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Best Famous Ed Poems

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Written by Ruth Padel | Create an image from this poem

WRITING TO ONEGIN

 (After Pushkin) 
Look at the bare wood hand-waxed floor and long 
White dressing-gown, the good child's writing-desk 
And passionate cold feet
Summoning music of the night - tumbrils, gongs
And gamelans - with one neat pen, one candle
Puttering its life out hour by hour.
Is "Tell Him I love him" never a good idea? You can't wish this Unlived - this world on fire, on storm Alert, till the shepherd's song Outside, some hyper-active yellowhammer, bulbul, Wren, amplified in hills and woods, tell her to bestow A spot of notice on the dawn.
* "I'm writing to you.
Well, that's it, that's everything.
You'll laugh, but you'll pity me too.
I'm ashamed of this.
I meant to keep it quiet.
You'd never have known, if - I wish - I could have seen you once a week.
To mull over, day And night, the things you say, or what we say together.
But word is, you're misogynist.
Laddish.
A philanderer Who says what he doesn't mean.
(That's not how you come across To me.
) Who couldn't give a toss for domestic peace - Only for celebrity and showing off - And won't hang round in a provincial zone Like this.
We don't glitter.
Though we do, Warmly, truly, welcome you.
* "Why did you come? I'd never have set eyes On a star like you, or blundered up against This crazed not-sleeping, hour after hour In the dark.
I might have got the better of My clumsy fury with constraint, my fret For things I lack all lexica and phrase-book art To say.
I might have been a faithful wife; a mother.
But that's all done with.
This is Fate.
God.
Sorted.
Here I am - yours, to the last breath.
I couldn't give my heart to anyone else.
My life till now has been a theorem, to demonstrate How right it is to love you.
This love is love to death.
* "I knew you anyway.
I loved you, I'm afraid, In my sleep.
Your eyes, that denim-lapis, grey-sea- Grey-green blue, that Chinese fold of skin At the inner corner, that shot look Bleeping "vulnerable" under the screensaver charm, Kept me alive.
Every cell, every last gold atom Of your body, was engraved in me Already.
Don't tell me that was dream! When you came in, Staring round in your stripey coat and brocade Vest, I nearly died! I fainted, I was flame! I recognized The you I'd always listened to alone, when I wrote Or tried to wrestle my scatty soul into calm.
* "Wasn't it you who slipped through the transparent Darkness to my bed and whispered love? Aren't you My guardian angel? Or is this arrant Seeming, hallucination, thrown Up by that fly engineering a novel does So beguilingly, or poems? Is this mad? Are there ways of dreaming I don't know? Too bad.
My soul has made its home In you.
I'm here and bare before you: shy, In tears.
But if I didn't heft my whole self up and hold it there - A crack-free mirror - loving you, or if I couldn't share It, set it out in words, I'd die.
* "I'll wait to hear from you.
I must.
Please let me hope.
Give me one look, from eyes I hardly dare To look back at.
Or scupper my dream By scolding me.
I've given you rope To hang me: tell me I'm mistaken.
You're so much in The world; while I just live here, bent on jam And harvest, songs and books.
That's not complaint.
We live such different lives.
So - this is the end.
It's taken All night.
I'm scared to read it back.
I'm faint With shame and fear.
But this is what I am.
My crumpled bed, My words, my open self.
All I can do is trust The whole damn lot of it to you.
" * She sighs.
The paper trembles as she presses down The pink wax seal.
Outside, a milk mist clears From the shimmering valley.
If I were her guardian Angel, I'd divide myself.
One half would holler Don't! Stay on an even keel! Don't dollop over All you are, to a man who'll go to town On his next little fling.
If he's entranced today By the way you finger your silk throat inside your collar, Tomorrow there'll be Olga, Sally, Jane.
But then I'd whisper Go for it, petal.
Nothing's as real as what you write.
His funeral, if he's not up to it.
What we feel Is mortal, and won't come again.
* So cut, weeks later, to an outside shot: the same girl Taking cover ("Dear God, he's here, he's come!") Under fat red gooseberries, glimmering hairy stars: The old, rude bushes she has hide-and-seeked in all Her life, where mother commands the serfs to sing While picking, so they can't hurl The odd gog into their mouths.
No one could spy Her here, not even the sun in its burn-time.
Her cheeks Are simmering fire.
We're talking iridescence, a Red Admiral's last tremble Before the avid schoolboy plunks his net.
Or imagine * A leveret - like the hare you shot, remember? Which ran round screaming like a baby? Only mine is shivering in papery winter corn, While the hunter (as it might be, you) stomps his Hush Puppies through dead brush.
Everything's quiet.
She's waited - how long? - ages: stoking pebbly embers Under the evening samovar, filling The Chinese teapot, sending coils of Lapsang Suchong Floating to the ceiling in the shadows, tracing O and E In the window's black reflection, one finger Tendrilling her own breath on the glass.
Like putting a shell to your ear to hear the sea * When it's really your own red little sparkle, the echo Of marching blood.
She's asking a phantom World of pearled-up mist for proof That her man exists: that gamelans and tumbrils Won't evade her.
But now, among The kitchen garden's rose-haws, mallow, Pernod- Coloured pears, she unhooks herself thorn by thorn For the exit aria.
For fade-out.
Suddenly there he is In the avenue, the man she's written to - Charon Gazing at her with blazing eyes! Darth Vader From Star Wars.
She's trapped, in a house she didn't realize Was burning.
Her letter was a gate to the inferno.
.
.
.
.
.
.
.
.
(This poem appeared in Pushkin: An Anthology, ed.
E.
Feinstein, Carcanet 1999)


