Written by
William Cullen Bryant |
The landscape sleeps in mist from morn till noon;
And, if the sun looks through, 'tis with a face
Beamless and pale and round, as if the moon,
When done the journey of her nightly race,
Had found him sleeping, and supplied his place.
For days the shepherds in the fields may be,
Nor mark a patch of sky— blindfold they trace,
The plains, that seem without a bush or tree,
Whistling aloud by guess, to flocks they cannot see.
The timid hare seems half its fears to lose,
Crouching and sleeping 'neath its grassy lair,
And scarcely startles, tho' the shepherd goes
Close by its home, and dogs are barking there;
The wild colt only turns around to stare
At passer by, then knaps his hide again;
And moody crows beside the road forbear
To fly, tho' pelted by the passing swain;
Thus day seems turn'd to night, and tries to wake in vain.
The owlet leaves her hiding-place at noon,
And flaps her grey wings in the doubling light;
The hoarse jay screams to see her out so soon,
And small birds chirp and startle with affright;
Much doth it scare the superstitious wight,
Who dreams of sorry luck, and sore dismay;
While cow-boys think the day a dream of night,
And oft grow fearful on their lonely way,
Fancying that ghosts may wake, and leave their graves by day.
Yet but awhile the slumbering weather flings
Its murky prison round— then winds wake loud;
With sudden stir the startled forest sings
Winter's returning song— cloud races cloud,
And the horizon throws away its shroud,
Sweeping a stretching circle from the eye;
Storms upon storms in quick succession crowd,
And o'er the sameness of the purple sky
Heaven paints, with hurried hand, wild hues of every dye.
At length it comes along the forest oaks,
With sobbing ebbs, and uproar gathering high;
The scared, hoarse raven on its cradle croaks,
And stockdove-flocks in hurried terrors fly,
While the blue hawk hangs o'er them in the sky.
—
The hedger hastens from the storm begun,
To seek a shelter that may keep him dry;
And foresters low bent, the wind to shun,
Scarce hear amid the strife the poacher's muttering gun.
The ploughman hears its humming rage begin,
And hies for shelter from his naked toil;
Buttoning his doublet closer to his chin,
He bends and scampers o'er the elting soil,
While clouds above him in wild fury boil,
And winds drive heavily the beating rain;
He turns his back to catch his breath awhile,
Then ekes his speed and faces it again,
To seek the shepherd's hut beside the rushy plain.
The boy, that scareth from the spiry wheat
The melancholy crow—in hurry weaves,
Beneath an ivied tree, his sheltering seat,
Of rushy flags and sedges tied in sheaves,
Or from the field a shock of stubble thieves.
There he doth dithering sit, and entertain
His eyes with marking the storm-driven leaves;
Oft spying nests where he spring eggs had ta'en,
And wishing in his heart 'twas summer-time again.
Thus wears the month along, in checker'd moods,
Sunshine and shadows, tempests loud, and calms;
One hour dies silent o'er the sleepy woods,
The next wakes loud with unexpected storms;
A dreary nakedness the field deforms—
Yet many a rural sound, and rural sight,
Lives in the village still about the farms,
Where toil's rude uproar hums from morn till night
Noises, in which the ears of Industry delight.
At length the stir of rural labour's still,
And Industry her care awhile forgoes;
When Winter comes in earnest to fulfil
His yearly task, at bleak November's close,
And stops the plough, and hides the field in snows;
When frost locks up the stream in chill delay,
And mellows on the hedge the jetty sloes,
For little birds—then Toil hath time for play,
And nought but threshers' flails awake the dreary day.
|
Written by
Robert Frost |
To think to know the country and now know
The hillside on the day the sun lets go
Ten million silver lizards out of snow!
As often as I've seen it done before
I can't pretend to tell the way it's done.
It looks as if some magic of the sun
Lifted the rug that bred them on the floor
And the light breaking on them made them run.
But if I though to stop the wet stampede,
And caught one silver lizard by the tail,
And put my foot on one without avail,
And threw myself wet-elbowed and wet-kneed
In front of twenty others' wriggling speed,--
In the confusion of them all aglitter,
And birds that joined in the excited fun
By doubling and redoubling song and twitter,
I have no doubt I'd end by holding none.
It takes the moon for this.
The sun's a wizard
By all I tell; but so's the moon a witch.
From the high west she makes a gentle cast
And suddenly, without a jerk or twitch,
She has her speel on every single lizard.
I fancied when I looked at six o'clock
The swarm still ran and scuttled just as fast.
The moon was waiting for her chill effect.
I looked at nine: the swarm was turned to rock
In every lifelike posture of the swarm,
Transfixed on mountain slopes almost erect.
Across each other and side by side they lay.
The spell that so could hold them as they were
Was wrought through trees without a breath of storm
To make a leaf, if there had been one, stir.
One lizard at the end of every ray.
The thought of my attempting such a stray!
|
Written by
Robert Burns |
AFAR 1 the illustrious Exile roams,
Whom kingdoms on this day should hail;
An inmate in the casual shed,
On transient pity’s bounty fed,
Haunted by busy memory’s bitter tale!
