Written by
Richard Aldington |
I
The bitterness. the misery, the wretchedness of childhood
Put me out of love with God.
I can't believe in God's goodness;
I can believe
In many avenging gods.
Most of all I believe
In gods of bitter dullness,
Cruel local gods
Who scared my childhood.
II
I've seen people put
A chrysalis in a match-box,
"To see," they told me, "what sort of moth would come."
But when it broke its shell
It slipped and stumbled and fell about its prison
And tried to climb to the light
For space to dry its wings.
That's how I was.
Somebody found my chrysalis
And shut it in a match-box.
My shrivelled wings were beaten,
Shed their colours in dusty scales
Before the box was opened
For the moth to fly.
III
I hate that town;
I hate the town I lived in when I was little;
I hate to think of it.
There wre always clouds, smoke, rain
In that dingly little valley.
It rained; it always rained.
I think I never saw the sun until I was nine --
And then it was too late;
Everything's too late after the first seven years.
The long street we lived in
Was duller than a drain
And nearly as dingy.
There were the big College
And the pseudo-Gothic town-hall.
There were the sordid provincial shops --
The grocer's, and the shops for women,
The shop where I bought transfers,
And the piano and gramaphone shop
Where I used to stand
Staring at the huge shiny pianos and at the pictures
Of a white dog looking into a gramaphone.
How dull and greasy and grey and sordid it was!
On wet days -- it was always wet --
I used to kneel on a chair
And look at it from the window.
The dirty yellow trams
Dragged noisily along
With a clatter of wheels and bells
And a humming of wires overhead.
They threw up the filthy rain-water from the hollow lines
And then the water ran back
Full of brownish foam bubbles.
There was nothing else to see --
It was all so dull --
Except a few grey legs under shiny black umbrellas
Running along the grey shiny pavements;
Sometimes there was a waggon
Whose horses made a strange loud hollow sound
With their hoofs
Through the silent rain.
And there was a grey museum
Full of dead birds and dead insects and dead animals
And a few relics of the Romans -- dead also.
There was a sea-front,
A long asphalt walk with a bleak road beside it,
Three piers, a row of houses,
And a salt dirty smell from the little harbour.
I was like a moth --
Like one of those grey Emperor moths
Which flutter through the vines at Capri.
And that damned little town was my match-box,
Against whose sides I beat and beat
Until my wings were torn and faded, and dingy
As that damned little town.
IV
At school it was just as dull as that dull High Street.
The front was dull;
The High Street and the other street were dull --
And there was a public park, I remember,
And that was damned dull, too,
With its beds of geraniums no one was allowed to pick,
And its clipped lawns you weren't allowed to walk on,
And the gold-fish pond you mustn't paddle in,
And the gate made out of a whale's jaw-bones,
And the swings, which were for "Board-School children,"
And its gravel paths.
And on Sundays they rang the bells,
From Baptist and Evangelical and Catholic churches.
They had a Salvation Army.
I was taken to a High Church;
The parson's name was Mowbray,
"Which is a good name but he thinks too much of it --"
That's what I heard people say.
I took a little black book
To that cold, grey, damp, smelling church,
And I had to sit on a hard bench,
Wriggle off it to kneel down when they sang psalms
And wriggle off it to kneel down when they prayed,
And then there was nothing to do
Except to play trains with the hymn-books.
There was nothing to see,
Nothing to do,
Nothing to play with,
Except that in an empty room upstairs
There was a large tin box
Containing reproductions of the Magna Charta,
Of the Declaration of Independence
And of a letter from Raleigh after the Armada.
There were also several packets of stamps,
Yellow and blue Guatemala parrots,
Blue stags and red baboons and birds from Sarawak,
Indians and Men-of-war
From the United States,
And the green and red portraits
Of King Francobello
Of Italy.
V
I don't believe in God.
I do believe in avenging gods
Who plague us for sins we never sinned
But who avenge us.
That's why I'll never have a child,
Never shut up a chrysalis in a match-box
For the moth to spoil and crush its brght colours,
Beating its wings against the dingy prison-wall.
|
Written by
Robert Frost |
Spades take up leaves
No better than spoons,
And bags full of leaves
Are light as balloons.
I make a great noise
Of rustling all day
Like rabbit and deer
Running away.
But the mountains I raise
Elude my embrace,
Flowing over my arms
And into my face.
I may load and unload
Again and again
Till I fill the whole shed,
And what have I then?
Next to nothing for weight,
And since they grew duller
From contact with earth,
Next to nothing for color.
Next to nothing for use.
But a crop is a crop,
And who's to say where
The harvest shall stop?
|
Written by
Aleister Crowley |
[Dedicated to General J.C.F. Fuller]
Velvet soft the night-star glowed
Over the untrodden road,
Through the giant glades of yew
Where its ray fell light as dew
Lighting up the shimmering veil
Maiden pure and aery frail
That the spiders wove to hide
Blushes of the sylvan bride
Earth, that trembled with delight
At the male caress of Night.
