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Best Famous Enveloping Poems

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Written by Walt Whitman | Create an image from this poem

American Feuillage

 AMERICA always! 
Always our own feuillage! 
Always Florida’s green peninsula! Always the priceless delta of Louisiana! Always the
 cotton-fields of Alabama and Texas! 
Always California’s golden hills and hollows—and the silver mountains of New
 Mexico!
 Always soft-breath’d Cuba! 
Always the vast slope drain’d by the Southern Sea—inseparable with the slopes
 drain’d
 by the Eastern and Western Seas;
The area the eighty-third year of These States—the three and a half millions of
 square
 miles; 
The eighteen thousand miles of sea-coast and bay-coast on the main—the thirty
 thousand
 miles of
 river navigation, 
The seven millions of distinct families, and the same number of dwellings—Always
 these,
 and
 more, branching forth into numberless branches; 
Always the free range and diversity! always the continent of Democracy! 
Always the prairies, pastures, forests, vast cities, travelers, Kanada, the snows;
Always these compact lands—lands tied at the hips with the belt stringing the huge
 oval
 lakes; 
Always the West, with strong native persons—the increasing density there—the
 habitans,
 friendly, threatening, ironical, scorning invaders; 
All sights, South, North, East—all deeds, promiscuously done at all times, 
All characters, movements, growths—a few noticed, myriads unnoticed, 
Through Mannahatta’s streets I walking, these things gathering;
On interior rivers, by night, in the glare of pine knots, steamboats wooding up; 
Sunlight by day on the valley of the Susquehanna, and on the valleys of the Potomac and
 Rappahannock, and the valleys of the Roanoke and Delaware; 
In their northerly wilds, beasts of prey haunting the Adirondacks, the hills—or
 lapping
 the
 Saginaw waters to drink; 
In a lonesome inlet, a sheldrake, lost from the flock, sitting on the water, rocking
 silently; 
In farmers’ barns, oxen in the stable, their harvest labor done—they rest
 standing—they are too tired;
Afar on arctic ice, the she-walrus lying drowsily, while her cubs play around; 
The hawk sailing where men have not yet sail’d—the farthest polar sea, ripply,
 crystalline, open, beyond the floes; 
White drift spooning ahead, where the ship in the tempest dashes; 
On solid land, what is done in cities, as the bells all strike midnight together; 
In primitive woods, the sounds there also sounding—the howl of the wolf, the scream
 of the
 panther, and the hoarse bellow of the elk;
In winter beneath the hard blue ice of Moosehead Lake—in summer visible through the
 clear
 waters, the great trout swimming; 
In lower latitudes, in warmer air, in the Carolinas, the large black buzzard floating
 slowly,
 high
 beyond the tree tops, 
Below, the red cedar, festoon’d with tylandria—the pines and cypresses, growing
 out
 of the
 white sand that spreads far and flat; 
Rude boats descending the big Pedee—climbing plants, parasites, with color’d
 flowers
 and
 berries, enveloping huge trees, 
The waving drapery on the live oak, trailing long and low, noiselessly waved by the wind;
The camp of Georgia wagoners, just after dark—the supper-fires, and the cooking and
 eating
 by
 whites and *******, 
Thirty or forty great wagons—the mules, cattle, horses, feeding from troughs, 
The shadows, gleams, up under the leaves of the old sycamore-trees—the
 flames—with
 the
 black smoke from the pitch-pine, curling and rising; 
Southern fishermen fishing—the sounds and inlets of North Carolina’s
 coast—the
 shad-fishery and the herring-fishery—the large sweep-seines—the windlasses on
 shore
 work’d by horses—the clearing, curing, and packing-houses; 
Deep in the forest, in piney woods, turpentine dropping from the incisions in the
 trees—There
 are the turpentine works,
There are the ******* at work, in good health—the ground in all directions is
 cover’d
 with
 pine straw: 
—In Tennessee and Kentucky, slaves busy in the coalings, at the forge, by the
 furnace-blaze, or
 at the corn-shucking; 
In Virginia, the planter’s son returning after a long absence, joyfully welcom’d
 and
 kiss’d by the aged mulatto nurse; 
On rivers, boatmen safely moor’d at night-fall, in their boats, under shelter of high
 banks, 
Some of the younger men dance to the sound of the banjo or fiddle—others sit on the
 gunwale,
 smoking and talking;
Late in the afternoon, the mocking-bird, the American mimic, singing in the Great Dismal
 Swamp—there are the greenish waters, the resinous odor, the plenteous moss, the
 cypress
 tree,
 and the juniper tree; 
—Northward, young men of Mannahatta—the target company from an excursion
 returning
 home at