Beasts of the forest have their savage homes,
But He, who should imperial purple wear,
Owns not the lap of earth where rests his royal head!
His wretched refuge, dark despair,
While ravening wrongs and woes pursue,
And distant far the faithful few
Who would his sorrows share.
False flatterer, Hope, away!
Nor think to lure us as in days of yore:
We solemnize this sorrowing natal day,
To prove our loyal truth-we can no more,
And owning Heaven’s mysterious sway,
Submissive, low adore.
Ye honored, mighty Dead,
Who nobly perished in the glorious cause,
Your King, your Country, and her laws,
From great DUNDEE, who smiling Victory led,
And fell a Martyr in her arms,
(What breast of northern ice but warms!)
To bold BALMERINO’S undying name,
Whose soul of fire, lighted at Heaven’s high flame,
Deserves the proudest wreath departed heroes claim:
Nor unrevenged your fate shall lie,
It only lags, the fatal hour,
Your blood shall, with incessant cry,
Awake at last, th’ unsparing Power;
As from the cliff, with thundering course,
The snowy ruin smokes along
With doubling speed and gathering force,
Till deep it, crushing, whelms the cottage in the vale;
So Vengeance’ arm, ensanguin’d, strong,
Shall with resistless might assail,
Usurping Brunswick’s pride shall lay,
And STEWART’S wrongs and yours, with tenfold weight repay.
PERDITION, baleful child of night!
Rise and revenge the injured right
Of STEWART’S royal race:
Lead on the unmuzzled hounds of hell,
Till all the frighted echoes tell
The blood-notes of the chase!
Full on the quarry point their view,
Full on the base usurping crew,
The tools of faction, and the nation’s curse!
Hark how the cry grows on the wind;
They leave the lagging gale behind,
Their savage fury, pitiless, they pour;
With murdering eyes already they devour;
See Brunswick spent, a wretched prey,
His life one poor despairing day,
Where each avenging hour still ushers in a worse!
Such havock, howling all abroad,
Their utter ruin bring,
The base apostates to their God,
Or rebels to their King.
Note 1.
The last birthday of Prince Charles Edward.
[back]
|
Written by
Sylvia Plath |
It is no night to drown in:
A full moon, river lapsing
Black beneath bland mirror-sheen,
The blue water-mists dropping
Scrim after scrim like fishnets
Though fishermen are sleeping,
The massive castle turrets
Doubling themselves in a glass
All stillness.
Yet these shapes float
Up toward me, troubling the face
Of quiet.
From the nadir
They rise, their limbs ponderous
With richness, hair heavier
Than sculptured marble.
They sing
Of a world more full and clear
Than can be.
Sisters, your song
Bears a burden too weighty
For the whorled ear's listening
Here, in a well-steered country,
Under a balanced ruler.
Deranging by harmony
Beyond the mundane order,
Your voices lay siege.
You lodge
On the pitched reefs of nightmare,
Promising sure harborage;
By day, descant from borders
Of hebetude, from the ledge
Also of high windows.
Worse
Even than your maddening
Song, your silence.
At the source
Of your ice-hearted calling --
Drunkenness of the great depths.
O river, I see drifting
Deep in your flux of silver
Those great goddesses of peace.
Stone, stone, ferry me down there.
|
Written by
Robert Burns |
A Tale
"Of Brownyis and of Bogilis full is this Buke.
"
—Gawin Douglas.
When chapman billies leave the street,
And drouthy neebors neebors meet,
As market-days are wearing late,
An' folk begin to tak' the gate;
While we sit bousing at the nappy,
An' getting fou and unco happy,
We think na on the lang Scots miles,
The mosses, waters, slaps, and stiles,
That lie between us and our hame,
Whare sits our sulky, sullen dame,
Gathering her brows like gathering storm,
Nursing her wrath to keep it warm.
This truth fand honest Tam o'Shanter,
As he frae Ayr ae night did canter,
(Auld Ayr, wham ne'er a town surpasses,
For honest men and bonie lasses).
O Tam! hadst thou but been sae wise,
As ta'en thy ain wife Kate's advice!
She tauld thee weel thou was a skellum,
A blethering, blustering, drunken blellum,
That frae November till October,
Ae market-day thou was nae sober;
That ilka melder, wi' the miller,
Thou sat as lang as thou had siller;
That ev'ry naig was ca'd a shoe on,
The smith and thee gat roarin fou on;
That at the Lord's house, ev'n on Sunday,
Thou drank wi' Kirkton Jean till Monday.
She prophesied that, late or soon,
Thou would be found deep drowned in Doon;
Or catched wi' warlocks in the mirk,
By Alloway's auld haunted kirk.
Ah, gentle dames! it gars me greet,
To think how mony counsels sweet,
How mony lengthened sage advices,
The husband frae the wife despises!
But to our tale: Ae market-night,
Tam had got planted unco right;
Fast by an ingle, bleezing finely,
Wi' reaming swats, that drank divinely;
And at his elbow, Souter Johnny,
His ancient, trusty, drouthy crony;
Tam lo'ed him like a vera brither;
They had been fou for weeks thegither.
