Get Your Premium Membership

Best Famous Enfold Poems

Here is a collection of the all-time best famous Enfold poems. This is a select list of the best famous Enfold poetry. Reading, writing, and enjoying famous Enfold poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of enfold poems.

Search and read the best famous Enfold poems, articles about Enfold poems, poetry blogs, or anything else Enfold poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by Charles Bukowski | Create an image from this poem

Let It Enfold You

 either peace or happiness,
let it enfold you

when i was a young man
I felt these things were
dumb,unsophisticated.
I had bad blood,a twisted
mind, a pecarious
upbringing.

I was hard as granite,I
leered at the 
sun.
I trusted no man and
especially no
woman.

I was living a hell in
small rooms, I broke
things, smashed things,
walked through glass,
cursed.
I challenged everything,
was continually being
evicted,jailed,in and
out of fights,in and aout
of my mind.
women were something
to screw and rail
at,i had no male
freinds,

I changed jobs and
cities,I hated holidays,
babies,history,
newspapers, museums,
grandmothers,
marriage, movies,
spiders, garbagemen,
english accents,spain,
france,italy,walnuts and
the color 
orange.
algebra angred me,
opera sickened me,
charlie chaplin was a
fake
and flowers were for
pansies.

peace an happiness to me
were signs of
inferiority,
tenants of the weak
an
addled
mind.

but as I went on with
my alley fights,
my suicidal years,
my passage through
any number of 
women-it gradually
began to occur to
me
that I wasn't diffrent

from the
others, I was the same,

they were all fulsome
with hatred,
glossed over with petty
greivances,
the men I fought in
alleys had hearts of stone.
everybody was nudging,
inching, cheating for
some insignificant
advantage,
the lie was the
weapon and the
plot was
emptey,
darkness was the
dictator.

cautiously, I allowed
myself to feel good
at times.
I found moments of 
peace in cheap
rooms
just staring at the 
knobs of some
dresser
or listening to the
rain in the 
dark.
the less i needed
the better i 
felt.

maybe the other life had worn me 
down.
I no longer found
glamour
in topping somebody
in conversation.
or in mounting the
body of some poor
drunken female
whose life had 
slipped away into 
sorrow.

I could never accept
life as it was,
i could never gobble 
down all its
poisons
but there were parts,
tenous magic parts
open for the
asking.

I re formulated
I don't know when,
date,time,all
that
but the change
occured.
something in me
relaxed, smoothed
out.
i no longer had to 
prove that i was a 
man,

I did'nt have to prove
anything.

I began to see things:
coffe cups lined up
behind a counter in a 
cafe.
or a dog walking along
a sidewalk.
or the way the mouse
on my dresser top
stopped there
with its body,
its ears,
its nose,
it was fixed,
a bit of life
caught within itself
and its eyes looked 
at me
and they were
beautiful.
then- it was
gone.

I began to feel good,
I began to feel good
in the worst situations
and there were plenty
of those.
like say, the boss
behind his desk,
he is going to have
to fire me.

I've missed too many 
days.
he is dressed in a
suit, necktie, glasses,
he says, "i am going
to have to let you go"

"it's all right" i tell
him.

He must do what he
must do, he has a 
wife, a house, children.
expenses, most probably
a girlfreind.

I am sorry for him
he is caught.

I walk onto the blazing
sunshine.
the whole day is
mine
temporailiy,
anyhow.

(the whole world is at the
throat of the world,
everybody feels angry,
short-changed, cheated,
everybody is despondent,
dissillusioned)

I welcomed shots of
peace, tattered shards of
happiness.

I embraced that stuff
like the hottest number,
like high heels,breasts,
singing,the
works.

(dont get me wrong,
there is such a thing as cockeyed optimism
that overlooks all
basic problems justr for
the sake of
itself-
this is a sheild and a 
sickness.)

