Written by
Marianne Moore |
This institution,
perhaps one should say enterprise
out of respect for which
one says one need not change one's mind
about a thing one has believed in,
requiring public promises
of one's intention
to fulfill a private obligation:
I wonder what Adam and Eve
think of it by this time,
this firegilt steel
alive with goldenness;
how bright it shows --
"of circular traditions and impostures,
committing many spoils,"
requiring all one's criminal ingenuity
to avoid!
Psychology which explains everything
explains nothing
and we are still in doubt.
Eve: beautiful woman --
I have seen her
when she was so handsome
she gave me a start,
able to write simultaneously
in three languages --
English, German and French
and talk in the meantime;
equally positive in demanding a commotion
and in stipulating quiet:
"I should like to be alone;"
to which the visitor replies,
"I should like to be alone;
why not be alone together?"
Below the incandescent stars
below the incandescent fruit,
the strange experience of beauty;
its existence is too much;
it tears one to pieces
and each fresh wave of consciousness
is poison.
"See her, see her in this common world,"
the central flaw
in that first crystal-fine experiment,
this amalgamation which can never be more
than an interesting possibility,
describing it
as "that strange paradise
unlike flesh, gold, or stately buildings,
the choicest piece of my life:
the heart rising
in its estate of peace
as a boat rises
with the rising of the water;"
constrained in speaking of the serpent --
that shed snakeskin in the history of politeness
not to be returned to again --
that invaluable accident
exonerating Adam.
And he has beauty also;
it's distressing -- the O thou
to whom, from whom,
without whom nothing -- Adam;
"something feline,
something colubrine" -- how true!
a crouching mythological monster
in that Persian miniature of emerald mines,
raw silk -- ivory white, snow white,
oyster white and six others --
that paddock full of leopards and giraffes --
long lemonyellow bodies
sown with trapezoids of blue.
Alive with words,
vibrating like a cymbal
touched before it has been struck,
he has prophesied correctly --
the industrious waterfall,
"the speedy stream
which violently bears all before it,
at one time silent as the air
and now as powerful as the wind.
"
"Treading chasms
on the uncertain footing of a spear,"
forgetting that there is in woman
a quality of mind
which is an instinctive manifestation
is unsafe,
he goes on speaking
in a formal, customary strain
of "past states," the present state,
seals, promises,
the evil one suffered,
the good one enjoys,
hell, heaven,
everything convenient
to promote one's joy.
"
There is in him a state of mind
by force of which,
perceiving what it was not
intended that he should,
"he experiences a solemn joy
in seeing that he has become an idol.
"
Plagued by the nightingale
in the new leaves,
with its silence --
not its silence but its silences,
he says of it:
"It clothes me with a shirt of fire.
"
"He dares not clap his hands
to make it go on
lest it should fly off;
if he does nothing, it will sleep;
if he cries out, it will not understand.
"
Unnerved by the nightingale
and dazzled by the apple,
impelled by "the illusion of a fire
effectual to extinguish fire,"
compared with which
the shining of the earth
is but deformity -- a fire
"as high as deep as bright as broad
as long as life itself,"
he stumbles over marriage,
"a very trivial object indeed"
to have destroyed the attitude
in which he stood --
the ease of the philosopher
unfathered by a woman.
Unhelpful Hymen!
"a kind of overgrown cupid"
reduced to insignificance
by the mechanical advertising
parading as involuntary comment,
by that experiment of Adam's
with ways out but no way in --
the ritual of marriage,
augmenting all its lavishness;
its fiddle-head ferns,
lotus flowers, opuntias, white dromedaries,
its hippopotamus --
nose and mouth combined
in one magnificent hopper,
"the crested screamer --
that huge bird almost a lizard,"
its snake and the potent apple.
He tells us
that "for love
that will gaze an eagle blind,
that is like a Hercules
climbing the trees
in the garden of the Hesperides,
from forty-five to seventy
is the best age,"
commending it
as a fine art, as an experiment,
a duty or as merely recreation.
One must not call him ruffian
nor friction a calamity --
the fight to be affectionate:
"no truth can be fully known
until it has been tried
by the tooth of disputation.
"
The blue panther with black eyes,
the basalt panther with blue eyes,
entirely graceful --
one must give them the path --
the black obsidian Diana
who "darkeneth her countenance
as a bear doth,
causing her husband to sigh,"
the spiked hand
that has an affection for one
and proves it to the bone,
impatient to assure you
that impatience is the mark of independence
not of bondage.
"Married people often look that way" --
"seldom and cold, up and down,
mixed and malarial
with a good day and bad.
"
"When do we feed?"
We occidentals are so unemotional,
we quarrel as we feed;
one's self is quite lost,
the irony preserved
in "the Ahasuerus t?te ? t?te banquet"
with its "good monster, lead the way,"
with little laughter
and munificence of humor
in that quixotic atmosphere of frankness
in which "Four o'clock does not exist
but at five o'clock
the ladies in their imperious humility
are ready to receive you";
in which experience attests
that men have power
and sometimes one is made to feel it.
He says, "what monarch would not blush
to have a wife
with hair like a shaving-brush?
The fact of woman
is not `the sound of the flute
but every poison.
'"
She says, "`Men are monopolists
of stars, garters, buttons
and other shining baubles' --
unfit to be the guardians
of another person's happiness.
"
He says, "These mummies
must be handled carefully --
`the crumbs from a lion's meal,
a couple of shins and the bit of an ear';
turn to the letter M
and you will find
that `a wife is a coffin,'
that severe object
with the pleasing geometry
stipulating space and not people,
refusing to be buried
and uniquely disappointing,
revengefully wrought in the attitude
of an adoring child
to a distinguished parent.
"
She says, "This butterfly,
this waterfly, this nomad
that has `proposed
to settle on my hand for life.
' --
What can one do with it?
There must have been more time
in Shakespeare's day
to sit and watch a play.
You know so many artists are fools.
"
He says, "You know so many fools
who are not artists.
"
The fact forgot
that "some have merely rights
while some have obligations,"
he loves himself so much,
he can permit himself
no rival in that love.
She loves herself so much,
she cannot see herself enough --
a statuette of ivory on ivory,
the logical last touch
to an expansive splendor
earned as wages for work done:
one is not rich but poor
when one can always seem so right.
What can one do for them --
these savages
condemned to disaffect
all those who are not visionaries
alert to undertake the silly task
of making people noble?
This model of petrine fidelity
who "leaves her peaceful husband
only because she has seen enough of him" --
that orator reminding you,
"I am yours to command.
"
"Everything to do with love is mystery;
it is more than a day's work
to investigate this science.
