Written by
Robert William Service |
Smith, great writer of stories, drank; found it immortalized his pen;
Fused in his brain-pan, else a blank, heavens of glory now and then;
Gave him the magical genius touch; God-given power to gouge out, fling
Flat in your face a soul-thought -- Bing!
Twiddle your heart-strings in his clutch. "Bah!" said Smith, "let my body lie
stripped to the buff in swinish shame,
If I can blaze in the radiant sky out of adoring stars my name.
Sober am I nonentitized; drunk am I more than half a god.
Well, let the flesh be sacrificed; spirit shall speak and shame the clod.
Who would not gladly, gladly give Life to do one thing that will live?"
Smith had a friend, we'll call him Brown; dearer than brothers were those two.
When in the wassail Smith would drown, Brown would rescue and pull him through.
When Brown was needful Smith would lend; so it fell as the years went by,
Each on the other would depend: then at the last Smith came to die.
There Brown sat in the sick man's room, still as a stone in his despair;
Smith bent on him his eyes of doom, shook back his lion mane of hair;
Said: "Is there one in my chosen line, writer of forthright tales my peer?
Look in that little desk of mine; there is a package, bring it here.
Story of stories, gem of all; essence and triumph, key and clue;
Tale of a loving woman's fall; soul swept hell-ward, and God! it's true.
I was the man -- Oh, yes, I've paid, paid with mighty and mordant pain.
Look! here's the masterpiece I've made out of my sin, my manhood slain.
Art supreme! yet the world would stare, know my mistress and blaze my shame.
I have a wife and daughter -- there! take it and thrust it in the flame."
Brown answered: "Master, you have dipped pen in your heart, your phrases sear.
Ruthless, unflinching, you have stripped naked your soul and set it here.
Have I not loved you well and true? See! between us the shadows drift;
This bit of blood and tears means You -- oh, let me have it, a parting gift.
Sacred I'll hold it, a trust divine; sacred your honour, her dark despair;
Never shall it see printed line: here, by the living God I swear."
Brown on a Bible laid his hand; Smith, great writer of stories, sighed:
"Comrade, I trust you, and understand. Keep my secret!" And so he died.
Smith was buried -- up soared his sales; lured you his books in every store;
Exquisite, whimsy, heart-wrung tales; men devoured them and craved for more.
So when it slyly got about Brown had a posthumous manuscript,
Jones, the publisher, sought him out, into his pocket deep he dipped.
"A thousand dollars?" Brown shook his head. "The story is not for sale, " he said.
Jones went away, then others came. Tempted and taunted, Brown was true.
Guarded at friendship's shrine the fame of the unpublished story grew and grew.
It's a long, long lane that has no end, but some lanes end in the Potter's field;
Smith to Brown had been more than friend: patron, protector, spur and shield.
Poor, loving-wistful, dreamy Brown, long and lean, with a smile askew,
Friendless he wandered up and down, gaunt as a wolf, as hungry too.
Brown with his lilt of saucy rhyme, Brown with his tilt of tender mirth
Garretless in the gloom and grime, singing his glad, mad songs of earth:
So at last with a faith divine, down and down to the Hunger-line.
There as he stood in a woeful plight, tears a-freeze on his sharp cheek-bones,
Who should chance to behold his plight, but the publisher, the plethoric Jones;
Peered at him for a little while, held out a bill: "NOW, will you sell?"
Brown scanned it with his twisted smile: "A thousand dollars! you go to hell!"
Brown enrolled in the homeless host, sleeping anywhere, anywhen;
Suffered, strove, became a ghost, slave of the lamp for other men;
For What's-his-name and So-and-so in the abyss his soul he stripped,
Yet in his want, his worst of woe, held he fast to the manuscript.
Then one day as he chewed his pen, half in hunger and half despair,
Creaked the door of his garret den; Dick, his brother, was standing there.
Down on the pallet bed he sank, ashen his face, his voice a wail:
"Save me, brother! I've robbed the bank; to-morrow it's ruin, capture, gaol.