The night drave on wi' sangs an' clatter;
And aye the ale was growing better:
The landlady and Tam grew gracious,
Wi' favours, secret, sweet, and precious:
The Souter tauld his queerest stories;
The landlord's laugh was ready chorus:
The storm without might rair and rustle,
Tam did na mind the storm a whistle.
Care, mad to see a man sae happy,
E'en drowned himself amang the nappy;
As bees flee hame wi' lades o' treasure,
The minutes winged their way wi' pleasure:
Kings may be blest, but Tam was glorious,
O'er a' the ills o' life victorious!
But pleasures are like poppies spread,
You seize the flow'r, its bloom is shed;
Or like the snow falls in the river,
A moment white—then melts for ever;
Or like the borealis race,
That flit ere you can point their place;
Or like the rainbow's lovely form
Evanishing amid the storm.
—
Nae man can tether time or tide;
The hour approaches Tam maun ride;
That hour, o' night's black arch the key-stane,
That dreary hour he mounts his beast in;
And sic a night he tak's the road in,
As ne'er poor sinner was abroad in.
The wind blew as 'twad blawn its last;
The rattling showers rose on the blast;
The speedy gleams the darkness swallowed;
Loud, deep, and lang the thunder bellowed:
That night, a child might understand,
The De'il had business on his hand.
Weel mounted on his grey mare, Meg,
A better never lifted leg,
Tam skelpit on thro' dub and mire,
Despising wind, and rain, and fire;
Whiles holding fast his gude blue bonnet;
Whiles crooning o'er some auld Scots sonnet;
Whiles glow'rin round wi' prudent cares,
Lest bogles catch him unawares;
Kirk-Alloway was drawing nigh,
Whare ghaists and houlets nightly cry.
By this time he was cross the ford,
Whare in the snaw the chapman smoored;
And past the birks and meikle stane,
Whare drunken Charlie brak's neck-bane;
And thro' the whins, and by the cairn,
Whare hunters fand the murdered bairn;
And near the thorn, aboon the well,
Whare Mungo's mither hanged hersel'.
Before him Doon pours all his floods;
The doubling storm roars thro' the woods;
The lightnings flash from pole to pole;
Near and more near the thunders roll;
When, glimmering thro' the groaning trees,
Kirk-Alloway seemed in a bleeze;
Thro' ilka bore the beams were glancing;
And loud resounded mirth and dancing.
Inspiring bold John Barleycorn!
What dangers thou canst mak' us scorn!
Wi' tippenny, we fear nae evil;
Wi' usquabae, we'll face the devil!
The swats sae reamed in Tammie's noddle,
Fair play, he cared na deils a boddle.
But Maggie stood right sair astonished,
Till, by the heel and hand admonished,
She ventured forward on the light;
And, wow! Tam saw an unco sight!
Warlocks and witches in a dance;
Nae cotillion, brent new frae France,
But hornpipes, jigs, strathspeys, and reels,
Put life and mettle in their heels.
A winnock-bunker in the east,
There sat auld Nick, in shape o' beast;
A towzie tyke, black, grim, and large,
To gie them music was his charge:
He screwed the pipes and gart them skirl,
Till roof and rafters a' did dirl.
—
Coffins stood round, like open presses,
That shawed the Dead in their last dresses;
And by some devilish cantraip sleight
Each in its cauld hand held a light,
By which heroic Tam was able
To note upon the haly table,
A murderer's banes in gibbet-airns;
Twa span-lang, wee, unchristened bairns;
A thief, new-cutted frae a rape,
Wi' his last gasp his gab did gape;
Five tomahawks, wi' blude red-rusted;
Five scimitars, wi' murder crusted;
A garter, which a babe had strangled;
A knife, a father's throat had mangled,
Whom his ain son o' life bereft,
The grey hairs yet stack to the heft;
Wi' mair of horrible and awfu',
Which even to name wad be unlawfu'.
As Tammie glowered, amazed and curious,
The mirth and fun grew fast and furious:
The Piper loud and louder blew;
The dancers quick and quicker flew;
They reeled, they set, they crossed, they cleekit,
Till ilka carlin swat and reekit,
And coost her duddies to the wark,
And linket at it in her sark!
Now Tam, O Tam! had they been queans,
A' plump and strapping in their teens;
Their sarks, instead o' creeshie flainen,
Been snaw-white seventeen hunder linen!—
Thir breeks o' mine, my only pair,
That ance were plush, o' gude blue hair,
I wad hae gi'en them off my hurdies,
For ae blink o' the bonie burdies!
But withered beldams, auld and droll,
Rigwoodie hags wad spean a foal,
Lowping and flinging on a crummock,
I wonder didna turn thy stomach.
But Tam kenned what was what fu' brawlie:
`There was ae winsome wench and waulie',
That night enlisted in the core
(Lang after kenned on Carrick shore;
For mony a beast to dead she shot,
And perished mony a bonie boat,
And shook baith meikle corn and bear,
And kept the country-side in fear);
Her cutty sark, o' Paisley harn,
That while a lassie she had worn,
In longitude tho' sorely scanty,
It was her best, and she was vauntie.