Written by Robert Frost | Create an image from this poem

In the Home Stretch

 SHE stood against the kitchen sink, and looked
Over the sink out through a dusty window
At weeds the water from the sink made tall.
She wore her cape; her hat was in her hand.
Behind her was confusion in the room, Of chairs turned upside down to sit like people In other chairs, and something, come to look, For every room a house has—parlor, bed-room, And dining-room—thrown pell-mell in the kitchen.
And now and then a smudged, infernal face Looked in a door behind her and addressed Her back.
She always answered without turning.
“Where will I put this walnut bureau, lady?” “Put it on top of something that’s on top Of something else,” she laughed.
“Oh, put it where You can to-night, and go.
It’s almost dark; You must be getting started back to town.
” Another blackened face thrust in and looked And smiled, and when she did not turn, spoke gently, “What are you seeing out the window, lady?” “Never was I beladied so before.
Would evidence of having been called lady More than so many times make me a lady In common law, I wonder.
” “But I ask, What are you seeing out the window, lady?” “What I’ll be seeing more of in the years To come as here I stand and go the round Of many plates with towels many times.
” “And what is that? You only put me off.
” “Rank weeds that love the water from the dish-pan More than some women like the dish-pan, Joe; A little stretch of mowing-field for you; Not much of that until I come to woods That end all.
And it’s scarce enough to call A view.
” “And yet you think you like it, dear?” “That’s what you’re so concerned to know! You hope I like it.
Bang goes something big away Off there upstairs.
The very tread of men As great as those is shattering to the frame Of such a little house.
Once left alone, You and I, dear, will go with softer steps Up and down stairs and through the rooms, and none But sudden winds that snatch them from our hands Will ever slam the doors.
” “I think you see More than you like to own to out that window.
” “No; for besides the things I tell you of, I only see the years.
They come and go In alternation with the weeds, the field, The wood.
” “What kind of years?” “Why, latter years— Different from early years.
” “I see them, too.
You didn’t count them?” “No, the further off So ran together that I didn’t try to.
It can scarce be that they would be in number We’d care to know, for we are not young now.
And bang goes something else away off there.
It sounds as if it were the men went down, And every crash meant one less to return To lighted city streets we, too, have known, But now are giving up for country darkness.
” “Come from that window where you see too much for me, And take a livelier view of things from here.
They’re going.
Watch this husky swarming up Over the wheel into the sky-high seat, Lighting his pipe now, squinting down his nose At the flame burning downward as he sucks it.
” “See how it makes his nose-side bright, a proof How dark it’s getting.
Can you tell what time It is by that? Or by the moon? The new moon! What shoulder did I see her over? Neither.
A wire she is of silver, as new as we To everything.
Her light won’t last us long.
It’s something, though, to know we’re going to have her Night after night and stronger every night To see us through our first two weeks.
But, Joe, The stove! Before they go! Knock on the window; Ask them to help you get it on its feet.
We stand here dreaming.
Hurry! Call them back!” “They’re not gone yet.
” “We’ve got to have the stove, Whatever else we want for.
And a light.
Have we a piece of candle if the lamp And oil are buried out of reach?” Again The house was full of tramping, and the dark, Door-filling men burst in and seized the stove.
A cannon-mouth-like hole was in the wall, To which they set it true by eye; and then Came up the jointed stovepipe in their hands, So much too light and airy for their strength It almost seemed to come ballooning up, Slipping from clumsy clutches toward the ceiling.
“A fit!” said one, and banged a stovepipe shoulder.
“It’s good luck when you move in to begin With good luck with your stovepipe.
Never mind, It’s not so bad in the country, settled down, When people ’re getting on in life, You’ll like it.
” Joe said: “You big boys ought to find a farm, And make good farmers, and leave other fellows The city work to do.
There’s not enough For everybody as it is in there.
” “God!” one said wildly, and, when no one spoke: “Say that to Jimmy here.
He needs a farm.
” But Jimmy only made his jaw recede Fool-like, and rolled his eyes as if to say He saw himself a farmer.