Yet there's a chance: I could to-day pay back the money, save our name;
You have a manuscript, they say, worth a thousand -- think, man! the shame. . . ."
Brown with his heart pain-pierced the while, with his stern, starved face,
and his lips stone-pale,
Shuddered and smiled his twisted smile: "Brother, I guess you go to gaol."
While poor Brown in the leer of dawn wrestled with God for the sacred fire,
Came there a woman weak and wan, out of the mob, the murk, the mire;
Frail as a reed, a fellow ghost, weary with woe, with sorrowing;
Two pale souls in the legion lost; lo! Love bent with a tender wing,
Taught them a joy so deep, so true, it seemed that the whole-world fabric shook,
Thrilled and dissolved in radiant dew; then Brown made him a golden book,
Full of the faith that Life is good, that the earth is a dream divinely fair,
Lauding his gem of womanhood in many a lyric rich and rare;
Took it to Jones, who shook his head: "I will consider it," he said.
While he considered, Brown's wife lay clutched in the tentacles of pain;
Then came the doctor, grave and grey; spoke of decline, of nervous strain;
Hinted Egypt, the South of France -- Brown with terror was tiger-gripped.
Where was the money? What the chance? Pitiful God! . . . the manuscript!
A thousand dollars! his only hope! he gazed and gazed at the garret wall. . . .
Reached at last for the envelope, turned to his wife and told her all.
Told of his friend, his promise true; told like his very heart would break:
"Oh, my dearest! what shall I do? shall I not sell it for your sake?"
Ghostlike she lay, as still as doom; turned to the wall her weary head;
Icy-cold in the pallid gloom, silent as death . . . at last she said:
"Do! my husband? Keep your vow! Guard his secret and let me die. . . .
Oh, my dear, I must tell you now -- the women he loved and wronged was I;
Darling! I haven't long to live: I never told you -- forgive, forgive!"
For a long, long time Brown did not speak; sat bleak-browed in the wretched room;
Slowly a tear stole down his cheek, and he kissed her hand in the dismal gloom.
To break his oath, to brand her shame; his well-loved friend, his worshipped wife;
To keep his vow, to save her name, yet at the cost of what? Her life!
A moment's space did he hesitate, a moment of pain and dread and doubt,
Then he broke the seals, and, stern as fate, unfolded the sheets and spread them out. . . .
On his knees by her side he limply sank, peering amazed -- each page was blank.
(For oh, the supremest of our art are the stories we do not dare to tell,
Locked in the silence of the heart, for the awful records of Heav'n and Hell.)
Yet those two in the silence there, seemed less weariful than before.
Hark! a step on the garret stair, a postman knocks at the flimsy door.
"Registered letter!" Brown thrills with fear; opens, and reads, then bends above:
"Glorious tidings! Egypt, dear! The book is accepted -- life and love."
|
Written by
Edgar Allan Poe |
"Seldom we find," says Solomon Don Dunce,
"Half an idea in the profoundest sonnet.
Through all the flimsy things we see at once
As easily as through a Naples bonnet-
Trash of all trash!- how can a lady don it?
Yet heavier far than your Petrarchan stuff-
Owl-downy nonsense that the faintest puff
Twirls into trunk-paper the while you con it."
And, veritably, Sol is right enough.
The general tuckermanities are arrant
Bubbles- ephemeral and so transparent-
But this is, now- you may depend upon it-
Stable, opaque, immortal- all by dint
Of the dear names that he concealed within 't.
|
Written by
Walt Whitman |
1
GREAT are the myths—I too delight in them;
Great are Adam and Eve—I too look back and accept them;
Great the risen and fallen nations, and their poets, women, sages, inventors, rulers,
warriors,
and priests.
Great is Liberty! great is Equality! I am their follower;
Helmsmen of nations, choose your craft! where you sail, I sail,
I weather it out with you, or sink with you.
Great is Youth—equally great is Old Age—great are the Day and Night;
Great is Wealth—great is Poverty—great is Expression—great is Silence.
Youth, large, lusty, loving—Youth, full of grace, force, fascination!
Do you know that Old Age may come after you, with equal grace, force, fascination?
