Written by
Andrew Barton Paterson |
'Twas Mulga Bill, from Eaglehawk, that caught the cycling craze;
He turned away the good old horse that served him many days;
He dressed himself in cycling clothes, resplendent to be seen;
He hurried off to town and bought a shining new machine;
And as he wheeled it through the door, with air of lordly pride,
The grinning shop assistant said, "Excuse me, can you ride?"
"See here, young man," said Mulga Bill, "from Walgett to the sea,
From Conroy's Gap to Castlereagh, there's none can ride like me.
I'm good all round at everything, as everybody knows,
Although I'm not the one to talk - I hate a man that blows.
But riding is my special gift, my chiefest, sole delight;
Just ask a wild duck can it swim, a wildcat can it fight.
There's nothing clothed in hair or hide, or built of flesh or steel,
There's nothing walks or jumps, or runs, on axle, hoof, or wheel,
But what I'll sit, while hide will hold and girths and straps are tight:
I'll ride this here two-wheeled concern right straight away at sight."
'Twas Mulga Bill, from Eaglehawk, that sought his own abode,
That perched above the Dead Man's Creek, beside the mountain road.
He turned the cycle down the hill and mounted for the fray,
But ere he'd gone a dozen yards it bolted clean away.
It left the track, and through the trees, just like a silver streak,
It whistled down the awful slope towards the Dead Man's Creek.
It shaved a stump by half an inch, it dodged a big white-box:
The very wallaroos in fright went scrambling up the rocks,
The wombats hiding in their caves dug deeper underground,
As Mulga Bill, as white as chalk, sat tight to every bound.
It struck a stone and gave a spring that cleared a fallen tree,
It raced beside a precipice as close as close could be;
And then as Mulga Bill let out one last despairing shriek
It made a leap of twenty feet into the Dead Man's Creek.
'Twas Mulga Bill from Eaglehawk, that slowly swam ashore:
He said, "I've had some narrer shaves and lively rides before;
I've rode a wild bull round a yard to win a five-pound bet,
But this was the most awful ride that I've encountered yet.
I'll give that two-wheeled outlaw best; It's shaken all my nerve
To feel it whistle through the air and plunge and buck and swerve.
It's safe at rest in Dead Man's Creek, we'll leave it lying still;
A horse's back is good enough henceforth for Mulga Bill."
|
Written by
Andrew Barton Paterson |
This is the story the stockman told
On the cattle-camp, when the stars were bright;
The moon rose up like a globe of gold
And flooded the plain with her mellow light.
We watched the cattle till dawn of day
And he told me the story of Mongrel Grey.
He was a knock-about station hack,
Spurred and walloped, and banged and beat;
Ridden all day with a sore on his back,
Left all night with nothing to eat.
That was a matter of everyday
Normal occurrence with Mongrel Grey.
We might have sold him, but someone heard
He was bred out back on a flooded run,
Where he learnt to swim like a waterbird;
Midnight or midday were all as one --
In the flooded ground he would find his way;
Nothing could puzzle old Mongrel Grey.
'Tis a trick, no doubt, that some horses learn;
When the floods are out they will splash along
In girth-deep water, and twist and turn
From hidden channel and billabong,
Never mistaking the road to go;
for a man may guess -- but the horses know.
I was camping out with my youngest son --
Bit of a nipper, just learnt to speak --
In an empty hut on the lower run,
Shooting and fishing in Conroy's Creek.
The youngster toddled about all day
And there with our horses was Mongrel Grey.
All of a sudden a flood came down,
At first a freshet of mountain rain,
Roaring and eddying, rank and brown,
Over the flats and across the plain.
Rising and rising -- at fall of night
Nothing but water appeared in sight!
'Tis a nasty place when the floods are out,
Even in daylight; for all around
Channels and billabongs twist about,
Stretching for miles in the flooded ground.
And to move seemed a hopeless thing to try
In the dark with the storm-water racing by.
I had to risk it. I heard a roar
As the wind swept down and the driving rain;
And the water rose till it reached the floor
Of our highest room; and 'twas very plain --
The way the torrent was sweeping down --
We must make for the highlands at once, or drown.
