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Best Famous Dressing Gown Poems

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Written by Ruth Padel | Create an image from this poem

Writing To Onegin

 (After Pushkin) 
Look at the bare wood hand-waxed floor and long 
White dressing-gown, the good child's writing-desk 
And passionate cold feet
Summoning music of the night - tumbrils, gongs
And gamelans - with one neat pen, one candle
Puttering its life out hour by hour. 
Is "Tell Him I love him" never a good idea? You can't wish this
Unlived - this world on fire, on storm 
Alert, till the shepherd's song 
Outside, some hyper-active yellowhammer, bulbul,
Wren, amplified in hills and woods, tell her to bestow 
A spot of notice on the dawn.
*
"I'm writing to you. Well, that's it, that's everything.
You'll laugh, but you'll pity me too. I'm ashamed of this.
I meant to keep it quiet. You'd never have known, if -
I wish - I could have seen you once a week. To mull over, day 
And night, the things you say, or what we say together.
But word is, you're misogynist. Laddish. A philanderer
Who says what he doesn't mean. (That's not how you come across 
To me.) Who couldn't give a toss for domestic peace - 
Only for celebrity and showing off - 
And won't hang round in a provincial zone 
Like this. We don't glitter. Though we do,
Warmly, truly, welcome you.
*
"Why did you come? I'd never have set eyes 
On a star like you, or blundered up against
This crazed not-sleeping, hour after hour
In the dark. I might have got the better of
My clumsy fury with constraint, my fret
For things I lack all lexica and phrase-book art
To say. I might have been a faithful wife; a mother.
But that's all done with. This is Fate. God. 
Sorted. Here I am - yours, to the last breath. 
I couldn't give my heart to anyone else.
My life till now has been a theorem, to demonstrate
How right it is to love you. This love is love to death.
*
"I knew you anyway. I loved you, I'm afraid,
In my sleep. Your eyes, that denim-lapis, grey-sea- 
Grey-green blue, that Chinese fold of skin
At the inner corner, that shot look 
Bleeping "vulnerable" under the screensaver charm, 
Kept me alive. Every cell, every last gold atom
Of your body, was engraved in me 
Already. Don't tell me that was dream! When you came in, 
Staring round in your stripey coat and brocade 
Vest, I nearly died! I fainted, I was flame! I recognized
The you I'd always listened to alone, when I wrote
Or tried to wrestle my scatty soul into calm.
*
"Wasn't it you who slipped through the transparent
Darkness to my bed and whispered love? Aren't you
My guardian angel? Or is this arrant
Seeming, hallucination, thrown 
Up by that fly engineering a novel does
So beguilingly, or poems? Is this mad? 
Are there ways of dreaming I don't know?
Too bad. My soul has made its home
In you. I'm here and bare before you: shy,
In tears. But if I didn't heft my whole self up and hold it there - 
A crack-free mirror - loving you, or if I couldn't share
It, set it out in words, I'd die.
*
"I'll wait to hear from you. I must. Please let me hope.
Give me one look, from eyes I hardly dare
To look back at. Or scupper my dream 
By scolding me. I've given you rope
To hang me: tell me I'm mistaken. You're so much in
The world; while I just live here, bent on jam 
And harvest, songs and books. That's not complaint.
We live such different lives. So - this is the end. It's taken 
All night. I'm scared to read it back. I'm faint
With shame and fear. But this is what I am. My crumpled bed,
My words, my open self. All I can do is trust
The whole damn lot of it to you."
*
She sighs. The paper trembles as she presses down 
The pink wax seal. Outside, a milk mist clears
From the shimmering valley. If I were her guardian
Angel, I'd divide myself. One half would holler
Don't! Stay on an even keel! Don't dollop over
All you are, to a man who'll go to town 
On his next little fling. If he's entranced today 
By the way you finger your silk throat inside your collar,
Tomorrow there'll be Olga, Sally, Jane. But then I'd whisper
Go for it, petal. Nothing's as real as what you write.
His funeral, if he's not up to it. What we feel
Is mortal, and won't come again.
*
So cut, weeks later, to an outside shot: the same girl
Taking cover ("Dear God, he's here, he's come!")
Under fat red gooseberries, glimmering hairy stars:
The old, rude bushes she has hide-and-seeked in all 
Her life, where mother commands the serfs to sing
While picking, so they can't hurl
The odd gog into their mouths. No one could spy
Her here, not even the sun in its burn-time. Her cheeks 
Are simmering fire.
We're talking iridescence, a Red Admiral's last tremble
Before the avid schoolboy plunks his net.
Or imagine
* 
A leveret - like the hare you shot, remember? 
Which ran round screaming like a baby?
Only mine is shivering in papery winter corn,
While the hunter (as it might be, you) stomps his Hush 
Puppies through dead brush. Everything's quiet.
She's waited - how long? - ages: stoking pebbly embers
Under the evening samovar, filling 
The Chinese teapot, sending coils of Lapsang Suchong
Floating to the ceiling in the shadows, tracing O and E 
In the window's black reflection, one finger 
Tendrilling her own breath on the glass. 
Like putting a shell to your ear to hear the sea 
*
When it's really your own red little sparkle, the echo 
Of marching blood. She's asking a phantom 
World of pearled-up mist for proof
That her man exists: that gamelans and tumbrils
Won't evade her. But now, among 
The kitchen garden's rose-haws, mallow, Pernod- 
Coloured pears, she unhooks herself thorn by thorn 
For the exit aria. For fade-out. Suddenly there he is
In the avenue, the man she's written to - Charon
Gazing at her with blazing eyes! Darth Vader
From Star Wars. She's trapped, in a house she didn't realize
Was burning. Her letter was a gate to the inferno.
........
(This poem appeared in Pushkin: An Anthology, ed. E. Feinstein, Carcanet 1999)