Then there was a French boy Who said with seriousness that made them laugh, “Ma friend, you ain’t know what it is you’re ask.
” He doffed his cap and held it with both hands Across his chest to make as ’twere a bow: “We’re giving you our chances on de farm.
” And then they all turned to with deafening boots And put each other bodily out of the house.
“Goodby to them! We puzzle them.
They think— I don’t know what they think we see in what They leave us to: that pasture slope that seems The back some farm presents us; and your woods To northward from your window at the sink, Waiting to steal a step on us whenever We drop our eyes or turn to other things, As in the game ‘Ten-step’ the children play.
” “Good boys they seemed, and let them love the city.
All they could say was ‘God!’ when you proposed Their coming out and making useful farmers.
” “Did they make something lonesome go through you? It would take more than them to sicken you— Us of our bargain.
But they left us so As to our fate, like fools past reasoning with.
They almost shook me.
” “It’s all so much What we have always wanted, I confess It’s seeming bad for a moment makes it seem Even worse still, and so on down, down, down.
It’s nothing; it’s their leaving us at dusk.
I never bore it well when people went.
The first night after guests have gone, the house Seems haunted or exposed.
I always take A personal interest in the locking up At bedtime; but the strangeness soon wears off.
” He fetched a dingy lantern from behind A door.
“There’s that we didn’t lose! And these!”— Some matches he unpocketed.
“For food— The meals we’ve had no one can take from us.
I wish that everything on earth were just As certain as the meals we’ve had.
I wish The meals we haven’t had were, anyway.
What have you you know where to lay your hands on?” “The bread we bought in passing at the store.
There’s butter somewhere, too.
” “Let’s rend the bread.
I’ll light the fire for company for you; You’ll not have any other company Till Ed begins to get out on a Sunday To look us over and give us his idea Of what wants pruning, shingling, breaking up.
He’ll know what he would do if he were we, And all at once.
He’ll plan for us and plan To help us, but he’ll take it out in planning.
Well, you can set the table with the loaf.
Let’s see you find your loaf.
I’ll light the fire.
I like chairs occupying other chairs Not offering a lady—” “There again, Joe! You’re tired.
” “I’m drunk-nonsensical tired out; Don’t mind a word I say.
It’s a day’s work To empty one house of all household goods And fill another with ’em fifteen miles away, Although you do no more than dump them down.
” “Dumped down in paradise we are and happy.
” “It’s all so much what I have always wanted, I can’t believe it’s what you wanted, too.
” “Shouldn’t you like to know?” “I’d like to know If it is what you wanted, then how much You wanted it for me.
” “A troubled conscience! You don’t want me to tell if I don’t know.
” “I don’t want to find out what can’t be known.
But who first said the word to come?” “My dear, It’s who first thought the thought.
You’re searching, Joe, For things that don’t exist; I mean beginnings.
Ends and beginnings—there are no such things.
There are only middles.
” “What is this?” “This life? Our sitting here by lantern-light together Amid the wreckage of a former home? You won’t deny the lantern isn’t new.
The stove is not, and you are not to me, Nor I to you.
” “Perhaps you never were?” “It would take me forever to recite All that’s not new in where we find ourselves.
New is a word for fools in towns who think Style upon style in dress and thought at last Must get somewhere.
I’ve heard you say as much.
No, this is no beginning.
” “Then an end?” “End is a gloomy word.
” “Is it too late To drag you out for just a good-night call On the old peach trees on the knoll to grope By starlight in the grass for a last peach The neighbors may not have taken as their right When the house wasn’t lived in? I’ve been looking: I doubt if they have left us many grapes.
Before we set ourselves to right the house, The first thing in the morning, out we go To go the round of apple, cherry, peach, Pine, alder, pasture, mowing, well, and brook.
All of a farm it is.
” “I know this much: I’m going to put you in your bed, if first I have to make you build it.
Come, the light.
” When there was no more lantern in the kitchen, The fire got out through crannies in the stove And danced in yellow wrigglers on the ceiling, As much at home as if they’d always danced there.
Written by Shel Silverstein | Create an image from this poem

