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Best Famous Ex Poems

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Written by Barry Tebb | Create an image from this poem

SORRY I MISSED YOU

 (or ‘Huddersfield the Second Poetry Capital of England Re-visited’)



What was it Janice Simmons said to me as James lay dying in Ireland?

“Phone Peter Pegnall in Leeds, an ex-pupil of Jimmy’s.
He’s organising A benefit reading, he’d love to hear from you and have your help.
” ‘Like hell he would’ I thought but I phoned him all the same At his converted farmhouse at Barswill, a Lecturer in Creative Writing At the uni.
But what’s he written, I wondered, apart from his CV? “Well I am organising a reading but only for the big people, you understand, Hardman, Harrison, Doughty, Duhig, Basher O’Brien, you know the kind, The ones that count, the ones I owe my job to.
” We nattered on and on until by way of adieu I read the final couplet Of my Goodbye poem, the lines about ‘One Leeds Jimmy who could fix the world’s.
Duhigs once and for all/Write them into the ground and still have a hundred Lyrics in his quiver.
’ Pete Stifled a cough which dipped into a gurgle and sank into a mire Of strangulated affect which almost became a convulsion until finally He shrieked, “I have to go, the cat’s under the Christmas tree, ripping Open all the presents, the central heating boiler’s on the blink, The house is on fucking fire!” So I was left with the offer of being raffle-ticket tout as a special favour, Some recompense for giving over two entire newsletters to Jimmy’s work: The words of the letter before his stroke still burned.
“I don’t know why They omitted me, Armitage and Harrison were my best mates once.
You and I Must meet.
” A whole year’s silence until the card with its cryptic message ‘Jimmy’s recovering slowly but better than expected’.
I never heard from Pegnall about the reading, the pamphlets he asked for Went unacknowledged.
Whalebone, the fellow-tutor he commended, also stayed silent.
Had the event been cancelled? Happening to be in Huddersfield on Good Friday I staggered up three flights of stone steps in the Byram Arcade to the Poetry Business Where, next to the ‘closed’ sign an out-of-date poster announced the reading in Leeds At a date long gone.
I peered through the slats at empty desks, at brimming racks of books, At overflowing bin-bags and the yellowing poster.
Desperately I tried to remember What Janice had said.
“We were sat up in bed, planning to take the children For a walk when Jimmy stopped looking at me, the pupils of his eyes rolled sideways, His head lolled and he keeled over.
” The title of the reading was from Jimmy’s best collection ‘With Energy To Burn’ with energy to burn.


Written by Tristan Tzara | Create an image from this poem

Proclamation Without Pretension

 Art is going to sleep for a new world to be born
"ART"-parrot word-replaced by DADA,
PLESIOSAURUS, or handkerchief

The talent THAT CAN BE LEARNED makes the
poet a druggist TODAY the criticism
of balances no longer challenges with resemblances

Hypertrophic painters hyperaes-
theticized and hypnotized by the hyacinths
of the hypocritical-looking muezzins

CONSOLIDATE THE HARVEST OF EX-
ACT CALCULATIONS

Hypodrome of immortal guarantees: there is
no such thing as importance there is no transparence 
or appearance

MUSICIANS SMASH YOUR INSTRUMENTS 
BLIND MEN take the stage

THE SYRINGE is only for my understanding.
I write because it is natural exactly the way I piss the way I'm sick ART NEEDS AN OPERATION Art is a PRETENSION warmed by the TIMIDITY of the urinary basin, the hysteria born in THE STUDIO We are in search of the force that is direct pure sober UNIQUE we are in search of NOTHING we affirm the VITALITY of every IN- STANT the anti-philosophy of spontaneous acrobatics At this moment I hate the man who whispers before the intermission-eau de cologne- sour theatre.
THE JOYOUS WIND If each man says the opposite it is because he is right Get ready for the action of the geyser of our blood -submarine formation of transchromatic aero- planes, cellular metals numbered in the flight of images above the rules of the and its control BEAUTIFUL It is not for the sawed-off imps who still worship their navel
Written by Emanuel Xavier | Create an image from this poem

WARS and RUMORS OF WARS

 “Ye shall hear of wars and rumors of wars;
see that ye not be troubles;
all these things must come to pass, but the end is not yet”
-Matthew 24:6