The knife got near my
throat again,
I almost turned on the
gas
again
but when the good
moments arrived
again
I did'nt fight them off
like an alley 
adversary.
I let them take me,
i luxuriated in them,
I bade them welcome
home.
I even looked into
the mirror
once having thought
myself to be
ugly,
I now liked what
I saw,almost
handsome,yes,
a bit ripped and
ragged,
scares,lumps,
odd turns,
but all in all,
not too bad,
almost handsome,
better at least than
some of those movie
star faces
like the cheeks of
a babys
butt.

and finally I discovered
real feelings fo
others,
unhearleded,
like latley,
like this morning,
as I was leaving,
for the track,
i saw my wif in bed,
just the 
shape of
her head there
(not forgetting
centuries of the living
and the dead and
the dying,
the pyarimids,
Mozart dead
but his music still 
there in the
room, weeds growing,
the earth turning,
the toteboard waiting for
me)
I saw the shape of my
wife's head,
she so still,
i ached for her life,
just being there
under the 
covers.

i kissed her in the,
forehead,
got down the stairway,
got outside,
got into my marvelous
car,
fixed the seatbelt,
backed out the
drive.
feeling warm to
the fingertips,
down to my
foot on the gas
pedal,
I entered the world
once
more,
drove down the 
hill
past the houses
full and emptey
of
people,
i saw the mailman,
honked,
he waved
back
at me.


Written by Henry Wadsworth Longfellow | Create an image from this poem

Resignation

THERE is no flock however watched and tended  
But one dead lamb is there! 
There is no fireside howsoe'er defended  
But has one vacant chair! 

The air is full of farewells to the dying 5 
And mournings for the dead; 
The heart of Rachel for her children crying  
Will not be comforted! 

Let us be patient! These severe afflictions 
Not from the ground arise 10 
But oftentimes celestial benedictions 
Assume this dark disguise. 

We see but dimly through the mists and vapors; 
Amid these earthly damps 
What seem to us but sad funereal tapers 15 
May be heaven's distant lamps. 

There is no Death! What seems so is transition; 
This life of mortal breath 
Is but a suburb of the life elysian  
Whose portal we call Death. 20 

She is not dead ¡ªthe child of our affection ¡ª 
But gone unto that school 
Where she no longer needs our poor protection  
And Christ himself doth rule. 

In that great cloister's stillness and seclusion 25 
By guardian angels led  
Safe from temptation safe from sin's pollution  
She lives whom we call dead  

Day after day we think what she is doing 
In those bright realms of air; 30 
Year after year her tender steps pursuing  
Behold her grown more fair. 

Thus do we walk with her and keep unbroken 
The bond which nature gives  
Thinking that our remembrance though unspoken 35 
May reach her where she lives. 

Not as a child shall we again behold her; 
For when with raptures wild 
In our embraces we again enfold her  
She will not be a child; 40 

But a fair maiden in her Father's mansion  
Clothed with celestial grace; 
And beautiful with all the soul's expansion 
Shall we behold her face. 

And though at times impetuous with emotion 45 
And anguish long suppressed  
The swelling heart heaves moaning like the ocean  
That cannot be at rest ¡ª 

We will be patient and assuage the feeling 
We may not wholly stay; 50 
By silence sanctifying not concealing  
The grief that must have way.
Written by John Greenleaf Whittier | Create an image from this poem

The Pumpkin

 Oh, greenly and fair in the lands of the sun,
The vines of the gourd and the rich melon run,
And the rock and the tree and the cottage enfold,
With broad leaves all greenness and blossoms all gold,
Like that which o'er Nineveh's prophet once grew,
While he waited to know that his warning was true,
And longed for the storm-cloud, and listened in vain
For the rush of the whirlwind and red fire-rain.

On the banks of the Xenil the dark Spanish maiden
Comes up with the fruit of the tangled vine laden;
And the Creole of Cuba laughs out to behold
Through orange-leaves shining the broad spheres of gold;
Yet with dearer delight from his home in the North,
On the fields of his harvest the Yankee looks forth,
Where crook-necks are coiling and yellow fruit shines,
And the sun of September melts down on his vines.

Ah! on Thanksgiving day, when from East and from West,
From North and from South comes the pilgrim and guest;
When the gray-haired New Englander sees round his board
The old broken links of affection restored;
When the care-wearied man seeks his mother once more,
And the worn matron smiles where the girl smiled before;
What moistens the lip and what brightens the eye,
What calls back the past, like the rich Pumpkin pie?

