Written by
Adrienne Rich |
Good-by to you whom I shall see tomorrow,
Next year and when I'm fifty; still good-by.
This is the leave we never really take.
If you were dead or gone to live in China
The event might draw your stature in my mind.
I should be forced to look upon you whole
The way we look upon the things we lose.
We see each other daily and in segments;
Parting might make us meet anew, entire.
You asked me once, and I could give no answer,
How far dare we throw off the daily ruse,
Official treacheries of face and name,
Have out our true identity? I could hazard
An answer now, if you are asking still.
We are a small and lonely human race
Showing no sign of mastering solitude
Out on this stony planet that we farm.
The most that we can do for one another
Is let our blunders and our blind mischances
Argue a certain brusque abrupt compassion.
We might as well be truthful. I should say
They're luckiest who know they're not unique;
But only art or common interchange
Can teach that kindest truth. And even art
Can only hint at what disturbed a Melville
Or calmed a Mahler's frenzy; you and I
Still look from separate windows every morning
Upon the same white daylight in the square.
And when we come into each other's rooms
Once in awhile, encumbered and self-conscious,
We hover awkwardly about the threshold
And usually regret the visit later.
Perhaps the harshest fact is, only lovers--
And once in a while two with the grace of lovers--
Unlearn that clumsiness of rare intrusion
And let each other freely come and go.
Most of us shut too quickly into cupboards
The margin-scribbled books, the dried geranium,
The penny horoscope, letters never mailed.
The door may open, but the room is altered;
Not the same room we look from night and day.
It takes a late and slowly blooming wisdom
To learn that those we marked infallible
Are tragi-comic stumblers like ourselves.
The knowledge breeds reserve. We walk on tiptoe,
Demanding more than we know how to render.
Two-edged discovery hunts us finally down;
The human act will make us real again,
And then perhaps we come to know each other.
Let us return to imperfection's school.
No longer wandering after Plato's ghost,
Seeking the garden where all fruit is flawless,
We must at last renounce that ultimate blue
And take a walk in other kinds of weather.
The sourest apple makes its wry announcement
That imperfection has a certain tang.
Maybe we shouldn't turn our pockets out
To the last crumb or lingering bit of fluff,
But all we can confess of what we are
Has in it the defeat of isolation--
If not our own, then someone's, anyway.
So I come back to saying this good-by,
A sort of ceremony of my own,
This stepping backward for another glance.
Perhaps you'll say we need no ceremony,
Because we know each other, crack and flaw,
Like two irregular stones that fit together.
Yet still good-by, because we live by inches
And only sometimes see the full dimension.
Your stature's one I want to memorize--
Your whole level of being, to impose
On any other comers, man or woman.
I'd ask them that they carry what they are
With your particular bearing, as you wear
The flaws that make you both yourself and human.
|
Written by
John Ashbery |
Something strange is creeping across me.
La Celestina has only to warble the first few bars
Of "I Thought about You" or something mellow from
Amadigi di Gaula for everything--a mint-condition can
Of Rumford's Baking Powder, a celluloid earring, Speedy
Gonzales, the latest from Helen Topping Miller's fertile
Escritoire, a sheaf of suggestive pix on greige, deckle-edged
Stock--to come clattering through the rainbow trellis
Where Pistachio Avenue rams the 2300 block of Highland
Fling Terrace. He promised he'd get me out of this one,
That mean old cartoonist, but just look what he's
Done to me now! I scarce dare approach me mug's attenuated
Reflection in yon hubcap, so jaundiced, so déconfit
Are its lineaments--fun, no doubt, for some quack phrenologist's
Fern-clogged waiting room, but hardly what you'd call
Companionable. But everything is getting choked to the point of
Silence. Just now a magnetic storm hung in the swatch of sky
Over the Fudds' garage, reducing it--drastically--
To the aura of a plumbago-blue log cabin on
A Gadsden Purchase commemorative cover. Suddenly all is
Loathing. I don't want to go back inside any more. You meet
Enough vague people on this emerald traffic-island--no,
Not people, comings and goings, more: mutterings, splatterings,
The bizarrely but effectively equipped infantries of
happy-go-nutty
Vegetal jacqueries, plumed, pointed at the little
White cardboard castle over the mill run. "Up
The lazy river, how happy we could be?"