Messy Room

 Whosever room this is should be ashamed!
His underwear is hanging on the lamp.
His raincoat is there in the overstuffed chair, And the chair is becoming quite mucky and damp.
His workbook is wedged in the window, His sweater's been thrown on the floor.
His scarf and one ski are beneath the TV, And his pants have been carelessly hung on the door.
His books are all jammed in the closet, His vest has been left in the hall.
A lizard named Ed is asleep in his bed, And his smelly old sock has been stuck to the wall.
Whosever room this is should be ashamed! Donald or Robert or Willie or-- Huh? You say it's mine? Oh, dear, I knew it looked familiar!
Written by Henry Van Dyke | Create an image from this poem

The Vain King

 In robes of Tyrian blue the King was drest,
A jewelled collar shone upon his breast,
A giant ruby glittered in his crown -----
Lord of rich lands and many a splendid town.
In him the glories of an ancient line Of sober kings, who ruled by right divine, Were centred; and to him with loyal awe The people looked for leadership and law.
Ten thousand knights, the safeguard of the land, Lay like a single sword within his hand; A hundred courts, with power of life and death, Proclaimed decrees justice by his breath; And all the sacred growths that men had known Of order and of rule upheld his throne.
Proud was the King: yet not with such a heart As fits a man to play a royal part.
Not his the pride that honours as a trust The right to rule, the duty to be just: Not his the dignity that bends to bear The monarch's yoke, the master's load of care, And labours like the peasant at his gate, To serve the people and protect the State.
Another pride was his, and other joys: To him the crown and sceptre were but toys, With which he played at glory's idle game, To please himself and win the wreaths of fame.
The throne his fathers held from age to age Built for King Martin to diplay at will, His mighty strength and universal skill.
No conscious child, that, spoiled with praising, tries At every step to win admiring eyes, ---- No favourite mountebank, whose acting draws From gaping crowds loud thunder of applause, Was vainer than the King: his only thirst Was to be hailed, in every race, the first.
When tournament was held, in knightly guise The King would ride the lists and win the prize; When music charmed the court, with golden lyre The King would take the stage and lead the choir; In hunting, his the lance to slay the boar; In hawking, see his falcon highest soar; In painting, he would wield the master's brush; In high debate, -----"the King is speaking! Hush!" Thus, with a restless heart, in every field He sought renown, and found his subjects yield As if he were a demi-god revealed.
But while he played the petty games of life His kingdom fell a prey to inward strife; Corruption through the court unheeded crept, And on the seat of honour justice slept.
The strong trod down the weak; the helpless poor Groaned under burdens grievous to endure.
The nation's wealth was spent in vain display, And weakness wore the nation's heart away.
Yet think not Earth is blind to human woes --- Man has more friends and helpers than he knows; And when a patient people are oppressed, The land that bore them feels it in her breast.
Spirits of field and flood, of heath and hill, Are grieved and angry at the spreading ill; The trees complain together in the night, Voices of wrath are heard along the height, And secret vows are sworn, by stream and strand, To bring the tyrant low and liberate the land.
But little recked the pampered King of these; He heard no voice but such as praise and please.
Flattered and fooled, victor in every sport, One day he wandered idly with his court Beside the river, seeking to devise New ways to show his skill to wondering eyes.
There in the stream a patient fisher stood, And cast his line across the rippling flood.
His silver spoil lay near him on the green: "Such fish," the courtiers cried, "were never seen!" "Three salmon larger than a cloth-yard shaft--- "This man must be the master of his craft!" "An easy art!" the jealous King replied: "Myself could learn it better, if I tried, "And catch a hundred larger fish a week--- "Wilt thou accept the challenge, fellow? Speak!" The fisher turned, came near, and bent his knee: "'Tis not for kings to strive with such as me; "Yet if the King commands it, I obey.
"But one condition of the strife I pray: "The fisherman who brings the least to land "Shall do whate'er the other may command.
" Loud laughed the King: "A foolish fisher thou! "For I shall win and rule thee then as now.
" So to Prince John, a sober soul, sedate And slow, King Martin left the helm of state, While to the novel game with eager zest He all his time and all his powers addrest.
Sure such a sight was never seen before! For robed and crowned the monarch trod the shore; His golden hooks were decked with feathers fine, His jewelled reel ran out a silken line.
With kingly strokes he flogged the crystal stream, Far-off the salmon saw his tackle gleam; Careless of kings, they eyed with calm disdain The gaudy lure, and Martin fished in vain.
On Friday, when the week was almost spent, He scanned his empty creel with discontent, Called for a net, and cast it far and wide, And drew --- a thousand minnows from the tide! Then came the fisher to conclude the match, And at the monarch's feet spread out his catch --- A hundred salmon, greater than before --- "I win!" he cried: "the King must pay the score.
" Then Martin, angry, threw his tackle down: "Rather than lose this game I'd lose me crown!" "Nay, thou has lost them both," the fisher said; And as he spoke a wondrous light was shed Around his form; he dropped his garments mean, And in his place the River-god was seen.
"Thy vanity hast brought thee in my power, "And thou shalt pay the forfeit at this hour: "For thou hast shown thyself a royal fool, "Too proud to angle, and too vain to rule.
"Eager to win in every trivial strife, --- "Go! Thou shalt fish for minnows all thy life!" Wrathful, the King the scornful sentence heard; He strove to answer, but he only chirr-r-ed: His Tyrian robe was changed to wings of blue, His crown became a crest, --- away he flew! And still, along the reaches of the stream, The vain King-fisher flits, an azure gleam, --- You see his ruby crest, you hear his jealous scream.
Written by Amy Lowell | Create an image from this poem