Velvet soft the wizard trod
To the Sabbath of his God.
With his naked feet he made
Starry blossoms in the glade,
Softly, softly, as he went
To the sombre sacrament,
Stealthy stepping to the tryst
In his gown of amethyst.
Earlier yet his soul had come
To the Hill of Martyrdom,
Where the charred and crooked stake
Like a black envenomed snake
By the hangman's hands is thrust
Through the wet and writhing dust,
Never black and never dried
Heart's blood of a suicide.
He had plucked the hazel rod
From the rude and goatish god,
Even as the curved moon's waning ray
Stolen from the King of Day.
He had learnt the elvish sign;
Given the Token of the Nine:
Once to rave, and once to revel,
Once to bow before the devil,
Once to swing the thurible,
Once to kiss the goat of hell,
Once to dance the aspen spring,
Once to croak, and once to sing,
Once to oil the savoury thighs
Of the witch with sea-green eyes
With the unguents magical.
Oh the honey and the gall
Of that black enchanter's lips
As he croons to the eclipse
Mingling that most puissant spell
Of the giant gods of hell
With the four ingredients
Of the evil elements;
Ambergris from golden spar,
Musk of ox from Mongol jar,
Civet from a box of jade,
Mixed with fat of many a maid
Slain by the inchauntments cold
Of the witches wild and old.
He had crucified a toad
In the basilisk abode,
Muttering the Runes averse
Mad with many a mocking curse.
He had traced the serpent sigil
In his ghastly virgin vigil.
Sursum cor! the elfin hill,
Where the wind blows deadly chill
From the world that wails beneath
Death's black throat and lipless teeth.
There he had stood - his bosom bare -
Tracing Life upon the Air
With the crook and with the flail
Lashing forward on the gale,
Till its blade that wavereth
Like the flickering of Death
Sank before his subtle fence
To the starless sea of sense.
Now at last the man is come
Haply to his halidom.
Surely as he waves his rod
In a circle on the sod
Springs the emerald chaste and clean
From the duller paler green.
Surely in the circle millions
Of immaculate pavilions
Flash upon the trembling turf
Like the sea-stars in the surf -
Millions of bejewelled tents
For the warrior sacraments.
Vaster, vaster, vaster, vaster,
Grows the stature of the master;
All the ringed encampment vies
With the infinite galaxies.
In the midst a cubic stone
With the Devil set thereon;
Hath a lamb's virginal throat;
Hath the body of a stoat;
Hath the buttocks of a goat;
Hath the sanguine face and rod
Of a goddess and a god!
Spell by spell and pace by pace!
Mystic flashes swing and trace
Velvet soft the sigils stepped
By the silver-starred adept.
Back and front, and to and fro,
Soul and body sway and flow
In vertiginous caresses
To imponderable recesses,
Till at last the spell is woven,
And the faery veil is cloven
That was Sequence, Space, and Stress
Of the soul-sick consciousness.
"Give thy body to the beasts!
Give thy spirit to the priests!
Break in twain the hazel rod
On the virgin lips of God!
Tear the Rosy Cross asunder!
Shatter the black bolt of thunder!
Suck the swart ensanguine kiss
Of the resolute abyss!"
Wonder-weft the wizard heard
This intolerable word.
Smote the blasting hazel rod
On the scarlet lips of God;
Trampled Cross and rosy core;
Brake the thunder-tool of Thor;
Meek and holy acolyte
Of the priestly hells of spite,
Sleek and shameless catamite
Of the beasts that prowl the night!
Like a star that streams from heaven
Through the virgin airs light-riven,
From the lift there shot and fell
An admirable miracle.
Carved minute and clean, a key
Of purest lapis-lazuli
More blue than the blind sky that aches
(Wreathed with the stars, her torturing snakes),
For the dead god's kiss that never wakes;
Shot with golden specks of fire
Like a virgin with desire.
Look, the levers! fern-frail fronds
Of fantastic diamonds,
Glimmering with ethereal azure
In each exquisite embrasure.
On the shaft the letters laced,
As if dryads lunar-chaste
With the satyrs were embraced,
Spelled the secret of the key:
Sic pervenias. And he
Went his wizard way, inweaving
Dreams of things beyond believing.
When he will, the weary world
Of the senses closely curled
Like a serpent round his heart
Shakes herself and stands apart.
So the heart's blood flames, expanding,
Strenuous, urgent, and commanding;
And the key unlocks the door
Where his love lives evermore.
She is of the faery blood;
All smaragdine flows its flood.
Glowing in the amber sky
To ensorcelled porphyry
She hath eyes of glittering flake
Like a cold grey water-snake.
