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Best Famous Dwellers Poems

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Written by William Wordsworth | Create an image from this poem

Lines Composed a Few Miles above Tintern Abbey

Five years have passed; five summers, with the length 
Of five long winters! and again I hear
These waters, rolling from their mountain-springs
With a soft inland murmur.
Once again Do I behold these steep and lofty cliffs, That on a wild secluded scene impress Thoughts of more deep seclusion; and connect The landscape with the quiet of the sky.
The day is come when I again repose Here, under this dark sycamore, and view These plots of cottage-ground, these orchard-tufts, Which at this season, with their unripe fruits, Are clad in one green hue, and lose themselves 'Mid groves and copses.
Once again I see These hedgerows, hardly hedgerows, little lines Of sportive wood run wild; these pastoral farms, Green to the very door; and wreaths of smoke Sent up, in silence, from among the trees! With some uncertain notice, as might seem Of vagrant dwellers in the houseless woods, Or of some Hermit's cave, where by his fire The Hermit sits alone.
These beauteous forms, Through a long absence, have not been to me As is a landscape to a blind man's eye; But oft, in lonely rooms, and 'mid the din Of towns and cities, I have owed to them, In hours of weariness, sensations sweet, Felt in the blood, and felt along the heart; And passing even into my purer mind With tranquil restoration—feelings too Of unremembered pleasure; such, perhaps, As have no slight or trivial influence On that best portion of a good man's life, His little, nameless, unremembered, acts Of kindness and of love.
Nor less, I trust, To them I may have owed another gift, Of aspect more sublime; that blessed mood, In which the burthen of the mystery, In which the heavy and the weary weight Of all this unintelligible world, Is lightened—that serene and blessed mood, In which the affections gently lead us on— Until, the breath of this corporeal frame And even the motion of our human blood Almost suspended, we are laid asleep In body, and become a living soul; While with an eye made quiet by the power Of harmony, and the deep power of joy, We see into the life of things.
If this Be but a vain belief, yet, oh! how oft— In darkness and amid the many shapes Of joyless daylight; when the fretful stir Unprofitable, and the fever of the world, Have hung upon the beatings of my heart— How oft, in spirit, have I turned to thee, O sylvan Wye! thou wanderer through the woods, How often has my spirit turned to thee! And now, with gleams of half-extinguished thought, With many recognitions dim and faint, And somewhat of a sad perplexity, The picture of the mind revives again; While here I stand, not only with the sense Of present pleasure, but with pleasing thoughts That in this moment there is life and food For future years.
And so I dare to hope, Though changed, no doubt, from what I was when first I came among these hills; when like a roe I bounded o'er the mountains, by the sides Of the deep rivers, and the lonely streams, Wherever nature led—more like a man Flying from something that he dreads than one Who sought the thing he loved.
For nature then (The coarser pleasures of my boyish days And their glad animal movements all gone by) To me was all in all.
—I cannot paint What then I was.
The sounding cataract Haunted me like a passion; the tall rock, The mountain, and the deep and gloomy wood, Their colors and their forms, were then to me An appetite; a feeling and a love, That had no need of a remoter charm, By thought supplied, not any interest Unborrowed from the eye.
—That time is past, And all its aching joys are now no more, And all its dizzy raptures.
Not for this Faint I, nor mourn nor murmur; other gifts Have followed; for such loss, I would believe, Abundant recompense.
For I have learned To look on nature, not as in the hour Of thoughtless youth; but hearing oftentimes The still sad music of humanity, Nor harsh nor grating, though of ample power To chasten and subdue.
And I have felt A presence that disturbs me with the joy Of elevated thoughts; a sense sublime Of something far more deeply interfused, Whose dwelling is the light of setting suns, And the round ocean and the living air, And the blue sky, and in the mind of man: A motion and a spirit, that impels All thinking things, all objects of all thought, And rolls through all things.
Therefore am I still A lover of the meadows and the woods, And mountains; and of all that we behold From this green earth; of all the mighty world Of eye, and ear—both what they half create, And what perceive; well pleased to recognize In nature and the language of the sense The anchor of my purest thoughts, the nurse, The guide, the guardian of my heart, and soul Of all my moral being.
Nor perchance, If I were not thus taught, should I the more Suffer my genial spirits to decay: For thou art with me here upon the banks Of this fair river; thou my dearest Friend, My dear, dear Friend; and in thy voice I catch The language of my former heart, and read My former pleasures in the shooting lights Of thy wild eyes.
Oh! yet a little while May I behold in thee what I was once, My dear, dear Sister! and this prayer I make, Knowing that Nature never did betray The heart that loved her; 'tis her privilege, Through all the years of this our life, to lead From joy to joy: for she can so inform The mind that is within us, so impress With quietness and beauty, and so feed With lofty thoughts, that neither evil tongues, Rash judgments, nor the sneers of selfish men, Nor greetings where no kindness is, nor all The dreary intercourse of daily life, Shall e'er prevail against us, or disturb Our cheerful faith, that all which we behold Is full of blessings.
Therefore let the moon Shine on thee in thy solitary walk; And let the misty mountain winds be free To blow against thee: and, in after years, When these wild ecstasies shall be matured Into a sober pleasure; when thy mind Shall be a mansion for all lovely forms, Thy memory be as a dwelling place For all sweet sounds and harmonies; oh! then, If solitude, or fear, or pain, or grief, Should be thy portion, with what healing thoughts Of tender joy wilt thou remember me, And these my exhortations! Nor, perchance— If I should be where I no more can hear Thy voice, nor catch from thy wild eyes these gleams Of past existence—wilt thou then forget That on the banks of this delightful stream We stood together; and that I, so long A worshipper of Nature, hither came Unwearied in that service; rather say With warmer love—oh! with far deeper zeal Of holier love.
Nor wilt thou then forget, That after many wanderings, many years Of absence, these steep woods and lofty cliffs, And this green pastoral landscape, were to me More dear, both for themselves and for thy sake!