Number 3 on the Docket

 The lawyer, are you?
Well! I ain't got nothin' to say.
Nothin'! I told the perlice I hadn't nothin'.
They know'd real well 'twas me.
Ther warn't no supposin', Ketchin' me in the woods as they did, An' me in my house dress.
Folks don't walk miles an' miles In the drifted snow, With no hat nor wrap on 'em Ef everythin's all right, I guess.
All right? Ha! Ha! Ha! Nothin' warn't right with me.
Never was.
Oh, Lord! Why did I do it? Why ain't it yesterday, and Ed here agin? Many's the time I've set up with him nights When he had cramps, or rheumatizm, or somethin'.
I used ter nurse him same's ef he was a baby.
I wouldn't hurt him, I love him! Don't you dare to say I killed him.
'Twarn't me! Somethin' got aholt o' me.
I couldn't help it.
Oh, what shall I do! What shall I do! Yes, Sir.
No, Sir.
I beg your pardon, I -- I -- Oh, I'm a wicked woman! An' I'm desolate, desolate! Why warn't I struck dead or paralyzed Afore my hands done it.
Oh, my God, what shall I do! No, Sir, ther ain't no extenuatin' circumstances, An' I don't want none.
I want a bolt o' lightnin' To strike me dead right now! Oh, I'll tell yer.
But it won't make no diff'rence.
Nothin' will.
Yes, I killed him.
Why do yer make me say it? It's cruel! Cruel! I killed him because o' th' silence.
The long, long silence, That watched all around me, And he wouldn't break it.
I tried to make him, Time an' agin, But he was terrible taciturn, Ed was.
He never spoke 'cept when he had to, An' then he'd only say "yes" and "no".
You can't even guess what that silence was.
I'd hear it whisperin' in my ears, An' I got frightened, 'twas so thick, An' al'ays comin' back.
Ef Ed would ha' talked sometimes It would ha' driven it away; But he never would.
He didn't hear it same as I did.
You see, Sir, Our farm was off'n the main road, And set away back under the mountain; And the village was seven mile off, Measurin' after you'd got out o' our lane.
We didn't have no hired man, 'Cept in hayin' time; An' Dane's place, That was the nearest, Was clear way 'tother side the mountain.
They used Marley post-office An' ours was Benton.
Ther was a cart-track took yer to Dane's in Summer, An' it warn't above two mile that way, But it warn't never broke out Winters.
I used to dread the Winters.
Seem's ef I couldn't abear to see the golden-rod bloomin'; Winter'd come so quick after that.
You don't know what snow's like when yer with it Day in an' day out.
Ed would be out all day loggin', An' I set at home and look at the snow Layin' over everythin'; It 'ud dazzle me blind, Till it warn't white any more, but black as ink.
Then the quiet 'ud commence rushin' past my ears Till I most went mad listenin' to it.
Many's the time I've dropped a pan on the floor Jest to hear it clatter.
I was most frantic when dinner-time come An' Ed was back from the woods.
I'd ha' give my soul to hear him speak.
But he'd never say a word till I asked him Did he like the raised biscuits or whatever, An' then sometimes he'd jest nod his answer.
Then he'd go out agin, An' I'd watch him from the kitchin winder.
It seemed the woods come marchin' out to meet him An' the trees 'ud press round him an' hustle him.
I got so I was scared o' th' trees.
I thought they come nearer, Every day a little nearer, Closin' up round the house.
I never went in t' th' woods Winters, Though in Summer I liked 'em well enough.
It warn't so bad when my little boy was with us.
He used to go sleddin' and skatin', An' every day his father fetched him to school in the pung An' brought him back agin.