Off to the stable I splashed, and found
The horses shaking with cold and fright;
I led them down to the lower ground,
But never a yard would they swim that night!
They reared and snorted and turned away,
And none would face it but Mongrel Grey.
I bound the child on the horse's back,
And we started off, with a prayer to heaven,
Through the rain and the wind and the pitchy black
For I knew that the instinct God has given
To prompt His creatures by night and day
Would guide the footsteps of Mongrel Grey.
He struck deep water at once and swam --
I swam beside him and held his mane --
Till we touched the bank of the broken dam
In shallow water; then off again,
Swimming in darkness across the flood,
Rank with the smell of the drifting mud.
He turned and twisted across and back,
Choosing the places to wade or swim,
Picking the safest and shortest track --
The blackest darkness was clear to him.
Did he strike the crossing by sight or smell?
The Lord that held him alone could tell!
He dodged the timber whene'er he could,
But timber brought us to grief at last;
I was partly stunned by a log of wood
That struck my head as it drifted past;
Then lost my grip of the brave old grey,
And in half a second he swept away.
I reached a tree, where I had to stay,
And did a perish for two days' hard;
And lived on water -- but Mongrel Grey,
He walked right into the homestead yard
At dawn next morning, and grazed around,
With the child strapped on to him safe and sound.
We keep him now for the wife to ride,
Nothing too good for him now, of course;
Never a whip on his fat old hide,
For she owes the child to that brave grey horse.
And not Old Tyson himself could pay
The purchase money of Mongrel Grey.
|
Written by
Robert William Service |
He's yonder, on the terrace of the Cafe de la Paix,
The little wizened Spanish man, I see him every day.
He's sitting with his Pernod on his customary chair;
He's staring at the passers with his customary stare.
He never takes his piercing eyes from off that moving throng,
That current cosmopolitan meandering along:
Dark diplomats from Martinique, pale Rastas from Peru,
An Englishman from Bloomsbury, a Yank from Kalamazoo;
A poet from Montmartre's heights, a dapper little Jap,
Exotic citizens of all the countries on the map;
A tourist horde from every land that's underneath the sun --
That little wizened Spanish man, he misses never one.
Oh, foul or fair he's always there, and many a drink he buys,
And there's a fire of red desire within his hollow eyes.
And sipping of my Pernod, and a-knowing what I know,
Sometimes I want to shriek aloud and give away the show.
I've lost my nerve; he's haunting me; he's like a beast of prey,
That Spanish man that's watching at the Cafe de la Paix.
Say! Listen and I'll tell you all . . . the day was growing dim,
And I was with my Pernod at the table next to him;
And he was sitting soberly as if he were asleep,
When suddenly he seemed to tense, like tiger for a leap.
And then he swung around to me, his hand went to his hip,
My heart was beating like a gong -- my arm was in his grip;
His eyes were glaring into mine; aye, though I shrank with fear,
His fetid breath was on my face, his voice was in my ear:
"Excuse my brusquerie," he hissed; "but, sir, do you suppose --
That portly man who passed us had a wen upon his nose?"
And then at last it dawned on me, the fellow must be mad;
And when I soothingly replied: "I do not think he had,"
The little wizened Spanish man subsided in his chair,
And shrouded in his raven cloak resumed his owlish stare.
But when I tried to slip away he turned and glared at me,
And oh, that fishlike face of his was sinister to see:
"Forgive me if I startled you; of course you think I'm *****;
No doubt you wonder who I am, so solitary here;
You question why the passers-by I piercingly review . . .
Well, listen, my bibacious friend, I'll tell my tale to you.
"It happened twenty years ago, and in another land:
A maiden young and beautiful, two suitors for her hand.
My rival was the lucky one; I vowed I would repay;
Revenge has mellowed in my heart, it's rotten ripe to-day.
My happy rival skipped away, vamoosed, he left no trace;
And so I'm waiting, waiting here to meet him face to face;
For has it not been ever said that all the world one day
Will pass in pilgrimage before the Cafe de la Paix?"
"But, sir," I made remonstrance, "if it's twenty years ago,
You'd scarcely recognize him now, he must have altered so."
The little wizened Spanish man he laughed a hideous laugh,
And from his cloak he quickly drew a faded photograph.