Ah! little kenned thy reverend grannie,
That sark she coft for her wee Nannie,
Wi' twa pund Scots ('twas a' her riches),
Wad ever graced a dance of witches!
But here my Muse her wing maun cour,
Sic flights are far beyond her power;
To sing how Nannie lap and flang,
(A souple jade she was and strang),
And how Tam stood, like ane bewitched,
And thought his very een enriched;
Even Satan glowered, and fidged fu' fain,
And hotched and blew wi' might and main:
Till first ae caper, syne anither,
Tam tint his reason a' thegither,
And roars out, "Weel done, Cutty-sark!"
And in an instant all was dark:
And scarcely had he Maggie rallied,
When out the hellish legion sallied.
As bees bizz out wi' angry fyke,
When plundering herds assail their byke;
As open pussie's mortal foes,
When, pop! she starts before their nose;
As eager runs the market-crowd,
When "Catch the thief!" resounds aloud;
So Maggie runs, the witches follow,
Wi' mony an eldritch screech and hollow.
Ah, Tam! ah, Tam! thou'll get thy fairin!
In hell they'll roast thee like a herrin!
In vain thy Kate awaits thy comin!
Kate soon will be a woefu' woman!
Now, do thy speedy utmost, Meg,
And win the key-stane of the brig;
There at them thou thy tail may toss,
A running stream they dare na cross.
But ere the key-stane she could make,
The fient a tail she had to shake!
For Nannie, far before the rest,
Hard upon noble Maggie prest,
And flew at Tam wi' furious ettle;
But little wist she Maggie's mettle—
Ae spring brought off her master hale,
But left behind her ain grey tail:
The carlin claught her by the rump,
And left poor Maggie scarce a stump.
Now, wha this tale o' truth shall read,
Ilk man and mother's son, take heed:
Whene'er to drink you are inclined,
Or cutty-sarks run in your mind,
Think, ye may buy the joys o'er dear,
Remember Tam o'Shanter's mare.
|
Written by
Lewis Carroll |
The day was wet, the rain fell souse
Like jars of strawberry jam, [1] a
sound was heard in the old henhouse,
A beating of a hammer.
Of stalwart form, and visage warm,
Two youths were seen within it,
Splitting up an old tree into perches for their poultry
At a hundred strokes [2] a minute.
The work is done, the hen has taken
Possession of her nest and eggs,
Without a thought of eggs and bacon, [3]
(Or I am very much mistaken happy)
She turns over each shell,
To be sure that all's well,
Looks into the straw
To see there's no flaw,
Goes once round the house, [4]
Half afraid of a mouse,
Then sinks calmly to rest
On the top of her nest,
First doubling up each of her legs.
Time rolled away, and so did every shell,
"Small by degrees and beautifully less,"
As the large mother with a powerful spell [5]
Forced each in turn its contents to express, [6]
But ah! "imperfect is expression,"
Some poet said, I don't care who,
If you want to know you must go elsewhere,
One fact I can tell, if you're willing to hear,
He never attended a Parliament Session,
For I'm certain that if he had ever been there,
Full quickly would he have changed his ideas,
With the hissings, the hootings, the groans and the cheers.
And as to his name it is pretty clear
That it wasn't me and it wasn't you!
And so it fell upon a day,
(That is, it never rose again)
A chick was found upon the hay,
Its little life had ebbed away.
No longer frolicsome and gay,
No longer could it run or play.
"And must we, chicken, must we part?"
Its master [7] cried with bursting heart,
And voice of agony and pain.
So one, whose ticket's marked "Return", [8]
When to the lonely roadside station
He flies in fear and perturbation,
Thinks of his home--the hissing urn--
Then runs with flying hat and hair,
And, entering, finds to his despair
He's missed the very last train.
[9]
Too long it were to tell of each conjecture
Of chicken suicide, and poultry victim,
The deadly frown, the stern and dreary lecture,
The timid guess, "perhaps some needle pricked him!"
The din of voice, the words both loud and many,
The sob, the tear, the sigh that none could smother,
Till all agreed "a shilling to a penny
It killed itself, and we acquit the mother!"
Scarce was the verdict spoken,
When that still calm was broken,
A childish form hath burst into the throng;
With tears and looks of sadness,
That bring no news of gladness,
But tell too surely something hath gone wrong!
"The sight I have come upon
The stoutest heart [10] would sicken,
That nasty hen has been and gone
And killed another chicken!"
|
Written by
Robert Burns |
WHEN chapman billies leave the street,
And drouthy neibors, neibors, meet;
As market days are wearing late,
And folk begin to tak the gate,
While we sit bousing at the nappy,
An’ getting fou and unco happy,
We think na on the lang Scots miles,
The mosses, waters, slaps and stiles,
That lie between us and our hame,
Where sits our sulky, sullen dame,
Gathering her brows like gathering storm,
Nursing her wrath to keep it warm.
This truth fand honest TAM O’ SHANTER,
As he frae Ayr ae night did canter:
(Auld Ayr, wham ne’er a town surpasses,
For honest men and bonie lasses).
