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Best Famous Fart Poems

Here is a collection of the all-time best famous Fart poems. This is a select list of the best famous Fart poetry. Reading, writing, and enjoying famous Fart poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of fart poems.

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Written by Tony Hoagland | Create an image from this poem

Why the Young Men Are So Ugly

 They have little tractors in their blood
and all day the tractors climb up and down
inside their arms and legs, their
collarbones and heads.

That is why they yell and scream and slam the barbells
down into their clanking slots,
making the metal ring like sledgehammers on iron,
like dungeon prisoners rattling their chains.

That is why they shriek their tires at the stopsign,
why they turn the base up on the stereo
until it shakes the traffic light, until it
dryhumps the eardrum of the crossing guard.

Testosterone is a drug,
and they say No, No, No until
they are overwhelmed and punch
their buddy in the face for joy,

or make a joke about gravy and bottomless holes
to a middle-aged waitress who is gently
setting down the plate in front of them.

If they are grotesque, if
what they say and do is often nothing more
than a kind of psychopathic fart,

it is only because of the tractors,
the tractors in their blood,
revving their engines, chewing up the turf
inside their arteries and veins
It is the testosterone tractor

constantly climbing the mudhill of the world
and dragging the young man behind it
by a chain around his leg.
In the stink and the noise, in the clouds
of filthy exhaust

is where they live. It is the tractors
that make them
what they are. While they make being a man
look like a disease.


Written by Richard Brautigan | Create an image from this poem

December 30

 At 1:30 in the morning a fart 
smells like a marriage between
an avocado and a fish head.

I have to get out of bed
to write this down without
my glasses on.
Written by John Wilmot | Create an image from this poem

Signior *****

 You ladies of merry England
Who have been to kiss the Duchess's hand,
Pray, did you not lately observe in the show
A noble Italian called Signior *****?

This signior was one of the Duchess's train
And helped to conduct her over the main;
But now she cries out, 'To the Duke I will go,
I have no more need for Signior *****.'

At the Sign of the Cross in St James's Street,
When next you go thither to make yourselves sweet
By buying of powder, gloves, essence, or so,
You may chance to get a sight of Signior *****.

You would take him at first for no person of note,
Because he appears in a plain leather coat,
But when you his virtuous abilities know,
You'll fall down and worship Signior *****.

My Lady Southesk, heaven prosper her for't,
First clothed him in satin, then brought him to court;
But his head in the circle he scarcely durst show,
So modest a youth was Signior *****.

The good Lady Suffolk, thinking no harm,
Had got this poor stranger hid under her arm.
Lady Betty by chance came the secret to know
And from her own mother stole Signior *****.

The Countess of Falmouth, of whom people tell
Her footmen wear shirts of a guinea an ell,
Might save that expense, if she did but know
How lusty a swinger is Signior *****.

By the help of this gallant the Countess of Rafe
Against the fierce Harris preserved herself safe;
She stifled him almost beneath her pillow,
So closely she embraced Signior *****.

The pattern of virtue, Her Grace of Cleveland,
Has swallowed more pricks than the ocean has sand;
But by rubbing and scrubbing so wide does it grow,
It is fit for just nothing but Signior *****.

Our dainty fine duchesses have got a trick
To dote on a fool for the sake of his prick,
The fops were undone did their graces but know
The discretion and vigour of Signior *****.

The Duchess of Modena, though she looks so high,
With such a gallant is content to lie,
And for fear that the English her secrets should know,
For her gentleman usher took Signior *****.

The Countess o'th'Cockpit (who knows not her name?
She's famous in story for a killing dame),
When all her old lovers forsake her, I trow,
She'll then be contented with Signior *****.

Red Howard, red Sheldon, and Temple so tall
Complain of his absence so long from Whitehall.
Signior Barnard has promised a journey to go
And bring back his countryman, Signior *****.

Doll Howard no longer with His Highness must range,
And therefore is proferred this civil exchange:
Her teeth being rotten, she smells best below,
And needs must be fitted for Signior *****.

St Albans with wrinkles and smiles in his face,
Whose kindness to strangers becomes his high place,
In his coach and six horses is gone to Bergo
To take the fresh air with Signior *****.