"
One sees that it is rare --
that striking grasp of opposites
opposed each to the other, not to unity,
which in cycloid inclusiveness
has dwarfed the demonstration
of Columbus with the egg --
a triumph of simplicity --
that charitive Euroclydon
of frightening disinterestedness
which the world hates,
admitting:
"I am such a cow,
if I had a sorrow,
I should feel it a long time;
I am not one of those
who have a great sorrow
in the morning
and a great joy at noon;"
which says: "I have encountered it
among those unpretentious
proteg?s of wisdom,
where seeming to parade
as the debater and the Roman,
the statesmanship
of an archaic Daniel Webster
persists to their simplicity of temper
as the essence of the matter:
`Liberty and union
now and forever;'
the book on the writing-table;
the hand in the breast-pocket.
"
|
Written by
Mark Doty |
Today the Masons are auctioning
their discarded pomp: a trunk of turbans,
gemmed and ostrich-plumed, and operetta costumes
labeled inside the collar "Potentate"
and "Vizier.
" Here their chairs, blazoned
with the Masons' sign, huddled
like convalescents, lean against one another
on the grass.
In a casket are rhinestoned poles
the hierophants carried in parades;
here's a splendid golden staff some ranking officer waved,
topped with a golden pyramid and a tiny,
inquisitive sphinx.
No one's worn this stuff
for years, and it doesn't seem worth buying;
where would we put it? Still,
I want that staff.
I used to love
to go to the library -- the smalltown brick refuge
of those with nothing to do, really,
'Carnegie' chiseled on the pediment
above columns that dwarfed an inconsequential street.
Embarrassed to carry the same book past
the water fountain's plaster centaurs
up to the desk again, I'd take
The Wonders of the World to the Reading Room
where Art and Industry met in the mural
on the dome.
The room smelled like two decades
before I was born, when the name
carved over the door meant something.
I never read the second section,
"Wonders of the Modern World";
I loved the promise of my father's blueprints,
the unfulfilled turquoise schemes,
but in the real structures
you could hardly imagine a future.
I wanted the density of history,
which I confused with the smell of the book:
Babylon's ziggurat tropical with ferns,
engraved watercourses rippling;
the Colossus of Rhodes balanced
over the harbormouth on his immense ankles.
Athena filled one end of the Parthenon,
in an "artist's reconstruction",
like an adult in a dollhouse.
At Halicarnassus, Mausolus remembered himself
immensely, though in the book
there wasn't even a sketch,
only a picture of huge fragments.
In the pyramid's deep clockworks,
did the narrow tunnels mount toward
the eye of God? That was the year
photos were beamed back from space;
falling asleep I used to repeat a new word
to myself, telemetry, liking the way
it seemed to allude to something storied.
The earth was whorled marble,
at that distance.
Even the stuck-on porticoes
and collonades downtown were narrative,
somehow, but the buildings my father engineered
were without stories.
All I wanted
was something larger than our ordinary sadness --
greater not in scale but in context,
memorable, true to a proportioned,
subtle form.
Last year I knew a student,
a half mad boy who finally opened his arms
with a razor, not because he wanted to die
but because he wanted to design something grand
on his own body.
Once he said, When a child
realizes his parents aren't enough,
he turns to architecture.
I think I know what he meant.
Imagine the Masons parading,
one of them, in his splendid get-up,
striding forward with the golden staff,
above his head Cheops' beautiful shape --
a form we cannot separate
from the stories about the form,
even if we hardly know them,
even if it no longer signifies, if it only shines.
|
Written by
Robert Frost |
I didn't make you know how glad I was
To have you come and camp here on our land.
I promised myself to get down some day
And see the way you lived, but I don't know!
With a houseful of hungry men to feed
I guess you'd find.
.
.
.
It seems to me
I can't express my feelings any more
Than I can raise my voice or want to lift
My hand (oh, I can lift it when I have to).
Did ever you feel so? I hope you never.
It's got so I don't even know for sure
Whether I am glad, sorry, or anything.
There's nothing but a voice-like left inside
That seems to tell me how I ought to feel,
And would feel if I wasn't all gone wrong.
You take the lake.
I look and look at it.
I see it's a fair, pretty sheet of water.
I stand and make myself repeat out loud
The advantages it has, so long and narrow,
Like a deep piece of some old running river
Cut short off at both ends.
It lies five miles
Straight away through the mountain notch
From the sink window where I wash the plates,
And all our storms come up toward the house,
Drawing the slow waves whiter and whiter and whiter.
It took my mind off doughnuts and soda biscuit
To step outdoors and take the water dazzle
A sunny morning, or take the rising wind
About my face and body and through my wrapper,
When a storm threatened from the Dragon's Den,
And a cold chill shivered across the lake.
I see it's a fair, pretty sheet of water,
Our Willoughby! How did you hear of it?
I expect, though, everyone's heard of it.
In a book about ferns? Listen to that!
You let things more like feathers regulate
Your going and coming.
And you like it here?
I can see how you might.
But I don't know!
It would be different if more people came,
For then there would be business.
As it is,
The cottages Len built, sometimes we rent them,
Sometimes we don't.
We've a good piece of shore
That ought to be worth something, and may yet.
But I don't count on it as much as Len.
He looks on the bright side of everything,
Including me.
He thinks I'll be all right
With doctoring.
But it's not medicine--
Lowe is the only doctor's dared to say so--
It's rest I want--there, I have said it out--
From cooking meals for hungry hired men
And washing dishes after them--from doing
Things over and over that just won't stay done.
By good rights I ought not to have so much
Put on me, but there seems no other way.
Len says one steady pull more ought to do it.
He says the best way out is always through.
And I agree to that, or in so far
As that I can see no way out but through--
Leastways for me--and then they'll be convinced.
It's not that Len don't want the best for me.
It was his plan our moving over in
Beside the lake from where that day I showed you
We used to live--ten miles from anywhere.
We didn't change without some sacrifice,
But Len went at it to make up the loss.
His work's a man's, of course, from sun to sun,
But he works when he works as hard as I do--
Though there's small profit in comparisons.
(Women and men will make them all the same.
)
But work ain't all.
Len undertakes too much.
He's into everything in town.
This year
It's highways, and he's got too many men
Around him to look after that make waste.
They take advantage of him shamefully,
And proud, too, of themselves for doing so.
We have four here to board, great good-for-nothings,
Sprawling about the kitchen with their talk
While I fry their bacon.
Much they care!
No more put out in what they do or say
Than if I wasn't in the room at all.
Coming and going all the time, they are:
I don't learn what their names are, let alone
Their characters, or whether they are safe
To have inside the house with doors unlocked.
I'm not afraid of them, though, if they're not
Afraid of me.
There's two can play at that.
I have my fancies: it runs in the family.
My father's brother wasn't right.
They kept him
Locked up for years back there at the old farm.
I've been away once--yes, I've been away.
The State Asylum.
I was prejudiced;
I wouldn't have sent anyone of mine there;
You know the old idea--the only asylum
Was the poorhouse, and those who could afford,
Rather than send their folks to such a place,
Kept them at home; and it does seem more human.
But it's not so: the place is the asylum.
There they have every means proper to do with,
And you aren't darkening other people's lives--
Worse than no good to them, and they no good
To you in your condition; you can't know
Affection or the want of it in that state.
I've heard too much of the old-fashioned way.