"You're right," said he, "but there are traits (oh, this you must allow)
That never change; Lopez was fat, he must be fatter now.
His paunch is senatorial, he cannot see his toes,
I'm sure of it; and then, behold! that wen upon his nose.
I'm looking for a man like that. I'll wait and wait until . . ."
"What will you do?" I sharply cried; he answered me: "Why, kill!
He robbed me of my happiness -- nay, stranger, do not start;
I'll firmly and politely put -- a bullet in his heart."
And then that little Spanish man, with big cigar alight,
Uprose and shook my trembling hand and vanished in the night.
And I went home and thought of him and had a dreadful dream
Of portly men with each a wen, and woke up with a scream.
And sure enough, next morning, as I prowled the Boulevard,
A portly man with wenny nose roamed into my regard;
Then like a flash I ran to him and clutched him by the arm:
"Oh, sir," said I, "I do not wish to see you come to harm;
But if your life you value aught, I beg, entreat and pray --
Don't pass before the terrace of the Cafe de la Paix."
That portly man he looked at me with such a startled air,
Then bolted like a rabbit down the rue Michaudière.
"Ha! ha! I've saved a life," I thought; and laughed in my relief,
And straightway joined the Spanish man o'er his apéritif.
And thus each day I dodged about and kept the strictest guard
For portly men with each a wen upon the Boulevard.
And then I hailed my Spanish pal, and sitting in the sun,
We ordered many Pernods and we drank them every one.
And sternly he would stare and stare until my hand would shake,
And grimly he would glare and glare until my heart would quake.
And I would say: "Alphonso, lad, I must expostulate;
Why keep alive for twenty years the furnace of your hate?
Perhaps his wedded life was hell; and you, at least, are free . . ."
"That's where you've got it wrong," he snarled; "the fool she took was me.
My rival sneaked, threw up the sponge, betrayed himself a churl:
'Twas he who got the happiness, I only got -- the girl."
With that he looked so devil-like he made me creep and shrink,
And there was nothing else to do but buy another drink.
Now yonder like a blot of ink he sits across the way,
Upon the smiling terrace of the Cafe de la Paix;
That little wizened Spanish man, his face is ghastly white,
His eyes are staring, staring like a tiger's in the night.
I know within his evil heart the fires of hate are fanned,
I know his automatic's ready waiting to his hand.
I know a tragedy is near. I dread, I have no peace . . .
Oh, don't you think I ought to go and call upon the police?
Look there . . . he's rising up . . . my God!
He leaps from out his place . . .
Yon millionaire from Argentine . . . the two are face to face . . .
A shot! A shriek! A heavy fall! A huddled heap! Oh, see
The little wizened Spanish man is dancing in his glee. . . .
I'm sick . . . I'm faint . . . I'm going mad. . . .
Oh, please take me away . . .
There's BLOOD upon the terrace of the Cafe de la Paix. . . .
|
Written by
Amy Lowell |
After a Print by George Cruikshank
It was a gusty night,
With the wind booming, and swooping,
Looping round corners,
Sliding over the cobble-stones,
Whipping and veering,
And careering over the roofs
Like a thousand clattering horses.
Mr. Spruggins had been dining in the city,
Mr. Spruggins was none too steady in his gait,
And the wind played ball with Mr. Spruggins
And laughed as it whistled past him.
It rolled him along the street,
With his little feet pit-a-patting on the flags of the sidewalk,
And his muffler and his coat-tails blown straight out behind him.
It bumped him against area railings,
And chuckled in his ear when he said "Ouch!"
Sometimes it lifted him clear off his little patting feet
And bore him in triumph over three grey flagstones and a quarter.
The moon dodged in and out of clouds, winking.
It was all very unpleasant for Mr. Spruggins,
And when the wind flung him hard against his own front door
It was a relief,
Although the breath was quite knocked out of him.
The gas-lamp in front of the house flared up,
And the keyhole was as big as a barn door;
The gas-lamp flickered away to a sputtering blue star,
And the keyhole went out with it.