Written by Marina Tsvetaeva | Create an image from this poem

The Demon In Me

 The demon in me's not dead,
He's living, and well.
In the body as in a hold,
In the self as in a cell.
The world is but walls.
The exit's the axe.
("All the world's a stage,"
The actor prates.)
And that hobbling buffoon
Is no joker;
In the body as in glory,
In the body as in a toga.
May you live forever!
Cherish your life,
Only poets in bone
Are as in a lie.
No, my eloquent brothers,
We'll not have much fun,
In the body as with Father's
Dressing-gown on.
We deserve something better.
We wilt in the warm.
In the body as in a byre.
In the self as in a cauldron.
Marvels that perish
We don't collect.
In the body as in a marsh,
In the body as in a crypt.
In the body as in furthest
Exile. It blights.
In the body as in a secret,
In the body as in the vice
Of an iron mask.
Written by Amy Lowell | Create an image from this poem

Nightmare: A Tale for an Autumn Evening

 After a Print by George Cruikshank

It was a gusty night,
With the wind booming, and swooping,
Looping round corners,
Sliding over the cobble-stones,
Whipping and veering,
And careering over the roofs
Like a thousand clattering horses.
Mr. Spruggins had been dining in the city,
Mr. Spruggins was none too steady in his gait,
And the wind played ball with Mr. Spruggins
And laughed as it whistled past him.
It rolled him along the street,
With his little feet pit-a-patting on the flags of the sidewalk,
And his muffler and his coat-tails blown straight out behind him.
It bumped him against area railings,
And chuckled in his ear when he said "Ouch!"
Sometimes it lifted him clear off his little patting feet
And bore him in triumph over three grey flagstones and a quarter.
The moon dodged in and out of clouds, winking.
It was all very unpleasant for Mr. Spruggins,
And when the wind flung him hard against his own front door
It was a relief,
Although the breath was quite knocked out of him.
The gas-lamp in front of the house flared up,
And the keyhole was as big as a barn door;
The gas-lamp flickered away to a sputtering blue star,
And the keyhole went out with it.
Such a stabbing, and jabbing,
And sticking, and picking,
And poking, and pushing, and prying
With that key;
And there is no denying that Mr. Spruggins rapped out an oath or 
two,
Rub-a-dub-dubbing them out to a real snare-drum roll.
But the door opened at last,
And Mr. Spruggins blew through it into his own hall
And slammed the door to so hard
That the knocker banged five times before it stopped.
Mr. Spruggins struck a light and lit a candle,
And all the time the moon winked at him through the window.
"Why couldn't you find the keyhole, Spruggins?"
Taunted the wind.
"I can find the keyhole."
And the wind, thin as a wire,
Darted in and seized the candle flame
And knocked it over to one side
And pummelled it down -- down -- down --!
But Mr. Spruggins held the candle so close that it singed his chin,
And ran and stumbled up the stairs in a surprisingly agile manner,
For the wind through the keyhole kept saying, "Spruggins! Spruggins!"
behind him.
The fire in his bedroom burned brightly.
The room with its crimson bed and window curtains
Was as red and glowing as a carbuncle.
It was still and warm.
There was no wind here, for the windows were fastened;
And no moon,
For the curtains were drawn.
The candle flame stood up like a pointed pear
In a wide brass dish.
Mr. Spruggins sighed with content;
He was safe at home.
The fire glowed -- red and yellow roses
In the black basket of the grate --
And the bed with its crimson hangings
Seemed a great peony,
Wide open and placid.
Mr. Spruggins slipped off his top-coat and his muffler.
He slipped off his bottle-green coat
And his flowered waistcoat.
He put on a flannel dressing-gown,
And tied a peaked night-cap under his chin.