My father's brother, he went mad quite young.
Some thought he had been bitten by a dog,
Because his violence took on the form
Of carrying his pillow in his teeth;
But it's more likely he was crossed in love,
Or so the story goes.
It was some girl.
Anyway all he talked about was love.
They soon saw he would do someone a mischief
If he wa'n't kept strict watch of, and it ended
In father's building him a sort of cage,
Or room within a room, of hickory poles,
Like stanchions in the barn, from floor to ceiling,--
A narrow passage all the way around.
Anything they put in for furniture
He'd tear to pieces, even a bed to lie on.
So they made the place comfortable with straw,
Like a beast's stall, to ease their consciences.
Of course they had to feed him without dishes.
They tried to keep him clothed, but he paraded
With his clothes on his arm--all of his clothes.
Cruel--it sounds.
I 'spose they did the best
They knew.
And just when he was at the height,
Father and mother married, and mother came,
A bride, to help take care of such a creature,
And accommodate her young life to his.
That was what marrying father meant to her.
She had to lie and hear love things made dreadful
By his shouts in the night.
He'd shout and shout
Until the strength was shouted out of him,
And his voice died down slowly from exhaustion.
He'd pull his bars apart like bow and bow-string,
And let them go and make them twang until
His hands had worn them smooth as any ox-bow.
And then he'd crow as if he thought that child's play--
The only fun he had.
I've heard them say, though,
They found a way to put a stop to it.
He was before my time--I never saw him;
But the pen stayed exactly as it was
There in the upper chamber in the ell,
A sort of catch-all full of attic clutter.
I often think of the smooth hickory bars.
It got so I would say--you know, half fooling--
"It's time I took my turn upstairs in jail"--
Just as you will till it becomes a habit.
No wonder I was glad to get away.
Mind you, I waited till Len said the word.
I didn't want the blame if things went wrong.
I was glad though, no end, when we moved out,
And I looked to be happy, and I was,
As I said, for a while--but I don't know!
Somehow the change wore out like a prescription.
And there's more to it than just window-views
And living by a lake.
I'm past such help--
Unless Len took the notion, which he won't,
And I won't ask him--it's not sure enough.
I 'spose I've got to go the road I'm going:
Other folks have to, and why shouldn't I?
I almost think if I could do like you,
Drop everything and live out on the ground--
But it might be, come night, I shouldn't like it,
Or a long rain.
I should soon get enough,
And be glad of a good roof overhead.
I've lain awake thinking of you, I'll warrant,
More than you have yourself, some of these nights.
The wonder was the tents weren't snatched away
From over you as you lay in your beds.
I haven't courage for a risk like that.
Bless you, of course, you're keeping me from work,
But the thing of it is, I need to be kept.
There's work enough to do--there's always that;
But behind's behind.
The worst that you can do
Is set me back a little more behind.
I sha'n't catch up in this world, anyway.
I'd rather you'd not go unless you must.
|
Written by
Sidney Lanier |
To-day the woods are trembling through and through
With shimmering forms, that flash before my view,
Then melt in green as dawn-stars melt in blue.
The leaves that wave against my cheek caress
Like women's hands; the embracing boughs express
A subtlety of mighty tenderness;
The copse-depths into little noises start,
That sound anon like beatings of a heart,
Anon like talk 'twixt lips not far apart.
The beech dreams balm, as a dreamer hums a song;
Through that vague wafture, expirations strong
Throb from young hickories breathing deep and long
With stress and urgence bold of prisoned spring
And ecstasy of burgeoning.
Now, since the dew-plashed road of morn is dry,
Forth venture odors of more quality
And heavenlier giving.
Like Jove's locks awry,
Long muscadines
Rich-wreathe the spacious foreheads of great pines,
And breathe ambrosial passion from their vines.
I pray with mosses, ferns and flowers shy
That hide like gentle nuns from human eye
To lift adoring perfumes to the sky.
I hear faint bridal-sighs of brown and green
Dying to silent hints of kisses keen
As far lights fringe into a pleasant sheen.
I start at fragmentary whispers, blown
From undertalks of leafy souls unknown,
Vague purports sweet, of inarticulate tone.
Dreaming of gods, men, nuns and brides, between
Old companies of oaks that inward lean
To join their radiant amplitudes of green
I slowly move, with ranging looks that pass
Up from the matted miracles of grass
Into yon veined complex of space
Where sky and leafage interlace
So close, the heaven of blue is seen
Inwoven with a heaven of green.
I wander to the zigzag-cornered fence
Where sassafras, intrenched in brambles dense,
Contests with stolid vehemence
The march of culture, setting limb and thorn
As pikes against the army of the corn.
There, while I pause, my fieldward-faring eyes
Take harvests, where the stately corn-ranks rise,
Of inward dignities
And large benignities and insights wise,
Graces and modest majesties.
Thus, without theft, I reap another's field;
Thus, without tilth, I house a wondrous yield,
And heap my heart with quintuple crops concealed.
Look, out of line one tall corn-captain stands
Advanced beyond the foremost of his bands,
And waves his blades upon the very edge
And hottest thicket of the battling hedge.
Thou lustrous stalk, that ne'er mayst walk nor talk,
Still shalt thou type the poet-soul sublime
That leads the vanward of his timid time
And sings up cowards with commanding rhyme --
Soul calm, like thee, yet fain, like thee, to grow
By double increment, above, below;
Soul homely, as thou art, yet rich in grace like thee,
Teaching the yeomen selfless chivalry
That moves in gentle curves of courtesy;
Soul filled like thy long veins with sweetness tense,
By every godlike sense
Transmuted from the four wild elements.
Drawn to high plans,
Thou lift'st more stature than a mortal man's,
Yet ever piercest downward in the mould
And keepest hold
Upon the reverend and steadfast earth
That gave thee birth;
Yea, standest smiling in thy future grave,
Serene and brave,
With unremitting breath
Inhaling life from death,
Thine epitaph writ fair in fruitage eloquent,
Thyself thy monument.
As poets should,
Thou hast built up thy hardihood
With universal food,
Drawn in select proportion fair
From honest mould and vagabond air;
From darkness of the dreadful night,
And joyful light;
From antique ashes, whose departed flame
In thee has finer life and longer fame;
From wounds and balms,
From storms and calms,
From potsherds and dry bones
And ruin-stones.
Into thy vigorous substance thou hast wrought
Whate'er the hand of Circumstance hath brought;
Yea, into cool solacing green hast spun
White radiance hot from out the sun.
So thou dost mutually leaven
Strength of earth with grace of heaven;
So thou dost marry new and old
Into a one of higher mould;
So thou dost reconcile the hot and cold,
The dark and bright,
And many a heart-perplexing opposite,
And so,
Akin by blood to high and low,
Fitly thou playest out thy poet's part,
Richly expending thy much-bruised heart
In equal care to nourish lord in hall
Or beast in stall:
Thou took'st from all that thou mightst give to all.