Day, full-blown and splendid—Day of the immense sun, action, ambition, laughter,
The Night follows close, with millions of suns, and sleep, and restoring darkness.
Wealth, with the flush hand, fine clothes, hospitality;
But then the Soul’s wealth, which is candor, knowledge, pride, enfolding love;
(Who goes for men and women showing Poverty richer than wealth?)
Expression of speech! in what is written or said, forget not that Silence is also
expressive,
That anguish as hot as the hottest, and contempt as cold as the coldest, may be without
words.
2
Great is the Earth, and the way it became what it is;
Do you imagine it has stopt at this? the increase abandon’d?
Understand then that it goes as far onward from this, as this is from the times when it
lay in
covering waters and gases, before man had appear’d.
Great is the quality of Truth in man;
The quality of truth in man supports itself through all changes,
It is inevitably in the man—he and it are in love, and never leave each other.
The truth in man is no dictum, it is vital as eyesight;
If there be any Soul, there is truth—if there be man or woman there is truth—if
there
be physical or moral, there is truth;
If there be equilibrium or volition, there is truth—if there be things at all upon
the
earth, there is truth.
O truth of the earth! I am determin’d to press my way toward you;
Sound your voice! I scale mountains, or dive in the sea after you.
3
Great is Language—it is the mightiest of the sciences,
It is the fulness, color, form, diversity of the earth, and of men and women, and of all
qualities and processes;
It is greater than wealth—it is greater than buildings, ships, religions, paintings,
music.
Great is the English speech—what speech is so great as the English?
Great is the English brood—what brood has so vast a destiny as the English?
It is the mother of the brood that must rule the earth with the new rule;
The new rule shall rule as the Soul rules, and as the love, justice, equality in the Soul
rule.
Great is Law—great are the few old land-marks of the law,
They are the same in all times, and shall not be disturb’d.
4
Great is Justice!
Justice is not settled by legislators and laws—it is in the Soul;
It cannot be varied by statutes, any more than love, pride, the attraction of gravity,
can;
It is immutable—it does not depend on majorities—majorities or what not, come at
last
before the same passionless and exact tribunal.
For justice are the grand natural lawyers, and perfect judges—is it in their Souls;
It is well assorted—they have not studied for nothing—the great includes the
less;
They rule on the highest grounds—they oversee all eras, states, administrations.
The perfect judge fears nothing—he could go front to front before God;
Before the perfect judge all shall stand back—life and death shall stand
back—heaven
and hell shall stand back.
5
Great is Life, real and mystical, wherever and whoever;
Great is Death—sure as life holds all parts together, Death holds all parts together.
Has Life much purport?—Ah, Death has the greatest purport.
|
Written by
Walt Whitman |
1
PROUD music of the storm!
Blast that careers so free, whistling across the prairies!
Strong hum of forest tree-tops! Wind of the mountains!
Personified dim shapes! you hidden orchestras!
You serenades of phantoms, with instruments alert,
Blending, with Nature’s rhythmus, all the tongues of nations;
You chords left us by vast composers! you choruses!
You formless, free, religious dances! you from the Orient!
You undertone of rivers, roar of pouring cataracts;
You sounds from distant guns, with galloping cavalry!
Echoes of camps, with all the different bugle-calls!
Trooping tumultuous, filling the midnight late, bending me powerless,
Entering my lonesome slumber-chamber—Why have you seiz’d me?
2
Come forward, O my Soul, and let the rest retire;
Listen—lose not—it is toward thee they tend;
Parting the midnight, entering my slumber-chamber,
For thee they sing and dance, O Soul.
A festival song!
The duet of the bridegroom and the bride—a marriage-march,
With lips of love, and hearts of lovers, fill’d to the brim with love;
The red-flush’d cheeks, and perfumes—the cortege swarming, full of friendly
faces,
young and old,
To flutes’ clear notes, and sounding harps’ cantabile.
3
Now loud approaching drums!
Victoria! see’st thou in powder-smoke the banners torn but flying? the rout of the
baffled?
Hearest those shouts of a conquering army?