Such a stabbing, and jabbing,
And sticking, and picking,
And poking, and pushing, and prying
With that key;
And there is no denying that Mr. Spruggins rapped out an oath or
two,
Rub-a-dub-dubbing them out to a real snare-drum roll.
But the door opened at last,
And Mr. Spruggins blew through it into his own hall
And slammed the door to so hard
That the knocker banged five times before it stopped.
Mr. Spruggins struck a light and lit a candle,
And all the time the moon winked at him through the window.
"Why couldn't you find the keyhole, Spruggins?"
Taunted the wind.
"I can find the keyhole."
And the wind, thin as a wire,
Darted in and seized the candle flame
And knocked it over to one side
And pummelled it down -- down -- down --!
But Mr. Spruggins held the candle so close that it singed his chin,
And ran and stumbled up the stairs in a surprisingly agile manner,
For the wind through the keyhole kept saying, "Spruggins! Spruggins!"
behind him.
The fire in his bedroom burned brightly.
The room with its crimson bed and window curtains
Was as red and glowing as a carbuncle.
It was still and warm.
There was no wind here, for the windows were fastened;
And no moon,
For the curtains were drawn.
The candle flame stood up like a pointed pear
In a wide brass dish.
Mr. Spruggins sighed with content;
He was safe at home.
The fire glowed -- red and yellow roses
In the black basket of the grate --
And the bed with its crimson hangings
Seemed a great peony,
Wide open and placid.
Mr. Spruggins slipped off his top-coat and his muffler.
He slipped off his bottle-green coat
And his flowered waistcoat.
He put on a flannel dressing-gown,
And tied a peaked night-cap under his chin.
He wound his large gold watch
And placed it under his pillow.
Then he tiptoed over to the window and pulled back the curtain.
There was the moon dodging in and out of the clouds;
But behind him was his quiet candle.
There was the wind whisking along the street.
The window rattled, but it was fastened.
Did the wind say, "Spruggins"?
All Mr. Spruggins heard was "S-s-s-s-s --"
Dying away down the street.
He dropped the curtain and got into bed.
Martha had been in the last thing with the warming-pan;
The bed was warm,
And Mr. Spruggins sank into feathers,
With the familiar ticking of his watch just under his head.
Mr. Spruggins dozed.
He had forgotten to put out the candle,
But it did not make much difference as the fire was so bright .
. .
Too bright!
The red and yellow roses pricked his eyelids,
They scorched him back to consciousness.
He tried to shift his position;
He could not move.
Something weighed him down,
He could not breathe.
He was gasping,
Pinned down and suffocating.
He opened his eyes.
The curtains of the window were flung back,
The fire and the candle were out,
And the room was filled with green moonlight.
And pressed against the window-pane
Was a wide, round face,
Winking -- winking --
Solemnly dropping one eyelid after the other.
Tick -- tock -- went the watch under his pillow,
Wink -- wink -- went the face at the window.
It was not the fire roses which had pricked him,
It was the winking eyes.
Mr. Spruggins tried to bounce up;
He could not, because --
His heart flapped up into his mouth
And fell back dead.
On his chest was a fat pink pig,
On the pig a blackamoor
With a ten pound weight for a cap.
His mustachios kept curling up and down like angry snakes,
And his eyes rolled round and round,
With the pupils coming into sight, and disappearing,
And appearing again on the other side.
The holsters at his saddle-bow were two port bottles,
And a curved table-knife hung at his belt for a scimitar,
While a fork and a keg of spirits were strapped to the saddle behind.
He dug his spurs into the pig,
Which trampled and snorted,
And stamped its cloven feet deeper into Mr. Spruggins.
Then the green light on the floor began to undulate.
It heaved and hollowed,
It rose like a tide,
Sea-green,
Full of claws and scales
And wriggles.
The air above his bed began to move;
It weighed over him
In a mass of draggled feathers.
Not one lifted to stir the air.
They drooped and dripped
With a smell of port wine and brandy,
Closing down, slowly,
Trickling drops on the bed-quilt.
Suddenly the window fell in with a great scatter of glass,
And the moon burst into the room,
Sizzling -- "S-s-s-s-s -- Spruggins! Spruggins!"
It rolled toward him,
A green ball of flame,
With two eyes in the center,
A red eye and a yellow eye,
Dropping their lids slowly,
One after the other.