O steadfast dweller on the selfsame spot
Where thou wast born, that still repinest not --
Type of the home-fond heart, the happy lot! --
Deeply thy mild content rebukes the land
Whose flimsy homes, built on the shifting sand
Of trade, for ever rise and fall
With alternation whimsical,
Enduring scarce a day,
Then swept away
By swift engulfments of incalculable tides
Whereon capricious Commerce rides.
Look, thou substantial spirit of content!
Across this little vale, thy continent,
To where, beyond the mouldering mill,
Yon old deserted Georgian hill
Bares to the sun his piteous aged crest
And seamy breast,
By restless-hearted children left to lie
Untended there beneath the heedless sky,
As barbarous folk expose their old to die.
Upon that generous-rounding side,
With gullies scarified
Where keen Neglect his lash hath plied,
Dwelt one I knew of old, who played at toil,
And gave to coquette Cotton soul and soil.
Scorning the slow reward of patient grain,
He sowed his heart with hopes of swifter gain,
Then sat him down and waited for the rain.
He sailed in borrowed ships of usury --
A foolish Jason on a treacherous sea,
Seeking the Fleece and finding misery.
Lulled by smooth-rippling loans, in idle trance
He lay, content that unthrift Circumstance
Should plough for him the stony field of Chance.
Yea, gathering crops whose worth no man might tell,
He staked his life on games of Buy-and-Sell,
And turned each field into a gambler's hell.
Aye, as each year began,
My farmer to the neighboring city ran;
Passed with a mournful anxious face
Into the banker's inner place;
Parleyed, excused, pleaded for longer grace;
Railed at the drought, the worm, the rust, the grass;
Protested ne'er again 'twould come to pass;
With many an `oh' and `if' and `but alas'
Parried or swallowed searching questions rude,
And kissed the dust to soften Dives's mood.
At last, small loans by pledges great renewed,
He issues smiling from the fatal door,
And buys with lavish hand his yearly store
Till his small borrowings will yield no more.
Aye, as each year declined,
With bitter heart and ever-brooding mind
He mourned his fate unkind.
In dust, in rain, with might and main,
He nursed his cotton, cursed his grain,
Fretted for news that made him fret again,
Snatched at each telegram of Future Sale,
And thrilled with Bulls' or Bears' alternate wail --
In hope or fear alike for ever pale.
And thus from year to year, through hope and fear,
With many a curse and many a secret tear,
Striving in vain his cloud of debt to clear,
At last
He woke to find his foolish dreaming past,
And all his best-of-life the easy prey
Of squandering scamps and quacks that lined his way
With vile array,
From rascal statesman down to petty knave;
Himself, at best, for all his bragging brave,
A gamester's catspaw and a banker's slave.
Then, worn and gray, and sick with deep unrest,
He fled away into the oblivious West,
Unmourned, unblest.
Old hill! old hill! thou gashed and hairy Lear
Whom the divine Cordelia of the year,
E'en pitying Spring, will vainly strive to cheer --
King, that no subject man nor beast may own,
Discrowned, undaughtered and alone --
Yet shall the great God turn thy fate,
And bring thee back into thy monarch state
And majesty immaculate.
Lo, through hot waverings of the August morn,
Thou givest from thy vasty sides forlorn
Visions of golden treasuries of corn --
Ripe largesse lingering for some bolder heart
That manfully shall take thy part,
And tend thee,
And defend thee,
With antique sinew and with modern art.
|
Written by
Henry Wadsworth Longfellow |
Downward through the evening twilight,
In the days that are forgotten,
In the unremembered ages,
From the full moon fell Nokomis,
Fell the beautiful Nokomis,
She a wife, but not a mother.
She was sporting with her women,
Swinging in a swing of grape-vines,
When her rival the rejected,
Full of jealousy and hatred,
Cut the leafy swing asunder,
Cut in twain the twisted grape-vines,
And Nokomis fell affrighted
Downward through the evening twilight,
On the Muskoday, the meadow,
On the prairie full of blossoms.
"See! a star falls!" said the people;
"From the sky a star is falling!"
There among the ferns and mosses,
There among the prairie lilies,
On the Muskoday, the meadow,
In the moonlight and the starlight,
Fair Nokomis bore a daughter.
And she called her name Wenonah,
As the first-born of her daughters.
And the daughter of Nokomis
Grew up like the prairie lilies,
Grew a tall and slender maiden,
With the beauty of the moonlight,
With the beauty of the starlight.
And Nokomis warned her often,
Saying oft, and oft repeating,
"Oh, beware of Mudjekeewis,
Of the West-Wind, Mudjekeewis;
Listen not to what he tells you;
Lie not down upon the meadow,
Stoop not down among the lilies,
Lest the West-Wind come and harm you!"
But she heeded not the warning,
Heeded not those words of wisdom,
And the West-Wind came at evening,
Walking lightly o'er the prairie,
Whispering to the leaves and blossoms,
Bending low the flowers and grasses,
Found the beautiful Wenonah,
Lying there among the lilies,
Wooed her with his words of sweetness,
Wooed her with his soft caresses,
Till she bore a son in sorrow,
Bore a son of love and sorrow.
Thus was born my Hiawatha,
Thus was born the child of wonder;
But the daughter of Nokomis,
Hiawatha's gentle mother,
In her anguish died deserted
By the West-Wind, false and faithless,
By the heartless Mudjekeewis.
For her daughter long and loudly
Wailed and wept the sad Nokomis;
"Oh that I were dead!" she murmured,
"Oh that I were dead, as thou art!
No more work, and no more weeping,
Wahonowin! Wahonowin!"
By the shores of Gitche Gumee,
By the shining Big-Sea-Water,
Stood the wigwam of Nokomis,
Daughter of the Moon, Nokomis.
Dark behind it rose the forest,
Rose the black and gloomy pine-trees,
Rose the firs with cones upon them;
Bright before it beat the water,
Beat the clear and sunny water,
Beat the shining Big-Sea-Water.
There the wrinkled old Nokomis
Nursed the little Hiawatha,
Rocked him in his linden cradle,
Bedded soft in moss and rushes,
Safely bound with reindeer sinews;
Stilled his fretful wail by saying,
"Hush! the Naked Bear will hear thee!"
Lulled him into slumber, singing,
"Ewa-yea! my little owlet!
Who is this, that lights the wigwam?
With his great eyes lights the wigwam?
Ewa-yea! my little owlet!"
Many things Nokomis taught him
Of the stars that shine in heaven;
Showed him Ishkoodah, the comet,
Ishkoodah, with fiery tresses;
Showed the Death-Dance of the spirits,
Warriors with their plumes and war-clubs,
Flaring far away to northward
In the frosty nights of Winter;
Showed the broad white road in heaven,
Pathway of the ghosts, the shadows,
Running straight across the heavens,
Crowded with the ghosts, the shadows.
At the door on summer evenings
Sat the little Hiawatha;
Heard the whispering of the pine-trees,
Heard the lapping of the waters,
Sounds of music, words of wonder;
'Minne-wawa!" said the Pine-trees,
Mudway-aushka!" said the water.