1.
I escape the horrors of war with a towel and a room Offering myself to Palestinian and Jewish boys as a ‘piece’ to the Middle East when I should be concerned with the untimely deaths of dark-skinned babies and the brutal murders of light-skinned fathers 2.
I’ve been more consumed with how to make the cover of local *** rags than how to open the minds of angry little boys trotting loaded guns Helpless in finding words that will stop the blood from spilling like secrets into soil where great prophets are buried 3.
I return to the same spaces where I once dealt drugs a celebrated author gliding past velvet ropes while my club kid friends are mostly dead from an overdose or HIV-related symptoms Marilyn wears the crown of thorns while 4 out of the 5 weapons used to kill Columbine students had been sold by the same police force that came to their rescue Not all terrorists have features too foreign to be recognized in the mirror Our mistakes are our responsibility 4.
The skyline outside my window is the only thing that has changed Men still rape women and blame them for their weaknesses Children are still molested by the perversion of Catholic guilt My ex-boyfriend still takes comfort in the other white powder- the one used solely to destroy himself and those around him Not the one used to ignite and create carnage or mailbox fear 5.
It is said when skin is cut, and then pressed together, it seals but what about acid-burned skulls engraved with the word ‘******’, a foot bone with flesh and other crushed body parts 6.
It was a gay priest that read last rites to firefighters as towers collapsed It was a gay pilot that crashed a plane into Pennsylvania fields It was a gay couple that was responsible for the tribute of light in memory of the fallen Taliban leaders would bury them to their necks and tumble walls to crush their heads Catholic leaders simply condemn them as perverts having offered nothing but sin ***** blood is just rosaries scattered on tile 7.
Heroes do not always get heaven 8.
We all have wings … some of us just don’t know why
Written by William Topaz McGonagall | Create an image from this poem

The Death of Lord and Lady Dalhousie

 Alas! Lord and Lady Dalhousie are dead, and buried at last,
Which causes many people to feel a little downcast;
And both lie side by side in one grave,
But I hope God in His goodness their souls will save.
And may He protect their children that are left behind, And may they always food and raiment find; And from the paths of virtue may they ne'er be led, And may they always find a house wherein to lay their head.
Lord Dalhousie was a man worthy of all praise, And to his memory I hope a monument the people will raise, That will stand for many ages to came To commemorate the good deeds he has done.
He was beloved by men of high and low degree, Especially in Forfarshire by his tenantry: And by many of the inhabitants in and around Dundee, Because he was affable in temper.
and void of all vanity.
He had great affection for his children, also his wife, 'Tis said he loved her as dear as his life; And I trust they are now in heaven above, Where all is joy, peace, and love.
At the age of fourteen he resolved to go to sea, So he entered the training ship Britannia belonging the navy, And entered as a midshipman as he considered most fit Then passed through the course of training with the greatest credit.
In a short time he obtained the rank of lieutenant, Then to her Majesty's ship Galatea he was sent; Which was under the command of the Duke of Edinburgh, And during his service there he felt but little sorrow.
And from that he was promoted to be commander of the Britannia, And was well liked by the men, for what he said was law; And by him Prince Albert Victor and Prince George received a naval education.
Which met with the Prince of Wales' roost hearty approbation.
'Twas in the year 1877 he married the Lady Ada Louisa Bennett, And by marrying that noble lady he ne'er did regret; And he was ever ready to give his service in any way, Most willingly and cheerfully by night or by day.
'Twas in the year of 1887, and on Thursday the 1st of December, Which his relatives and friends will long remember That were present at the funeral in Cockpen, churchyard, Because they had for the noble Lord a great regard.
About eleven o'clock the remains reached Dalhousie, And were met by a body of the tenantry.
They conveyed them inside the building allseemingly woe begone And among those that sent wreaths was Lord Claude Hamilton.
Those that sent wreaths were but very few, But one in particular was the Duke of Buccleuch; Besides Dr.
Herbert Spencer, and Countess Rosebery, and Lady Bennett, Which no doubt were sent by them with heartfelt regret.
Besides those that sent wreaths in addition were the Earl and Countess of Aberdeen, Especially the Prince of Wales' was most lovely to be seen, And the Earl of Dalkeith's wreath was very pretty too, With a mixture of green and white flowers, beautiful to view.
Amongst those present at the interment were Mr Marjoribanks, M.
P.
, Also ex-Provost Ballingall from Bonnie Dundee; Besides the Honourable W.
G.
Colville, representing the Duke and Duchess of Edinburgh, While in every one's face standing at the grave was depicted sorrow.
The funeral service was conducted in the Church of Cockpen By the Rev.
J.
Crabb, of St.
Andrew's Episcopal Church, town of Brechin; And as the two coffins were lowered into their last resting place, Then the people retired with sad hearts at a quick pace.
Written by Julie Hill Alger | Create an image from this poem