Mr. Spruggins tried to scream,
But the blackamoor
Leapt off his pig
With a cry,
Drew his scimitar,
And plunged it into Mr. Spruggins's mouth.
Mr. Spruggins got up in the cold dawn
And remade the fire.
Then he crept back to bed
By the light which seeped in under the window curtains,
And lay there, shivering,
While the bells of St. George the Martyr chimed the quarter after
seven.
|
Written by
Vachel Lindsay |
A little colt — broncho, loaned to the farm
To be broken in time without fury or harm,
Yet black crows flew past you, shouting alarm,
Calling "Beware," with lugubrious singing...
The butterflies there in the bush were romancing,
The smell of the grass caught your soul in a trance,
So why be a-fearing the spurs and the traces,
O broncho that would not be broken of dancing?
You were born with the pride of the lords great and olden
Who danced, through the ages, in corridors golden.
In all the wide farm-place the person most human.
You spoke out so plainly with squealing and capering,
With whinnying, snorting, contorting and prancing,
As you dodged your pursuers, looking askance,
With Greek-footed figures, and Parthenon paces,
O broncho that would not be broken of dancing.
The grasshoppers cheered. "Keep whirling," they said.
The insolent sparrows called from the shed
"If men will not laugh, make them wish they were dead."
But arch were your thoughts, all malice displacing,
Though the horse-killers came, with snake-whips advancing.
You bantered and cantered away your last chance.
And they scourged you, with Hell in their speech and their faces,
O broncho that would not be broken of dancing.
"Nobody cares for you," rattled the crows,
As you dragged the whole reaper, next day, down the rows.
The three mules held back, yet you danced on your toes.
You pulled like a racer, and kept the mules chasing.
You tangled the harness with bright eyes side-glancing,
While the drunk driver bled you — a pole for a lance —
And the giant mules bit at you — keeping their places.
O broncho that would not be broken of dancing.
In that last afternoon your boyish heart broke.
The hot wind came down like a sledge-hammer stroke.
The blood-sucking flies to a rare feast awoke.
And they searched out your wounds, your death-warrant tracing.
And the merciful men, their religion enhancing,
Stopped the red reaper, to give you a chance.
Then you died on the prairie, and scorned all disgraces,
O broncho that would not be broken of dancing.
|
Written by
Paul Laurence Dunbar |
'T was three an' thirty year ago,
When I was ruther young, you know,
I had my last an' only fight
About a gal one summer night.
'T was me an' Zekel Johnson; Zeke
'N' me 'd be'n spattin' 'bout a week,
Each of us tryin' his best to show
That he was Liza Jones's beau.[Pg 28]
We could n't neither prove the thing,
Fur she was fur too sharp to fling
One over fur the other one
An' by so doin' stop the fun
That we chaps did n't have the sense
To see she got at our expense,
But that's the way a feller does,
Fur boys is fools an' allus was.
An' when they's females in the game
I reckon men's about the same.
Well, Zeke an' me went on that way
An' fussed an' quarrelled day by day;
While Liza, mindin' not the fuss,
Jest kep' a-goin' with both of us,
Tell we pore chaps, that's Zeke an' me,
Was jest plum mad with jealousy.
Well, fur a time we kep' our places,
An' only showed by frownin' faces
An' looks 'at well our meanin' boded
How full o' fight we both was loaded.
At last it come, the thing broke out,
An' this is how it come about.
One night ('t was fair, you'll all agree)
I got Eliza's company,
An' leavin' Zekel in the lurch,
Went trottin' off with her to church.
An' jest as we had took our seat
(Eliza lookin' fair an' sweet),
Why, I jest could n't help but grin
When Zekel come a-bouncin' in
As furious as the law allows.
He 'd jest be'n up to Liza's house,
To find her gone, then come to church
To have this end put to his search.
I guess I laffed that meetin' through,
An' not a mortal word I knew
Of what the preacher preached er read
Er what the choir sung er said.
Fur every time I 'd turn my head
I could n't skeercely help but see
'At Zekel had his eye on me.
An' he 'ud sort o' turn an' twist
An' grind his teeth an' shake his fist.