She hath naked breasts of amber
Jetting wine in her bed-chamber,
Whereof whoso stoops and drinks
Rees the riddle of the Sphinx.
She hath naked limbs of amber
Whereupon her children clamber.
She hath five navels rosy-red
From the five wounds of God that bled;
Each wound that mothered her still bleeding,
And on that blood her babes are feeding.
Oh! like a rose-winged pelican
She hath bred blessed babes to Pan!
Oh! like a lion-hued nightingale
She hath torn her breast on thorns to avail
The barren rose-tree to renew
Her life with that disastrous dew,
Building the rose o' the world alight
With music out of the pale moonlight!
O She is like the river of blood
That broke from the lips of the bastard god,
When he saw the sacred mother smile
On the ibis that flew up the foam of Nile
Bearing the limbs unblessed, unborn,
That the lurking beast of Nile had torn!
So (for the world is weary) I
These dreadful souls of sense lay by.
I sacrifice these impure shoon
To the cold ray of the waning moon.
I take the forked hazel staff,
And the rose of no terrene graff,
And the lamp of no olive oil
With heart's blood that alone may boil.
With naked breast and feet unshod
I follow the wizard way to God.
Wherever he leads my foot shall follow;
Over the height, into the hollow,
Up to the caves of pure cold breath,
Down to the deeps of foul hot death,
Across the seas, through the fires,
Past the palace of desires;
Where he will, whether he will or no,
If I go, I care not whither I go.
For in me is the taint of the faery blood.
Fast, fast its emerald flood
Leaps within me, violent rude
Like a bestial faun's beatitude.
In me the faery blood runs hard:
My sires were a druid, a devil, a bard,
A beast, a wizard, a snake and a satyr;
For - as my mother said - what does it matter?
She was a fay, pure of the faery;
Queen Morgan's daughter by an aery
Demon that came to Orkney once
To pay the Beetle his orisons.
So, it is I that writhe with the twitch
Of the faery blood, and the wizard itch
To attain a matter one may not utter
Rather than sink in the greasy splutter
Of Britons munching their bread and butter;
Ailing boys and coarse-grained girls
Grown to sloppy women and brutal churls.
So, I am off with staff in hand
To the endless light of the nameless land.
Darkness spreads its sombre streams,
Blotting out the elfin dreams.
I might haply be afraid,
Were it not the Feather-maid
Leads me softly by the hand,
Whispers me to understand.
Now (when through the world of weeping
Light at last starrily creeping
Steals upon my babe-new sight,
Light - O light that is not light!)
On my mouth the lips of her
Like a stone on my sepulchre
Seal my speech with ecstasy,
Till a babe is born of me
That is silent more than I;
For its inarticulate cry
Hushes as its mouth is pressed
To the pearl, her honey breast;
While its breath divinely ripples
The rose-petals of her nipples,
And the jetted milk he laps
From the soft delicious paps,
Sweeter than the bee-sweet showers
In the chalice of the flowers,
More intoxicating than
All the purple grapes of Pan.
Ah! my proper lips are stilled.
Only, all the world is filled
With the Echo, that drips over
Like the honey from the clover.
Passion, penitence, and pain
Seek their mother's womb again,
And are born the triple treasure,
Peace and purity and pleasure.
- Hush, my child, and come aloft
Where the stars are velvet soft!
|
Written by
Edna St. Vincent Millay |
The room is full of you!—As I came in
And closed the door behind me, all at once
A something in the air, intangible,
Yet stiff with meaning, struck my senses sick!—
Sharp, unfamiliar odors have destroyed
Each other room's dear personality.
The heavy scent of damp, funereal flowers,—
The very essence, hush-distilled, of Death—
Has strangled that habitual breath of home
Whose expiration leaves all houses dead;
And wheresoe'er I look is hideous change.
Save here. Here 'twas as if a weed-choked gate
Had opened at my touch, and I had stepped
Into some long-forgot, enchanted, strange,
Sweet garden of a thousand years ago
And suddenly thought, "I have been here before!"
You are not here. I know that you are gone,
And will not ever enter here again.
And yet it seems to me, if I should speak,
Your silent step must wake across the hall;
If I should turn my head, that your sweet eyes
Would kiss me from the door.—So short a time
To teach my life its transposition to
This difficult and unaccustomed key!—
The room is as you left it; your last touch—
A thoughtless pressure, knowing not itself
As saintly—hallows now each simple thing;
Hallows and glorifies, and glows between
The dust's grey fingers like a shielded light.
There is your book, just as you laid it down,
Face to the table,—I cannot believe
That you are gone!—Just then it seemed to me
You must be here. I almost laughed to think
How like reality the dream had been;
Yet knew before I laughed, and so was still.
That book, outspread, just as you laid it down!