Saw the fire-fly, Wah-wah-taysee,
Flitting through the dusk of evening,
With the twinkle of its candle
Lighting up the brakes and bushes,
And he sang the song of children,
Sang the song Nokomis taught him:
"Wah-wah-taysee, little fire-fly,
Little, flitting, white-fire insect,
Little, dancing, white-fire creature,
Light me with your little candle,
Ere upon my bed I lay me,
Ere in sleep I close my eyelids!"
Saw the moon rise from the water
Rippling, rounding from the water,
Saw the flecks and shadows on it,
Whispered, "What is that, Nokomis?"
And the good Nokomis answered:
"Once a warrior, very angry,
Seized his grandmother, and threw her
Up into the sky at midnight;
Right against the moon he threw her;
'T is her body that you see there.
"
Saw the rainbow in the heaven,
In the eastern sky, the rainbow,
Whispered, "What is that, Nokomis?"
And the good Nokomis answered:
"'T is the heaven of flowers you see there;
All the wild-flowers of the forest,
All the lilies of the prairie,
When on earth they fade and perish,
Blossom in that heaven above us.
"
When he heard the owls at midnight,
Hooting, laughing in the forest,
'What is that?" he cried in terror,
"What is that," he said, "Nokomis?"
And the good Nokomis answered:
"That is but the owl and owlet,
Talking in their native language,
Talking, scolding at each other.
"
Then the little Hiawatha
Learned of every bird its language,
Learned their names and all their secrets,
How they built their nests in Summer,
Where they hid themselves in Winter,
Talked with them whene'er he met them,
Called them "Hiawatha's Chickens.
"
Of all beasts he learned the language,
Learned their names and all their secrets,
How the beavers built their lodges,
Where the squirrels hid their acorns,
How the reindeer ran so swiftly,
Why the rabbit was so timid,
Talked with them whene'er he met them,
Called them "Hiawatha's Brothers.
"
Then Iagoo, the great boaster,
He the marvellous story-teller,
He the traveller and the talker,
He the friend of old Nokomis,
Made a bow for Hiawatha;
From a branch of ash he made it,
From an oak-bough made the arrows,
Tipped with flint, and winged with feathers,
And the cord he made of deer-skin.
Then he said to Hiawatha:
"Go, my son, into the forest,
Where the red deer herd together,
Kill for us a famous roebuck,
Kill for us a deer with antlers!"
Forth into the forest straightway
All alone walked Hiawatha
Proudly, with his bow and arrows;
And the birds sang round him, o'er him,
"Do not shoot us, Hiawatha!"
Sang the robin, the Opechee,
Sang the bluebird, the Owaissa,
"Do not shoot us, Hiawatha!"
Up the oak-tree, close beside him,
Sprang the squirrel, Adjidaumo,
In and out among the branches,
Coughed and chattered from the oak-tree,
Laughed, and said between his laughing,
"Do not shoot me, Hiawatha!"
And the rabbit from his pathway
Leaped aside, and at a distance
Sat erect upon his haunches,
Half in fear and half in frolic,
Saying to the little hunter,
"Do not shoot me, Hiawatha!"
But he heeded not, nor heard them,
For his thoughts were with the red deer;
On their tracks his eyes were fastened,
Leading downward to the river,
To the ford across the river,
And as one in slumber walked he.
Hidden in the alder-bushes,
There he waited till the deer came,
Till he saw two antlers lifted,
Saw two eyes look from the thicket,
Saw two nostrils point to windward,
And a deer came down the pathway,
Flecked with leafy light and shadow.
And his heart within him fluttered,
Trembled like the leaves above him,
Like the birch-leaf palpitated,
As the deer came down the pathway.
Then, upon one knee uprising,
Hiawatha aimed an arrow;
Scarce a twig moved with his motion,
Scarce a leaf was stirred or rustled,
But the wary roebuck started,
Stamped with all his hoofs together,
Listened with one foot uplifted,
Leaped as if to meet the arrow;
Ah! the singing, fatal arrow,
Like a wasp it buzzed and stung him!
Dead he lay there in the forest,
By the ford across the river;
Beat his timid heart no longer,
But the heart of Hiawatha
Throbbed and shouted and exulted,
As he bore the red deer homeward,
And Iagoo and Nokomis
Hailed his coming with applauses.
From the red deer's hide Nokomis
Made a cloak for Hiawatha,
From the red deer's flesh Nokomis
Made a banquet to his honor.
All the village came and feasted,
All the guests praised Hiawatha,
Called him Strong-Heart, Soan-ge-taha!
Called him Loon-Heart, Mahn-go-taysee!
|
Written by
Robert William Service |
In the dark and damp of the alley cold,
Lay the Christmas tree that hadn't been sold;
By a shopman dourly thrown outside;
With the ruck and rubble of Christmas-tide;
Trodden deep in the muck and mire,
Unworthy even to feed a fire.
.
.
So I stopped and salvaged that tarnished tree,
And thus is the story it told to me:
"My Mother was Queen of the forest glade,
And proudly I prospered in her shade;
For she said to me: 'When I am dead,
You will be monarch in my stead,
And reign, as I, for a hundred years,
A tower of triumph amid your peers,
When I crash in storm I will yield you space;
Son, you will worthily take my place.
'
"So I grew in grace like a happy child,
In the heart of the forest free and wild;
And the moss and the ferns were all about,
And the craintive mice crept in and out;
And a wood-dove swung on my highest twig,
And a chipmunk chattered: 'So big! So big!'
And a shy fawn nibbled a tender shoot,
And a rabbit nibbled under my root.
.
.
Oh, I was happy in rain and shine
As I thought of the destiny that was mine!
Then a man with an axe came cruising by
And I knew that my fate was to fall and die.
"With a hundred others he packed me tight,
And we drove to a magic city of light,
To an avenue lined with Christmas trees,
And I thought: may be I'll be one of these,
Tinselled with silver and tricked with gold,
A lovely sight for a child to behold;
A-glitter with lights of every hue,
Ruby and emerald, orange and blue,
And kiddies dancing, with shrieks of glee -
One might fare worse than a Christmas tree.
"So they stood me up with a hundred more
In the blaze of a big department store;
But I thought of the forest dark and still,
And the dew and the snow and the heat and the chill,
And the soft chinook and the summer breeze,
And the dappled deer and the birds and the bees.
.
.
I was so homesick I wanted to cry,
But patient I waited for someone to buy.
And some said 'Too big,' and some 'Too small,'
And some passed on saying nothing at all.
Then a little boy cried: Ma, buy that one,'
But she shook her head: 'Too dear, my son.
"
So the evening came, when they closed the store,
And I was left on the littered floor,
A tree unwanted, despised, unsold,
Thrown out at last in the alley cold.
"
Then I said: "Don't sorrow; at least you'll be
A bright and beautiful New Year's tree,
All shimmer and glimmer and glow and gleam,
A radiant sight like a fairy dream.
