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Best Famous Effacing Poems

Here is a collection of the all-time best famous Effacing poems. This is a select list of the best famous Effacing poetry. Reading, writing, and enjoying famous Effacing poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of effacing poems.

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Written by John Trumbull | Create an image from this poem

To A Young Lady

 In vain, fair Maid, you ask in vain,
My pen should try th' advent'rous strain,
And following truth's unalter'd law,
Attempt your character to draw.
I own indeed, that generous mind That weeps the woes of human kind, That heart by friendship's charms inspired, That soul with sprightly fancy fired, The air of life, the vivid eye, The flowing wit, the keen reply-- To paint these beauties as they shine, Might ask a nobler pen than mine.
Yet what sure strokes can draw the Fair, Who vary, like the fleeting air, Like willows bending to the force, Where'er the gales direct their course, Opposed to no misfortune's power, And changing with the changing hour.
Now gaily sporting on the plain, They charm the grove with pleasing strain; Anon disturb'd, they know not why, The sad tear trembles in their eye: Led through vain life's uncertain dance, The dupes of whim, the slaves of chance.
From me, not famed for much goodnature, Expect not compliment, but satire; To draw your picture quite unable, Instead of fact accept a Fable.
One morn, in Æsop's noisy time, When all things talk'd, and talk'd in rhyme, A cloud exhaled by vernal beams Rose curling o'er the glassy streams.
The dawn her orient blushes spread, And tinged its lucid skirts with red, Wide waved its folds with glitt'ring dies, And gaily streak'd the eastern skies; Beneath, illumed with rising day, The sea's broad mirror floating lay.
Pleased, o'er the wave it hung in air, Survey'd its glittering glories there, And fancied, dress'd in gorgeous show, Itself the brightest thing below: For clouds could raise the vaunting strain, And not the fair alone were vain.
Yet well it knew, howe'er array'd, That beauty, e'en in clouds, might fade, That nothing sure its charms could boast Above the loveliest earthly toast; And so, like them, in early dawn Resolved its picture should be drawn, That when old age with length'ning day Should brush the vivid rose away, The world should from the portrait own Beyond all clouds how bright it shone.
Hard by, a painter raised his stage, Far famed, the Copley[1] of his age.
So just a form his colours drew, Each eye the perfect semblance knew; Yet still on every blooming face He pour'd the pencil's flowing grace; Each critic praised the artist rare, Who drew so like, and yet so fair.
To him, high floating in the sky Th' elated Cloud advanced t' apply.
The painter soon his colours brought, The Cloud then sat, the artist wrought; Survey'd her form, with flatt'ring strictures, Just as when ladies sit for pictures, Declared "whatever art can do, My utmost skill shall try for you: But sure those strong and golden dies Dipp'd in the radiance of the skies, Those folds of gay celestial dress, No mortal colours can express.
Not spread triumphal o'er the plain, The rainbow boasts so fair a train, Nor e'en the morning sun so bright, Who robes his face in heav'nly light.
To view that form of angel make, Again Ixion would mistake,[2] And justly deem so fair a prize, The sovereign Mistress of the skies," He said, and drew a mazy line, With crimson touch his pencils shine, The mingling colours sweetly fade, And justly temper light and shade.
He look'd; the swelling Cloud on high With wider circuit spread the sky, Stretch'd to the sun an ampler train, And pour'd new glories on the main.
As quick, effacing every ground, His pencil swept the canvas round, And o'er its field, with magic art, Call'd forth new forms in every part.
But now the sun, with rising ray, Advanced with speed his early way; Each colour takes a differing die, The orange glows, the purples fly.
The artist views the alter'd sight, And varies with the varying light; In vain! a sudden gust arose, New folds ascend, new shades disclose, And sailing on with swifter pace, The Cloud displays another face.
In vain the painter, vex'd at heart, Tried all the wonders of his art; In vain he begg'd, her form to grace, One moment she would keep her place: For, "changing thus with every gale, Now gay with light, with gloom now pale, Now high in air with gorgeous train, Now settling on the darken'd main, With looks more various than the moon; A French coquette were drawn as soon.
" He spoke; again the air was mild, The Cloud with opening radiance smiled; With canvas new his art he tries, Anew he joins the glitt'ring dies; Th' admiring Cloud with pride beheld Her image deck the pictured field, And colours half-complete adorn The splendor of the painted morn.
When lo, the stormy winds arise, Deep gloom invests the changing skies; The sounding tempest shakes the plain, And lifts in billowy surge the main.
The Cloud's gay dies in darkness fade, Its folds condense in thicker shade, And borne by rushing blasts, its form With lowering vapour joins the storm.