O Tam! had’st thou but been sae wise,
As taen thy ain wife Kate’s advice!
She tauld thee weel thou was a skellum,
A blethering, blustering, drunken blellum;
That frae November till October,
Ae market-day thou was na sober;
That ilka melder wi’ the Miller,
Thou sat as lang as thou had siller;
That ev’ry naig was ca’d a shoe on
The Smith and thee gat roarin’ fou on;
That at the L—d’s house, ev’n on Sunday,
Thou drank wi’ Kirkton Jean till Monday,
She prophesied that late or soon,
Thou wad be found, deep drown’d in Doon,
Or catch’d wi’ warlocks in the mirk,
By Alloway’s auld, haunted kirk.
Ah, gentle dames! it gars me greet,
To think how mony counsels sweet,
How mony lengthen’d, sage advices,
The husband frae the wife despises!
But to our tale:—Ae market night,
Tam had got planted unco right,
Fast by an ingle, bleezing finely,
Wi reaming sAats, that drank divinely;
And at his elbow, Souter Johnie,
His ancient, trusty, drougthy crony:
Tam lo’ed him like a very brither;
They had been fou for weeks thegither.
The night drave on wi’ sangs an’ clatter;
And aye the ale was growing better:
The Landlady and Tam grew gracious,
Wi’ favours secret, sweet, and precious:
The Souter tauld his queerest stories;
The Landlord’s laugh was ready chorus:
The storm without might rair and rustle,
Tam did na mind the storm a whistle.
Care, mad to see a man sae happy,
E’en drown’d himsel amang the nappy.
As bees flee hame wi’ lades o’ treasure,
The minutes wing’d their way wi’ pleasure:
Kings may be blest, but Tam was glorious,
O’er a’ the ills o’ life victorious!
But pleasures are like poppies spread,
You seize the flow’r, its bloom is shed;
Or like the snow falls in the river,
A moment white—then melts for ever;
Or like the Borealis race,
That flit ere you can point their place;
Or like the Rainbow’s lovely form
Evanishing amid the storm.
—
Nae man can tether Time nor Tide,
The hour approaches Tam maun ride;
That hour, o’ night’s black arch the key-stane,
That dreary hour he mounts his beast in;
And sic a night he taks the road in,
As ne’er poor sinner was abroad in.
The wind blew as ’twad blawn its last;
The rattling showers rose on the blast;
The speedy gleams the darkness swallow’d;
Loud, deep, and lang, the thunder bellow’d:
That night, a child might understand,
The deil had business on his hand.
Weel-mounted on his grey mare, Meg,
A better never lifted leg,
Tam skelpit on thro’ dub and mire,
Despising wind, and rain, and fire;
Whiles holding fast his gude blue bonnet,
Whiles crooning o’er some auld Scots sonnet,
Whiles glow’rin round wi’ prudent cares,
Lest bogles catch him unawares;
Kirk-Alloway was drawing nigh,
Where ghaists and houlets nightly cry.
By this time he was cross the ford,
Where in the snaw the chapman smoor’d;
And past the birks and meikle stane,
Where drunken Charlie brak’s neck-bane;
And thro’ the whins, and by the cairn,
Where hunters fand the murder’d bairn;
And near the thorn, aboon the well,
Where Mungo’s mither hang’d hersel’.
Before him Doon pours all his floods,
The doubling storm roars thro’ the woods,
The lightnings flash from pole to pole,
Near and more near the thunders roll,
When, glimmering thro’ the groaning trees,
Kirk-Alloway seem’d in a bleeze,
Thro’ ilka bore the beams were glancing,
And loud resounded mirth and dancing.
Inspiring bold John Barleycorn!
What dangers thou canst make us scorn!
Wi’ tippenny, we fear nae evil;
Wi’ usquabae, we’ll face the devil!
The swats sae ream’d in Tammie’s noddle,
Fair play, he car’d na deils a boddle,
But Maggie stood, right sair astonish’d,
Till, by the heel and hand admonish’d,
She ventur’d forward on the light;
And, wow! Tam saw an unco sight!
Warlocks and witches in a dance:
Nae cotillon, brent new frae France,
But hornpipes, jigs, strathspeys, and reels,
Put life and mettle in their heels.
A winnock-bunker in the east,
There sat auld Nick, in shape o’ beast;
A towzie tyke, black, grim, and large,
To gie them music was his charge:
He screw’d the pipes and gart them skirl,
Till roof and rafters a’ did dirl.
—
Coffins stood round, like open presses,
That shaw’d the Dead in their last dresses;
And (by some devilish cantraip sleight)
Each in its cauld hand held a light.
By which heroic Tam was able
To note upon the haly table,
A murderer’s banes, in gibbet-airns;
Twa span-lang, wee, unchristened bairns;
A thief, new-cutted frae a rape,
Wi’ his last gasp his gabudid gape;
Five tomahawks, wi’ blude red-rusted:
Five scimitars, wi’ murder crusted;
A garter which a babe had strangled:
A knife, a father’s throat had mangled.