For there is a little child I know,
Who lives in poverty, want and woe;
Who lies abed from morn to night,
And never has known an hour's delight.
.
.
"
So I stood the tree at the foot of her bed:
"Santa's a little late," I said.
"Poor old chap! Snowbound on the way,
But he's here at last, so let's be gay.
"
Then she woke from sleep and she saw you there,
And her eyes were love and her lips were prayer.
And her thin little arms were stretched to you
With a yearning joy that they never knew.
She woke from the darkest dark to see
Like a heavenly vision, that Christmas Tree.
Her mother despaired and feared the end,
But from that day she began to mend,
To play, to sing, to laugh with glee.
.
.
Bless you, O little Christmas Tree!
You died, but your life was not in vain:
You helped a child to forget her pain,
And let hope live in our hearts again.
|
Written by
William Henry Davies |
A dear old couple my grandparents were,
And kind to all dumb things; they saw in Heaven
The lamb that Jesus petted when a child;
Their faith was never draped by Doubt: to them
Death was a rainbow in Eternity,
That promised everlasting brightness soon.
An old seafaring man was he; a rough
Old man, but kind; and hairy, like the nut
Full of sweet milk.
All day on shore he watched
The winds for sailors' wives, and told what ships
Enjoyed fair weather, and what ships had storms;
He watched the sky, and he could tell for sure
What afternoons would follow stormy morns,
If quiet nights would end wild afternoons.
He leapt away from scandal with a roar,
And if a whisper still possessed his mind,
He walked about and cursed it for a plague.
He took offence at Heaven when beggars passed,
And sternly called them back to give them help.
In this old captain's house I lived, and things
That house contained were in ships' cabins once:
Sea-shells and charts and pebbles, model ships;
Green weeds, dried fishes stuffed, and coral stalks;
Old wooden trunks with handles of spliced rope,
With copper saucers full of monies strange,
That seemed the savings of dead men, not touched
To keep them warm since their real owners died;
Strings of red beads, methought were dipped in blood,
And swinging lamps, as though the house might move;
An ivory lighthouse built on ivory rocks,
The bones of fishes and three bottled ships.
And many a thing was there which sailors make
In idle hours, when on long voyages,
Of marvellous patience, to no lovely end.
And on those charts I saw the small black dots
That were called islands, and I knew they had
Turtles and palms, and pirates' buried gold.
There came a stranger to my granddad's house,
The old man's nephew, a seafarer too;
A big, strong able man who could have walked
Twm Barlum's hill all clad in iron mail
So strong he could have made one man his club
To knock down others -- Henry was his name,
No other name was uttered by his kin.
And here he was, sooth illclad, but oh,
Thought I, what secrets of the sea are his!
This man knows coral islands in the sea,
And dusky girls heartbroken for white men;
More rich than Spain, when the Phoenicians shipped
Silver for common ballast, and they saw
Horses at silver mangers eating grain;
This man has seen the wind blow up a mermaid's hair
Which, like a golden serpent, reared and stretched
To feel the air away beyond her head.
He begged my pennies, which I gave with joy --
He will most certainly return some time
A self-made king of some new land, and rich.
Alas that he, the hero of my dreams,
Should be his people's scorn; for they had rose
To proud command of ships, whilst he had toiled
Before the mast for years, and well content;
Him they despised, and only Death could bring
A likeness in his face to show like them.
For he drank all his pay, nor went to sea
As long as ale was easy got on shore.
Now, in his last long voyage he had sailed
From Plymouth Sound to where sweet odours fan
The Cingalese at work, and then back home --
But came not near my kin till pay was spent.
He was not old, yet seemed so; for his face
Looked like the drowned man's in the morgue, when it
Has struck the wooden wharves and keels of ships.
And all his flesh was pricked with Indian ink,
His body marked as rare and delicate
As dead men struck by lightning under trees
And pictured with fine twigs and curlèd ferns;
Chains on his neck and anchors on his arms;
Rings on his fingers, bracelets on his wrist;
And on his breast the Jane of Appledore
Was schooner rigged, and in full sail at sea.
He could not whisper with his strong hoarse voice,
No more than could a horse creep quietly;
He laughed to scorn the men that muffled close
For fear of wind, till all their neck was hid,
Like Indian corn wrapped up in long green leaves;
He knew no flowers but seaweeds brown and green,
He knew no birds but those that followed ships.
Full well he knew the water-world; he heard
A grander music there than we on land,
When organ shakes a church; swore he would make
The sea his home, though it was always roused
By such wild storms as never leave Cape Horn;
Happy to hear the tempest grunt and squeal
Like pigs heard dying in a slaughterhouse.
A true-born mariner, and this his hope --
His coffin would be what his cradle was,
A boat to drown in and be sunk at sea;
Salted and iced in Neptune's larder deep.
This man despised small coasters, fishing-smacks;
He scorned those sailors who at night and morn
Can see the coast, when in their little boats
They go a six days' voyage and are back
Home with their wives for every Sabbath day.
Much did he talk of tankards of old beer,
And bottled stuff he drank in other lands,
Which was a liquid fire like Hell to gulp,
But Paradise to sip.
And so he talked;
Nor did those people listen with more awe
To Lazurus -- whom they had seen stone dead --
Than did we urchins to that seaman's voice.
He many a tale of wonder told: of where,
At Argostoli, Cephalonia's sea
Ran over the earth's lip in heavy floods;
And then again of how the strange Chinese
Conversed much as our homely Blackbirds sing.
He told us how he sailed in one old ship
Near that volcano Martinique, whose power
Shook like dry leaves the whole Caribbean seas;
And made the sun set in a sea of fire
Which only half was his; and dust was thick
On deck, and stones were pelted at the mast.
Into my greedy ears such words that sleep
Stood at my pillow half the night perplexed.
He told how isles sprang up and sank again,
Between short voyages, to his amaze;
How they did come and go, and cheated charts;
Told how a crew was cursed when one man killed
A bird that perched upon a moving barque;
And how the sea's sharp needles, firm and strong,
Ripped open the bellies of big, iron ships;
Of mighty icebergs in the Northern seas,
That haunt the far hirizon like white ghosts.
He told of waves that lift a ship so high
That birds could pass from starboard unto port
Under her dripping keel.
Oh, it was sweet
To hear that seaman tell such wondrous tales:
How deep the sea in parts, that drownèd men
Must go a long way to their graves and sink
Day after day, and wander with the tides.
He spake of his own deeds; of how he sailed
One summer's night along the Bosphorus,
And he -- who knew no music like the wash
Of waves against a ship, or wind in shrouds --
Heard then the music on that woody shore
Of nightingales,and feared to leave the deck,
He thought 'twas sailing into Paradise.
To hear these stories all we urchins placed
Our pennies in that seaman's ready hand;
Until one morn he signed on for a long cruise,
And sailed away -- we never saw him more.
Could such a man sink in the sea unknown?
Nay, he had found a land with something rich,
That kept his eyes turned inland for his life.