Were this signior but known to the citizen fops,
He'd keep their fine wives from the foremen o'their shops;
But the rascals deserve their horns should still grow
For burning the Pope and his nephew, *****.

Tom Killigrew's wife, that Holland fine flower,
At the sight of this signior did fart and belch sour,
And her Dutch breeding the further to show,
Says, 'Welcome to England, Mynheer Van *****.'

He civilly came to the Cockpit one night,
And proferred his service to fair Madam Knight.
Quoth she, 'I intrigue with Captain Cazzo;
Your nose in mine ****, good Signior *****.'

This signior is sound, safe, ready, and dumb
As ever was candle, carrot, or thumb;
Then away with these nasty devices, and show
How you rate the just merit of Signior *****.

Count Cazzo, who carries his nose very high,
In passion he swore his rival should die;
Then shut himself up to let the world know
Flesh and blood could not bear it from Signior *****.

A rabble of pricks who were welcome before,
Now finding the porter denied them the door,
Maliciously waited his coming below
And inhumanly fell on Signior *****.

Nigh wearied out, the poor stranger did fly,
And along the Pall Mall they followed full cry;
The women concerned from every window
Cried, 'For heaven's sake, save Signior *****.'

The good Lady Sandys burst into a laughter
To see how the ballocks came wobbling after,
And had not their weight retarded the foe,
Indeed't had gone hard with Signior *****.
Written by Theodore Roethke | Create an image from this poem

The Saginaw Song

 In Saginaw, in Saginaw,
 The wind blows up your feet,
When the ladies' guild puts on a feed,
 There's beans on every plate,
And if you eat more than you should,
 Destruction is complete.

Out Hemlock Way there is a stream
 That some have called Swan Creek;
The turtles have bloodsucker sores,
 And mossy filthy feet;
The bottoms of migrating ducks
 Come off it much less neat.

In Saginaw, in Saginaw,
 Bartenders think no ill;
But they've ways of indicating when
 You are not acting well:
They throw you through the front plate glass
 And then send you the bill.

The Morleys and the Burrows are
 The aristocracy;
A likely thing for they're no worse
 Than the likes of you or me,—
A picture window's one you can't
 Raise up when you would pee.

In Shaginaw, in Shaginaw
 I went to Shunday Shule;
The only thing I ever learned
 Was called the Golden Rhule,—
But that's enough for any man
 What's not a proper fool.

I took the pledge cards on my bike;
 I helped out with the books;
The stingy members when they signed
 Made with their stingy looks,—
The largest contributors came
 From the town's biggest crooks.

In Saginaw, in Saginaw,
 There's never a household fart,
For if it did occur,
 It would blow the place apart,—
I met a woman who could break wind
 And she is my sweet-heart.

O, I'm the genius of the world,—
 Of that you can be sure,
But alas, alack, and me achin' back,
 I'm often a drunken boor;
But when I die—and that won't be soon—
 I'll sing with dear Tom Moore,
 With that lovely man, Tom Moore.

Coda:

My father never used a stick,
 He slapped me with his hand;
He was a Prussian through and through
 And knew how to command;
I ran behind him every day
 He walked our greenhouse land.

I saw a figure in a cloud,
 A child upon her breast,
And it was O, my mother O,
 And she was half-undressed,
All women, O, are beautiful
 When they are half-undressed.
Written by John Wilmot | Create an image from this poem

Poems to Mulgrave and Scroope

 Deare Friend. 

I heare this Towne does soe abound, 
With sawcy Censurers, that faults are found, 
With what of late wee (in Poetique Rage) 
Bestowing, threw away on the dull Age; 
But (howsoe're Envy, their Spleen may raise, 
To Robb my Brow, of the deserved Bays) 
Their thanks at least I merit since through me, 
They are Partakers of your Poetry; 
And this is all, I'll say in my defence, 
T'obtaine one Line, of your well worded Sense 