(Ah, Soul, the sobs of women—the wounded groaning in agony,
The hiss and crackle of flames—the blacken’d ruins—the embers of cities,
The dirge and desolation of mankind.)
4
Now airs antique and medieval fill me!
I see and hear old harpers with their harps, at Welsh festivals:
I hear the minnesingers, singing their lays of love,
I hear the minstrels, gleemen, troubadours, of the feudal ages.
5
Now the great organ sounds,
Tremulous—while underneath, (as the hid footholds of the earth,
On which arising, rest, and leaping forth, depend,
All shapes of beauty, grace and strength—all hues we know,
Green blades of grass, and warbling birds—children that gambol and play—the
clouds of
heaven above,)
The strong base stands, and its pulsations intermits not,
Bathing, supporting, merging all the rest—maternity of all the rest;
And with it every instrument in multitudes,
The players playing—all the world’s musicians,
The solemn hymns and masses, rousing adoration,
All passionate heart-chants, sorrowful appeals,
The measureless sweet vocalists of ages,
And for their solvent setting, Earth’s own diapason,
Of winds and woods and mighty ocean waves;
A new composite orchestra—binder of years and climes—ten-fold renewer,
As of the far-back days the poets tell—the Paradiso,
The straying thence, the separation long, but now the wandering done,
The journey done, the Journeyman come home,
And Man and Art, with Nature fused again.
6
Tutti! for Earth and Heaven!
The Almighty Leader now for me, for once has signal’d with his wand.
The manly strophe of the husbands of the world,
And all the wives responding.
The tongues of violins!
(I think, O tongues, ye tell this heart, that cannot tell itself;
This brooding, yearning heart, that cannot tell itself.)
7
Ah, from a little child,
Thou knowest, Soul, how to me all sounds became music;
My mother’s voice, in lullaby or hymn;
(The voice—O tender voices—memory’s loving voices!
Last miracle of all—O dearest mother’s, sister’s, voices;)
The rain, the growing corn, the breeze among the long-leav’d corn,
The measur’d sea-surf, beating on the sand,
The twittering bird, the hawk’s sharp scream,
The wild-fowl’s notes at night, as flying low, migrating north or south,
The psalm in the country church, or mid the clustering trees, the open air camp-meeting,
The fiddler in the tavern—the glee, the long-strung sailor-song,
The lowing cattle, bleating sheep—the crowing cock at dawn.
8
All songs of current lands come sounding ’round me,
The German airs of friendship, wine and love,
Irish ballads, merry jigs and dances—English warbles,
Chansons of France, Scotch tunes—and o’er the rest,
Italia’s peerless compositions.
Across the stage, with pallor on her face, yet lurid passion,
Stalks Norma, brandishing the dagger in her hand.
I see poor crazed Lucia’s eyes’ unnatural gleam;
Her hair down her back falls loose and dishevell’d.
I see where Ernani, walking the bridal garden,
Amid the scent of night-roses, radiant, holding his bride by the hand,
Hears the infernal call, the death-pledge of the horn.
To crossing swords, and grey hairs bared to heaven,
The clear, electric base and baritone of the world,
The trombone duo—Libertad forever!
From Spanish chestnut trees’ dense shade,
By old and heavy convent walls, a wailing song,
Song of lost love—the torch of youth and life quench’d in despair,
Song of the dying swan—Fernando’s heart is breaking.
Awaking from her woes at last, retriev’d Amina sings;
Copious as stars, and glad as morning light, the torrents of her joy.
(The teeming lady comes!
The lustrious orb—Venus contralto—the blooming mother,
Sister of loftiest gods—Alboni’s self I hear.)
9
I hear those odes, symphonies, operas;
I hear in the William Tell, the music of an arous’d and angry people;
I hear Meyerbeer’s Huguenots, the Prophet, or Robert;
Gounod’s Faust, or Mozart’s Don Juan.
10
I hear the dance-music of all nations,
The waltz, (some delicious measure, lapsing, bathing me in bliss;)
The bolero, to tinkling guitars and clattering castanets.