Pictures of Home

  In the red-roofed stucco house
of my childhood, the dining room 
was screened off by folding doors 
with small glass panes.
Our neighbors the Bertins, who barely escaped Hitler, often joined us at table.
One night their daughter said, In Vienna our dining room had doors like these.
For a moment, we all sat quite still.
And when Nath Nong, who has to live in Massachusetts now, saw a picture of green Cambodian fields she said, My father have animal like this, name krebey English? I told her, Water buffalo.
She said, Very very good animal.
She put her finger on the picture of the water buffalo and spoke its Khmer name once more.
So today, when someone (my ex- husband) sends me a shiny picture of a church in Santa Cruz that lost its steeple in the recent earthquake there's no reason at all for my throat to ache at the sight of a Pacific-blue sky and an old church three thousand miles away, because if I can only save enough money I can go back there any time and stay as long as I want.
-Julie Alger


Written by Charles Bukowski | Create an image from this poem

The Blackbirds Are Rough Today

 lonely as a dry and used orchard
spread over the earth
for use and surrender.
shot down like an ex-pug selling dailies on the corner.
taken by tears like an aging chorus girl who has gotten her last check.
a hanky is in order your lord your worship.
the blackbirds are rough today like ingrown toenails in an overnight jail--- wine wine whine, the blackbirds run around and fly around harping about Spanish melodies and bones.
and everywhere is nowhere--- the dream is as bad as flapjacks and flat tires: why do we go on with our minds and pockets full of dust like a bad boy just out of school--- you tell me, you who were a hero in some revolution you who teach children you who drink with calmness you who own large homes and walk in gardens you who have killed a man and own a beautiful wife you tell me why I am on fire like old dry garbage.
we might surely have some interesting correspondence.
it will keep the mailman busy.
and the butterflies and ants and bridges and cemeteries the rocket-makers and dogs and garage mechanics will still go on a while until we run out of stamps and/or ideas.
don't be ashamed of anything; I guess God meant it all like locks on doors.
Written by Barry Tebb | Create an image from this poem

HUDDERSFIELD - THE SECOND POETRY CAPITAL OF ENGLAND

 It brings to mind Swift leaving a fortune to Dublin

‘For the founding of a lunatic asylum - no place needs it more’.
The breathing beauty of the moors and cheap accommodation Drew me but the total barbarity of the town stopped me from Writing a single line: from the hideous facade of its railway Station - Betjeman must have been drunk or mad to praise it - To that lump of stone on Castle Hill - her savage spirit broods.
I remember trying to teach there, at Bradley, where the head Was some kind of ex-P.
T.
teacher, who thought poetry something You did to children and his workaholic jackass deputy, obsessed With practical science and lesson preparation and team teaching And everything on, above and beneath the earth except ‘The Education Of the Poetic Spirit’ and without that and as an example of what Pound meant about how a country treats its poets "is a measure Of its civilisation".
I once had a holiday job in a mill and the Nightwatchman’s killer alsatian had more civilisation than Huddersfield’s Deputy Direction of Education.
For a while I was granted temporary asylum at Royds Hall - At least some of the staff there had socialism if not art - But soon it was spoilt for everyone when Jenks came to head English, sweating for his OU degree and making us all suffer, The kids hating his sarcasm and the staff his vaulting ambition And I was the only one not afraid of him.
His Achilles’ heel was Culture - he was a yob through and through - and the Head said to me "I’ve had enough of him throwing his weight around, if it comes To a showdown I’ll back you against him any day" but he got The degree and the job and the dollars - my old T.
C.
took him But that was typical, after Roy Rich went came a fat appointee Who had written nothing and knew nothing but knew everyone on The appointing committee.
Everyday I was in Huddersfield I thought I was in hell and Sartre was right and so was Jonson - "Hell’s a grammar school To this" - too (Peter Porter I salute you!) and always I dreamed Of Leeds and my beautiful gifted ten-year olds and Sheila, my Genius-child-poet and a head who left me alone to teach poetry And painting day in, day out and Dave Clark and Diane and I, In the staffroom discussing phenomenology and daseinanalysis Applied to Dewey’s theory of education and the essence of the Forms in Plato and Plotinus and plaiting a rose in Sheila’s Hair and Johns, the civilised HMI, asking for a copy of my poems And Horovitz putting me in ‘Children of Albion’ and ‘The Statesman’ giving me good reviews.
Decades later, in Byram Arcade, I am staring at the facade of ‘The Poetry Business’ and its proprietors sitting on the steps Outside, trying to look civilised and their letter, "Your poetry Is good but its not our kind" and I wondered what their kind was And besides they’re not my kind of editor and I’m back in Leeds With a letter from Seamus Heaney - thank you, Nobel Laureate, for Liking ‘My Perfect Rose’ and yes, you’re right about my wanting To get those New Generation Poets into my classroom at Wyther Park and show them a thing or two and a phone call from Horovitz who is my kind of editor still, after thirty years, His mellifluous voice with its blend of an Oxford accent and American High Camp, so warm and full of knowledge and above all PASSIONATE ABOUT POETRY and I remember someone saying, "If Oxford is the soul of England, Huddersfield is its arsehole".
Written by Philip Larkin | Create an image from this poem