 evening—the musket-muzzles all bear bunches of flowers presented by women; 
Children at play—or on his father’s lap a young boy fallen asleep, (how his lips
 move! how
 he smiles in his sleep!) 
The scout riding on horseback over the plains west of the Mississippi—he ascends a
 knoll
 and
 sweeps his eye around; 
California life—the miner, bearded, dress’d in his rude costume—the stanch
 California
 friendship—the sweet air—the graves one, in passing, meets, solitary, just
 aside the
 horsepath;
Down in Texas, the cotton-field, the *****-cabins—drivers driving mules or oxen
 before
 rude
 carts—cotton bales piled on banks and wharves; 
Encircling all, vast-darting, up and wide, the American Soul, with equal
 hemispheres—one
 Love,
 one Dilation or Pride; 
—In arriere, the peace-talk with the Iroquois, the aborigines—the calumet, the
 pipe
 of
 good-will, arbitration, and indorsement, 
The sachem blowing the smoke first toward the sun and then toward the earth, 
The drama of the scalp-dance enacted with painted faces and guttural exclamations,
The setting out of the war-party—the long and stealthy march, 
The single-file—the swinging hatchets—the surprise and slaughter of enemies; 
—All the acts, scenes, ways, persons, attitudes of These States—reminiscences,
 all
 institutions, 
All These States, compact—Every square mile of These States, without excepting a
 particle—you also—me also, 
Me pleas’d, rambling in lanes and country fields, Paumanok’s fields,
Me, observing the spiral flight of two little yellow butterflies, shuffling between each
 other,
 ascending high in the air; 
The darting swallow, the destroyer of insects—the fall traveler southward, but
 returning
 northward early in the spring; 
The country boy at the close of the day, driving the herd of cows, and shouting to them as
 they
 loiter to browse by the road-side; 
The city wharf—Boston, Philadelphia, Baltimore, Charleston, New Orleans, San
 Francisco, 
The departing ships, when the sailors heave at the capstan;
—Evening—me in my room—the setting sun, 
The setting summer sun shining in my open window, showing the swarm of flies, suspended,
 balancing
 in the air in the centre of the room, darting athwart, up and down, casting swift shadows
 in
 specks
 on the opposite wall, where the shine is; 
The athletic American matron speaking in public to crowds of listeners; 
Males, females, immigrants, combinations—the copiousness—the individuality of
 The
 States,
 each for itself—the money-makers; 
Factories, machinery, the mechanical forces—the windlass, lever, pulley—All
 certainties,
The certainty of space, increase, freedom, futurity, 
In space, the sporades, the scatter’d islands, the stars—on the firm earth, the
 lands, my
 lands; 
O lands! all so dear to me—what you are, (whatever it is,) I become a part of that,
 whatever it
 is; 
Southward there, I screaming, with wings slowly flapping, with the myriads of gulls
 wintering
 along
 the coasts of Florida—or in Louisiana, with pelicans breeding; 
Otherways, there, atwixt the banks of the Arkansaw, the Rio Grande, the Nueces, the
 Brazos, the
 Tombigbee, the Red River, the Saskatchawan, or the Osage, I with the spring waters
 laughing
 and
 skipping and running;
Northward, on the sands, on some shallow bay of Paumanok, I, with parties of snowy herons
 wading in
 the wet to seek worms and aquatic plants; 
Retreating, triumphantly twittering, the king-bird, from piercing the crow with its bill,
 for
 amusement—And I triumphantly twittering; 
The migrating flock of wild geese alighting in autumn to refresh themselves—the body
 of
 the
 flock feed—the sentinels outside move around with erect heads watching, and are from
 time
 to
 time reliev’d by other sentinels—And I feeding and taking turns with the rest; 
In Kanadian forests, the moose, large as an ox, corner’d by hunters, rising
 desperately on
 his
 hind-feet, and plunging with his fore-feet, the hoofs as sharp as knives—And I,
 plunging
 at the
 hunters, corner’d and desperate; 
In the Mannahatta, streets, piers, shipping, store-houses, and the countless workmen
 working in
 the
 shops,
And I too of the Mannahatta, singing thereof—and no less in myself than the whole of
 the
 Mannahatta in itself, 
Singing the song of These, my ever united lands—my body no more inevitably united,
 part to
 part, and made one identity, any more than my lands are inevitably united, and made ONE
 IDENTITY; 
Nativities, climates, the grass of the great Pastoral Plains; 
Cities, labors, death, animals, products, war, good and evil—these me, 
These affording, in all their particulars, endless feuillage to me and to America, how can
 I do
 less
 than pass the clew of the union of them, to afford the like to you?
Whoever you are! how can I but offer you divine leaves, that you also be eligible as I am?