I see religious dances old and new,
I hear the sound of the Hebrew lyre,
I see the Crusaders marching, bearing the cross on high, to the martial clang of cymbals;
I hear dervishes monotonously chanting, interspers’d with frantic shouts, as they
spin
around, turning always towards Mecca;
I see the rapt religious dances of the Persians and the Arabs;
Again, at Eleusis, home of Ceres, I see the modern Greeks dancing,
I hear them clapping their hands, as they bend their bodies,
I hear the metrical shuffling of their feet.
I see again the wild old Corybantian dance, the performers wounding each other;
I see the Roman youth, to the shrill sound of flageolets, throwing and catching their
weapons,
As they fall on their knees, and rise again.
I hear from the Mussulman mosque the muezzin calling;
I see the worshippers within, (nor form, nor sermon, argument, nor word,
But silent, strange, devout—rais’d, glowing heads—extatic faces.)
11
I hear the Egyptian harp of many strings,
The primitive chants of the Nile boatmen;
The sacred imperial hymns of China,
To the delicate sounds of the king, (the stricken wood and stone;)
Or to Hindu flutes, and the fretting twang of the vina,
A band of bayaderes.
12
Now Asia, Africa leave me—Europe, seizing, inflates me;
To organs huge, and bands, I hear as from vast concourses of voices,
Luther’s strong hymn, Eine feste Burg ist unser Gott;
Rossini’s Stabat Mater dolorosa;
Or, floating in some high cathedral dim, with gorgeous color’d windows,
The passionate Agnus Dei, or Gloria in Excelsis.
13
Composers! mighty maestros!
And you, sweet singers of old lands—Soprani! Tenori! Bassi!
To you a new bard, carolling free in the west,
Obeisant, sends his love.
(Such led to thee, O Soul!
All senses, shows and objects, lead to thee,
But now, it seems to me, sound leads o’er all the rest.)
14
I hear the annual singing of the children in St. Paul’s Cathedral;
Or, under the high roof of some colossal hall, the symphonies, oratorios of Beethoven,
Handel,
or Haydn;
The Creation, in billows of godhood laves me.
Give me to hold all sounds, (I, madly struggling, cry,)
Fill me with all the voices of the universe,
Endow me with their throbbings—Nature’s also,
The tempests, waters, winds—operas and chants—marches and dances,
Utter—pour in—for I would take them all.
15
Then I woke softly,
And pausing, questioning awhile the music of my dream,
And questioning all those reminiscences—the tempest in its fury,
And all the songs of sopranos and tenors,
And those rapt oriental dances, of religious fervor,
And the sweet varied instruments, and the diapason of organs,
And all the artless plaints of love, and grief and death,
I said to my silent, curious Soul, out of the bed of the slumber-chamber,
Come, for I have found the clue I sought so long,
Let us go forth refresh’d amid the day,
Cheerfully tallying life, walking the world, the real,
Nourish’d henceforth by our celestial dream.
And I said, moreover,
Haply, what thou hast heard, O Soul, was not the sound of winds,
Nor dream of raging storm, nor sea-hawk’s flapping wings, nor harsh scream,
Nor vocalism of sun-bright Italy,
Nor German organ majestic—nor vast concourse of voices—nor layers of harmonies;
Nor strophes of husbands and wives—nor sound of marching soldiers,
Nor flutes, nor harps, nor the bugle-calls of camps;
But, to a new rhythmus fitted for thee,
Poems, bridging the way from Life to Death, vaguely wafted in night air, uncaught,
unwritten,
Which, let us go forth in the bold day, and write.
|
Written by
Mark Doty |
When I heard he had entered the harbor,
and circled the wharf for days,
I expected the worst: shallow water,
confusion, some accident to bring
the young humpback to grief.
Don't they depend on a compass
lodged in the salt-flooded folds
of the brain, some delicate
musical mechanism to navigate
their true course? How many ways,
in our century's late iron hours,
might we have led him to disaster?