How will it end? That geranium glow
Over Anaheim's had the riot act read to it by the
Etna-size firecracker that exploded last minute into
A carte du Tendre in whose lower right-hand corner
(Hard by the jock-itch sand-trap that skirts
The asparagus patch of algolagnic nuits blanches) Amadis
Is cozening the Princesse de Cleves into a midnight
micturition spree
On the Tamigi with the Wallets (Walt, Blossom, and little
Sleezix) on a lamé barge "borrowed" from Ollie
Of the Movies' dread mistress of the robes. Wait!
I have an announcement! This wide, tepidly meandering,
Civilized Lethe (one can barely make out the maypoles
And châlets de nécessitê on its sedgy shore)
leads to Tophet, that
Landfill-haunted, not-so-residential resort from which
Some travellers return! This whole moment is the groin
Of a borborygmic giant who even now
Is rolling over on us in his sleep. Farewell bocages,
Tanneries, water-meadows. The allegory comes unsnarled
Too soon; a shower of pecky acajou harpoons is
About all there is to be noted between tornadoes. I have
Only my intermittent life in your thoughts to live
Which is like thinking in another language. Everything
Depends on whether somebody reminds you of me.
That this is a fabulation, and that those "other times"
Are in fact the silences of the soul, picked out in
Diamonds on stygian velvet, matters less than it should.
Prodigies of timing may be arranged to convince them
We live in one dimension, they in ours. While I
Abroad through all the coasts of dark destruction seek
Deliverance for us all, think in that language: its
Grammar, though tortured, offers pavillions
At each new parting of the ways. Pastel
Ambulances scoop up the quick and hie them to hospitals.
"It's all bits and pieces, spangles, patches, really; nothing
Stands alone. What happened to creative evolution?"
Sighed Aglavaine. Then to her Sélysette: "If his
Achievement is only to end up less boring than the others,
What's keeping us here? Why not leave at once?
I have to stay here while they sit in there,
Laugh, drink, have fine time. In my day
One lay under the tough green leaves,
Pretending not to notice how they bled into
The sky's aqua, the wafted-away no-color of regions supposed
Not to concern us. And so we too
Came where the others came: nights of physical endurance,
Or if, by day, our behavior was anarchically
Correct, at least by New Brutalism standards, all then
Grew taciturn by previous agreement. We were spirited
Away en bateau, under cover of fudge dark.
It's not the incomplete importunes, but the spookiness
Of the finished product. True, to ask less were folly, yet
If he is the result of himself, how much the better
For him we ought to be! And how little, finally,
We take this into account! Is the puckered garance satin
Of a case that once held a brace of dueling pistols our
Only acknowledging of that color? I like not this,
Methinks, yet this disappointing sequel to ourselves
Has been applauded in London and St. Petersburg. Somewhere
Ravens pray for us." The storm finished brewing. And thus
She questioned all who came in at the great gate, but none
She found who ever heard of Amadis,
Nor of stern Aureng-Zebe, his first love. Some
They were to whom this mattered not a jot: since all
By definition is completeness (so
In utter darkness they reasoned), why not
Accept it as it pleases to reveal itself? As when
Low skyscrapers from lower-hanging clouds reveal
A turret there, an art-deco escarpment here, and last perhaps
The pattern that may carry the sense, but
Stays hidden in the mysteries of pagination.
Not what we see but how we see it matters; all's
Alike, the same, and we greet him who announces
The change as we would greet the change itself.
All life is but a figment; conversely, the tiny
Tome that slips from your hand is not perhaps the
Missing link in this invisible picnic whose leverage
Shrouds our sense of it. Therefore bivouac we
On this great, blond highway, unimpeded by
Veiled scruples, worn conundrums. Morning is
Impermanent. Grab sex things, swing up
Over the horizon like a boy
On a fishing expedition. No one really knows
Or cares whether this is the whole of which parts
Were vouchsafed--once--but to be ambling on's
The tradition more than the safekeeping of it. This mulch for
Play keeps them interested and busy while the big,
Vaguer stuff can decide what it wants--what maps, what
Model cities, how much waste space. Life, our
Life anyway, is between. We don't mind
Or notice any more that the sky is green, a parrot
One, but have our earnest where it chances on us,
Disingenuous, intrigued, inviting more,
Always invoking the echo, a summer's day.
|
Written by
Allen Ginsberg |
Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy!
Holy! Holy! Holy! Holy! Holy! Holy!
The world is holy! The soul is holy! The skin is holy!