Oh, fruit loved of boyhood! the old days recalling,
When wood-grapes were purpling and brown nuts were falling!
When wild, ugly faces we carved in its skin,
Glaring out through the dark with a candle within!
When we laughed round the corn-heap, with hearts all in tune,
Our chair a broad pumpkin, -- our lantern the moon,
Telling tales of the fairy who travelled like steam
In a pumpkin-shell coach, with two rats for her team!

Then thanks for thy present! none sweeter or better
E'er smoked from an oven or circled a platter!
Fairer hands never wrought at a pastry more fine,
Brighter eyes never watched o'er its baking, than thine!
And the prayer, which my mouth is too full to express,
Swells my heart that thy shadow may never be less,
That the days of thy lot may be lengthened below,
And the fame of thy worth like a pumpkin-vine grow,
And thy life be as sweet, and its last sunset sky
Golden-tinted and fair as thy own Pumpkin pie!
Written by Mary Darby Robinson | Create an image from this poem

Ode to the Muse

 O, let me seize thy pen sublime
That paints, in melting dulcet rhyme, 
The glowing pow'r, the magic art, 
Th' extatic raptures of the Heart; 
Soft Beauty's timid smile serene,
The dimples of Love's sportive mien; 
The sweet descriptive tale to trace; 
To picture Nature's winning grace;
To steal the tear from Pity's eye; 
To catch the sympathetic sigh; 
O teach me, with swift light'nings force
To watch wild passion's varying course; 
To mark th' enthusiast's vivid fire,
Or calmly touch thy golden lyre,
While gentle Reason mildly sings
Responsive to the trembling strings. 

SWEET Nymph, enchanting Poetry! 
I dedicate my mind to Thee. 
Oh! from thy bright Parnassian bow'rs
Descend, to bless my sombre hours;
Bend to the earth thy eagle wing,
And on its glowing plumage bring
Blithe FANCY, from whose burning eye
The young ideas sparkling fly; 
O, come, and let us fondly stray,
Where rosy Health shall lead the way,
And soft FAVONIUS lightly spread
A perfum'd carpet as we tread;
Ah! let us from the world remove,
The calm forgetfulness to prove,
Which at the still of evening's close,
Lulls the tir'd peasant to repose; 
Repose, whose balmy joys o'er-pay
The sultry labours of the day. 

And when the blue-ey'd dawn appears,
Just peeping thro' her veil of tears; 
Or blushing opes her silver gate, 
And on its threshold, stands elate,
And flings her rosy mantle far
O'er every loit'ring dewy star; 
And calls the wanton breezes forth,
And sprinkles diamonds o'er the earth; 
While in the green-wood's shade profound,
The insect race, with buzzing sound
Flit o'er the rill,­a glitt'ring train,
Or swarm along the sultry plain. 
Then in sweet converse let us rove,
Where in the thyme-embroider'd grove, 
The musky air its fragrance pours
Upon the silv'ry scatter'd show'rs; 
To hail soft Zephyr, as she goes
To fan the dew-drop from the rose;
To shelter from the scorching beam,
And muse beside the rippling stream. 

Or when, at twilight's placid hour, 
We stroll to some sequester'd bow'r; 
And watch the haughty Sun retire
Beneath his canopy of fire; 
While slow the dusky clouds enfold
Day's crimson curtains fring'd with gold;
And o'er the meadows faintly fly
Pale shadows of the purpling sky: 
While softly o'er the pearl-deck'd plain,
Cold Dian leads the sylvan train; 
In mazy dance and sportive glee,
SWEET MUSE, I'll fondly turn to thee;
And thou shalt deck my couch with flow'rs, 
And wing with joy my silent hours. 

When Sleep, with downy hand, shall spread
A wreath of poppies round my head; 
Then, FANCY, on her wing sublime,
Shall waft me to the sacred clime
Where my enlighten'd sense shall view,
Thro' ether realms of azure hue, 
That flame, where SHAKESPEARE us'd to fill, 
With matchless fire, his "golden quill." 
While, from its point bright Genius caught
The wit supreme, the glowing thought, 
The magic tone, that sweetly hung
About the music of his tongue. 
Then will I skim the floating air,
On a light couch of gossamer,
While with my wonder-aching eye,
I contemplate the spangled sky, 
And hear the vaulted roof repeat
The song of Inspiration sweet; 
While round the winged cherub train,
Shall iterate the aëry strain:
Swift, thro' my quiv'ring nerves shall float
The tremours of each thrilling note; 
And every eager sense confess
Extatic transport's wild excess:
'Till, waking from the glorious dream,
I hail the morn's refulgent beam. 