We scraped an' scraped fer Neddy, We wanted him to have a education.
We sent him to High School, An' then he went up to Boston to Technology.
He was a minin' engineer, An' doin' real well, A credit to his bringin' up.
But his very first position ther was an explosion in the mine.
And I'm glad! I'm glad! He ain't here to see me now.
Neddy! Neddy! I'm your mother still, Neddy.
Don't turn from me like that.
I can't abear it.
I can't! I can't! What did you say? Oh, yes, Sir.
I'm here.
I'm very sorry, I don't know what I'm sayin'.
No, Sir, Not till after Neddy died.
'Twas the next Winter the silence come, I don't remember noticin' it afore.
That was five year ago, An' it's been gittin' worse an' worse.
I asked Ed to put in a telephone.
I thought ef I felt the whisperin' comin' on I could ring up some o' th' folks.
But Ed wouldn't hear of it.
He said we'd paid so much for Neddy We couldn't hardly git along as 'twas.
An' he never understood me wantin' to talk.
Well, this year was worse'n all the others; We had a terrible spell o' stormy weather, An' the snow lay so thick You couldn't see the fences even.
Out o' doors was as flat as the palm o' my hand, Ther warn't a hump or a holler Fer as you could see.
It was so quiet The snappin' o' the branches back in the wood-lot Sounded like pistol shots.
Ed was out all day Same as usual.
An' it seemed he talked less'n ever.
He didn't even say `Good-mornin'', once or twice, An' jest nodded or shook his head when I asked him things.
On Monday he said he'd got to go over to Benton Fer some oats.
I'd oughter ha' gone with him, But 'twas washin' day An' I was afeared the fine weather'd break, An' I couldn't do my dryin'.
All my life I'd done my work punctual, An' I couldn't fix my conscience To go junketin' on a washin'-day.
I can't tell you what that day was to me.
It dragged an' dragged, Fer ther warn't no Ed ter break it in the middle Fer dinner.
Every time I stopped stirrin' the water I heerd the whisperin' all about me.
I stopped oftener'n I should To see ef 'twas still ther, An' it al'ays was.
An' gittin' louder It seemed ter me.
Once I threw up the winder to feel the wind.
That seemed most alive somehow.
But the woods looked so kind of menacin' I closed it quick An' started to mangle's hard's I could, The squeakin' was comfortin'.
Well, Ed come home 'bout four.
I seen him down the road, An' I run out through the shed inter th' barn To meet him quicker.
I hollered out, `Hullo!' But he didn't say nothin', He jest drove right in An' climbed out o' th' sleigh An' commenced unharnessin'.
I asked him a heap o' questions; Who he'd seed An' what he'd done.
Once in a while he'd nod or shake, But most o' th' time he didn't do nothin'.
'Twas gittin' dark then, An' I was in a state, With the loneliness An' Ed payin' no attention Like somethin' warn't livin'.
All of a sudden it come, I don't know what, But I jest couldn't stand no more.
It didn't seem 's though that was Ed, An' it didn't seem as though I was me.
I had to break a way out somehow, Somethin' was closin' in An' I was stiflin'.
Ed's loggin' axe was ther, An' I took it.
Oh, my God! I can't see nothin' else afore me all the time.
I run out inter th' woods, Seemed as ef they was pullin' me; An' all the time I was wadin' through the snow I seed Ed in front of me Where I'd laid him.
An' I see him now.
There! There! What you holdin' me fer? I want ter go to Ed, He's bleedin'.
Stop holdin' me.
I got to go.
I'm comin', Ed.
I'll be ther in a minit.
Oh, I'm so tired! (Faints)