He wound his large gold watch
And placed it under his pillow.
Then he tiptoed over to the window and pulled back the curtain.
There was the moon dodging in and out of the clouds;
But behind him was his quiet candle.
There was the wind whisking along the street.
The window rattled, but it was fastened.
Did the wind say, "Spruggins"?
All Mr. Spruggins heard was "S-s-s-s-s --"
Dying away down the street.
He dropped the curtain and got into bed.
Martha had been in the last thing with the warming-pan;
The bed was warm,
And Mr. Spruggins sank into feathers,
With the familiar ticking of his watch just under his head.
Mr. Spruggins dozed.
He had forgotten to put out the candle,
But it did not make much difference as the fire was so bright . 
. .
Too bright!
The red and yellow roses pricked his eyelids,
They scorched him back to consciousness.
He tried to shift his position;
He could not move.
Something weighed him down,
He could not breathe.
He was gasping,
Pinned down and suffocating.
He opened his eyes.
The curtains of the window were flung back,
The fire and the candle were out,
And the room was filled with green moonlight.
And pressed against the window-pane
Was a wide, round face,
Winking -- winking --
Solemnly dropping one eyelid after the other.
Tick -- tock -- went the watch under his pillow,
Wink -- wink -- went the face at the window.
It was not the fire roses which had pricked him,
It was the winking eyes.
Mr. Spruggins tried to bounce up;
He could not, because --
His heart flapped up into his mouth
And fell back dead.
On his chest was a fat pink pig,
On the pig a blackamoor
With a ten pound weight for a cap.
His mustachios kept curling up and down like angry snakes,
And his eyes rolled round and round,
With the pupils coming into sight, and disappearing,
And appearing again on the other side.
The holsters at his saddle-bow were two port bottles,
And a curved table-knife hung at his belt for a scimitar,
While a fork and a keg of spirits were strapped to the saddle behind.
He dug his spurs into the pig,
Which trampled and snorted,
And stamped its cloven feet deeper into Mr. Spruggins.
Then the green light on the floor began to undulate.
It heaved and hollowed,
It rose like a tide,
Sea-green,
Full of claws and scales
And wriggles.
The air above his bed began to move;
It weighed over him
In a mass of draggled feathers.
Not one lifted to stir the air.
They drooped and dripped
With a smell of port wine and brandy,
Closing down, slowly,
Trickling drops on the bed-quilt.
Suddenly the window fell in with a great scatter of glass,
And the moon burst into the room,
Sizzling -- "S-s-s-s-s -- Spruggins! Spruggins!"
It rolled toward him,
A green ball of flame,
With two eyes in the center,
A red eye and a yellow eye,
Dropping their lids slowly,
One after the other.
Mr. Spruggins tried to scream,
But the blackamoor
Leapt off his pig
With a cry,
Drew his scimitar,
And plunged it into Mr. Spruggins's mouth.
Mr. Spruggins got up in the cold dawn
And remade the fire.
Then he crept back to bed
By the light which seeped in under the window curtains,
And lay there, shivering,
While the bells of St. George the Martyr chimed the quarter after 
seven.
Written by Robert William Service | Create an image from this poem

Room Ghost

 Though elegance I ill afford,
My living-room is green and gold;
The former tenant was a lord
Who died of drinking, I am told.
I fancy he was rather bored;
I don't think he was over old.

And where on books I dully browse,
And gaze in rapture at the sea,
My predecessor world carouse
In lavish infidelity
With ladies amoral as cows;
But interesting, you'll agree.

I'm dull as water in a ditch,
Making these silly bits of rhyme;
My Lord, I'm told, was passing rich
And must have has a lovely time;
With champagne and a pretty *****
No need to heed the church-bell chime.