The nose is holy! The tongue and cock and hand
and ******* holy!
Everything is holy! everybody's holy! everywhere is
holy! everyday is in eternity! Everyman's an
angel!
The bum's as holy as the seraphim! the madman is
holy as you my soul are holy!
The typewriter is holy the poem is holy the voice is
holy the hearers are holy the ecstasy is holy!
Holy Peter holy Allen holy Solomon holy Lucien holy
Kerouac holy Huncke holy Burroughs holy Cas-
sady holy the unknown buggered and suffering
beggars holy the hideous human angels!
Holy my mother in the insane asylum! Holy the cocks
of the grandfathers of Kansas!
Holy the groaning saxophone! Holy the bop
apocalypse! Holy the jazzbands marijuana
hipsters peace & junk & drums!
Holy the solitudes of skyscrapers and pavements! Holy
the cafeterias filled with the millions! Holy the
mysterious rivers of tears under the streets!
Holy the lone juggernaut! Holy the vast lamb of the
middle class! Holy the crazy shepherds of rebell-
ion! Who digs Los Angeles IS Los Angeles!
Holy New York Holy San Francisco Holy Peoria &
Seattle Holy Paris Holy Tangiers Holy Moscow
Holy Istanbul!
Holy time in eternity holy eternity in time holy the
clocks in space holy the fourth dimension holy
the fifth International holy the Angel in Moloch!
Holy the sea holy the desert holy the railroad holy the
locomotive holy the visions holy the hallucina-
tions holy the miracles holy the eyeball holy the
abyss!
Holy forgiveness! mercy! charity! faith! Holy! Ours!
bodies! suffering! magnanimity!
Holy the supernatural extra brilliant intelligent
kindness of the soul!
Berkeley 1955
|
Written by
Sylvia Plath |
They are always with us, the thin people
Meager of dimension as the gray people
On a movie-screen. They
Are unreal, we say:
It was only in a movie, it was only
In a war making evil headlines when we
Were small that they famished and
Grew so lean and would not round
Out their stalky limbs again though peace
Plumped the bellies of the mice
Under the meanest table.
It was during the long hunger-battle
They found their talent to persevere
In thinness, to come, later,
Into our bad dreams, their menace
Not guns, not abuses,
But a thin silence.
Wrapped in flea-ridded donkey skins,
Empty of complaint, forever
Drinking vinegar from tin cups: they wore
The insufferable nimbus of the lot-drawn
Scapegoat. But so thin,
So weedy a race could not remain in dreams,
Could not remain outlandish victims
In the contracted country of the head
Any more than the old woman in her mud hut could
Keep from cutting fat meat
Out of the side of the generous moon when it
Set foot nightly in her yard
Until her knife had pared
The moon to a rind of little light.
Now the thin people do not obliterate
Themselves as the dawn
Grayness blues, reddens, and the outline
Of the world comes clear and fills with color.
They persist in the sunlit room: the wallpaper
Frieze of cabbage-roses and cornflowers pales
Under their thin-lipped smiles,
Their withering kingship.
How they prop each other up!
We own no wilderness rich and deep enough
For stronghold against their stiff
Battalions. See, how the tree boles flatten
And lose their good browns
If the thin people simply stand in the forest,
Making the world go thin as a wasp's nest
And grayer; not even moving their bones.
|
Written by
Andrew Marvell |
Oblig'd by frequent visits of this man,
Whom as Priest, Poet, and Musician,
I for some branch of Melchizedeck took,
(Though he derives himself from my Lord Brooke)
I sought his Lodging; which is at the Sign
Of the sad Pelican; Subject divine
For Poetry: There three Stair Cases high,
Which signifies his triple property,
I found at last a Chamber, as 'twas said,
But seem'd a Coffin set on the Stairs head.
Not higher then Seav'n, nor larger then three feet;
Only there was nor Seeling, nor a Sheet,
Save that th' ingenious Door did as you come
Turn in, and shew to Wainscot half the Room.
Yet of his State no man could have complain'd;
There being no Bed where he entertain'd:
And though within one Cell so narrow pent,
He'd Stanza's for a whole Appartement.
Straight without further information,
In hideous verse, he, and a dismal tone,
Begins to exercise; as if I were
Possest; and sure the Devil brought me there.