DEAR Maid! of ever-varying mien, 
Exulting, pensive, gay, serene, 
Now, in transcendent pathos drest, 
Now, gentle as the turtle's breast; 
Where'er thy feath'ry steps shall lead,
To side-long hill, or flow'ry mead; 
To sorrow's coldest, darkest cell,
Or where, by Cynthia's glimm'ring ray, 
The dapper fairies frisk and play
About some cowslip's golden bell;
And, in their wanton frolic mirth,
Pluck the young daisies from the earth,
To canopy their tiny heads, 
And decorate their verdant beds; 
While to the grass-hopper's shrill tune,
They quaff libations to the moon, 
From acorn goblets, amply fill'd
With dew, from op'ning flow'rs distill'd. 
Or when the lurid tempest pours, 
From its dark urn, impetuous show'rs, 
Or from its brow's terrific frown,
Hurls the pale murd'rous lightnings down;
To thy enchanting breast I'll spring, 
And shield me with thy golden wing. 

Or when amidst ethereal fire,
Thou strik'st thy DELLA CRUSCAN lyre, 
While round, to catch the heavenly song,
Myriads of wond'ring seraphs throng:
Whether thy harp's empassioned strain
Pours forth an OVID's tender pain;
Or in PINDARIC flights sublime,
Re-echoes thro' the starry clime;
Thee I'll adore; transcendent guest,
And woe thee to my burning breast. 

But, if thy magic pow'rs impart
One soft sensation to the heart,
If thy warm precepts can dispense
One thrilling transport o'er my sense; 
Oh! keep thy gifts, and let me fly,
In APATHY's cold arms to die.
Written by Edward Estlin (E E) Cummings | Create an image from this poem

enter no(silence is the blood whose flesh

enter no(silence is the blood whose flesh
is singing)silence:but unsinging. In
spectral such hugest how hush,one

dead leaf stirring makes a crash

-far away(as far as alive)lies
april;and i breathe-move-and-seem some
perpetually roaming whylessness-

autumn has gone:will winter never come?

o come,terrible anonymity;enfold
phantom me with the murdering minus of cold
-open this ghost with millionary knives of wind-
scatter his nothing all over what angry skies and

gently
(very whiteness:absolute peace,
never imaginable mystery)
descend


Written by Anne Killigrew | Create an image from this poem

A Pastoral Dialogue

 Amintor. STay gentle Nymph, nor so solic'tous be, 
To fly his sight that still would gaze on thee. 
With other Swaines I see thee oft converse, 
Content to speak, and hear what they rehearse: 
But I unhappy, when I e're draw nigh, 
Thou streight do'st leave both Place, and Company. 
If this thy Flight, from fear of Harm doth flow, 
Ah, sure thou little of my Heart dost know. 
 Alinda. What wonder, Swain, if the Pursu'd by Flight, 
Seeks to avoid the close Pursuers Sight ?
And if no Cause I have to fly from thee, 
Then thou hast none, why thou dost follow me. 

 Amin. If to the Cause thou wilt propitious prove, 
Take it at once, fair Nymph, and know 'tis Love. 

Alin. To my just Pray'r, ye favouring Gods attend, 
These Vows to Heaven with equal Zeal I send, 
My flocks from Wolves, my Heart from Love, defend. 

 Amin. The Gods which did on thee such Charms bestow, 
Ne're meant thou shouldst to Love have prov'd a Foe, 
That so Divine a Power thou shouldst defy. 
Could there a Reason be, I'd ask thee, why ? 

 Alin. Why does Licoris, once so bright and gay, 
Pale as a Lilly pine her self away ? 
Why does Elvira, ever sad, frequent
The lonely shades ? Why does yon Monument
Which we upon our Left Hand do behold, 
Hapless Amintas youthful Limbs enfold ? 
Say Shepherd, say: But if thou wilt not tell, 
Damon, Philisides, and Strephon well
Can speak the Cause, whose Falshood each upbraids, 
And justly me from Cruel Love disswades. 