That, in those days, was how
I'd come to see the world:
dark upon dark, any sense
of spirit an embattled flame
sparked against wind-driven rain
till pain snuffed it out. I thought,
This is what experience gives us ,
and I moved carefully through my life
while I waited. . . Enough,
it wasn't that way at all. The whale
—exuberant, proud maybe, playful,
like the early music of Beethoven—
cruised the footings for smelts
clustered near the pylons
in mercury flocks. He
(do I have the gender right?)
would negotiate the rusty hulls
of the Portuguese fishing boats
—Holy Infant, Little Marie—
with what could only be read
as pleasure, coming close
then diving, trailing on the surface
big spreading circles
until he'd breach, thrilling us
with the release of pressured breath,
and the bulk of his sleek young head
—a wet black leather sofa
already barnacled with ghostly lice—
and his elegant and unlikely mouth,
and the marvelous afterthought of the flukes,
and the way his broad flippers
resembled a pair of clownish gloves
or puppet hands, looming greenish white
beneath the bay's clouded sheen.
When he had consumed his pleasure
of the shimmering swarm, his pleasure, perhaps,
in his own admired performance,
he swam out the harbor mouth,
into the Atlantic. And though grief
has seemed to me itself a dim,
salt suspension in which I've moved,
blind thing, day by day,
through the wreckage, barely aware
of what I stumbled toward, even I
couldn't help but look
at the way this immense figure
graces the dark medium,
and shines so: heaviness
which is no burden to itself.
What did you think, that joy
was some slight thing?
|
Written by
Walt Whitman |
O MATER! O fils!
O brood continental!
O flowers of the prairies!
O space boundless! O hum of mighty products!
O you teeming cities! O so invincible, turbulent, proud!
O race of the future! O women!
O fathers! O you men of passion and the storm!
O native power only! O beauty!
O yourself! O God! O divine average!
O you bearded roughs! O bards! O all those slumberers!
O arouse! the dawn bird’s throat sounds shrill! Do you not hear the cock crowing?
O, as I walk’d the beach, I heard the mournful notes foreboding a tempest—the
low,
oft-repeated shriek of the diver, the long-lived loon;
O I heard, and yet hear, angry thunder;—O you sailors! O ships! make quick
preparation!
O from his masterful sweep, the warning cry of the eagle!
(Give way there, all! It is useless! Give up your spoils;)
O sarcasms! Propositions! (O if the whole world should prove indeed a sham, a sell!)
O I believe there is nothing real but America and freedom!
O to sternly reject all except Democracy!
O imperator! O who dare confront you and me?
O to promulgate our own! O to build for that which builds for mankind!
O feuillage! O North! O the slope drained by the Mexican sea!
O all, all inseparable—ages, ages, ages!
O a curse on him that would dissever this Union for any reason whatever!
O climates, labors! O good and evil! O death!
O you strong with iron and wood! O Personality!
O the village or place which has the greatest man or woman! even if it be only a few
ragged
huts;
O the city where women walk in public processions in the streets, the same as the men;
O a wan and terrible emblem, by me adopted!
O shapes arising! shapes of the future centuries!
O muscle and pluck forever for me!
O workmen and workwomen forever for me!
O farmers and sailors! O drivers of horses forever for me!
O I will make the new bardic list of trades and tools!
O you coarse and wilful! I love you!
O South! O longings for my dear home! O soft and sunny airs!
O pensive! O I must return where the palm grows and the mocking-bird sings, or else I die!
O equality! O organic compacts! I am come to be your born poet!
O whirl, contest, sounding and resounding! I am your poet, because I am part of you;
O days by-gone! Enthusiasts! Antecedents!
O vast preparations for These States! O years!
O what is now being sent forward thousands of years to come!
O mediums! O to teach! to convey the invisible faith!
To promulge real things! to journey through all The States!
O creation! O to-day! O laws! O unmitigated adoration!
O for mightier broods of orators, artists, and singers!
O for native songs! carpenter’s, boatman’s, ploughman’s songs!
shoemaker’s
songs!
O haughtiest growth of time! O free and extatic!
O what I, here, preparing, warble for!
O you hastening light! O the sun of the world will ascend, dazzling, and take his
height—and you too will ascend;
O so amazing and so broad! up there resplendent, darting and burning;
O prophetic! O vision staggered with weight of light! with pouring glories!