But I, who now imagin'd my selfbrought
To my last Tryal, in a serious thought
Calm'd the disorders of my youthful Breast,
And to my Martyrdom prepared Rest.
Only this frail Ambition did remain,
The last distemper of the sober Brain,
That there had been some present to assure
The future Ages how I did indure:
And how I, silent, turn'd my burning Ear
Towards the Verse; and when that could n
Held him the other; and unchanged yet,
Ask'd still for more, and pray'd him to repeat:
Till the Tyrant, weary to persecute,
Left off, and try'd t'allure me with his Lute.
Now as two Instruments, to the same key
Being tun'd by Art, if the one touched be
The other opposite as soon replies,
Mov'd by the Air and hidden Sympathies;
So while he with his gouty Fingers craules
Over the Lute, his murmuring Belly calls,
Whose hungry Guts to the same streightness twin'd
In Echo to the trembling Strings repin'd.
I, that perceiv'd now what his Musick ment,
Ask'd civilly if he had eat this Lent.
He answered yes; with such, and such an one.
For he has this of gen'rous, that alone
He never feeds; save only when he tryes
With gristly Tongue to dart the passing Flyes.
I ask'd if he eat flesh. And he, that was
So hungry that though ready to say Mass
Would break his fast before, said he was Sick,
And th' Ordinance was only Politick.
Nor was I longer to invite him: Scant
Happy at once to make him Protestant,
And Silent. Nothing now Dinner stay'd
But till he had himself a Body made.
I mean till he were drest: for else so thin
He stands, as if he only fed had been
With consecrated Wafers: and the Host
Hath sure more flesh and blood then he can boast.
This Basso Relievo of a Man,
Who as a Camel tall, yet easly can
The Needles Eye thread without any stich,
(His only impossible is to be rich)
Lest his too suttle Body, growing rare,
Should leave his Soul to wander in the Air,
He therefore circumscribes himself in rimes;
And swaddled in's own papers seaven times,
Wears a close Jacket of poetick Buff,
With which he doth his third Dimension Stuff.
Thus armed underneath, he over all
Does make a primitive Sotana fall;
And above that yet casts an antick Cloak,
Worn at the first Counsel of Antioch;
Which by the Jews long hid, and Disesteem'd,
He heard of by Tradition, and redeem'd.
But were he not in this black habit deck't,
This half transparent Man would soon reflect
Each colour that he past by; and be seen,
As the Chamelion, yellow, blew, or green.
He drest, and ready to disfurnish now
His Chamber, whose compactness did allow
No empty place for complementing doubt,
But who came last is forc'd first to go out;
I meet one on the Stairs who made me stand,
Stopping the passage, and did him demand:
I answer'd he is here Sir; but you see
You cannot pass to him but thorow me.
He thought himself affronted; and reply'd,
I whom the Pallace never has deny'd
Will make the way here; I said Sir you'l do
Me a great favour, for I seek to go.
He gathring fury still made sign to draw;
But himself there clos'd in a Scabbard saw
As narrow as his Sword's; and I, that was
Delightful, said there can no Body pass
Except by penetration hither, where
Two make a crowd, nor can three Persons here
Consist but in one substance. Then, to fit
Our peace, the Priest said I too had some wit:
To prov't, I said, the place doth us invite
But its own narrowness, Sir, to unite.
He ask'd me pardon; and to make me way
Went down, as I him follow'd to obey.
But the propitiatory Priest had straight
Oblig'd us, when below, to celebrate
Together our attonement: so increas'd
Betwixt us two the Dinner to a Feast.
Let it suffice that we could eat in peace;
And that both Poems did and Quarrels cease
During the Table; though my new made Friend
Did, as he threatned, ere 'twere long intend
To be both witty and valiant: I loth,
Said 'twas too late, he was already both.
But now, Alas, my first Tormentor came,
Who satisfy'd with eating, but not tame
Turns to recite; though Judges most severe
After th'Assizes dinner mild appear,
And on full stomach do condemn but few:
Yet he more strict my sentence doth renew;
And draws out of the black box of his Breast
Ten quire of paper in which he was drest.
Yet that which was a greater cruelty
Then Nero's Poem he calls charity:
And so the Pelican at his door hung
Picks out the tender bosome to its young.
Of all his Poems there he stands ungirt
Save only two foul copies for his shirt:
Yet these he promises as soon as clean.
But how I loath'd to see my Neighbour glean
Those papers, which he pilled from within
Like white fleaks rising from a Leaper's skin!