Perhaps you thought, "I wonder what comes next,
And whether this or this will be the end";
So rose, and left it, thinking to return.
Perhaps that chair, when you arose and passed
Out of the room, rocked silently a while
Ere it again was still. When you were gone
Forever from the room, perhaps that chair,
Stirred by your movement, rocked a little while,
Silently, to and fro...
And here are the last words your fingers wrote,
Scrawled in broad characters across a page
In this brown book I gave you. Here your hand,
Guiding your rapid pen, moved up and down.
Here with a looping knot you crossed a "t,"
And here another like it, just beyond
These two eccentric "e's." You were so small,
And wrote so brave a hand!
How strange it seems
That of all words these are the words you chose!
And yet a simple choice; you did not know
You would not write again. If you had known—
But then, it does not matter,—and indeed
If you had known there was so little time
You would have dropped your pen and come to me
And this page would be empty, and some phrase
Other than this would hold my wonder now.
Yet, since you could not know, and it befell
That these are the last words your fingers wrote,
There is a dignity some might not see
In this, "I picked the first sweet-pea to-day."
To-day! Was there an opening bud beside it
You left until to-morrow?—O my love,
The things that withered,—and you came not back
That day you filled this circle of my arms
That now is empty. (O my empty life!)
That day—that day you picked the first sweet-pea,—
And brought it in to show me! I recall
With terrible distinctness how the smell
Of your cool gardens drifted in with you.
I know, you held it up for me to see
And flushed because I looked not at the flower,
But at your face; and when behind my look
You saw such unmistakable intent
You laughed and brushed your flower against my lips.
(You were the fairest thing God ever made,
I think.) And then your hands above my heart
Drew down its stem into a fastening,
And while your head was bent I kissed your hair.
I wonder if you knew. (Beloved hands!
Somehow I cannot seem to see them still.
Somehow I cannot seem to see the dust
In your bright hair.) What is the need of Heaven
When earth can be so sweet?—If only God
Had let us love,—and show the world the way!
Strange cancellings must ink th' eternal books
When love-crossed-out will bring the answer right!
That first sweet-pea! I wonder where it is.
It seems to me I laid it down somewhere,
And yet,—I am not sure. I am not sure,
Even, if it was white or pink; for then
'Twas much like any other flower to me
Save that it was the first. I did not know
Then, that it was the last. If I had known—
But then, it does not matter. Strange how few,
After all's said and done, the things that are
Of moment.
Few indeed! When I can make
Of ten small words a rope to hang the world!
"I had you and I have you now no more."
There, there it dangles,—where's the little truth
That can for long keep footing under that
When its slack syllables tighten to a thought?
Here, let me write it down! I wish to see
Just how a thing like that will look on paper!
"I had you and I have you now no more."
O little words, how can you run so straight
Across the page, beneath the weight you bear?
How can you fall apart, whom such a theme
Has bound together, and hereafter aid
In trivial expression, that have been
So hideously dignified?—Would God
That tearing you apart would tear the thread
I strung you on! Would God—O God, my mind
Stretches asunder on this merciless rack
Of imagery! O, let me sleep a while!
Would I could sleep, and wake to find me back
In that sweet summer afternoon with you.
Summer? Tis summer still by the calendar!
How easily could God, if He so willed,
Set back the world a little turn or two!
Correct its griefs, and bring its joys again!
We were so wholly one I had not thought
That we could die apart. I had not thought
That I could move,—and you be stiff and still!
That I could speak,—and you perforce be dumb!
I think our heart-strings were, like warp and woof
In some firm fabric, woven in and out;
Your golden filaments in fair design
Across my duller fibre. And to-day
The shining strip is rent; the exquisite
Fine pattern is destroyed; part of your heart
Aches in my breast; part of my heart lies chilled
In the damp earth with you. I have been tom
In two, and suffer for the rest of me.
What is my life to me? And what am I
To life,—a ship whose star has guttered out?
A Fear that in the deep night starts awake
Perpetually, to find its senses strained
Against the taut strings of the quivering air,
Awaiting the return of some dread chord?
Dark, Dark, is all I find for metaphor;
All else were contrast,—save that contrast's wall
Is down, and all opposed things flow together
Into a vast monotony, where night
And day, and frost and thaw, and death and life,
Are synonyms. What now—what now to me
Are all the jabbering birds and foolish flowers
That clutter up the world? You were my song!
Now, let discord scream! You were my flower!
Now let the world grow weeds! For I shall not
Plant things above your grave—(the common balm
Of the conventional woe for its own wound!)
Amid sensations rendered negative
By your elimination stands to-day,
Certain, unmixed, the element of grief;
I sorrow; and I shall not mock my truth
With travesties of suffering, nor seek
To effigy its incorporeal bulk
In little wry-faced images of woe.