Written by Bliss Carman | Create an image from this poem

On Love

 TO the assembled folk 
At great St.
Kavin’s spoke Young Brother Amiel on Christmas Eve; I give you joy, my friends, That as the round year ends, We meet once more for gladness by God’s leave.
On other festal days For penitence or praise Or prayer we meet, or fullness of thanksgiving; To-night we calendar The rising of that star Which lit the old world with new joy of living.
Ah, we disparage still The Tidings of Good Will, Discrediting Love’s gospel now as then! And with the verbal creed That God is love indeed, Who dares make Love his god before all men? Shall we not, therefore, friends, Resolve to make amends To that glad inspiration of the heart; To grudge not, to cast out Selfishness, malice, doubt, Anger and fear; and for the better part, To love so much, so well, The spirit cannot tell The range and sweep of her own boundary! There is no period Between the soul and God; Love is the tide, God the eternal sea.
… To-day we walk by love; To strive is not enough, Save against greed and ignorance and might.
We apprehend peace comes Not with the roll of drums, But in the still processions of the night.
And we perceive, not awe But love is the great law That binds the world together safe and whole.
The splendid planets run Their courses in the sun; Love is the gravitation of the soul.
In the profound unknown, Illumined, fair, and lone, Each star is set to shimmer in its place.
In the profound divine Each soul is set to shine, And its unique appointed orbit trace.
There is no near nor far, Where glorious Algebar Swings round his mighty circuit through the night, Yet where without a sound The winged seed comes to ground, And the red leaf seems hardly to alight.
One force, one lore, one need For satellite and seed, In the serene benignity for all.
Letting her time-glass run With star-dust, sun by sun, In Nature’s thought there is no great nor small.
There is no far nor near Within the spirit’s sphere.
The summer sunset’s scarlet-yellow wings Are tinged with the same dye That paints the tulip’s ply.
And what is colour but the soul of things? (The earth was without form; God moulded it with storm, Ice, flood, and tempest, gleaming tint and hue; Lest it should come to ill For lack of spirit still, He gave it colour,—let the love shine through.
)… Of old, men said, ‘Sin not; By every line and jot Ye shall abide; man’s heart is false and vile.
’ Christ said, ‘By love alone In man’s heart is God known; Obey the word no falsehood can defile.
’… And since that day we prove Only how great is love, Nor to this hour its greatness half believe.
For to what other power Will life give equal dower, Or chaos grant one moment of reprieve! Look down the ages’ line, Where slowly the divine Evinces energy, puts forth control; See mighty love alone Transmuting stock and stone, Infusing being, helping sense and soul.
And what is energy, In-working, which bids be The starry pageant and the life of earth? What is the genesis Of every joy and bliss, Each action dared, each beauty brought to birth? What hangs the sun on high? What swells the growing rye? What bids the loons cry on the Northern lake? What stirs in swamp and swale, When April winds prevail, And all the dwellers of the ground awake?… What lurks in the deep gaze Of the old wolf? Amaze, Hope, recognition, gladness, anger, fear.
But deeper than all these Love muses, yearns, and sees, And is the self that does not change nor veer.
Not love of self alone, Struggle for lair and bone, But self-denying love of mate and young, Love that is kind and wise, Knows trust and sacrifice, And croons the old dark universal tongue.
… And who has understood Our brothers of the wood, Save he who puts off guile and every guise Of violence,—made truce With panther, bear, and moose, As beings like ourselves whom love makes wise? For they, too, do love’s will, Our lesser clansmen still; The House of Many Mansions holds us all; Courageous, glad and hale, They go forth on the trail, Hearing the message, hearkening to the call.
… Open the door to-night Within your heart, and light The lantern of love there to shine afar.
On a tumultuous sea Some straining craft, maybe, With bearings lost, shall sight love’s silver star.
Written by Friedrich von Schiller | Create an image from this poem