I laughed, fur la! the hull church seen us,
An' knowed that suthin' was between us.
Well, meetin' out, we started hum,
I sorter feelin' what would come.
We 'd jest got out, when up stepped Zeke,
An' said, "Scuse me, I 'd like to speak[Pg 29]
To you a minute." "Cert," said I—
A-nudgin' Liza on the sly
An' laughin' in my sleeve with glee,
I asked her, please, to pardon me.
We walked away a step er two,
Jest to git out o' Liza's view,
An' then Zeke said, "I want to know
Ef you think you 're Eliza's beau,
An' 'at I 'm goin' to let her go
Hum with sich a chap as you?"
An' I said bold, "You bet I do."
Then Zekel, sneerin', said 'at he
Did n't want to hender me.
But then he 'lowed the gal was his
An' 'at he guessed he knowed his biz,
An' was n't feared o' all my kin
With all my friends an' chums throwed in.
Some other things he mentioned there
That no born man could no ways bear
Er think o' ca'mly tryin' to stan'
Ef Zeke had be'n the bigges' man
In town, an' not the leanest runt
'At time an' labor ever stunt.
An' so I let my fist go "bim,"
I thought I 'd mos' nigh finished him.
But Zekel did n't take it so.
He jest ducked down an' dodged my blow
An' then come back at me so hard,
I guess I must 'a' hurt the yard,
Er spilet the grass plot where I fell,
An' sakes alive it hurt me; well,
It would n't be'n so bad, you see,
But he jest kep' a-hittin' me.
An' I hit back an' kicked an' pawed,
But 't seemed 't was mostly air I clawed,
While Zekel used his science well
A-makin' every motion tell.
He punched an' hit, why, goodness lands,
Seemed like he had a dozen hands.
Well, afterwhile they stopped the fuss,
An' some one kindly parted us.
All beat an' cuffed an' clawed an' scratched,
An' needin' both our faces patched,
Each started hum a different way;
An' what o' Liza, do you say,
Why, Liza—little humbug—dern her,
Why, she 'd gone home with Hiram Turner.
|
Written by
Edwin Arlington Robinson |
At first I thought there was a superfine
Persuasion in his face; but the free flow
That filled it when he stopped and cried, "Hollo!"
Shone joyously, and so I let it shine.
He said his name was Fleming Helphenstine,
But be that as it may;—I only know
He talked of this and that and So-and-So,
And laughed and chaffed like any friend of mine.
But soon, with a *****, quick frown, he looked at me,
And I looked hard at him; and there we gazed
In a strained way that made us cringe and wince:
Then, with a wordless clogged apology
That sounded half confused and half amazed,
He dodged,—and I have never seen him since.
|
Written by
Edgar Lee Masters |
The press of the Spoon River Clarion was wrecked,
And I was tarred and feathered,
For publishing this on the day the Anarchists were hanged in Chicago:
"I saw a beautiful woman with bandaged eyes
Standing on the steps of a marble temple.
Great multitudes passed in front of her,
Lifting their faces to her imploringly.
In her left hand she held a sword.
She was brandishing the sword,
Sometimes striking a child, again a laborer,
Again a slinking woman, again a lunatic.
In her right hand she held a scale;
Into the scale pieces of gold were tossed
By those who dodged the strokes of the sword.
A man in a black gown read from a manuscript:
'She is no respecter of persons.'
Then a youth wearing a red cap
Leaped to her side and snatched away the bandage.
And lo, the lashes had been eaten away
From the oozy eye-lids;
The eye-balls were seared with a milky mucus;
The madness of a dying soul
Was written on her face --
But the multitude saw why she wore the bandage."
|
Written by
Edgar Lee Masters |
To all in the village I seemed, no doubt,
To go this way and that way, aimlessly.
But here by the river you can see at twilight
The soft-winged bats fly zig-zag here and there --
They must fly so to catch their food.
And if you have ever lost your way at night,
In the deep wood near Miller's Ford,
And dodged this way and now that,
Wherever the light of the Milky Way shone through,
Trying to find the path,
You should understand I sought the way
With earnest zeal, and all my wanderings
Were wanderings in the quest.
|