 Amin. Hear me ye Gods. Me and my Flocks forsake, 
If e're like them my promis'd Faith I brake. 

Alin. By others sad Experience wise I'le be. 
 Amin. But such thy Wisdom highly injures me: 
And nought but Death can give a Remedy. 
Yet Learn'd in Physick, what does it avail, 
That you by Art (wherein ye never fail)
Present Relief have for the Mad-dogs Bite ? 
The Serpents sting ? The poisonous Achonite ? 
While helpless Love upbraids your baffl'd skill, 
And far more certain, than the rest, doth kill. 

 Alin. Fond Swain, go dote upon the new blown Rose, 
Whose Beauty with the Morning did disclose, 
And e're Days King forsakes th'enlightened Earth, 
Wither'd, returns from whence it took its Birth. 
As much Excuse will there thy Love attend, 
As what thou dost on Womens Beauty spend. 
 Amin. Ah Nymph, those Charms which I in thee admire, 
Can, nor before, nor with thy Life expire. 
From Heaven they are, and such as ne're can dye, 
But with thy Soul they will ascend the Sky !
For though my ravisht Eye beholds in Thee, 
Such beauty as I can in none else see; 

That Nature there alone is without blame, 
Yet did not this my faithful Heart enflame: 
Nor when in Dance thou mov'st upon the Plaine, 
Or other Sports pursu'st among the Train
Of choicest Nymphs, where thy attractive Grace
Shews thee alone, though thousands be in place !
Yet not for these do I Alinda love, 
Hear then what 'tis, that does my Passion move. 
 That Thou still Earliest at the Temple art, 
 And still the last that does from thence depart; 
 Pans Altar is by thee the oftnest prest, 
 Thine's still the fairest Offering and the Best; 
 And all thy other Actions seem to be, 
 The true Result of Unfeign'd Piety; 
 Strict in thy self, to others Just and Mild;
 Careful, nor to Deceive, nor be Beguil'd;
 Wary, without the least Offence, to live,
 Yet none than thee more ready to forgive !
 Even on thy Beauty thou dost Fetters lay, 
 Least, unawares, it any should betray. 
 Far unlike, sure, to many of thy Sex, 
 Whose Pride it is, the doting World to vex; 

Spreading their Universal Nets to take
 Who e're their artifice can captive make. 
 But thou command'st thy Sweet, but Modest Eye, 
 That no Inviting Glance from thence should fly. 
 Beholding with a Gen'rous Disdain, 
 The lighter Courtships of each amorous Swain; 
 Knowing, true Fame, Vertue alone can give: 
 Nor dost thou greedily even that receive. 
 And what 'bove this thy Character can raise ? 
 Thirsty of Merit, yet neglecting Praise !
While daily these Perfections I discry, 
Matchless Alinda makes me daily dy. 
Thou absent, Flow'rs to me no Odours yield, 
Nor find I freshness in the dewy Field; 
Not Thyrsis Voice, nor Melibeus Lire, 
Can my Sad Heart with one Gay Thought inspire; 
My thriving Flock ('mong Shepherds Vows the Chief)
I unconcern'd behold, as they my Grief. 
 This I profess, if this thou not believe, 
A further proof I ready am to give, 
Command: there's nothing I'le not undertake, 
And, thy Injunctions, Love will easie make. 

Ah, if thou couldst incline a gentle Ear, 
Of plighted Faith, and hated Hymen hear; 
Thou hourly then my spotless Love should'st see, 
That all my Study, how to please, should be; 
How to protect thee from disturbing Care, 
And in thy Griefs to bear the greatest share; 
Nor should a Joy, my Warie Heart surprize, 
That first I read not in thy charming Eyes. 
 Alin. If ever I to any do impart, 
My, till this present hour, well-guarded Heart, 
That Passion I have fear'd, I'le surely prove, 
For one that does, like to Amintor love. 
 Amintor. Ye Gods –
 Alin. Shepherd, no more: enough it is that I, 
Thus long to Love, have listn'd patiently. 
Farewel: Pan keep thee, Swain. 
 Amintor. And Blessings Thee, 
Rare as thy Vertues, still accompany.
Written by T S (Thomas Stearns) Eliot | Create an image from this poem

The Hippopotamus

  Similiter et omnes revereantur Diaconos, ut mandatum Jesu Christi; et Episcopum, ut
Jesum Christum, existentem filium Patris; Presbyteros autem, ut concilium Dei et
conjunctionem Apostolorum. Sine his Ecclesia non vocatur; de quibus suadeo vos sic
habeo.