Whom his ain son of life bereft,
The grey-hairs yet stack to the heft;
Wi’ mair of horrible and awfu’,
Which even to name wad be unlawfu’.
As Tammie glowr’d, amaz’d, and curious,
The mirth and fun grew fast and furious;
The Piper loud and louder blew,
The dancers quick and quicker flew,
The reel’d, they set, they cross’d, they cleekit,
Till ilka carlin swat and reekit,
And coost her duddies to the wark,
And linkit at it in her sark!
Now Tam, O Tam! had they been queans,
A’ plump and strapping in their teens!
Their sarks, instead o’ creeshie flainen,
Been snaw-white seventeen hunder linen!—
Thir breeks o’ mine, my only pair,
That ance were plush o’ guid blue hair,
I wad hae gien them off my hurdies,
For ae blink o’ the bonie burdies!
But wither’d beldams, auld and droll,
Rigwoodie hags wad spean a foal,
Louping an’ flinging on a crummock.
I wonder did na turn thy stomach.
But Tam kent what was what fu’ brawlie:
There was ae winsome wench and waulie
That night enlisted in the core,
Lang after ken’d on Carrick shore;
(For mony a beast to dead she shot,
And perish’d mony a bonie boat,
And shook baith meikle corn and bear,
And kept the country-side in fear);
Her cutty sark, o’ Paisley harn,
That while a lassie she had worn,
In longitude tho’ sorely scanty,
It was her best, and she was vauntie.
Ah! little ken’d thy reverend grannie,
That sark she coft for her wee Nannie,
Wi twa pund Scots (’twas a’ her riches),
Wad ever grac’d a dance of witches!
But here my Muse her wing maun cour,
Sic flights are far beyond her power;
To sing how Nannie lap and flang,
(A souple jade she was and strang),
And how Tam stood, like ane bewithc’d,
And thought his very een enrich’d:
Even Satan glowr’d, and fidg’d fu’ fain,
And hotch’d and blew wi’ might and main:
Till first ae caper, syne anither,
Tam tint his reason a thegither,
And roars out, “Weel done, Cutty-sark!”
And in an instant all was dark:
And scarcely had he Maggie rallied.
When out the hellish legion sallied.
As bees bizz out wi’ angry fyke,
When plundering herds assail their byke;
As open pussie’s mortal foes,
When, pop! she starts before their nose;
As eager runs the market-crowd,
When “Catch the thief!” resounds aloud;
So Maggie runs, the witches follow,
Wi’ mony an eldritch skreich and hollow.
Ah, Tam! Ah, Tam! thou’ll get thy fairin!
In hell, they’ll roast thee like a herrin!
In vain thy Kate awaits thy comin!
Kate soon will be a woefu’ woman!
Now, do thy speedy-utmost, Meg,
And win the key-stone o’ the brig;
There, at them thou thy tail may toss,
A running stream they dare na cross.
But ere the keystane she could make,
The fient a tail she had to shake!
For Nannie, far before the rest,
Hard upon noble Maggie prest,
And flew at Tam wi’ furious ettle;
But little wist she Maggie’s mettle!
Ae spring brought off her master hale,
But left behind her ain grey tail:
The carlin claught her by the rump,
And left poor Maggie scarce a stump.
Now, wha this tale o’ truth shall read,
Ilk man and mother’s son, take heed:
Whene’er to Drink you are inclin’d,
Or Cutty-sarks rin in your mind,
Think ye may buy the joys o’er dear;
Remember Tam o’ Shanter’s mare.
|
Written by
John Dryden |
Well then; the promis'd hour is come at last;
The present age of wit obscures the past:
Strong were our sires; and as they fought they writ,
Conqu'ring with force of arms, and dint of wit;
Theirs was the giant race, before the Flood;
And thus, when Charles return'd, our empire stood.
Like Janus he the stubborn soil manur'd,
With rules of husbandry the rankness cur'd:
Tam'd us to manners, when the stage was rude;
And boisterous English wit, with art endu'd.
Our age was cultivated thus at length;
But what we gained in skill we lost in strength.
Our builders were, with want of genius, curst;
The second temple was not like the first:
Till you, the best Vitruvius, come at length;
Our beauties equal; but excel our strength.
Firm Doric pillars found your solid base:
The fair Corinthian crowns the higher space;
Thus all below is strength, and all above is grace.
In easy dialogue is Fletcher's praise:
He mov'd the mind, but had not power to raise.
Great Jonson did by strength of judgment please:
Yet doubling Fletcher's force, he wants his ease.
In differing talents both adorn'd their age;
One for the study, t'other for the stage.
But both to Congreve justly shall submit,
One match'd in judgment, both o'er-match'd in wit.
In him all beauties of this age we see;
Etherege's courtship, Southern's purity;
The satire, wit, and strength of manly Wycherly.
All this in blooming youth you have achiev'd;
Nor are your foil'd contemporaries griev'd;
So much the sweetness of your manners move,
We cannot envy you because we love.
Fabius might joy in Scipio, when he saw
A beardless Consul made against the law,
And join his suffrage to the votes of Rome;
Though he with Hannibal was overcome.