O copious! O hitherto unequalled!
O Libertad! O compact! O union impossible to dissever!
O my Soul! O lips becoming tremulous, powerless!
O centuries, centuries yet ahead!
O voices of greater orators! I pause—I listen for you
O you States! Cities! defiant of all outside authority! I spring at once into your arms!
you I
most love!
O you grand Presidentiads! I wait for you!
New history! New heroes! I project you!
Visions of poets! only you really last! O sweep on! sweep on!
O Death! O you striding there! O I cannot yet!
O heights! O infinitely too swift and dizzy yet!
O purged lumine! you threaten me more than I can stand!
O present! I return while yet I may to you!
O poets to come, I depend upon you!
|
Written by
Jonathan Swift |
As, when a lofty pile is raised,
We never hear the workmen praised,
Who bring the lime, or place the stones;
But all admire Inigo Jones:
So, if this pile of scattered rhymes
Should be approved in aftertimes;
If it both pleases and endures,
The merit and the praise are yours.
Thou, Stella, wert no longer young,
When first for thee my harp was strung,
Without one word of Cupid's darts,
Of killing eyes, or bleeding hearts;
With friendship and esteem possest,
I ne'er admitted Love a guest.
In all the habitudes of life,
The friend, the mistress, and the wife,
Variety we still pursue,
In pleasure seek for something new;
Or else, comparing with the rest,
Take comfort that our own is best;
The best we value by the worst,
As tradesmen show their trash at first;
But his pursuits are at an end,
Whom Stella chooses for a friend.
A poet starving in a garret,
Invokes his mistress and his Muse,
And stays at home for want of shoes:
Should but his Muse descending drop
A slice of bread and mutton-chop;
Or kindly, when his credit's out,
Surprise him with a pint of stout;
Or patch his broken stocking soles;
Or send him in a peck of coals;
Exalted in his mighty mind,
He flies and leaves the stars behind;
Counts all his labours amply paid,
Adores her for the timely aid.
Or, should a porter make inquiries
For Chloe, Sylvia, Phillis, Iris;
Be told the lodging, lane, and sign,
The bowers that hold those nymphs divine;
Fair Chloe would perhaps be found
With footmen tippling under ground;
The charming Sylvia beating flax,
Her shoulders marked with bloody tracks;
Bright Phyllis mending ragged smocks:
And radiant Iris in the pox.
These are the goddesses enrolled
In Curll's collection, new and old,
Whose scoundrel fathers would not know 'em,
If they should meet them in a poem.
True poets can depress and raise,
Are lords of infamy and praise;
They are not scurrilous in satire,
Nor will in panegyric flatter.
Unjustly poets we asperse;
Truth shines the brighter clad in verse,
And all the fictions they pursue
Do but insinuate what is true.
Now, should my praises owe their truth
To beauty, dress, or paint, or youth,
What stoics call without our power,
They could not be ensured an hour;
'Twere grafting on an annual stock,
That must our expectation mock,
And, making one luxuriant shoot,
Die the next year for want of root:
Before I could my verses bring,
Perhaps you're quite another thing.
So Maevius, when he drained his skull
To celebrate some suburb trull,
His similes in order set,
And every crambo he could get;
Had gone through all the common-places
Worn out by wits, who rhyme on faces;
Before he could his poem close,
The lovely nymph had lost her nose.
Your virtues safely I commend;
They on no accidents depend:
Let malice look with all her eyes,
She dare not say the poet lies.
Stella, when you these lines transcribe,
Lest you should take them for a bribe,
Resolved to mortify your pride,
I'll here expose your weaker side.
Your spirits kindle to a flame,
Moved by the lightest touch of blame;
And when a friend in kindness tries
To show you where your error lies,
Conviction does but more incense;
Perverseness is your whole defence;
Truth, judgment, wit, give place to spite,
Regardless both of wrong and right;
Your virtues all suspended wait,
Till time has opened reason's gate;
And, what is worse, your passion bends
Its force against your nearest friends,
Which manners, decency, and pride,
Have taught from you the world to hide;
In vain; for see, your friend has brought
To public light your only fault;
And yet a fault we often find
Mixed in a noble, generous mind:
And may compare to Etna's fire,
Which, though with trembling, all admire;
The heat that makes the summit glow,
Enriching all the vales below.