How can I but, as here, chanting, invite you for yourself to collect bouquets of the
 incomparable
 feuillage of These States?


Written by Les Murray | Create an image from this poem

Shower

 From the metal poppy
this good blast of trance
arriving as shock, private cloudburst blazing down,
worst in a boarding-house greased tub, or a barrack with competitions,
best in a stall, this enveloping passion of Australians:
tropics that sweat for you, torrent that braces with its heat,
inflames you with its chill, action sauna, inverse bidet,
sleek vertical coruscating ghost of your inner river,
reminding all your fluids, streaming off your points, awakening
the tacky soap to blossom and ripe autumn, releasing the squeezed gardens,
smoky valet smoothing your impalpable overnight pyjamas off,
pillar you can step through, force-field absolving love's efforts,
nicest yard of the jogging track, speeding aeroplane minutely
steered with two controls, or trimmed with a knurled wheel.
Some people like to still this energy and lie in it,
stirring circles with their pleasure in it, but my delight's that toga
worn on either or both shoulders, fluted drapery, silk whispering to the tiles,
with its spiralling, frothy hem continuous round the gurgle-hole'
this ecstatic partner, dreamy to dance in slow embrace with
after factory-floor rock, or even to meet as Lot's abstracted
merciful wife on a rusty ship in dog latitudes,
sweetest dressing of the day in the dusty bush, this persistent,
time-capsule of unwinding, this nimble straight well-wisher.
Only in England is its name an unkind word;
only in Europe is it enjoyed by telephone.
Written by Victor Hugo | Create an image from this poem

The Lost Battle

 ("Allah! qui me rendra-") 
 