'A damn bad sailor and a landshark too,
No good in port or out' -- my granddad said.
|
Written by
Robert Frost |
The mountain held the town as in a shadow
I saw so much before I slept there once:
I noticed that I missed stars in the west,
Where its black body cut into the sky.
Near me it seemed: I felt it like a wall
Behind which I was sheltered from a wind.
And yet between the town and it I found,
When I walked forth at dawn to see new things,
Were fields, a river, and beyond, more fields.
The river at the time was fallen away,
And made a widespread brawl on cobble-stones;
But the signs showed what it had done in spring;
Good grass-land gullied out, and in the grass
Ridges of sand, and driftwood stripped of bark.
I crossed the river and swung round the mountain.
And there I met a man who moved so slow
With white-faced oxen in a heavy cart,
It seemed no hand to stop him altogether.
"What town is this?" I asked.
"This? Lunenburg.
"
Then I was wrong: the town of my sojourn,
Beyond the bridge, was not that of the mountain,
But only felt at night its shadowy presence.
"Where is your village? Very far from here?"
"There is no village--only scattered farms.
We were but sixty voters last election.
We can't in nature grow to many more:
That thing takes all the room!" He moved his goad.
The mountain stood there to be pointed at.
Pasture ran up the side a little way,
And then there was a wall of trees with trunks:
After that only tops of trees, and cliffs
Imperfectly concealed among the leaves.
A dry ravine emerged from under boughs
Into the pasture.
"That looks like a path.
Is that the way to reach the top from here?--
Not for this morning, but some other time:
I must be getting back to breakfast now.
"
"I don't advise your trying from this side.
There is no proper path, but those that have
Been up, I understand, have climbed from Ladd's.
That's five miles back.
You can't mistake the place:
They logged it there last winter some way up.
I'd take you, but I'm bound the other way.
"
"You've never climbed it?"
"I've been on the sides
Deer-hunting and trout-fishing.
There's a brook
That starts up on it somewhere--I've heard say
Right on the top, tip-top--a curious thing.
But what would interest you about the brook,
It's always cold in summer, warm in winter.
One of the great sights going is to see
It steam in winter like an ox's breath,
Until the bushes all along its banks
Are inch-deep with the frosty spines and bristles--
You know the kind.
Then let the sun shine on it!"
"There ought to be a view around the world
From such a mountain--if it isn't wooded
Clear to the top.
" I saw through leafy screens
Great granite terraces in sun and shadow,
Shelves one could rest a knee on getting up--
With depths behind him sheer a hundred feet;
Or turn and sit on and look out and down,
With little ferns in crevices at his elbow.
"As to that I can't say.
But there's the spring,
Right on the summit, almost like a fountain.
That ought to be worth seeing.
"
"If it's there.
You never saw it?"
"I guess there's no doubt
About its being there.
I never saw it.
It may not be right on the very top:
It wouldn't have to be a long way down
To have some head of water from above,
And a good distance down might not be noticed
By anyone who'd come a long way up.
One time I asked a fellow climbing it
To look and tell me later how it was.
"
"What did he say?"
"He said there was a lake
Somewhere in Ireland on a mountain top.
"
"But a lake's different.
What about the spring?"
"He never got up high enough to see.
That's why I don't advise your trying this side.
He tried this side.
I've always meant to go
And look myself, but you know how it is:
It doesn't seem so much to climb a mountain
You've worked around the foot of all your life.
What would I do? Go in my overalls,
With a big stick, the same as when the cows
Haven't come down to the bars at milking time?
Or with a shotgun for a stray black bear?
'Twouldn't seem real to climb for climbing it.
"
"I shouldn't climb it if I didn't want to--
Not for the sake of climbing.
What's its name?"
"We call it Hor: I don't know if that's right.
"
"Can one walk around it? Would it be too far?"
"You can drive round and keep in Lunenburg,
But it's as much as ever you can do,
The boundary lines keep in so close to it.
Hor is the township, and the township's Hor--
And a few houses sprinkled round the foot,
Like boulders broken off the upper cliff,
Rolled out a little farther than the rest.
"
"Warm in December, cold in June, you say?"
"I don't suppose the water's changed at all.
You and I know enough to know it's warm
Compared with cold, and cold compared with warm.
But all the fun's in how you say a thing.
"
"You've lived here all your life?"
"Ever since Hor
Was no bigger than a----" What, I did not hear.
He drew the oxen toward him with light touches
Of his slim goad on nose and offside flank,
Gave them their marching orders and was moving.
|
Written by
Charles Bukowski |
we have everything and we have nothing
and some men do it in churches
and some men do it by tearing butterflies
in half
and some men do it in Palm Springs
laying it into butterblondes
with Cadillac souls
Cadillacs and butterflies
nothing and everything,
the face melting down to the last puff
in a cellar in Corpus Christi.
there's something for the touts, the nuns,
the grocery clerks and you .
.
.
something at 8 a.
m.
, something in the library
something in the river,
everything and nothing.
in the slaughterhouse it comes running along
the ceiling on a hook, and you swing it --
one
two
three
and then you've got it, $200 worth of dead
meat, its bones against your bones
something and nothing.
it's always early enough to die and
it's always too late,
and the drill of blood in the basin white
it tells you nothing at all
and the gravediggers playing poker over
5 a.
m.
coffee, waiting for the grass
to dismiss the frost .
.
.
they tell you nothing at all.
we have everything and we have nothing --
days with glass edges and the impossible stink
of river moss -- worse than ****;
checkerboard days of moves and countermoves,
fagged interest, with as much sense in defeat as
in victory; slow days like mules
humping it slagged and sullen and sun-glazed
up a road where a madman sits waiting among
bluejays and wrens netted in and sucked a flakey
grey.
good days too of wine and shouting, fights
in alleys, fat legs of women striving around
your bowels buried in moans,
the signs in bullrings like diamonds hollering
Mother Capri, violets coming out of the ground
telling you to forget the dead armies and the loves
that robbed you.
days when children say funny and brilliant things
like savages trying to send you a message through
their bodies while their bodies are still
alive enough to transmit and feel and run up
and down without locks and paychecks and
ideals and possessions and beetle-like
opinions.
days when you can cry all day long in
a green room with the door locked, days
when you can laugh at the breadman
because his legs are too long, days
of looking at hedges .
.
.
and nothing, and nothing, the days of
the bosses, yellow men
with bad breath and big feet, men
who look like frogs, hyenas, men who walk
as if melody had never been invented, men
who think it is intelligent to hire and fire and
profit, men with expensive wives they possess
like 60 acres of ground to be drilled
or shown-off or to be walled away from
the incompetent, men who'd kill you
because they're crazy and justify it because
it's the law, men who stand in front of
windows 30 feet wide and see nothing,
men with luxury yachts who can sail around
the world and yet never get out of their vest
pockets, men like snails, men like eels, men
like slugs, and not as good .
.