The Ideal And The Actual Life

 Forever fair, forever calm and bright,
Life flies on plumage, zephyr-light,
For those who on the Olympian hill rejoice--
Moons wane, and races wither to the tomb,
And 'mid the universal ruin, bloom
The rosy days of Gods--With man, the choice,
Timid and anxious, hesitates between
The sense's pleasure and the soul's content;
While on celestial brows, aloft and sheen,
The beams of both are blent.
Seekest thou on earth the life of gods to share, Safe in the realm of death?--beware To pluck the fruits that glitter to thine eye; Content thyself with gazing on their glow-- Short are the joys possession can bestow, And in possession sweet desire will die.
'Twas not the ninefold chain of waves that bound Thy daughter, Ceres, to the Stygian river-- She plucked the fruit of the unholy ground, And so--was hell's forever! The weavers of the web--the fates--but sway The matter and the things of clay; Safe from change that time to matter gives, Nature's blest playmate, free at will to stray With gods a god, amidst the fields of day, The form, the archetype [39], serenely lives.
Would'st thou soar heavenward on its joyous wing? Cast from thee, earth, the bitter and the real, High from this cramped and dungeon being, spring Into the realm of the ideal! Here, bathed, perfection, in thy purest ray, Free from the clogs and taints of clay, Hovers divine the archetypal man! Dim as those phantom ghosts of life that gleam And wander voiceless by the Stygian stream,-- Fair as it stands in fields Elysian, Ere down to flesh the immortal doth descend:-- If doubtful ever in the actual life Each contest--here a victory crowns the end Of every nobler strife.
Not from the strife itself to set thee free, But more to nerve--doth victory Wave her rich garland from the ideal clime.
Whate'er thy wish, the earth has no repose-- Life still must drag thee onward as it flows, Whirling thee down the dancing surge of time.
But when the courage sinks beneath the dull Sense of its narrow limits--on the soul, Bright from the hill-tops of the beautiful, Bursts the attained goal! If worth thy while the glory and the strife Which fire the lists of actual life-- The ardent rush to fortune or to fame, In the hot field where strength and valor are, And rolls the whirling thunder of the car, And the world, breathless, eyes the glorious game-- Then dare and strive--the prize can but belong To him whose valor o'er his tribe prevails; In life the victory only crowns the strong-- He who is feeble fails.
But life, whose source, by crags around it piled, Chafed while confined, foams fierce and wild, Glides soft and smooth when once its streams expand, When its waves, glassing in their silver play, Aurora blent with Hesper's milder ray, Gain the still beautiful--that shadow-land! Here, contest grows but interchange of love, All curb is but the bondage of the grace; Gone is each foe,--peace folds her wings above Her native dwelling-place.
When, through dead stone to breathe a soul of light, With the dull matter to unite The kindling genius, some great sculptor glows; Behold him straining, every nerve intent-- Behold how, o'er the subject element, The stately thought its march laborious goes! For never, save to toil untiring, spoke The unwilling truth from her mysterious well-- The statue only to the chisel's stroke Wakes from its marble cell.
But onward to the sphere of beauty--go Onward, O child of art! and, lo! Out of the matter which thy pains control The statue springs!--not as with labor wrung From the hard block, but as from nothing sprung-- Airy and light--the offspring of the soul! The pangs, the cares, the weary toils it cost Leave not a trace when once the work is done-- The Artist's human frailty merged and lost In art's great victory won! [40] If human sin confronts the rigid law Of perfect truth and virtue [41], awe Seizes and saddens thee to see how far Beyond thy reach, perfection;--if we test By the ideal of the good, the best, How mean our efforts and our actions are! This space between the ideal of man's soul And man's achievement, who hath ever past? An ocean spreads between us and that goal, Where anchor ne'er was cast! But fly the boundary of the senses--live The ideal life free thought can give; And, lo, the gulf shall vanish, and the chill Of the soul's impotent despair be gone! And with divinity thou sharest the throne, Let but divinity become thy will! Scorn not the law--permit its iron band The sense (it cannot chain the soul) to thrall.
Let man no more the will of Jove withstand [42], And Jove the bolt lets fall! If, in the woes of actual human life-- If thou could'st see the serpent strife Which the Greek art has made divine in stone-- Could'st see the writhing limbs, the livid cheek, Note every pang, and hearken every shriek, Of some despairing lost Laocoon, The human nature would thyself subdue To share the human woe before thine eye-- Thy cheek would pale, and all thy soul be true To man's great sympathy.
But in the ideal realm, aloof and far, Where the calm art's pure dwellers are, Lo, the Laocoon writhes, but does not groan.
Here, no sharp grief the high emotion knows-- Here, suffering's self is made divine, and shows The brave resolve of the firm soul alone: Here, lovely as the rainbow on the dew Of the spent thunder-cloud, to art is given, Gleaming through grief's dark veil, the peaceful blue Of the sweet moral heaven.
So, in the glorious parable, behold How, bowed to mortal bonds, of old Life's dreary path divine Alcides trod: The hydra and the lion were his prey, And to restore the friend he loved to-day, He went undaunted to the black-browed god; And all the torments and the labors sore Wroth Juno sent--the meek majestic one, With patient spirit and unquailing, bore, Until the course was run-- Until the god cast down his garb of clay, And rent in hallowing flame away The mortal part from the divine--to soar To the empyreal air! Behold him spring Blithe in the pride of the unwonted wing, And the dull matter that confined before Sinks downward, downward, downward as a dream! Olympian hymns receive the escaping soul, And smiling Hebe, from the ambrosial stream, Fills for a god the bowl!
Written by George (Lord) Byron | Create an image from this poem