I cannot call you back; and I desire
No utterance of my immaterial voice.
I cannot even turn my face this way
Or that, and say, "My face is turned to you";
I know not where you are, I do not know
If Heaven hold you or if earth transmute,
Body and soul, you into earth again;
But this I know:—not for one second's space
Shall I insult my sight with visionings
Such as the credulous crowd so eager-eyed
Beholds, self-conjured, in the empty air.
Let the world wail! Let drip its easy tears!
My sorrow shall be dumb!
—What do I say?
God! God!—God pity me! Am I gone mad
That I should spit upon a rosary?
Am I become so shrunken? Would to God
I too might feel that frenzied faith whose touch
Makes temporal the most enduring grief;
Though it must walk a while, as is its wont,
With wild lamenting! Would I too might weep
Where weeps the world and hangs its piteous wreaths
For its new dead! Not Truth, but Faith, it is
That keeps the world alive. If all at once
Faith were to slacken,—that unconscious faith
Which must, I know, yet be the corner-stone
Of all believing,—birds now flying fearless
Across would drop in terror to the earth;
Fishes would drown; and the all-governing reins
Would tangle in the frantic hands of God
And the worlds gallop headlong to destruction!
O God, I see it now, and my sick brain
Staggers and swoons! How often over me
Flashes this breathlessness of sudden sight
In which I see the universe unrolled
Before me like a scroll and read thereon
Chaos and Doom, where helpless planets whirl
Dizzily round and round and round and round,
Like tops across a table, gathering speed
With every spin, to waver on the edge
One instant—looking over—and the next
To shudder and lurch forward out of sight—
* * * * * * *
Ah, I am worn out—I am wearied out—
It is too much—I am but flesh and blood,
And I must sleep. Though you were dead again,
I am but flesh and blood and I must sleep.
|
Written by
Robert Graves |
AN IDYLL
Back from the Somme two Fusiliers
Limped painfully home; the elder said,
S. “Robert, I’ve lived three thousand years
This Summer, and I’m nine parts dead.”
R. “But if that’s truly so,” I cried, “quick, now,
Through these great oaks and see the famous bough
”Where once a nonsense built her nest
With skulls and flowers and all things *****,
In an old boot, with patient breast
Hatching three eggs; and the next year…”
S. “Foaled thirteen squamous young beneath, and rid
Wales of drink, melancholy, and psalms, she did.”
Said he, “Before this quaint mood fails,
We’ll sit and weave a nonsense hymn,”
R. “Hanging it up with monkey tails
In a deep grove all hushed and dim….”
S. “To glorious yellow-bunched banana-trees,”
R. “Planted in dreams by pious Portuguese,”
S. “Which men are wise beyond their time,
And worship nonsense, no one more.”
R. “Hard by, among old quince and lime,
They’ve built a temple with no floor,”
S. “And whosoever worships in that place,
He disappears from sight and leaves no trace.”
R. “Once the Galatians built a fane
To Sense: what duller God than that?”
S. “But the first day of autumn rain
The roof fell in and crushed them flat.”
R. “Ay, for a roof of subtlest logic falls
When nonsense is foundation for the walls.”
I tell him old Galatian tales;
He caps them in quick Portuguese,
While phantom creatures with green scales
Scramble and roll among the trees.
The hymn swells; on a bough above us sings
A row of bright pink birds, flapping their wings.
|
Written by
Friedrich von Schiller |
"What knight or what vassal will be so bold
As to plunge in the gulf below?
See! I hurl in its depths a goblet of gold,
Already the waters over it flow.
The man who can bring back the goblet to me,
May keep it henceforward,--his own it shall be."
Thus speaks the king, and he hurls from the height
Of the cliffs that, rugged and steep,
Hang over the boundless sea, with strong might,
The goblet afar, in the bellowing deep.
"And who'll be so daring,--I ask it once more,--
As to plunge in these billows that wildly roar?"
And the vassals and knights of high degree
Hear his words, but silent remain.
They cast their eyes on the raging sea,
And none will attempt the goblet to gain.
And a third time the question is asked by the king:
"Is there none that will dare in the gulf now to spring?"
Yet all as before in silence stand,
When a page, with a modest pride,
Steps out of the timorous squirely band,
And his girdle and mantle soon throws aside,
And all the knights, and the ladies too,
The noble stripling with wonderment view.
And when he draws nigh to the rocky brow,
And looks in the gulf so black,
The waters that she had swallowed but now,
The howling Charybdis is giving back;
And, with the distant thunder's dull sound.
From her gloomy womb they all-foaming rebound.
And it boils and it roars, and it hisses and seethes,
As when water and fire first blend;
To the sky spurts the foam in steam-laden wreaths,
And wave presses hard upon wave without end.
And the ocean will never exhausted be,
As if striving to bring forth another sea.