More odious then those raggs which the French youth
At ordinaries after dinner show'th,
When they compare their Chancres and Poulains.
Yet he first kist them, and after takes pains
To read; and then, because he understood good.
Not one Word, thought and swore that they were
But all his praises could not now appease
The provok't Author, whom it did displease
To hear his Verses, by so just a curse,
That were ill made condemn'd to be read worse:
And how (impossible) he made yet more
Absurdityes in them then were before.
For he his untun'd voice did fall or raise
As a deaf Man upon a Viol playes,
Making the half points and the periods run
Confus'der then the atomes in the Sun.
Thereat the Poet swell'd, with anger full,
And roar'd out, like Perillus in's own Bull;
Sir you read false. That any one but you
Should know the contrary. Whereat, I, now
Made Mediator, in my room, said, Why?
To say that you read false Sir is no Lye.
Thereat the waxen Youth relented straight;
But saw with sad dispair that was too late.
For the disdainful Poet was retir'd
Home, his most furious Satyr to have fir'd
Against the Rebel; who, at this struck dead
Wept bitterly as disinherited.
Who should commend his Mistress now? Or who
Praise him? both difficult indeed to do
With truth. I counsell'd him to go in time,
Ere the fierce Poets anger turn'd to rime.
He hasted; and I, finding my self free,
Did, as he threatned, ere 'twere long intend
As one scap't strangely from Captivity,
Have made the Chance be painted; and go now
To hang it in Saint Peter's for a Vow.
|
Written by
Rg Gregory |
(for matt – 15)
in the first seven years you choose your howdah
having by then bare inklings of a journey
but where or why - confusion there to cloud a
judgement no more ready than a sore knee
to enter the lists of a whole life’s tourney -
but after this howdah-do (this introduction)
what’s to carry you where - from muddy fluxion
and glimpsing that a howdah does for two
(from seven years on the stirrings can be frantic)
you start to map the high ride (define the view)
and long for gilt and pomp (a touch of tantric)
relationships at best quite sycophantic
you dream of elephants clad in rich brocades
ideas to match your own fanfaronades
at fifteen then you’re really setting out
the sun’s dressed up to let you think life’s bright
your flag’s up front to give you extra clout
the chores are borne below (and out of sight)
you’ve made a noon of every slinking midnight
the continent is yours (let no one mock it)
yours the wheel to which all else a sprocket
in sri lanka in the kandy perahera
every august in a festival procession
an elephant richly dressed (the stately bearer)
carries on its back in howdah-fashion
a casket (such the grandeur of its mission))
in which the buddha’s sacred tooth’s enshrined
an image that your journey brings to mind
that tooth’s the root of all deep human struggle
and life for each proceeds by that shrined truth
which (clearly seen) yet causes thought to boggle
in what dimension lies the total proof
that that enamelled shard is all-wise tooth
and not a figment of the brain’s rash wish
to puff dull want as in a cloud of hashish
old tooth (your truth) life’s slow (but rushing) voyage
that lonely cavalcade that buzzing dreams spell out
towards elusive man but keep you in your boy-age
a noble sense of self impugned by doubt
and yet (inside you caged) a regal shout
pomp should be there to honour your advancement
and you are right to sip from that entrancement
then be that casket the buddha’s tooth ennobles
have that howdah’s view of how dah world grows
choose your elephant well to ride your troubles
(let flag and rich brocade shine through such woes)
what others think can’t hurt what your heart knows
it’s a bumpy business this festive spirit’s trek
a well-sprung joy best cushion for your neck
|
Written by
Bob Hicok |
My left hand will live longer than my right. The rivers
of my palms tell me so.
Never argue with rivers. Never expect your lives to finish
at the same time. I think
praying, I think clapping is how hands mourn. I think
staying up and waiting
for paintings to sigh is science. In another dimension this
is exactly what's happening,
it's what they write grants about: the chromodynamics
of mournful Whistlers,
the audible sorrow and beta decay of Old Battersea Bridge.
I like the idea of different
theres and elsewheres, an Idaho known for bluegrass,
a Bronx where people talk
like violets smell. Perhaps I am somewhere patient, somehow
kind, perhaps in the nook
of a cousin universe I've never defiled or betrayed
anyone. Here I have
two hands and they are vanishing, the hollow of your back
to rest my cheek against,
your voice and little else but my assiduous fear to cherish.