Thus old Romano bow'd to Raphael's fame;
And scholar to the youth he taught, became.
Oh that your brows my laurel had sustain'd,
Well had I been depos'd, if you had reign'd!
The father had descended for the son;
For only you are lineal to the throne.
Thus when the State one Edward did depose;
A greater Edward in his room arose.
But now, not I, but poetry is curs'd;
For Tom the second reigns like Tom the first.
But let 'em not mistake my patron's part;
Nor call his charity their own desert.
Yet this I prophesy; thou shalt be seen,
(Tho' with some short parenthesis between:)
High on the throne of wit; and seated there,
Not mine (that's little) but thy laurel wear.
Thy first attempt an early promise made;
That early promise this has more than paid.
So bold, yet so judiciously you dare,
That your least praise, is to be regular.
Time, place, and action, may with pains be wrought,
But genius must be born; and never can be taught.
This is your portion; this your native store;
Heav'n that but once was prodigal before,
To Shakespeare gave as much; she could not give him more.
Maintain your post: that's all the fame you need;
For 'tis impossible you should proceed.
Already I am worn with cares and age;
And just abandoning th' ungrateful stage:
Unprofitably kept at Heav'n's expense,
I live a rent-charge on his providence:
But you, whom ev'ry muse and grace adorn,
Whom I foresee to better fortune born,
Be kind to my remains; and oh defend,
Against your judgment your departed friend!
Let not the insulting foe my fame pursue;
But shade those laurels which descend to you:
And take for tribute what these lines express:
You merit more; nor could my love do less.
|
Written by
Les Murray |
Sprawl is the quality
of the man who cut down his Rolls-Royce
into a farm utility truck, and sprawl
is what the company lacked when it made repeated efforts
to buy the vehicle back and repair its image.
Sprawl is doing your farm work by aeroplane, roughly,
or driving a hitchhiker that extra hundred miles home.
It is the rococo of being your own still centre.
It is never lighting cigars with ten dollar notes:
that's idiot ostentation and murder of starving people.
Nor can it be bought with the ash of million dollar deeds.
Sprawl lengthens the legs; it trains greyhounds on liver and beer.
Sprawl almost never says, Why not?, with palms comically raised
nor can it be dressed for, not even in running shoes worn
with mink and a nose ring.
That is Society.
That's Style.
Sprawl is more like the thirteenth banana in a dozen
or anyway the fourteenth.
Sprawl is Hank Stamper in Never Give an Inch
bisecting an obstructive official's desk with a chain saw.
Not harming the official.
Sprawl is never brutal,
though it's often intransigent.
Sprawl is never Simon de Montfort
at a town-storming: Kill them all! God will know His own.
Knowing the man's name this was said to might be sprawl.
Sprawl occurs in art.
The fifteenth to twenty-first
lines in a sonnet, for example.
And in certain paintings.
I have sprawl enough to have forgotten which paintings.
Turner's glorious Burning of the Houses of Parliament
comes to mind, a doubling bannered triumph of sprawl -
except he didn't fire them.
Sprawl gets up the noses of many kinds of people
(every kind that comes in kinds) whose futures don't include it.
Some decry it as criminal presumption, silken-robed Pope Alexander
dividing the new world between Spain and Portugal.
If he smiled in petto afterwards, perhaps the thing did have sprawl.
Sprawl is really classless, though.
It is John Christopher Frederick Murray
asleep in his neighbours' best bed in spurs and oilskins,
but not having thrown up:
sprawl is never Calum, who, in the loud hallway of our house
reinvented the Festoon.
Rather
it's Beatrice Miles going twelve hundred ditto in a taxi,
No Lewd Advances, no Hitting Animals, no Speeding,
on the proceeds of her two-bob-a-sonnet Shakespeare readings.
An image of my country.
And would thatit were more so.
No, sprawl is full gloss murals on a council-house wall.
Sprawl leans on things.
It is loose-limbed in its mind.
Reprimanded and dismissed,
it listens with a grin and one boot up on the rail
of possibility.
It may have to leave the Earth.
Being roughly Christian, it scratches the other cheek
And thinks it unlikely.
Though people have been shot for sprawl.
|
Written by
Amy Lowell |
The nursery fire burns brightly, crackling in cheerful
little explosions
and trails of sparks up the back of the chimney.
Miniature
rockets
peppering the black bricks with golden stars, as though a gala
flamed a night of victorious wars.
The nodding mandarin on the bookcase moves his
head forward and back, slowly,
and looks into the air with his blue-green eyes.
He stares
into the air
and nods -- forward and back.
The red rose in his hand
is a crimson splash
on his yellow coat.
Forward and back, and his blue-green
eyes stare
into the air, and he nods -- nods.
Tommy's soldiers march to battle,
Trumpets flare and snare-drums rattle.
Bayonets flash, and sabres glance --
How the horses snort and prance!
Cannon drawn up in a line
Glitter in the dizzy shine
Of the morning sunlight.
Flags
Ripple colours in great jags.
Red blows out, then blue, then green,
Then all three -- a weaving sheen
Of prismed patriotism.