S. Ignatii Ad Trallianos.


And when this epistle is read among you, cause that it be read also in the church of
the Laodiceans.



THE BROAD-BACKED hippopotamus
Rests on his belly in the mud;
Although he seems so firm to us
He is merely flesh and blood.

Flesh and blood is weak and frail,
Susceptible to nervous shock;
While the True Church can never fail
For it is based upon a rock.

The hippo’s feeble steps may err
In compassing material ends,
While the True Church need never stir
To gather in its dividends.

The ’potamus can never reach
The mango on the mango-tree;
But fruits of pomegranate and peach
Refresh the Church from over sea.

At mating time the hippo’s voice
Betrays inflexions hoarse and odd,
But every week we hear rejoice
The Church, at being one with God.

The hippopotamus’s day
Is passed in sleep; at night he hunts;
God works in a mysterious way—
The Church can sleep and feed at once.

I saw the ’potamus take wing
Ascending from the damp savannas,
And quiring angels round him sing
The praise of God, in loud hosannas.

Blood of the Lamb shall wash him clean
And him shall heavenly arms enfold,
Among the saints he shall be seen
Performing on a harp of gold.

He shall be washed as white as snow,
By all the martyr’d virgins kist,
While the True Church remains below
Wrapt in the old miasmal mist.
Written by Robert Browning | Create an image from this poem

A Pretty Woman

 I

That fawn-skin-dappled hair of hers,
And the blue eye
Dear and dewy,
And that infantine fresh air of hers!

II

To think men cannot take you, Sweet,
And enfold you,
Ay, and hold you,
And so keep you what they make you, Sweet!

III

You like us for a glance, you know— 
For a word's sake,
Or a sword's sake,
All's the same, whate'er the chance, you know.

IV

And in turn we make you ours, we say— 
You and youth too,
Eyes and mouth too,
All the face composed of flowers, we say.

V

All's our own, to make the most of, Sweet— 
Sing and say for,
Watch and pray for,
Keep a secret or go boast of, Sweet.

VI

But for loving, why, you would not, Sweet,
Though we prayed you,
Paid you, brayed you
In a mortar—for you could not, Sweet.

VII

So, we leave the sweet face fondly there— 
Be its beauty
Its sole duty!
Let all hope of grace beyond, lie there!

VIII

And while the face lies quiet there,
Who shall wonder
That I ponder
A conclusion? I will try it there.

IX

As,—why must one, for the love forgone,
Scout mere liking?
Thunder-striking
Earth,—the heaven, we looked above for, gone!

X

Why with beauty, needs there money be— 
Love with liking?
Crush the fly-king
In his gauze, because no honey bee?

XI

May not liking be so simple-sweet,
If love grew there
'Twould undo there
All that breaks the cheek to dimples sweet?

XII

Is the creature too imperfect, say?
Would you mend it
And so end it?
Since not all addition perfects aye!

XIII

Or is it of its kind, perhaps,
Just perfection— 
Whence, rejection
Of a grace not to its mind, perhaps?

XIV

Shall we burn up, tread that face at once
Into tinder
And so hinder
Sparks from kindling all the place at once?

XV

Or else kiss away one's soul on her?
Your love-fancies!— 
A sick man sees
Truer, when his hot eyes roll on her!

XVI

Thus the craftsman thinks to grace the rose,— 
Plucks a mould-flower
For his gold flower,
Uses fine things that efface the rose.

XVII

Rosy rubies make its cup more rose,
Precious metals
Ape the petals,— 
Last, some old king locks it up, morose!

XVIII

Then, how grace a rose? I know a way!
Leave it rather.
Must you gather?
Smell, kiss, wear it—at last, throw away!
Written by Mihai Eminescu | Create an image from this poem

What Is Love..