I'd be content t'have writ the Brittish Prince. 
I'm none of those who thinke themselves inspir'd, 
Nor write with the vaine hopes to be admir'd; 
But from a Rule (I have upon long tryall) 
T'avoyd with care, all sort of self denyall. 
Which way soe're desire and fancy leade 
(Contemning Fame) that Path I boldly tread; 
And if exposeing what I take for Witt, 
To my deare self, a Pleasure I beget, 
Noe matter tho' the Censring Crittique fret. 
Those whom my Muse displeases, are at strife 
With equall Spleene, against my Course of life, 
The least delight of which, I'd not forgoe, 
For all the flatt'ring Praise, Man can bestow. 
If I designd to please the way were then, 
To mend my Manners, rather than my Pen; 
The first's unnaturall, therefore unfit, 
And for the Second, I despair of it, 
Since Grace, is not soe hard to get as Witt. 
Perhaps ill Verses, ought to be confin'd, 
In meere good Breeding, like unsav'ry Wind; 
Were Reading forc'd, I shou'd be apt to thinke 
Men might noe more write scurvily, than stinke: 
But 'tis your choyce, whether you'll Read, or noe, 
If likewise of your smelling it were soe, 
I'd Fart just as I write, for my owne ease, 
Nor shou'd you be concern'd, unlesse you please: 
I'll owne, that you write better than I doe, 
But I have as much need to write, as you. 
What though the Excrement of my dull Braine,

Runns in a harsh, insipid Straine, 
Whilst your rich Head, eases it self of Witt? 
Must none but Civet-Catts, have leave to ****? 
In all I write, shou'd Sense, and Witt, and Rhyme 
Faile me at once, yet something soe Sublime, 
Shall stamp my Poem, that the World may see, 
It cou'd have beene produc'd, by none but me. 
And that's my end, for Man, can wish noe more, 
Then soe to write, as none ere writ before. 
Yet why am I noe Poet, of the tymes? 
I have Allusions, Similies and Rhymes, 
And Witt, or else 'tis hard that I alone, 
Of the whole Race of Mankind, shou'd have none. 
Unequally, the Partiall Hand of Heav'n, 
Has all but this one only Blessing giv'n; 
The World appeares like a great Family, 
Whose Lord opprest with Pride, and Poverty, 
(That to a few, great Plenty he may show) 
Is faine to starve the Num'rous Traine below: 
Just soe seemes Providence, as poor and vaine, 
Keeping more Creatures, than it can maintaine. 
Here 'tis profuse, and there it meanly saves, 
And for One Prince, it makes Ten Thousand Slaves: 
In Witt alone, it has beene Magnificent, 
Of which, soe just a share, to each is sent 
That the most Avaricious are content. 
For none e're thought, (the due Division's such), 
His owne too little, or his Friends too much. 
Yet most Men shew, or find great want of Witt, 
Writeing themselves, or Judging what is writ: 
But I, who am of sprightly Vigour full 
Looke on Mankind, as Envious, and dull. 
Borne to my self, my self I like alone, 
And must conclude my Judgment good, or none. 
(For shou'd my Sense be nought, how cou'd I know, 
Whether another Man's, were good, or noe?) 
Thus, I resolve of my owne Poetry, 
That 'tis the best, and there's a Fame for me. 
If then I'm happy, what does it advance, 
Whether to merit due, or Arrogance?

Oh! but the World will take offence thereby, 
Why then the World, shall suffer for't, not I. 
Did e're this sawcy World, and I agree? 
To let it have its Beastly will on me? 
Why shou'd my Prostituted Sense, be drawne, 
To ev'ry Rule, their musty Customes spawne? 
But Men, will Censure you; Tis Two to one 
When e're they Censure, they'll be in the wrong. 
There's not a thing on Earth, that I can name 
Soe foolish, and soe false, as Common Fame. 
It calls the Courtier Knave, the plaine Man rude, 
Haughty the grave, and the delightfull Lewd. 
Impertinent the briske, Morosse the sad, 
Meane the Familiar, the Reserv'd one Mad. 
Poor helplesse Woman, is not favour'd more 
She's a slye Hipocryte, or Publique Whore. 
Then who the Devill, wou'd give this -- to be free 
From th'Innocent Reproach of Infamy? 
These things consider'd, make me (in despight 
Of idle Rumour,) keepe at home, and write.



Book: Reflection on the Important Things