.
and nothing, getting your last paycheck
at a harbor, at a factory, at a hospital, at an
aircraft plant, at a penny arcade, at a
barbershop, at a job you didn't want
anyway.
income tax, sickness, servility, broken
arms, broken heads -- all the stuffing
come out like an old pillow.
we have everything and we have nothing.
some do it well enough for a while and
then give way.
fame gets them or disgust
or age or lack of proper diet or ink
across the eyes or children in college
or new cars or broken backs while skiing
in Switzerland or new politics or new wives
or just natural change and decay --
the man you knew yesterday hooking
for ten rounds or drinking for three days and
three nights by the Sawtooth mountains now
just something under a sheet or a cross
or a stone or under an easy delusion,
or packing a bible or a golf bag or a
briefcase: how they go, how they go! -- all
the ones you thought would never go.
days like this.
like your day today.
maybe the rain on the window trying to
get through to you.
what do you see today?
what is it? where are you? the best
days are sometimes the first, sometimes
the middle and even sometimes the last.
the vacant lots are not bad, churches in
Europe on postcards are not bad.
people in
wax museums frozen into their best sterility
are not bad, horrible but not bad.
the
cannon, think of the cannon, and toast for
breakfast the coffee hot enough you
know your tongue is still there, three
geraniums outside a window, trying to be
red and trying to be pink and trying to be
geraniums, no wonder sometimes the women
cry, no wonder the mules don't want
to go up the hill.
are you in a hotel room
in Detroit looking for a cigarette? one more
good day.
a little bit of it.
and as
the nurses come out of the building after
their shift, having had enough, eight nurses
with different names and different places
to go -- walking across the lawn, some of them
want cocoa and a paper, some of them want a
hot bath, some of them want a man, some
of them are hardly thinking at all.
enough
and not enough.
arcs and pilgrims, oranges
gutters, ferns, antibodies, boxes of
tissue paper.
in the most decent sometimes sun
there is the softsmoke feeling from urns
and the canned sound of old battleplanes
and if you go inside and run your finger
along the window ledge you'll find
dirt, maybe even earth.
and if you look out the window
there will be the day, and as you
get older you'll keep looking
keep looking
sucking your tongue in a little
ah ah no no maybe
some do it naturally
some obscenely
everywhere.
|
Written by
Alfred Lord Tennyson |
So closed our tale, of which I give you all
The random scheme as wildly as it rose:
The words are mostly mine; for when we ceased
There came a minute's pause, and Walter said,
'I wish she had not yielded!' then to me,
'What, if you drest it up poetically?'
So prayed the men, the women: I gave assent:
Yet how to bind the scattered scheme of seven
Together in one sheaf? What style could suit?
The men required that I should give throughout
The sort of mock-heroic gigantesque,
With which we bantered little Lilia first:
The women--and perhaps they felt their power,
For something in the ballads which they sang,
Or in their silent influence as they sat,
Had ever seemed to wrestle with burlesque,
And drove us, last, to quite a solemn close--
They hated banter, wished for something real,
A gallant fight, a noble princess--why
Not make her true-heroic--true-sublime?
Or all, they said, as earnest as the close?
Which yet with such a framework scarce could be.
Then rose a little feud betwixt the two,
Betwixt the mockers and the realists:
And I, betwixt them both, to please them both,
And yet to give the story as it rose,
I moved as in a strange diagonal,
And maybe neither pleased myself nor them.
But Lilia pleased me, for she took no part
In our dispute: the sequel of the tale
Had touched her; and she sat, she plucked the grass,
She flung it from her, thinking: last, she fixt
A showery glance upon her aunt, and said,
'You--tell us what we are' who might have told,
For she was crammed with theories out of books,
But that there rose a shout: the gates were closed
At sunset, and the crowd were swarming now,
To take their leave, about the garden rails.
So I and some went out to these: we climbed
The slope to Vivian-place, and turning saw
The happy valleys, half in light, and half
Far-shadowing from the west, a land of peace;
Gray halls alone among their massive groves;
Trim hamlets; here and there a rustic tower
Half-lost in belts of hop and breadths of wheat;
The shimmering glimpses of a stream; the seas;
A red sail, or a white; and far beyond,
Imagined more than seen, the skirts of France.
'Look there, a garden!' said my college friend,
The Tory member's elder son, 'and there!
God bless the narrow sea which keeps her off,
And keeps our Britain, whole within herself,
A nation yet, the rulers and the ruled--
Some sense of duty, something of a faith,
Some reverence for the laws ourselves have made,
Some patient force to change them when we will,
Some civic manhood firm against the crowd--
But yonder, whiff! there comes a sudden heat,
The gravest citizen seems to lose his head,
The king is scared, the soldier will not fight,
The little boys begin to shoot and stab,
A kingdom topples over with a shriek
Like an old woman, and down rolls the world
In mock heroics stranger than our own;
Revolts, republics, revolutions, most
No graver than a schoolboys' barring out;
Too comic for the serious things they are,
Too solemn for the comic touches in them,
Like our wild Princess with as wise a dream
As some of theirs--God bless the narrow seas!
I wish they were a whole Atlantic broad.
'
'Have patience,' I replied, 'ourselves are full
Of social wrong; and maybe wildest dreams
Are but the needful preludes of the truth:
For me, the genial day, the happy crowd,
The sport half-science, fill me with a faith.
This fine old world of ours is but a child
Yet in the go-cart.
Patience! Give it time
To learn its limbs: there is a hand that guides.
'
In such discourse we gained the garden rails,
And there we saw Sir Walter where he stood,
Before a tower of crimson holly-hoaks,
Among six boys, head under head, and looked
No little lily-handed Baronet he,
A great broad-shouldered genial Englishman,
A lord of fat prize-oxen and of sheep,
A raiser of huge melons and of pine,
A patron of some thirty charities,
A pamphleteer on guano and on grain,
A quarter-sessions chairman, abler none;
Fair-haired and redder than a windy morn;
Now shaking hands with him, now him, of those
That stood the nearest--now addressed to speech--
Who spoke few words and pithy, such as closed
Welcome, farewell, and welcome for the year
To follow: a shout rose again, and made
The long line of the approaching rookery swerve
From the elms, and shook the branches of the deer
From slope to slope through distant ferns, and rang
Beyond the bourn of sunset; O, a shout
More joyful than the city-roar that hails
Premier or king! Why should not these great Sirs
Give up their parks some dozen times a year
To let the people breathe? So thrice they cried,
I likewise, and in groups they streamed away.
But we went back to the Abbey, and sat on,
So much the gathering darkness charmed: we sat
But spoke not, rapt in nameless reverie,
Perchance upon the future man: the walls
Blackened about us, bats wheeled, and owls whooped,
And gradually the powers of the night,
That range above the region of the wind,
Deepening the courts of twilight broke them up
Through all the silent spaces of the worlds,
Beyond all thought into the Heaven of Heavens.
Last little Lilia, rising quietly,
Disrobed the glimmering statue of Sir Ralph
From those rich silks, and home well-pleased we went.
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