A Spirit Passed Before Me

 From Job

A spirit passed before me: I beheld
The face of immortality unveiled— 
Deep sleep came down on every eye save mine— 
And there it stood,—all formless—but divine:
Along my bones the creeping flesh did quake;
And as my damp hair stiffened, thus it spake:

"Is man more just than God? Is man more pure
Than He who deems even Seraphs insecure?
Creatures of clay—vain dwellers in the dust!
The moth survives you, and are ye more just?
Things of a day! you wither ere the night,
Heedless and blind to Wisdom's wasted light!"
Written by Walt Whitman | Create an image from this poem

1861

 AARM’D year! year of the struggle! 
No dainty rhymes or sentimental love verses for you, terrible year! 
Not you as some pale poetling, seated at a desk, lisping cadenzas piano; 
But as a strong man, erect, clothed in blue clothes, advancing, carrying a rifle on your
 shoulder, 
With well-gristled body and sunburnt face and hands—with a knife in the belt at your
 side,
As I heard you shouting loud—your sonorous voice ringing across the continent; 
Your masculine voice, O year, as rising amid the great cities, 
Amid the men of Manhattan I saw you, as one of the workmen, the dwellers in Manhattan; 
Or with large steps crossing the prairies out of Illinois and Indiana, 
Rapidly crossing the West with springy gait, and descending the Alleghanies;
Or down from the great lakes, or in Pennsylvania, or on deck along the Ohio river; 
Or southward along the Tennessee or Cumberland rivers, or at Chattanooga on the mountain
 top, 
Saw I your gait and saw I your sinewy limbs, clothed in blue, bearing weapons, robust
 year; 
Heard your determin’d voice, launch’d forth again and again; 
Year that suddenly sang by the mouths of the round-lipp’d cannon,
I repeat you, hurrying, crashing, sad, distracted year.