Written by Yves Bonnefoy | Create an image from this poem

The house where I was born (05)

 In the same dream
I am lying in the hollow of a boat,
My forehead and eyes against the curved planks
Where I can hear the undercurrents
Striking the bottom of the boat.
All at once, the prow rises up, And I think that we’ve come to the estuary, But I keep my eyes against the wood That smells of tar and glue.
Too vast, too luminous the images That I have gathered in my sleep.
Why rediscover, outside, The things that words tell me of, But without convincing me, I desire a higher or less somber shore.
And yet I give up this ground that stirs Beneath the body waking to itself, I get up, I go from room to room in the house, They are endless now, I can hear the cries of voices behind doors, I am seized by these sorrows that knock Against the ruined casings, I hurry on, The lingering night is too heavy for me, Frightened, I go into a room cluttered with desks, Look, I’m told, this was your classroom, See on the walls the first images you looked at, Look, the tree, look, there, the yelping dog, And the geography map on the yellow wall, This fading of names and forms, This effacing of mountains and rivers By the whiteness that freezes language.
Look, this was your only book.
The Isis of the plaster On the wall of this room, which is pealing away, Never had, nor ever will have anything other To open for you, to close on you.
Written by Henry Van Dyke | Create an image from this poem

The White Bees

 I 

LEGEND 

Long ago Apollo called to Aristæus, 
youngest of the shepherds,
Saying, "I will make you keeper of my bees.
" Golden were the hives, and golden was the honey; golden, too, the music, Where the honey-makers hummed among the trees.
Happy Aristæus loitered in the garden, wandered in the orchard, Careless and contented, indolent and free; Lightly took his labour, lightly took his pleasure, till the fated moment When across his pathway came Eurydice.
Then her eyes enkindled burning love within him; drove him wild with longing, For the perfect sweetness of her flower-like face; Eagerly he followed, while she fled before him, over mead and mountain, On through field and forest, in a breathless race.
But the nymph, in flying, trod upon a serpent; like a dream she vanished; Pluto's chariot bore her down among the dead; Lonely Aristæus, sadly home returning, found his garden empty, All the hives deserted, all the music fled.
Mournfully bewailing, -- "ah, my honey-makers, where have you departed?" -- Far and wide he sought them, over sea and shore; Foolish is the tale that says he ever found them, brought them home in triumph, Joys that once escape us fly for evermore.
Yet I dream that somewhere, clad in downy whiteness, dwell the honey-makers, In aerial gardens that no mortal sees: And at times returning, lo, they flutter round us, gathering mystic harvest, So I weave the legend of the long-lost bees.
II THE SWARMING OF THE BEES I WHO can tell the hiding of the white bees' nest? Who can trace the guiding of their swift home flight? Far would be his riding on a life-long quest: Surely ere it ended would his beard grow white.
Never in the coming of the rose-red Spring, Never in the passing of the wine-red Fall, May you hear the humming of the white bee's wing Murmur o'er the meadow, ere the night bells call.
Wait till winter hardens in the cold grey sky, Wait till leaves are fallen and the brooks all freeze, Then above the gardens where the dead flowers lie, Swarm the merry millions of the wild white bees.
II Out of the high-built airy hive, Deep in the clouds that veil the sun, Look how the first of the swarm arrive; Timidly venturing, one by one, Down through the tranquil air, Wavering here and there, Large, and lazy in flight, -- Caught by a lift of the breeze, Tangled among the naked trees, -- Dropping then, without a sound, Feather-white, feather-light, To their rest on the ground.
III Thus the swarming is begun.
Count the leaders, every one Perfect as a perfect star Till the slow descent is done.
Look beyond them, see how far Down the vistas dim and grey, Multitudes are on the way.
Now a sudden brightness Dawns within the sombre day, Over fields of whiteness; And the sky is swiftly alive With the flutter and the flight Of the shimmering bees, that pour From the hidden door of the hive Till you can count no more.