What is love ? A lifetime spent  
Of days that pain does fill, 
That thousand tears can't content, 
But asks for tears still. 

With but a little glance coquet 
Your soul it knows to tie, 
That of its spell you can't forget 
Until the day you die. 

Upon your threshold does it stand, 
In every nook conspire, 
That you may whisper hand in hand 
Your tale of heart's aspire. 

Till fades the very earth and sky, 
Your heart completely broken, 
And all the world hangs on a sigh, 
A word but partly spoken. 

It follows you for weeks and weeks 
And in your soul assembles 
The memory of blushing cheeks 
And eyelash fair that trembles. 

It comes to you a sudden ray 
As though of starlight's spending, 
How many and many a time each day 
And every night unending. 

For of your life has fate decreed 
That pain shall it enfold, 
As does the clinging water-weed 
About a swimmer hold. 
--------
English version by Corneliu M. Popescu
Transcribed by Alina Micu
School No. 10, Focsani, Romania
Written by Robert William Service | Create an image from this poem

Clancy Of The Mounted Police

 In the little Crimson Manual it's written plain and clear
That who would wear the scarlet coat shall say good-bye to fear;
Shall be a guardian of the right, a sleuth-hound of the trail--
In the little Crimson Manual there's no such word as "fail"--
Shall follow on though heavens fall, or hell's top-turrets freeze,
Half round the world, if need there be, on bleeding hands and knees.
It's duty, duty, first and last, the Crimson Manual saith;
The Scarlet Rider makes reply: "It's duty--to the death."
And so they sweep the solitudes, free men from all the earth;
And so they sentinel the woods, the wilds that know their worth;
And so they scour the startled plains and mock at hurt and pain,
And read their Crimson Manual, and find their duty plain.
Knights of the lists of unrenown, born of the frontier's need,
Disdainful of the spoken word, exultant in the deed;
Unconscious heroes of the waste, proud players of the game,
Props of the power behind the throne, upholders of the name:
For thus the Great White Chief hath said, "In all my lands be peace",
And to maintain his word he gave his West the Scarlet Police.

Livid-lipped was the valley, still as the grave of God;
 Misty shadows of mountain thinned into mists of cloud;
Corpselike and stark was the land, with a quiet that crushed and awed,
 And the stars of the weird sub-arctic glimmered over its shroud.

Deep in the trench of the valley two men stationed the Post,
 Seymour and Clancy the reckless, fresh from the long patrol;
Seymour, the sergeant, and Clancy--Clancy who made his boast
 He could cinch like a bronco the Northland, and cling to the prongs of the Pole.

Two lone men on detachment, standing for law on the trail;
 Undismayed in the vastness, wise with the wisdom of old--
Out of the night hailed a half-breed telling a pitiful tale,
 "White man starving and crazy on the banks of the Nordenscold."

Up sprang the red-haired Clancy, lean and eager of eye;
 Loaded the long toboggan, strapped each dog at its post;
Whirled his lash at the leader; then, with a whoop and a cry,
 Into the Great White Silence faded away like a ghost.

The clouds were a misty shadow, the hills were a shadowy mist;
 Sunless, voiceless and pulseless, the day was a dream of woe;
Through the ice-rifts the river smoked and bubbled and hissed;
 Behind was a trail fresh broken, in front the untrodden snow.

Ahead of the dogs ploughed Clancy, haloed by steaming breath;
 Through peril of open water, through ache of insensate cold;
Up rivers wantonly winding in a land affianced to death,
 Till he came to a cowering cabin on the banks of the Nordenscold.

Then Clancy loosed his revolver, and he strode through the open door;
 And there was the man he sought for, crouching beside the fire;
The hair of his beard was singeing, the frost on his back was hoar,
 And ever he crooned and chanted as if he never would tire:--

"I panned and I panned in the shiny sand, and I sniped on the river bar;
But I know, I know, that it's down below that the golden treasures are;
So I'll wait and wait till the floods abate, and I'll sink a shaft once more,
And I'd like to bet that I'll go home yet with a brass band playing before."