Written by William Cullen Bryant | Create an image from this poem

Love and Folly

 Love's worshippers alone can know
The thousand mysteries that are his;
His blazing torch, his twanging bow,
His blooming age are mysteries.
A charming science--but the day Were all too short to con it o'er; So take of me this little lay, A sample of its boundless lore.
As once, beneath the fragrant shade Of myrtles breathing heaven's own air, The children, Love and Folly, played-- A quarrel rose betwixt the pair.
Love said the gods should do him right-- But Folly vowed to do it then, And struck him, o'er the orbs of sight, So hard, he never saw again.
His lovely mother's grief was deep, She called for vengeance on the deed; A beauty does not vainly weep, Nor coldly does a mother plead.
A shade came o'er the eternal bliss That fills the dwellers of the skies; Even stony-hearted Nemesis, And Rhadamanthus, wiped their eyes.
"Behold," she said, "this lovely boy," While streamed afresh her graceful tears, "Immortal, yet shut out from joy And sunshine, all his future years.
The child can never take, you see, A single step without a staff-- The harshest punishment would be Too lenient for the crime by half.
" All said that Love had suffered wrong, And well that wrong should be repaid; Then weighed the public interest long, And long the party's interest weighed.
And thus decreed the court above-- "Since Love is blind from Folly's blow, Let Folly be the guide of Love, Where'er the boy may choose to go.
"
Written by Seamus Heaney | Create an image from this poem

Anahorish

 My "place of clear water,"
the first hill in the world
where springs washed into
the shiny grass

and darkened cobbles
in the bed of the lane.
Anahorish, soft gradient of consonant, vowel-meadow, after-image of lamps swung through the yards on winter evenings.
With pails and barrows those mound-dwellers go waist-deep in mist to break the light ice at wells and dunghills.
Written by Sidney Lanier | Create an image from this poem