IV Now on the branches of hemlock and pine Thickly they settle and cluster and swing, Bending them low; and the trellised vine And the dark elm-boughs are traced with a line Of beauty wherever the white bees cling.
Now they are hiding the wrecks of the flowers, Softly, softly, covering all, Over the grave of the summer hours Spreading a silver pall.
Now they are building the broad roof ledge, Into a cornice smooth and fair, Moulding the terrace, from edge to edge, Into the sweep of a marble stair.
Wonderful workers, swift and dumb, Numberless myriads, still they come, Thronging ever faster, faster, faster! Where is their queen? Who is their master? The gardens are faded, the fields are frore, How will they fare in a world so bleak? Where is the hidden honey they seek? What is the sweetness they toil to store In the desolate day, where no blossoms gleam? Forgetfulness and a dream! V But now the fretful wind awakes; I hear him girding at the trees; He strikes the bending boughs, and shakes The quiet clusters of the bees To powdery drift; He tosses them away, He drives them like spray; He makes them veer and shift Around his blustering path.
In clouds blindly whirling, In rings madly swirling, Full of crazy wrath, So furious and fast they fly They blur the earth and blot the sky In wild, white mirk.
They fill the air with frozen wings And tiny, angry, icy stings; They blind the eyes, and choke the breath, They dance a maddening dance of death Around their work, Sweeping the cover from the hill, Heaping the hollows deeper still, Effacing every line and mark, And swarming, storming in the dark Through the long night; Until, at dawn, the wind lies down, Weary of fight.
The last torn cloud, with trailing gown, Passes the open gates of light; And the white bees are lost in flight.
VI Look how the landscape glitters wide and still, Bright with a pure surprise! The day begins with joy, and all past ill, Buried in white oblivion, lies Beneath the snowdrifts under crystal skies.
New hope, new love, new life, new cheer, Flow in the sunrise beam,-- The gladness of Apollo when he sees, Upon the bosom of the wintry year, The honey-harvest of his wild white bees, Forgetfulness and a dream! III LEGEND LISTEN, my beloved, while the silver morning, like a tranquil vision, Fills the world around us and our hearts with peace; Quiet is the close of Aristæus' legend, happy is the ending -- Listen while I tell you how he found release.
Many months he wandered far away in sadness, desolately thinking Only of the vanished joys he could not find; Till the great Apollo, pitying his shepherd, loosed him from the burden Of a dark, reluctant, backward-looking mind.
Then he saw around him all the changeful beauty of the changing seasons, In the world-wide regions where his journey lay; Birds that sang to cheer him, flowers that bloomed beside him, stars that shone to guide him, -- Traveller's joy was plenty all along the way! Everywhere he journeyed strangers made him welcome, listened while he taught them Secret lore of field and forest he had learned: How to train the vines and make the olives fruit- ful; how to guard the sheepfolds; How to stay the fever when the dog-star burned.
Friendliness and blessing followed in his foot- steps; richer were the harvests, Happier the dwellings, wheresoe'er he came; Little children loved him, and he left behind him, in the hour of parting, Memories of kindness and a god-like name.
So he travelled onward, desolate no longer, patient in his seeking, Reaping all the wayside comfort of his quest; Till at last in Thracia, high upon Mount Hæmus, far from human dwelling, Weary Aristæus laid him down to rest.
Then the honey-makers, clad in downy whiteness, fluttered soft around him, Wrapt him in a dreamful slumber pure and deep.
This is life, beloved: first a sheltered garden, then a troubled journey, Joy and pain of seeking, -- and at last we sleep!
Written by Emily Dickinson | Create an image from this poem

The Treason of an accent

 The Treason of an accent
Might Ecstasy transfer --
Of her effacing Fathom
Is no Recoverer --

--

The Treason of an Accent
Might vilify the Joy --
To breathe -- corrode the rapture
Of Sanctity to be --
Written by Emily Dickinson | Create an image from this poem

As Everywhere of Silver

 As Everywhere of Silver
With Ropes of Sand
To keep it from effacing
The Track called Land.



Book: Reflection on the Important Things