quill and wrote 
This lay of a Golden Goose.
Written by Charles Baudelaire | Create an image from this poem

I Love The Naked Ages Long Ago

 I love the naked ages long ago 
When statues were gilded by Apollo, 
When men and women of agility 
Could play without lies and anxiety, 
And the sky lovingly caressed their spines, 
As it exercised its noble machine. 
Fertile Cybele, mother of nature, then, 
Would not place on her daughters a burden, 
But, she-wolf sharing her heart with the people, 
Would feed creation from her brown nipples. 
Men, elegant and strong, would have the right 
To be proud to have beauty named their king; 
Virgin fruit free of blemish and cracking, 
Whose flesh smooth and firm would summon a bite! 
The Poet today, when he would convey 
This native grandeur, would not be swept away 
By man free and woman natural, 
But would feel darkness envelop his soul 
Before this black tableau full of loathing. 
O malformed monsters crying for clothing! 
O ludicrous heads! Torsos needing disguise! 
O poor writhing bodies of every wrong size, 
Children that the god of the Useful swaths 
In the language of bronze and brass! 
And women, alas! You shadow your heredity, 
You gnaw nourishment from debauchery, 
A virgin holds maternal lechery 
And all the horrors of fecundity! 

We have, it is true, corrupt nations, 
Beauty unknown to the radiant ancients: 
Faces that gnaw through the heart's cankers, 
And talk with the cool beauty of languor; 
But these inventions of our backward muses 
Are never hindered in their morbid uses 
Of the old for profound homage to youth, 
—To the young saint, the sweet air, the simple truth, 
To the eye as limpid as the water current, 
To spread out over all, insouciant 
Like the blue sky, the birds and the flowers, 
Its perfumes, its songs and its sweet fervors.

Book: Radiant Verses: A Journey Through Inspiring Poetry