My hands are webbed
like the wind-torn work of a spider, like they squeezed
something in the womb
but couldn't hang on. One of those other worlds
or a life I felt
passing through mine, or the ocean inside my mother's belly
she had to scream out.
Here, when I say I never want to be without you,
somewhere else I am saying
I never want to be without you again. And when I touch you
in each of the places we meet,
in all of the lives we are, it's with hands that are dying
and resurrected.
When I don't touch you it's a mistake in any life,
in each place and forever.
|
Written by
William Blake |
The sky is an immortal tent built by the Sons of Los:
And every space that a man views around his dwelling-place
Standing on his own roof or in his garden on a mount
Of twenty-five cubits in height, such space is his universe:
And on its verge the sun rises and sets, the clouds bow
To meet the flat earth and the sea in such an order'd space:
The starry heavens reach no further, but here bend and set
On all sides, and the two Poles turn on their valves of gold:
And if he moves his dwelling-place, his heavens also move
Where'er he goes, and all his neighbourhood bewail his loss.
Such are the spaces called Earth and such its dimension.
As to that false appearance which appears to the reasoner
As of a globe rolling through voidness, it is a delusion of Ulro.
The microscope knows not of this nor the telescope: they alter
The ratio of the spectator's organs, but leave objects untouch'd.
For every space larger than a red globule of Man's blood
Is visionary, and is created by the Hammer of Los;
And every space smaller than a globule of Man's blood opens
Into Eternity of which this vegetable Earth is but a shadow.
The red globule is the unwearied sun by Los created
To measure time and space to mortal men every morning
|
Written by
Ezra Pound |
For the seven lakes, and by no man these verses:
Rain; empty river; a voyage,
Fire from frozen cloud, heavy rain in the twilight
Under the cabin roof was one lantern.
The reeds are heavy; bent;
and the bamboos speak as if weeping.
Autumn moon; hills rise about lakes
against sunset
Evening is like a curtain of cloud,
a blurr above ripples; and through it
sharp long spikes of the cinnamon,
a cold tune amid reeds.
Behind hill the monk's bell
borne on the wind.
Sail passed here in April; may return in October
Boat fades in silver; slowly;
Sun blaze alone on the river.
Where wine flag catches the sunset
Sparse chimneys smoke in the cross light
Comes then snow scur on the river
And a world is covered with jade
Small boat floats like a lanthorn,
The flowing water closts as with cold. And at San Yin
they are a people of leisure.
Wild geese swoop to the sand-bar,
Clouds gather about the hole of the window
Broad water; geese line out with the autumn
Rooks clatter over the fishermen's lanthorns,
A light moves on the north sky line;
where the young boys prod stones for shrimp.
In seventeen hundred came Tsing to these hill lakes.
A light moves on the South sky line.
State by creating riches shd. thereby get into debt?
This is infamy; this is Geryon.
This canal goes still to TenShi
Though the old king built it for pleasure
K E I M E N R A N K E I
K I U M A N M A N K E I
JITSU GETSU K O K W A
T A N FUKU T A N K A I
Sun up; work
sundown; to rest
dig well and drink of the water
dig field; eat of the grain
Imperial power is? and to us what is it?
The fourth; the dimension of stillness.
And the power over wild beasts.
|
Written by
William Blake |
The sky is an immortal tent built by the Sons of Los:
And every space that a man views around his dwelling-place
Standing on his own roof or in his garden on a mount
Of twenty-five cubits in height, such space is his universe:
And on its verge the sun rises and sets, the clouds bow
To meet the flat earth and the sea in such an order'd space:
The starry heavens reach no further, but here bend and set
On all sides, and the two Poles turn on their valves of gold:
And if he moves his dwelling-place, his heavens also move
Where'er he goes, and all his neighbourhood bewail his loss.
Such are the spaces called Earth and such its dimension.
As to that false appearance which appears to the reasoner
As of a globe rolling through voidness, it is a delusion of Ulro.
The microscope knows not of this nor the telescope: they alter
The ratio of the spectator's organs, but leave objects untouch'd.
For every space larger than a red globule of Man's blood
Is visionary, and is created by the Hammer of Los;
And every space smaller than a globule of Man's blood opens
Into Eternity of which this vegetable Earth is but a shadow.
The red globule is the unwearied sun by Los created
To measure time and space to mortal men every morning.
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