He was nigh as thin as a sliver, and he whined like a Moose-hide cur;
 So Clancy clothed him and nursed him as a mother nurses a child;
Lifted him on the toboggan, wrapped him in robes of fur,
 Then with the dogs sore straining started to face the Wild.

Said the Wild, "I will crush this Clancy, so fearless and insolent;
 For him will I loose my fury, and blind and buffet and beat;
Pile up my snows to stay him; then when his strength is spent,
 Leap on him from my ambush and crush him under my feet.

"Him will I ring with my silence, compass him with my cold;
 Closer and closer clutch him unto mine icy breast;
Buffet him with my blizzards, deep in my snows enfold,
 Claiming his life as my tribute, giving my wolves the rest."

Clancy crawled through the vastness; o'er him the hate of the Wild;
 Full on his face fell the blizzard; cheering his huskies he ran;
Fighting, fierce-hearted and tireless, snows that drifted and piled,
 With ever and ever behind him singing the crazy man.

 "Sing hey, sing ho, for the ice and snow,
 And a heart that's ever merry;
 Let us trim and square with a lover's care
 (For why should a man be sorry?)
 A grave deep, deep, with the moon a-peep,
 A grave in the frozen mould.
 Sing hey, sing ho, for the winds that blow,
 And a grave deep down in the ice and snow,
 A grave in the land of gold."

Day after day of darkness, the whirl of the seething snows; 
 Day after day of blindness, the swoop of the stinging blast; 
On through a blur of fury the swing of staggering blows;
 On through a world of turmoil, empty, inane and vast. 
Night with its writhing storm-whirl, night despairingly black;
 Night with its hours of terror, numb and endlessly long;
Night with its weary waiting, fighting the shadows back,
 And ever the crouching madman singing his crazy song.

Cold with its creeping terror, cold with its sudden clinch;
 Cold so utter you wonder if 'twill ever again be warm;
Clancy grinned as he shuddered, "Surely it isn't a cinch
 Being wet-nurse to a looney in the teeth of an arctic storm.

"The blizzard passed and the dawn broke, knife-edged and crystal clear;
 The sky was a blue-domed iceberg, sunshine outlawed away;
Ever by snowslide and ice-rip haunted and hovered the Fear;
 Ever the Wild malignant poised and panted to slay.

The lead-dog freezes in harness--cut him out of the team!
 The lung of the wheel-dog's bleeding--shoot him and let him lie!
On and on with the others--lash them until they scream!
 "Pull for your lives, you devils! On! To halt is to die."

There in the frozen vastness Clancy fought with his foes;
 The ache of the stiffened fingers, the cut of the snowshoe thong;
Cheeks black-raw through the hood-flap, eyes that tingled and closed,
 And ever to urge and cheer him quavered the madman's song.

Colder it grew and colder, till the last heat left the earth,
 And there in the great stark stillness the bale fires glinted and gleamed,
And the Wild all around exulted and shook with a devilish mirth,
 And life was far and forgotten, the ghost of a joy once dreamed.

Death! And one who defied it, a man of the Mounted Police;
 Fought it there to a standstill long after hope was gone;
Grinned through his bitter anguish, fought without let or cease,
 Suffering, straining, striving, stumbling, struggling on.

Till the dogs lay down in their traces, and rose and staggered and fell;
 Till the eyes of him dimmed with shadows, and the trail was so hard to see;
Till the Wild howled out triumphant, and the world was a frozen hell--
 Then said Constable Clancy: "I guess that it's up to me."

Far down the trail they saw him, and his hands they were blanched like bone;
 His face was a blackened horror, from his eyelids the salt rheum ran;
His feet he was lifting strangely, as if they were made of stone,
 But safe in his arms and sleeping he carried the crazy man.

So Clancy got into Barracks, and the boys made rather a scene;
 And the O. C. called him a hero, and was nice as a man could be;
But Clancy gazed down his trousers at the place where his toes had been,
 And then he howled like a husky, and sang in a shaky key: 

"When I go back to the old love that's true to the finger-tips, 
I'll say: `Here's bushels of gold, love,' and I'll kiss my girl on the lips;
It's yours to have and to hold, love.' It's the proud, proud boy I'll be,
When I go back to the old love that's waited so long for me."

Book: Reflection on the Important Things