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Best Famous Drumsticks Poems

Here is a collection of the all-time best famous Drumsticks poems. This is a select list of the best famous Drumsticks poetry. Reading, writing, and enjoying famous Drumsticks poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of drumsticks poems.

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Written by Bob Kaufman | Create an image from this poem

O-Jazz-O

 Where the string
At
some point,
Was umbilical jazz,
Or perhaps,
In memory,
A long lost bloody cross,
Buried in some steel cavalry.
In what time
For whom do we bleed,
Lost notes, from some jazzman's
Broken needle.
Musical tears from lost
Eyes.
Broken drumsticks, why?
Pitter patter, boom dropping
Bombs in the middle
Of my emotions
My father's sound
My mother's sound,
Is love,
Is life.


Written by Craig Raine | Create an image from this poem

Dandelions

 'and we should die of that roar which lies on the other side of silence'
 -- George Eliot, Middlemarch


Dead dandelions, bald as drumsticks,
swaying by the roadside

like Hare Krishna pilgrims
bowing to the Juggernaut.

They have given up everything.
Gold gone and their silver gone,

humbled with dust, hollow,
their milky bodies tan

to the colour of annas.
The wind changes their identity:

slender Giacomettis, Doré's convicts,
Rodin's burghers of Calais

with five bowed heads
and the weight of serrated keys . . . 

They wither into mystery, waiting
to find out why they are,

patiently, before nirvana
when the rain comes down like vitriol.
Written by Edgar Lee Masters | Create an image from this poem

Plymouth Rock Joe

 Why are you running so fast hither and thither
Chasing midges or butterflies?
Some of you are standing solemnly scratching for grubs;
Some of you are waiting for corn to be scattered.
This is life, is it?
Cock-a-doodle-do! Very well, Thomas Rhodes,
You are cock of the walk, no doubt.
But here comes Elliott Hawkins,
Gluck, Gluck, Gluck, attracting political followers.
Quah! quah! quah! why so poetical, Minerva,
This gray morning?
Kittie -- quah -- quah! for shame, Lucius Atherton,
The raucous squawk you evoked from the throat
Of Aner Clute will be taken up later
By Mrs. Benjamin Pantier as a cry
Of votes for women: Ka dook -- dook!
What inspiration has come to you, Margaret Fuller Slack?
And why does your gooseberry eye
Flit so liquidly, Tennessee Claflin Shope?
Are you trying to fathom the esotericism of an egg?
Your voice is very metallic this morning, Hortense Robbins --
Almost like a guinea hen's!
Quah! That was a guttural sigh, Isaiah Beethoven;
Did you see the shadow of the hawk,
Or did you step upon the drumsticks
Which the cook threw out this morning?
Be chivalric, heroic, or aspiring,
Metaphysical, religious, or rebellious,
You shall never get out of the barnyard
Except by way of over the fence
Mixed with potato peelings and such into the trough!
Written by Amy Lowell | Create an image from this poem

Lead Soldiers

 The nursery fire burns brightly, crackling in cheerful 
little explosions
and trails of sparks up the back of the chimney. Miniature 
rockets
peppering the black bricks with golden stars, as though a gala
flamed a night of victorious wars.
The nodding mandarin on the bookcase moves his 
head forward and back, slowly,
and looks into the air with his blue-green eyes. He stares 
into the air
and nods -- forward and back. The red rose in his hand 
is a crimson splash
on his yellow coat. Forward and back, and his blue-green 
eyes stare
into the air, and he nods -- nods.

Tommy's soldiers march to battle,
Trumpets flare and snare-drums rattle.
Bayonets flash, and sabres glance --
How the horses snort and prance!
Cannon drawn up in a line
Glitter in the dizzy shine
Of the morning sunlight. Flags
Ripple colours in great jags.
Red blows out, then blue, then green,
Then all three -- a weaving sheen
Of prismed patriotism. March
Tommy's soldiers, stiff and starch,
Boldly stepping to the rattle
Of the drums, they go to battle.

Tommy lies on his stomach on the floor and directs his columns.
He puts his infantry in front, and before them ambles a mounted 
band.
Their instruments make a strand of gold before the scarlet-tunicked 
soldiers,
and they take very long steps on their little green platforms,
and from the ranks bursts the song of Tommy's soldiers marching 
to battle.
The song jolts a little as the green platforms stick on the thick 
carpet.
Tommy wheels his guns round the edge of a box of blocks, and places
a squad of cavalry on the commanding eminence of a footstool.

The fire snaps pleasantly, and the old Chinaman nods -- nods. The 
fire makes
the red rose in his hand glow and twist. Hist! That 
is a bold song
Tommy's soldiers sing as they march along to battle.
Crack! Rattle! The sparks 
fly up the chimney.