Written by Langston Hughes | Create an image from this poem

Madam And The Phone Bill

 You say I O.
K.
ed LONG DISTANCE? O.
K.
ed it when? My goodness, Central That was then! I'm mad and disgusted With that ***** now.
I don't pay no REVERSED CHARGES nohow.
You say, I will pay it-- Else you'll take out my phone? You better let My phone alone.
I didn't ask him To telephone me.
Roscoe knows darn well LONG DISTANCE Ain't free.
If I ever catch him, Lawd, have pity! Calling me up From Kansas City.
Just to say he loves me! I knowed that was so.
Why didn't he tell me some'n I don't know? For instance, what can Them other girls do That Alberta K.
Johnson Can't do--and more, too? What's that, Central? You say you don't care Nothing about my Private affair? Well, even less about your PHONE BILL, does I care! Un-humm-m! .
.
.
Yes! You say I gave my O.
K.
? Well, that O.
K.
you may keep-- But I sure ain't gonna pay!
Written by George Herbert | Create an image from this poem

Nature

 the yellow legged plovers live at the university and stare down
pale students who dare to walk near them

we like them

they are the smartest things around with their brown caps and stiffish know-it-all walk
god, don't they look like the newly arrived so proud to be here, 

and busy, 

the plovers should have keys and a whistle on a lanyard each 
like brisk brutish phys ed teachers they probably once were
Written by Rudyard Kipling | Create an image from this poem

A Song of the English

 Fair is our lot -- O goodly is our heritage!
(Humble ye, my people, and be fearful in your mirth!)
 For the Lord our God Most High
 He hath made the deep as dry,
He hath smote for us a pathway to the ends of all the Earth!