My living-room is marble floored,
And on its ceiling cherubs play;
But like my lord I'm often bored
And put my sullen books away;
And though my people say I snored,
I dream of indiscretions gay.

And often in the niggard night,
When sweet sleep I fail to drown,
I seem to see that noble sprite
In monocle and dressing-gown:
A glass of brandy to the light
He holds and winks and drinks it down.

When life's so beautifully planned,
Dear reader, can you understand
Why men should die be their own hand?
Written by Robert William Service | Create an image from this poem

Annuitant

 Oh I am neither rich nor poor,
 No worker I dispoil;
Yet I am glad to be secure
 From servitude and toil.
For with my lifelong savings I
 Have bought annuity;
And so unto the day I die
 I'll have my toast and tea.

When on the hob the kettle sings
 I'll make an amber brew,
And crunch my toast and think of things
 I do not have to do.
In dressing-gown and deep arm-chair
 I'll give the fire a poke;
Then worlds away from cark and care
 I'll smoke and smoke and smoke.

For I believe the very best
 Of Being is the last;
And I will crown with silver zest
 My patience in the past.
Since compensation is the law
 Of life it's up to me
To round the century and draw
 My Life Annuity.


Written by Robert William Service | Create an image from this poem

I Have Some Friends

 I have some friends, some worthy friends,
And worthy friends are rare:
These carpet slippers on my feet,
That padded leather chair;
This old and shabby dressing-gown,
So well the worse of wear.

I have some friends, some honest friends,
And honest friends are few;
My pipe of briar, my open fire,
A book that's not too new;
My bed so warm, the nights of storm
I love to listen to.

I have some friends, some good, good friends,
Who faithful are to me:
My wrestling partner when I rise,
The big and burly sea;
My little boat that's riding there
So saucy and so free.

I have some friends, some golden friends,
Whose worth will not decline:
A tawny Irish terrier, a purple shading pine,
A little red-roofed cottage that
So proudly I call mine.

All other friends may come and go,
All other friendships fail;
But these, the friends I've worked to win,
Oh, they will never stale;
And comfort me till Time shall write
The finish to my tale.
Written by Jane Kenyon | Create an image from this poem

Dutch Interiors

 Christ has been done to death
in the cold reaches of northern Europe
a thousand thousand times. 
Suddenly bread
and cheese appear on a plate
beside a gleaming pewter beaker of beer.

Now tell me that the Holy Ghost
does not reside in the play of light
on cutlery!

A Woman makes lace,
with a moist-eyed spaniel lying
at her small shapely feet. 
Even the maid with the chamber pot
is here; the naughty, red-cheeked girl. . . .

And the merchant's wife, still
in her yellow dressing gown
at noon, dips her quill into India ink
with an air of cautious pleasure.
Written by Robert William Service | Create an image from this poem

The Old General

 Little Annabelle to please,
 (Lacking grace, I grant),
Grandpa down on hands and knees
 Plays the elephant.
Annabelle shrieks with delight,
 Bouncing up and down,
On his back and holding tight
 To his dressing gown.

As they roll and bowl along,
 Round and round the room,
There is sunshine and a song
 'Spite December gloom.
Yet we hear not Grandpa's groans,
 Hushed his beard inside,
As his old rheumatic bones
 Ache with every stride.

He has known his golden days,
 Soldiered with the best;
And to prove the people's praise
 Medals bright his breast.
Yet though his renown we chant,
 How we love him well
When he plays the elephant
 Just for Annabelle!
Written by Barry Tebb | Create an image from this poem

Together

 for Brenda



Your blue dressing-gown

Lying on the chair back

Like a tired arm.
Written by Robert William Service | Create an image from this poem

Rovers Rest

 By parents I would not be pinned,
 Nor in my home abide,
For I was wanton as the wind
 And tameless as the tide;
So scornful of domestic hearth,
 And bordered garden path,
I sought the wilder ways of earth,
 The roads of wrath.

It scares me now to think of how
 Foolhardily I fared;
Though mighty scarred of pelt and pow
 A dozen deaths I've dared;
Yet there are trails I would explore,
 And wilds that for me wait . . .
Alas! I'll wander nevermore,--
 The hour's too late.

The folks are at my picture show,
 I smoke my pipe and sigh.
Soft-slippered by the ember's glow
 A baby-sitter I.
Behold! In dressing-gown of mauve,
 To comfort reconciled,
A rover rocks the cradle of
 His new grand-child.

Book: Radiant Verses: A Journey Through Inspiring Poetry