Tommy's army's off to war --
Not a soldier knows what for.
But he knows about his rifle,
How to shoot it, and a trifle
Of the proper thing to do
When it's he who is shot through.
Like a cleverly trained flea,
He can follow instantly
Orders, and some quick commands
Really make severe demands
On a mind that's none too rapid,
Leaden brains tend to the vapid.
But how beautifully dressed
Is this army! How impressed
Tommy is when at his heel
All his baggage wagons wheel
About the patterned carpet, and
Moving up his heavy guns
He sees them glow with diamond suns
Flashing all along each barrel.
And the gold and blue apparel
Of his gunners is a joy.
Tommy is a lucky boy.
Boom! Boom! Ta-ra!

The old mandarin nods under his purple umbrella. The 
rose in his hand
shoots its petals up in thin quills of crimson. Then 
they collapse
and shrivel like red embers. The fire sizzles.

Tommy is galloping his cavalry, two by two, over the floor. They 
must pass
the open terror of the door and gain the enemy encamped under the 
wash-stand.
The mounted band is very grand, playing allegro and leading the 
infantry on
at the double quick. The tassel of the hearth-rug has 
flung down
the bass-drum, and he and his dapple-grey horse lie overtripped,
slipped out of line, with the little lead drumsticks glistening
to the fire's shine.
The fire burns and crackles, and tickles the tripped 
bass-drum
with its sparkles.
The marching army hitches its little green platforms 
valiantly, and steadily
approaches the door. The overturned bass-drummer, lying 
on the hearth-rug,
melting in the heat, softens and sheds tears. The song 
jeers
at his impotence, and flaunts the glory of the martial and still 
upstanding,
vaunting the deeds it will do. For are not Tommy's soldiers
all bright and new?

Tommy's leaden soldiers we,
Glittering with efficiency.
Not a button's out of place,
Tons and tons of golden lace
Wind about our officers.
Every manly bosom stirs
At the thought of killing -- killing!
Tommy's dearest wish fulfilling.
We are gaudy, savage, strong,
And our loins so ripe we long
First to kill, then procreate,
Doubling so the laws of Fate.
On their women we have sworn
To graft our sons. And overborne
They'll rear us younger soldiers, so
Shall our race endure and grow,
Waxing greater in the wombs
Borrowed of them, while damp tombs
Rot their men. O Glorious War!
Goad us with your points, Great Star!

The china mandarin on the bookcase nods slowly, forward and back 
--
forward and back -- and the red rose writhes and wriggles,
thrusting its flaming petals under and over one another like tortured 
snakes.
The fire strokes them with its dartles, and purrs 
at them,
and the old man nods.

Tommy does not hear the song. He only sees the beautiful, 
new,
gaily-coloured lead soldiers. They belong to him, and 
he is very proud
and happy. He shouts his orders aloud, and gallops his 
cavalry past the door
to the wash-stand. He creeps over the floor on his hands 
and knees
to one battalion and another, but he sees only the bright colours
of his soldiers and the beautiful precision of their gestures.
He is a lucky boy to have such fine lead soldiers to enjoy.

Tommy catches his toe in the leg of the wash-stand, and jars the 
pitcher.
He snatches at it with his hands, but it is too late. The 
pitcher falls,
and as it goes, he sees the white water flow over its lip. It 
slips
between his fingers and crashes to the floor. But it 
is not water which oozes
to the door. The stain is glutinous and dark, a spark 
from the firelight
heads it to red. In and out, between the fine, new soldiers,
licking over the carpet, squirms the stream of blood, lapping at
the little green platforms, and flapping itself against the painted 
uniforms.

The nodding mandarin moves his head slowly, forward and back.
The rose is broken, and where it fell is black blood. The 
old mandarin leers
under his purple umbrella, and nods -- forward and back, staring 
into the air
with blue-green eyes. Every time his head comes forward 
a rosebud pushes
between his lips, rushes into full bloom, and drips to the ground
with a splashing sound. The pool of black blood grows 
and grows,
with each dropped rose, and spreads out to join the stream from
the wash-stand. The beautiful army of lead soldiers steps 
boldly forward,
but the little green platforms are covered in the rising stream 
of blood.

The nursery fire burns brightly and flings fan-bursts of stars up 
the chimney,
as though a gala flamed a night of victorious wars.
Written by Edna St. Vincent Millay | Create an image from this poem

The Concert

 In memory of Dimitri Mitropoulos


The harpist believes there is music
in the skeletons of fish

The French horn player believes
in enormous golden snails

The piano believes in nothing
and grins from ear to ear

Strings are scratching their bellies
openly, enjoying it

Flutes and oboes complain
in dialects of the same tongue

Drumsticks rattle a calfskin
from the sleep of another life

because the supernatural crow
on the podium flaps his wings

and death is no excuse



Book: Reflection on the Important Things