March
Tommy's soldiers, stiff and starch,
Boldly stepping to the rattle
Of the drums, they go to battle.
Tommy lies on his stomach on the floor and directs his columns.
He puts his infantry in front, and before them ambles a mounted
band.
Their instruments make a strand of gold before the scarlet-tunicked
soldiers,
and they take very long steps on their little green platforms,
and from the ranks bursts the song of Tommy's soldiers marching
to battle.
The song jolts a little as the green platforms stick on the thick
carpet.
Tommy wheels his guns round the edge of a box of blocks, and places
a squad of cavalry on the commanding eminence of a footstool.
The fire snaps pleasantly, and the old Chinaman nods -- nods.
The
fire makes
the red rose in his hand glow and twist.
Hist! That
is a bold song
Tommy's soldiers sing as they march along to battle.
Crack! Rattle! The sparks
fly up the chimney.
Tommy's army's off to war --
Not a soldier knows what for.
But he knows about his rifle,
How to shoot it, and a trifle
Of the proper thing to do
When it's he who is shot through.
Like a cleverly trained flea,
He can follow instantly
Orders, and some quick commands
Really make severe demands
On a mind that's none too rapid,
Leaden brains tend to the vapid.
But how beautifully dressed
Is this army! How impressed
Tommy is when at his heel
All his baggage wagons wheel
About the patterned carpet, and
Moving up his heavy guns
He sees them glow with diamond suns
Flashing all along each barrel.
And the gold and blue apparel
Of his gunners is a joy.
Tommy is a lucky boy.
Boom! Boom! Ta-ra!
The old mandarin nods under his purple umbrella.
The
rose in his hand
shoots its petals up in thin quills of crimson.
Then
they collapse
and shrivel like red embers.
The fire sizzles.
Tommy is galloping his cavalry, two by two, over the floor.
They
must pass
the open terror of the door and gain the enemy encamped under the
wash-stand.
The mounted band is very grand, playing allegro and leading the
infantry on
at the double quick.
The tassel of the hearth-rug has
flung down
the bass-drum, and he and his dapple-grey horse lie overtripped,
slipped out of line, with the little lead drumsticks glistening
to the fire's shine.
The fire burns and crackles, and tickles the tripped
bass-drum
with its sparkles.
The marching army hitches its little green platforms
valiantly, and steadily
approaches the door.
The overturned bass-drummer, lying
on the hearth-rug,
melting in the heat, softens and sheds tears.
The song
jeers
at his impotence, and flaunts the glory of the martial and still
upstanding,
vaunting the deeds it will do.
For are not Tommy's soldiers
all bright and new?
Tommy's leaden soldiers we,
Glittering with efficiency.
Not a button's out of place,
Tons and tons of golden lace
Wind about our officers.
Every manly bosom stirs
At the thought of killing -- killing!
Tommy's dearest wish fulfilling.
We are gaudy, savage, strong,
And our loins so ripe we long
First to kill, then procreate,
Doubling so the laws of Fate.
On their women we have sworn
To graft our sons.
And overborne
They'll rear us younger soldiers, so
Shall our race endure and grow,
Waxing greater in the wombs
Borrowed of them, while damp tombs
Rot their men.
O Glorious War!
Goad us with your points, Great Star!
The china mandarin on the bookcase nods slowly, forward and back
--
forward and back -- and the red rose writhes and wriggles,
thrusting its flaming petals under and over one another like tortured
snakes.
The fire strokes them with its dartles, and purrs
at them,
and the old man nods.
Tommy does not hear the song.
He only sees the beautiful,
new,
gaily-coloured lead soldiers.
They belong to him, and
he is very proud
and happy.
He shouts his orders aloud, and gallops his
cavalry past the door
to the wash-stand.
He creeps over the floor on his hands
and knees
to one battalion and another, but he sees only the bright colours
of his soldiers and the beautiful precision of their gestures.
He is a lucky boy to have such fine lead soldiers to enjoy.
Tommy catches his toe in the leg of the wash-stand, and jars the
pitcher.
He snatches at it with his hands, but it is too late.
The
pitcher falls,
and as it goes, he sees the white water flow over its lip.
It
slips
between his fingers and crashes to the floor.
But it
is not water which oozes
to the door.
The stain is glutinous and dark, a spark
from the firelight
heads it to red.
In and out, between the fine, new soldiers,
licking over the carpet, squirms the stream of blood, lapping at
the little green platforms, and flapping itself against the painted
uniforms.
The nodding mandarin moves his head slowly, forward and back.
The rose is broken, and where it fell is black blood.
The
old mandarin leers
under his purple umbrella, and nods -- forward and back, staring
into the air
with blue-green eyes.
Every time his head comes forward
a rosebud pushes
between his lips, rushes into full bloom, and drips to the ground
with a splashing sound.
The pool of black blood grows
and grows,
with each dropped rose, and spreads out to join the stream from
the wash-stand.
The beautiful army of lead soldiers steps
boldly forward,
but the little green platforms are covered in the rising stream
of blood.
The nursery fire burns brightly and flings fan-bursts of stars up
the chimney,
as though a gala flamed a night of victorious wars.
|