Clover

 Inscribed to the Memory of John Keats.
Dear uplands, Chester's favorable fields, My large unjealous Loves, many yet one -- A grave good-morrow to your Graces, all, Fair tilth and fruitful seasons! Lo, how still! The midmorn empties you of men, save me; Speak to your lover, meadows! None can hear.
I lie as lies yon placid Brandywine, Holding the hills and heavens in my heart For contemplation.
'Tis a perfect hour.
From founts of dawn the fluent autumn day Has rippled as a brook right pleasantly Half-way to noon; but now with widening turn Makes pause, in lucent meditation locked, And rounds into a silver pool of morn, Bottom'd with clover-fields.
My heart just hears Eight lingering strokes of some far village-bell, That speak the hour so inward-voiced, meseems Time's conscience has but whispered him eight hints Of revolution.
Reigns that mild surcease That stills the middle of each rural morn -- When nimble noises that with sunrise ran About the farms have sunk again to rest; When Tom no more across the horse-lot calls To sleepy Dick, nor Dick husk-voiced upbraids The sway-back'd roan for stamping on his foot With sulphurous oath and kick in flank, what time The cart-chain clinks across the slanting shaft, And, kitchenward, the rattling bucket plumps Souse down the well, where quivering ducks quack loud, And Susan Cook is singing.
Up the sky The hesitating moon slow trembles on, Faint as a new-washed soul but lately up From out a buried body.
Far about, A hundred slopes in hundred fantasies Most ravishingly run, so smooth of curve That I but seem to see the fluent plain Rise toward a rain of clover-blooms, as lakes Pout gentle mounds of plashment up to meet Big shower-drops.
Now the little winds, as bees, Bowing the blooms come wandering where I lie Mixt soul and body with the clover-tufts, Light on my spirit, give from wing and thigh Rich pollens and divine sweet irritants To every nerve, and freshly make report Of inmost Nature's secret autumn-thought Unto some soul of sense within my frame That owns each cognizance of the outlying five, And sees, hears, tastes, smells, touches, all in one.
Tell me, dear Clover (since my soul is thine, Since I am fain give study all the day, To make thy ways my ways, thy service mine, To seek me out thy God, my God to be, And die from out myself to live in thee) -- Now, Cousin Clover, tell me in mine ear: Go'st thou to market with thy pink and green? Of what avail, this color and this grace? Wert thou but squat of stem and brindle-brown, Still careless herds would feed.
A poet, thou: What worth, what worth, the whole of all thine art? Three-Leaves, instruct me! I am sick of price.
Framed in the arching of two clover-stems Where-through I gaze from off my hill, afar, The spacious fields from me to Heaven take on Tremors of change and new significance To th' eye, as to the ear a simple tale Begins to hint a parable's sense beneath.
The prospect widens, cuts all bounds of blue Where horizontal limits bend, and spreads Into a curious-hill'd and curious-valley'd Vast, Endless before, behind, around; which seems Th' incalculable Up-and-Down of Time Made plain before mine eyes.
The clover-stems Still cover all the space; but now they bear, For clover-blooms, fair, stately heads of men With poets' faces heartsome, dear and pale -- Sweet visages of all the souls of time Whose loving service to the world has been In the artist's way expressed and bodied.
Oh, In arms' reach, here be Dante, Keats, Chopin, Raphael, Lucretius, Omar, Angelo, Beethoven, Chaucer, Schubert, Shakespeare, Bach, And Buddha (sweetest masters! Let me lay These arms this once, this humble once, about Your reverend necks -- the most containing clasp, For all in all, this world e'er saw!) and there, Yet further on, bright throngs unnamable Of workers worshipful, nobilities In the Court of Gentle Service, silent men, Dwellers in woods, brooders on helpful art, And all the press of them, the fair, the large, That wrought with beauty.
Lo, what bulk is here? Now comes the Course-of-things, shaped like an Ox, Slow browsing, o'er my hillside, ponderously -- The huge-brawned, tame, and workful Course-of-things, That hath his grass, if earth be round or flat, And hath his grass, if empires plunge in pain Or faiths flash out.
This cool, unasking Ox Comes browsing o'er my hills and vales of Time, And thrusts me out his tongue, and curls it, sharp, And sicklewise, about my poets' heads, And twists them in, all -- Dante, Keats, Chopin, Raphael, Lucretius, Omar, Angelo, Beethoven, Chaucer, Schubert, Shakespeare, Bach, And Buddha, in one sheaf -- and champs and chews, With slantly-churning jaws, and swallows down; Then slowly plants a mighty forefoot out, And makes advance to futureward, one inch.
So: they have played their part.
And to this end? This, God? This, troublous-breeding Earth? This, Sun Of hot, quick pains? To this no-end that ends, These Masters wrought, and wept, and sweated blood, And burned, and loved, and ached with public shame, And found no friends to breathe their loves to, save Woods and wet pillows? This was all? This Ox? "Nay," quoth a sum of voices in mine ear, "God's clover, we, and feed His Course-of-things; The pasture is God's pasture; systems strange Of food and fiberment He hath, whereby The general brawn is built for plans of His To quality precise.
Kinsman, learn this: The artist's market is the heart of man; The artist's price, some little good of man.
Tease not thy vision with vain search for ends.
The End of Means is art that works by love.
The End of Ends .
.
.
in God's Beginning's lost.
"
Written by William Shakespeare | Create an image from this poem

Sonnet CXXV

  Were 't aught to me I bore the canopy,
With my extern the outward honouring,
Or laid great bases for eternity,
Which prove more short than waste or ruining?
Have I not seen dwellers on form and favour
Lose all, and more, by paying too much rent,
For compound sweet forgoing simple savour,
Pitiful thrivers, in their gazing spent?
No, let me be obsequious in thy heart,
And take thou my oblation, poor but free,
Which is not mix'd with seconds, knows no art,
But mutual render, only me for thee.
Hence, thou suborn'd informer! a true soul When most impeach'd stands least in thy control.
Written by Thomas Hardy | Create an image from this poem

Architectural Masks

 I

There is a house with ivied walls, 
And mullioned windows worn and old, 
And the long dwellers in those halls 
Have souls that know but sordid calls, 
And dote on gold.
II In a blazing brick and plated show Not far away a 'villa' gleams, And here a family few may know, With book and pencil, viol and bow, Lead inner lives of dreams.
III The philosophic passers say, 'See that old mansion mossed and fair, Poetic souls therein are they: And O that gaudy box! Away, You vulgar people there.
'

Book: Shattered Sighs