But at length the wild tumult seems pacified,
And blackly amid the white swell
A gaping chasm its jaws opens wide,
As if leading down to the depths of hell:
And the howling billows are seen by each eye
Down the whirling funnel all madly to fly.
Then quickly, before the breakers rebound,
The stripling commends him to Heaven,
And--a scream of horror is heard around,--
And now by the whirlpool away he is driven,
And secretly over the swimmer brave
Close the jaws, and he vanishes 'neath the dark wave.
O'er the watery gulf dread silence now lies,
But the deep sends up a dull yell,
And from mouth to mouth thus trembling it flies:
"Courageous stripling, oh, fare thee well!"
And duller and duller the howls recommence,
While they pause in anxious and fearful suspense.
"If even thy crown in the gulf thou shouldst fling,
And shouldst say, 'He who brings it to me
Shall wear it henceforward, and be the king,'
Thou couldst tempt me not e'en with that precious foe;
What under the howling deep is concealed
To no happy living soul is revealed!"
Full many a ship, by the whirlpool held fast,
Shoots straightway beneath the mad wave,
And, dashed to pieces, the hull and the mast
Emerge from the all-devouring grave,--
And the roaring approaches still nearer and nearer,
Like the howl of the tempest, still clearer and clearer.
And it boils and it roars, and it hisses and seethes,
As when water and fire first blend;
To the sky spurts the foam in steam-laden wreaths,
And wave passes hard upon wave without end.
And, with the distant thunder's dull sound,
From the ocean-womb they all-bellowing bound.
And lo! from the darkly flowing tide
Comes a vision white as a swan,
And an arm and a glistening neck are descried,
With might and with active zeal steering on;
And 'tis he, and behold! his left hand on high
Waves the goblet, while beaming with joy is his eye.
Then breathes he deeply, then breathes he long,
And blesses the light of the day;
While gladly exclaim to each other the throng:
"He lives! he is here! he is not the sea's prey!
From the tomb, from the eddying waters' control,
The brave one has rescued his living soul!"
And he comes, and they joyously round him stand;
At the feet of the monarch he falls,--
The goblet he, kneeling, puts in his hand,
And the king to his beauteous daughter calls,
Who fills it with sparkling wine to the brim;
The youth turns to the monarch, and speaks thus to him:
"Long life to the king! Let all those be glad
Who breathe in the light of the sky!
For below all is fearful, of moment sad;
Let not man to tempt the immortals e'er try,
Let him never desire the thing to see
That with terror and night they veil graciously."
"I was torn below with the speed of light,
When out of a cavern of rock
Rushed towards me a spring with furious might;
I was seized by the twofold torrent's wild shock,
And like a top, with a whirl and a bound,
Despite all resistance, was whirled around."
"Then God pointed out,--for to Him I cried
In that terrible moment of need,--
A craggy reef in the gulf's dark side;
I seized it in haste, and from death was then freed.
And there, on sharp corals, was hanging the cup,--
The fathomless pit had else swallowed it up."
"For under me lay it, still mountain-deep,
In a darkness of purple-tinged dye,
And though to the ear all might seem then asleep
With shuddering awe 'twas seen by the eye
How the salamanders' and dragons' dread forms
Filled those terrible jaws of hell with their swarms."
"There crowded, in union fearful and black,
In a horrible mass entwined,
The rock-fish, the ray with the thorny back,
And the hammer-fish's misshapen kind,
And the shark, the hyena dread of the sea,
With his angry teeth, grinned fiercely on me."
"There hung I, by fulness of terror possessed,
Where all human aid was unknown,
Amongst phantoms, the only sensitive breast,
In that fearful solitude all alone,
Where the voice of mankind could not reach to mine ear,
'Mid the monsters foul of that wilderness drear."
"Thus shuddering methought--when a something crawled near,
And a hundred limbs it out-flung,
And at me it snapped;--in my mortal fear,
I left hold of the coral to which I had clung;
Then the whirlpool seized on me with maddened roar,
Yet 'twas well, for it brought me to light once more."
The story in wonderment hears the king,
And he says, "The cup is thine own,
And I purpose also to give thee this ring,
Adorned with a costly, a priceless stone,
If thou'lt try once again, and bring word to me
What thou saw'st in the nethermost depths of the sea."
His daughter hears this with emotions soft,
And with flattering accent prays she:
"That fearful sport, father, attempt not too oft!
What none other would dare, he hath ventured for thee;
If thy heart's wild longings thou canst not tame,
Let the knights, if they can, put the squire to shame."
The king then seizes the goblet in haste,
In the gulf he hurls it with might:
"When the goblet once more in my hands thou hast placed,
Thou shalt rank at my court as the noblest knight,
And her as a bride thou shalt clasp e'en to-day,
Who for thee with tender compassion doth pray."