Breadfruit

 Boys dream of native girls who bring breadfruit,
 Whatever they are,
As bribes to teach them how to execute
Sixteen sexual positions on the sand;
This makes them join (the boys) the tennis club,
Jive at the Mecca, use deodorants, and
On Saturdays squire ex-schoolgirls to the pub
 By private car.
Such uncorrected visions end in church Or registrar: A mortgaged semi- with a silver birch; Nippers; the widowed mum; having to scheme With money; illness; age.
So absolute Maturity falls, when old men sit and dream Of naked native girls who bring breadfruit Whatever they are.
Written by Barry Tebb | Create an image from this poem

JAMES SIMMONS R.I.P

 You were the one I wanted most to know

So like yet unlike, like fire and snow,

The casual voice, the sharp invective,

The barbed wit, the lapsed Irish Protestant

Who never gave a ****, crossed the palms

Of the great and good with coins hot with contempt

For the fakers and the tricksters whose poetry

Deftly bent to fashion’s latest slant.
You wrote from the heart, feelings on your sleeve, But feelings are all a master poet needs: You broke all the taboos, whores and fags and booze, While I sighed over books and began to snooze Until your voice broke through the haze Of a quarter century’s sleep.
“Wake up you git And bloody write!” I did and never stopped And like you told the truth about how bad poetry Rots the soul and slapped a New Gen face or two And kicked some arses in painful places, And so like you, got omitted from the posh anthologies Where Penguin and Picador fill the pages With the boring poetasters you went for in your rages, Ex-friends like Harrison who missed you out.
You never could see the envy in their enmity.
Longley was the worst, a hypocrite to boot, All you said about him never did come out; I’ve tried myself to nail others of that ilk Hither and thither they slide and slither And crawl out of the muck white as brides’ Fat with OBE’s, sinecures and sighs And Collected Poems no one buys.
Yet ‘Mainstrem’, your last but one collection, I had to wait months for, the last borrower Kept it for two years and likely I’ll do the same Your poetry’s like no other, no one could tame Your roaring fury or your searing pain.
You bared your soul in a most unfashionable way But everything in me says your verse will stay, Your love for your fourth and final wife, The last chance marriage that went right The children you loved so much but knew You wouldn’t live to see grown up, so caught Their growing pains and joys with a painter’s eye And lyric skill as fine as Wordsworth’s best they drank her welcome to his heritage of grey, grey-green, wet earth and shapes of stone.
Who weds a landscape will not die alone.
Those you castigated never forgave.
Omitted you as casually as passing an unmarked grave, Armitage, I name you, a blackguard and a knave, Who knows no more of poetry than McGonagall the brave, Yet tops the list of Faber’s ‘Best Poets of Our Age’.
Longley gave you just ten lines in ‘Irish Poets Now’ Most missed you out entirely for the troubles you gave Accusing like Zola those poetic whores Who sold themselves to fashion when time after time Your passions brought you to your knees, lashing At those poetasters when their puffed-up slime Won the medals and the prizes time after time And got them all the limelight while your books Were quietly ignored, the better you wrote, The fewer got bought.
Belatedly I found a poem of yours ‘Leeds 2’ In ‘Flashpoint’, a paint-stained worn out School anthology from 1962.
Out of the blue I wrote to you but the letter came back ‘Gone away N.
F.
A.
’ then I tried again and had a marvellous letter back Full of stories of the great and good and all their private sins, You knew where the bodies were buried.
Who put the knife in, who slept with who For what reward.
They never could shut you up Or put you in a pen or pay you off and then came Morley, Hulse and Kennedy’s ‘New Poetry’ Which did more damage to the course of poetry Than anything I’ve read - poets unembarrassed By the need to know more than what’s politically White as snow.
Constantine and Jackie Kay And Hoffman with the right connections.
Sweeney and O’Brien bleeding in all the politically Sensitive places, Peter Reading lifting Horror headlines from the Sun to make a splash.
Sansom and Maxwell, Jamie and Greenlaw.
Proving lack of talent is no barrier to fame If you lick the right arses and say how nice they taste.
Crawling up the ladder, declaring **** is grace.
A talented drunken public servant Has the world’s ear and hates me.
He ought to be in prison for misuse Of public funds and bigotry; But there’s some sparkle in his poetry.
You never flinched in the attack But gave the devils their due: The ‘Honest Ulsterman’ you founded Lost its honesty the day you withdrew But floundered on, publicly sighed and Ungraciously expired as soon as you died.
You went with fallen women, smoked and sang and boozed, Loved your many children, wrote poetry As good as Yeats but the ignominy you had to bear Bred an immortality impossible to share.
You showed us your own peccadilloes, Your early lust for fame, but you learned The cost of suffering, love and talent winning through, Your best books your last, just two, like the letters You wrote before your life was through.
The meeting you wanted could never happen: I didn’t know about the stroke That stilled your tongue and pen But if you passed your mantle on to me I’ll try and take up where you left off, Give praise where praise is due And blast the living daylights from those writers who Betray the sacred art of making poetry true To suffering and love, to passion and remorse And try to steer a flimsy world upon a saner course.
Written by Marriott Edgar | Create an image from this poem