 {XVI., May, 1828.} 


 Oh, Allah! who will give me back my terrible array? 
 My emirs and my cavalry that shook the earth to-day; 
 My tent, my wide-extending camp, all dazzling to the sight, 
 Whose watchfires, kindled numberless beneath the brow of night, 
 Seemed oft unto the sentinel that watched the midnight hours, 
 As heaven along the sombre hill had rained its stars in showers? 
 Where are my beys so gorgeous, in their light pelisses gay, 
 And where my fierce Timariot bands, so fearless in the fray; 
 My dauntless khans, my spahis brave, swift thunderbolts of war; 
 My sunburnt Bedouins, trooping from the Pyramids afar, 
 Who laughed to see the laboring hind stand terrified at gaze, 
 And urged their desert horses on amid the ripening maize? 
 These horses with their fiery eyes, their slight untiring feet, 
 That flew along the fields of corn like grasshoppers so fleet— 
 What! to behold again no more, loud charging o'er the plain, 
 Their squadrons, in the hostile shot diminished all in vain, 
 Burst grandly on the heavy squares, like clouds that bear the storms, 
 Enveloping in lightning fires the dark resisting swarms! 
 Oh! they are dead! their housings bright are trailed amid their gore; 
 Dark blood is on their manes and sides, all deeply clotted o'er; 
 All vainly now the spur would strike these cold and rounded flanks, 
 To wake them to their wonted speed amid the rapid ranks: 
 Here the bold riders red and stark upon the sands lie down, 
 Who in their friendly shadows slept throughout the halt at noon. 
 Oh, Allah! who will give me back my terrible array? 
 See where it straggles 'long the fields for leagues on leagues away, 
 Like riches from a spendthrift's hand flung prodigal to earth. 
 Lo! steed and rider;—Tartar chiefs or of Arabian birth, 
 Their turbans and their cruel course, their banners and their cries, 
 Seem now as if a troubled dream had passed before mine eyes— 
 My valiant warriors and their steeds, thus doomed to fall and bleed! 
 Their voices rouse no echo now, their footsteps have no speed; 
 They sleep, and have forgot at last the sabre and the bit— 
 Yon vale, with all the corpses heaped, seems one wide charnel-pit. 
 Long shall the evil omen rest upon this plain of dread— 
 To-night, the taint of solemn blood; to-morrow, of the dead. 
 Alas! 'tis but a shadow now, that noble armament! 
 How terribly they strove, and struck from morn to eve unspent, 
 Amid the fatal fiery ring, enamoured of the fight! 
 Now o'er the dim horizon sinks the peaceful pall of night: 
 The brave have nobly done their work, and calmly sleep at last. 
 The crows begin, and o'er the dead are gathering dark and fast; 
 Already through their feathers black they pass their eager beaks. 
 Forth from the forest's distant depth, from bald and barren peaks, 
 They congregate in hungry flocks and rend their gory prey. 
 Woe to that flaunting army's pride, so vaunting yesterday! 
 That formidable host, alas! is coldly nerveless now 
 To drive the vulture from his gorge, or scare the carrion crow. 
 Were now that host again mine own, with banner broad unfurled, 
 With it I would advance and win the empire of the world. 
 Monarchs to it should yield their realms and veil their haughty brows; 
 My sister it should ever be, my lady and my spouse. 
 Oh! what will unrestoring Death, that jealous tyrant lord, 
 Do with the brave departed souls that cannot swing a sword? 
 Why turned the balls aside from me? Why struck no hostile hand 
 My head within its turban green upon the ruddy sand? 
 I stood all potent yesterday; my bravest captains three, 
 All stirless in their tigered selle, magnificent to see, 
 Hailed as before my gilded tent rose flowing to the gales, 
 Shorn from the tameless desert steeds, three dark and tossing tails. 
 But yesterday a hundred drums were heard when I went by; 
 Full forty agas turned their looks respectful on mine eye, 
 And trembled with contracted brows within their hall of state. 
 Instead of heavy catapults, of slow unwieldy weight, 
 I had bright cannons rolling on oak wheels in threatening tiers, 
 And calm and steady by their sides marched English cannoniers. 
 But yesterday, and I had towns, and castles strong and high, 
 And Greeks in thousands, for the base and merciless to buy. 
 But yesterday, and arsenals and harems were my own; 
 While now, defeated and proscribed, deserted and alone, 
 I flee away, a fugitive, and of my former power, 
 Allah! I have not now at least one battlemented tower. 
 And must he fly—the grand vizier! the pasha of three tails! 
 O'er the horizon's bounding hills, where distant vision fails, 
 All stealthily, with eyes on earth, and shrinking from the sight, 
 As a nocturnal robber holds his dark and breathless flight, 
 And thinks he sees the gibbet spread its arms in solemn wrath, 
 In every tree that dimly throws its shadow on his path! 
 
 Thus, after his defeat, pale Reschid speaks. 
 Among the dead we mourned a thousand Greeks. 
 Lone from the field the Pasha fled afar, 
 And, musing, wiped his reeking scimitar; 
 His two dead steeds upon the sands were flung, 
 And on their sides their empty stirrups hung. 
 
 W.D., Bentley's Miscellany, 1839. 


 




Written by Victor Hugo | Create an image from this poem

To His Orphan Grandchildren

 ("O Charles, je te sens près de moi.") 
 