Then a force, as from Heaven, descends on him there,
And lightning gleams in his eye,
And blushes he sees on her features so fair,
And he sees her turn pale, and swooning lie;
Then eager the precious guerdon to win,
For life or for death, lo! he plunges him in!
The breakers they hear, and the breakers return,
Proclaimed by a thundering sound;
They bend o'er the gulf with glances that yearn,
And the waters are pouring in fast around;
Though upwards and downwards they rush and they rave,
The youth is brought back by no kindly wave.
|
Written by
Coventry Patmore |
An idle poet, here and there,
Looks around him; but, for all the rest,
The world, unfathomably fair,
Is duller than a witling's jest.
Love wakes men, once a lifetime each;
They lift their heavy lids, and look;
And, lo, what one sweet page can teach,
They read with joy, then shut the book.
And some give thanks, and some blaspheme
And most forget; but, either way,
That and the Child's unheeded dream
Is all the light of all their day.
|
Written by
Gelett Burgess |
AN ALPHABET OF FAMOUS GOOPS.
Which you 'll Regard with Yells and Whoops.
Futile Acumen!
For you Yourselves are Doubtless Dupes
Of Failings Such as Mar these Groups --
We all are Human!
1 ABEDNEGO was Meek and Mild; he Softly Spoke, he Sweetly Smiled.
2 He never Called his Playmates Names, and he was Good in Running Games;
3 But he was Often in Disgrace because he had a Dirty Face!
4 BOHUNKUS would Take Off his Hat, and Bow and Smile, and Things like That.
5 His Face and Hair were Always Neat, and when he Played he did not Cheat;
6 But Oh! what Awful Words he Said, when it was Time to Go to Bed!
7 The Gentle CEPHAS tried his Best to Please his Friends with Merry Jest;
8 He tried to Help Them, when he Could, for CEPHAS, he was Very Good;
9 And Yet -- They Say he Used to Cry, and Once or Twice he Told a Lie!
10 DANIEL and DAGO were a Pair who Acted Kindly Everywhere;
11 They studied Hard, as Good as Gold, they Always did as They were Told;
12 They Never Put on Silly Airs, but They Took Things that were Not Theirs.
13 EZEKIEL, so his Parents said, just Simply Loved to Go to Bed;
14 He was as Quiet as could Be whenever there were Folks to Tea;
15 And yet, he had a Little Way of Grumbling, when he should Obey.
16 When FESTUS was but Four Years Old his Parents Seldom had to Scold;
17 They never Called him 'FESTUS DON'T!' he Never Whined and said 'I Won't!'
18 Yet it was Sad to See him Dine. His Table Manners were Not Fine.
19 GAMALIEL took Peculiar Pride in Making Others Satisfied.
20 One Time I asked him for his Head. 'Why, Certainly! GAMALIEL Said.
21 He was Too Generous, in Fact. But Bravery he Wholly Lacked.
22 HAZAEL was (at Least he Said he Was) Exceedingly Well Bred;
23 Forbidden Sweets he would not Touch, though he might Want them very Much.
24 But Oh, Imagination Fails to quite Describe his Finger Nails!
25 How Interesting ISAAC Seemed! He never Fibbed, he Seldom Screamed;
26 His Company was Quite a Treat to all the Children on the Street;
27 But Nurse has Told me of his Wrath when he was Made to Take a Bath!
28 Oh, Think of JONAH when you 're Bad; Think what a Happy Way he had
29 Of Saying 'Thank You! -- 'If you Please' -- 'Excuse Me, Sir,' and Words like These.
30 Still, he was Human, like Us All. His Muddy Footprints Tracked the Hall.
31 Just fancy KADESH for a Name! Yet he was Clever All the Same;
32 He knew Arithmetic, at Four, as Well as Boys of Nine or More!
33 But I Prefer far Duller Boys, who do Not Make such Awful Noise!
34 Oh, Laugh at LABAN, if you Will, but he was Brave when he was Ill.
35 When he was Ill, he was so Brave he Swallowed All his Mother Gave!
36 But Somehow, She could never Tell why he was Worse when he was Well!
37 If MICAH's Mother Told him 'No' he Made but Little of his Woe;
38 He Always Answered, 'Yes, I'll Try!' for MICAH Thought it Wrong to Cry.
39 Yet he was Always Asking Questions and Making quite Ill-timed Suggestions.
40 I Fancy NICODEMUS Knew as Much as I, or even You;
41 He was Too Careful, I am Sure, to Scratch or Soil the Furniture;
42 He never Squirmed, he never Squalled; he Never Came when he was Called!
43 Some think that OBADIAH'S Charm was that he Never Tried to Harm
44 Dumb Animals in any Way, though Some are Cruel when they Play.