Yea, though we sinned -- and our rulers went from righteousness --
Deep in all dishonour though we stained our garments' hem.
Oh be ye not dismayed, Though we stumbled and we strayed, We were led by evil counsellors -- the Lord shall deal with them! Hold ye the Faith -- the Faith our Fathers seal]ed us; Whoring not with visions -- overwise and overstale.
Except ye pay the Lord Single heart and single sword, Of your children in their bondage shall He ask them treble-tale! Keep ye the Law -- be swift in all obedience -- Clear the land of evil, drive the road and bridge the ford.
Make ye sure to each his own That he reap where he hath sown; By the peace among Our peoples let men know we serve the Lord! .
.
.
.
.
Hear now a song -- a song of broken interludes -- A song of little cunning; of a singer nothing worth.
Through the naked words and mean May ye see the truth between As the singer knew and touched it in the ends of all the Earth!
Written by Rudyard Kipling | Create an image from this poem

Mulhollands Contract

 The fear was on the cattle, for the gale was on the sea,
An' the pens broke up on the lower deck an' let the creatures free --
An' the lights went out on the lower deck, an' no one near but me.
I had been singin' to them to keep 'em quiet there, For the lower deck is the dangerousest, requirin' constant care, An' give to me as the strongest man, though used to drink and swear.
I see my chance was certain of bein' horned or trod, For the lower deck was packed with steers thicker'n peas in a pod, An' more pens broke at every roll -- so I made a Contract with God.
An' by the terms of the Contract, as I have read the same, If He got me to port alive I would exalt His Name, An' praise His Holy Majesty till further orders came.
He saved me from the cattle an' He saved me from the sea, For they found me 'tween two drownded ones where the roll had landed me -- An' a four-inch crack on top of my head, as crazy as could be.
But that were done by a stanchion, an' not by a bullock at all, An' I lay still for seven weeks convalessing of the fall, An' readin' the shiny Scripture texts in the Seaman's Hospital.
An' I spoke to God of our Contract, an' He says to my prayer: "I never puts on My ministers no more than they can bear.
So back you go to the cattle-boats an' preach My Gospel there.
"For human life is chancy at any kind of trade, But most of all, as well you know, when the steers are mad-afraid; So you go back to the cattle-boats an' preach 'em as I've said.
"They must quit drinkin' an' swearin', they mustn't knife on a blow, They must quit gamblin' their wages, and you must preach it so; For now those boats are more like Hell than anything else I know.
" I didn't want to do it, for I knew what I should get, An' I wanted to preach Religion, handsome an' out of the wet, But the Word of the Lord were lain on me, an' I done what I was set.
I have been smit an' bruis]ed, as warned would be the case, An' turned my cheek to the smiter exactly as Scripture says; But following that, I knocked him down an' led him up to Grace.
An' we have preaching on Sundays whenever the sea is calm, An' I use no knife or pistol an' I never take no harm, For the Lord abideth back of me to guide my fighting arm.
An' I sign for four-pound-ten a month and save the money clear, An' I am in charge of the lower deck, an' I never lose a steer; An' I believe in Almighty God an' preach His Gospel here.
The skippers say I'm crazy, but I can prove 'em wrong, For I am in charge of the lower deck with all that doth belong -- Which they would not give to a lunatic, and the competition so strong!
Written by Anonymous | Create an image from this poem

THE DEAD ROBIN

All through the win-ter, long and cold,
  Dear Minnie ev-ery morn-ing fed
The little spar-rows, pert and bold,
  And ro-bins, with their breasts so red.
She lov-ed to see the lit-tle birds Come flut-ter-ing to the win-dow pane, In answer to the gen-tle words With which she scat-ter-ed crumbs and grain.
One ro-bin, bol-der than the rest, Would perch up-on her fin-ger fair, And this of all she lov-ed the best, And daily fed with ten-der-est care.
But one sad morn, when Minnie came, Her pre-ci-ous lit-tle pet she found, Not hop-ping, when she call-ed his name, But ly-ing dead up-on the ground.

Book: Shattered Sighs