Sam Goes To It

 Sam Small had retired from the Army,
In the old Duke of Wellington's time,
So when present unpleasantness started,
He were what you might call.
.
.
past his prime.
He'd lived for some years in retirement, And knew nowt of war, if you please, Till they blasted and bombed his allotment, And shelled the best part of his peas.
'T were as if bugles called Sam to duty, For his musket he started to search, He found it at last in the Hen house, Buff Orpingtons had it for perch.
Straight off to the Fusilliers' depot, He went to rejoin his old troop.
.
.
Where he found as they couldn't recruit Him, Until his age group was called up.
Now Sam wasn't getting no younger, Past the three score and ten years was he, And he reckoned by time they reached his age group, He'd be very near ten score and three.
So he took up the matter with Churchill, Who said, "I don't know what to do, Never was there a time when so many, Came asking so much from so few.
" "I don't want no favours" Sam answered, "Don't think as I'm one of that mob, All I'm asking is give me the tools, lad, And let me help finish the job.
" "I'll fit you in somewhere," said Winnie, "Old soldiers we must not discard.
" Then seeing he'd got his own musket, He sent him to join the Home Guard.
They gave Sam a coat with no stripes on, In spite of the service he'd seen, Which considering he'd been a King's sergeant, Kind of rankled.
.
.
you know what I mean.
He said "I come back to the Army, Expecting my country's thanks, And the first thing I find when I get here, Is that I've been reduced to the ranks.
He found all the lads sympathetic, They agreed that 'twere a disgrace, Except one old chap in the corner, With a nutcracker kind of a face.
Said the old fella, "Who do you think you are? The last to appear on the scene, And you start off by wanting promotion, Last come, last served.
.
.
see what I mean?" Said Sam, "Wasn't I at Corunna, And when company commander got shot, Didn't I lead battalion to victory?" Said the old fella, "No.
.
.
you did not.
" "I didn't?" said Sam quite indignent, "Why, in every fight Wellington fought, Wasn't I at his right hand to guard him?" Said old chap, "You were nowt of the sort.
" "What do you know of Duke and his battles?" Said Sam, with a whithering look, Said the old man, "I ought to know something, Between you and me.
.
.
I'm the Duke.
" And if you should look in any evening, You'll find them both in the canteen, Ex Commander-in-Chief and ex Sergeant, Both just Home Guards.
.
.
you know what I mean?

Book: Shattered Sighs