45 But though he was so Sweet and Kind, his Mother found him Slow to Mind.
46 When PELEG had a Penny Earned, to Share it with his Friends he Yearned.
47 And if he Bought a Juicy Fig, his Sister's Half was Very Big!
48 Had he not Hated to Forgive, he would have been Too Good to Live!
49 When QUARTO'S brother QUARTO Hit, was QUARTO Angry? Not a Bit!
50 He Called the Blow a Little Joke, and so Affectionately Spoke,
51 That Everybody Loved the Lad. Yet Oh, What Selfish Ways he had!
52 Was REUBEN Happy? I should Say! He laughed and Sang the Livelong Day.
53 He Made his Mother Smile with Joy to See her Sunny-Tempered Boy.
54 However, she was Not so Gay when REUB Refused to Stop his Play!
55 When SHADRACH Cared to be Polite, they Called him Gentlemanly, Quite;
56 His Manners were Correct and Nice; he Never Asked for Jelly Twice!
57 Still, when he Tried to Misbehave, O, how Much Trouble SHADRACH Gave!
58 Don't Think that TIMOTHY was Ill because he Sometimes Kept so Still.
59 He knew his Mother Did Not Care to Hear him Talking Everywhere.
60 He did not Tease, he did Not Cry, but he was Always Asking 'WHY?'
61 URIAH Never Licked his Knife, nor Sucked his Fingers, in his Life.
62 He Never Reached, to Help Himself, the Sugar Bowl upon the Shelf.
63 He Never Popped his Cherry Pits; but he had Horrid Sulky Fits!
64 To See young VIVIUS at his Work, you Knew he 'd Never Try to Shirk.
65 The Most Unpleasant Things he 'd Do, if but his Mother Asked him To.
66 But when young Vivius Grew Big, it Seems he was a Norful Prig!
67 Why WABAN always Seemed so Sweet, was that he Kept so Clean and Neat.
68 He never Smooched his Face with Coal, his Picture Books were Fresh and Whole.
69 He washed His Hands Ten Times a Day; but, Oh, what Horrid Words he 'd Say!
70 What shall I say of XENOGOR, Save that he Always Shut the Door!
71 He always Put his Toys Away when he had Finished with his Play.
72 But here his List of Virtues Ends. A Tattle-Tale does not Make Friends.
73 YERO was Noted for the Way with which he Helped his Comrades Play;
74 He 'd Lend his Cart, he 'd Lend his Ball, his Marbles, and his Tops and All!
75 And Yet (I Doubt if you' ll Believe), he Wiped his Nose upon his Sleeve!
76 The Zealous ZIBEON was Such as Casual Callers Flatter Much.
77 His Maiden Aunts would Say, with Glee, 'How Good, how Pure, how Dear is He!'
78 And Yet, he Drove his Mother Crazy -- he was so Slow, he was so Lazy!
|
Written by
Emily Dickinson |
Her final summer was it,
And yet we guessed it not;
If tenderer industriousness
Pervaded her, we thought
A further force of life
Developed from within,--
When Death lit all the shortness up,
And made the hurry plain.
We wondered at our blindness,--
When nothing was to see
But her Carrara guide-post,--
At our stupidity
When, duller than our dulness,
The busy darling lay,
So busy was she, finishing,
So leisurely were we!
|
Written by
Adam Lindsay Gordon |
ALL is over! fleet career,
Dash of greyhound slipping thongs,
Flight of falcon, bound of deer,
Mad hoof-thunder in our rear,
Cold air rushing up our lungs,
Din of many tongues.
Once again, one struggle good,
One vain effort;—he must dwell
Near the shifted post, that stood
Where the splinters of the wood,
Lying in the torn tracks, tell
How he struck and fell.
Crest where cold drops beaded cling,
Small ear drooping, nostril full,
Glazing to a scarlet ring,
Flanks and haunches quivering,
Sinews stiffening, void and null,
Dumb eyes sorrowful.
Satin coat that seems to shine
Duller now, black braided tress
That a softer hand than mine
Far away was wont to twine,
That in meadows far from this
Softer lips might kiss.
All is over! this is death,
And I stand to watch thee die,
Brave old horse! with bated breath
Hardly drawn through tight-clenched teeth,
Lip indented deep, but eye
Only dull and dry.
Musing on the husk and chaff
Gathered where life’s tares are sown,
Thus I speak, and force a laugh,
That is half a sneer and half
An involuntary groan,
In a stifled tone—
‘Rest, old friend! thy day, though rife
With its toil, hath ended soon;
We have had our share of strife,
Tumblers in the masque of life,
In the pantomime of noon
Clown and pantaloon.
‘With a flash that ends thy pain,
Respite and oblivion blest
Come to greet thee. I in vain
Fall: I rise to fall again:
Thou hast fallen to thy rest—
And thy fall is best
|