 {July, 1871.} 


 I feel thy presence, Charles. Sweet martyr! down 
 In earth, where men decay, 
 I search, and see from cracks which rend thy tomb, 
 Burst out pale morning's ray. 
 
 Close linked are bier and cradle: here the dead, 
 To charm us, live again: 
 Kneeling, I mourn, when on my threshold sounds 
 Two little children's strain. 
 
 George, Jeanne, sing on! George, Jeanne, unconscious play! 
 Your father's form recall, 
 Now darkened by his sombre shade, now gilt 
 By beams that wandering fall. 
 
 Oh, knowledge! what thy use? did we not know 
 Death holds no more the dead; 
 But Heaven, where, hand in hand, angel and star 
 Smile at the grave we dread? 
 
 A Heaven, which childhood represents on earth. 
 Orphans, may God be nigh! 
 That God, who can your bright steps turn aside 
 From darkness, where I sigh. 
 
 All joy be yours, though sorrow bows me down! 
 To each his fitting wage: 
 Children, I've passed life's span, and men are plagued 
 By shadows at that stage. 
 
 Hath any done—nay, only half performed— 
 The good he might for others? 
 Hath any conquered hatred, or had strength 
 To treat his foes like brothers? 
 
 E'en he, who's tried his best, hath evil wrought: 
 Pain springs from happiness: 
 My heart has triumphed in defeat, my pulse 
 Ne'er quickened at success. 
 
 I seemed the greater when I felt the blow: 
 The prick gives sense of gain; 
 Since to make others bleed my courage fails, 
 I'd rather bear the pain. 
 
 To grow is sad, since evils grow no less; 
 Great height is mark for all: 
 The more I have of branches, more of clustering boughs, 
 The ghastlier shadows fall. 
 
 Thence comes my sadness, though I grant your charms: 
 Ye are the outbursting 
 Of the soul in bloom, steeped in the draughts 
 Of nature's boundless spring. 
 
 George is the sapling, set in mournful soil; 
 Jeanne's folding petals shroud 
 A mind which trembles at our uproar, yet 
 Half longs to speak aloud. 
 
 Give, then, my children—lowly, blushing plants, 
 Whom sorrow waits to seize— 
 Free course to instincts, whispering 'mid the flowers, 
 Like hum of murmuring bees. 
 
 Some day you'll find that chaos comes, alas! 
 That angry lightning's hurled, 
 When any cheer the People, Atlas huge, 
 Grim bearer of the world! 
 
 You'll see that, since our fate is ruled by chance, 
 Each man, unknowing, great, 
 Should frame life so, that at some future hour 
 Fact and his dreamings meet. 
 
 I, too, when death is past, one day shall grasp 
 That end I know not now; 
 And over you will bend me down, all filled 
 With dawn's mysterious glow. 
 
 I'll learn what means this exile, what this shroud 
 Enveloping your prime; 
 And why the truth and sweetness of one man 
 Seem to all others crime. 
 
 I'll hear—though midst these dismal boughs you sang— 
 How came it, that for me, 
 Who every pity feel for every woe, 
 So vast a gloom could be. 
 
 I'll know why night relentless holds me, why 
 So great a pile of doom: 
 Why endless frost enfolds me, and methinks 
 My nightly bed's a tomb: 
 
 Why all these battles, all these tears, regrets, 
 And sorrows were my share; 
 And why God's will of me a cypress made, 
 When roses bright ye were. 
 
 MARWOOD TUCKER. 


 




Written by Claude McKay | Create an image from this poem

The Plateau

 It was the silver, heart-enveloping view 
Of the mysterious sea-line far away, 
Seen only on a gleaming gold-white day, 
That made it dear and beautiful to you. 

And Laura loved it for the little hill, 
Where the quartz sparkled fire, barren and dun, 
Whence in the shadow of the dying sun, 
She contemplated Hallow's wooden mill. 

While Danny liked the sheltering high grass, 
In which he lay upon a clear dry night, 
To hear and see, screened skilfully from sight, 
The happy lovers of the valley pass. 

But oh! I loved it for the big round moon 
That swung out of the clouds and swooned aloft, 
Burning with passion, gloriously soft, 
Lighting the purple flowers of fragrant June.



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