Those who, in warmer climes, complain
From Phoebus' rays they suffer pain,
Must own that pain is largely paid
By generous wines beneath a shade.
Yet, when I find your passions rise,
And anger sparkling in your eyes,
I grieve those spirits should be spent,
For nobler ends by nature meant.
One passion, with a different turn,
Makes wit inflame, or anger burn:
So the sun's heat, with different powers,
Ripens the grape, the liquor sours:
Thus Ajax, when with rage possest,
By Pallas breathed into his breast,
His valour would no more employ,
Which might alone have conquered Troy;
But, blinded be resentment, seeks
For vengeance on his friends the Greeks.
You think this turbulence of blood
From stagnating preserves the flood,
Which, thus fermenting by degrees,
Exalts the spirits, sinks the lees.
Stella, for once your reason wrong;
For, should this ferment last too long,
By time subsiding, you may find
Nothing but acid left behind;
From passion you may then be freed,
When peevishness and spleen succeed.
Say, Stella, when you copy next,
Will you keep strictly to the text?
Dare you let these reproaches stand,
And to your failing set your hand?
Or, if these lines your anger fire,
Shall they in baser flames expire?
Whene'er they burn, if burn they must,
They'll prove my accusation just.
|
Written by
Walt Whitman |
1
COME, my tan-faced children,
Follow well in order, get your weapons ready;
Have you your pistols? have you your sharp edged axes? Pioneers! O pioneers!
2
For we cannot tarry here,
We must march my darlings, we must bear the brunt of danger,
We, the youthful sinewy races, all the rest on us depend, Pioneers! O pioneers!
3
O you youths, western youths,
So impatient, full of action, full of manly pride and friendship,
Plain I see you, western youths, see you tramping with the foremost, Pioneers! O
pioneers!
4
Have the elder races halted?
Do they droop and end their lesson, wearied, over there beyond the seas?
We take up the task eternal, and the burden, and the lesson, Pioneers! O pioneers!
5
All the past we leave behind;
We debouch upon a newer, mightier world, varied world,
Fresh and strong the world we seize, world of labor and the march, Pioneers! O pioneers!
6
We detachments steady throwing,
Down the edges, through the passes, up the mountains steep,
Conquering, holding, daring, venturing, as we go, the unknown ways, Pioneers! O pioneers!
7
We primeval forests felling,
We the rivers stemming, vexing we, and piercing deep the mines within;
We the surface broad surveying, we the virgin soil upheaving, Pioneers! O pioneers!
8
Colorado men are we,
From the peaks gigantic, from the great sierras and the high plateaus,
From the mine and from the gully, from the hunting trail we come, Pioneers! O pioneers!
9
From Nebraska, from Arkansas,
Central inland race are we, from Missouri, with the continental blood intervein’d;
All the hands of comrades clasping, all the Southern, all the Northern, Pioneers! O
pioneers!
10
O resistless, restless race!
O beloved race in all! O my breast aches with tender love for all!
O I mourn and yet exult—I am rapt with love for all, Pioneers! O pioneers!
11
Raise the mighty mother mistress,
Waving high the delicate mistress, over all the starry mistress, (bend your heads all,)
Raise the fang’d and warlike mistress, stern, impassive, weapon’d mistress, Pioneers! O
pioneers!
12
See, my children, resolute children,
By those swarms upon our rear, we must never yield or falter,
Ages back in ghostly millions, frowning there behind us urging, Pioneers! O pioneers!
13
On and on, the compact ranks,
With accessions ever waiting, with the places of the dead quickly fill’d,
Through the battle, through defeat, moving yet and never stopping, Pioneers! O pioneers!
14
O to die advancing on!
Are there some of us to droop and die? has the hour come?
Then upon the march we fittest die, soon and sure the gap is fill’d, Pioneers! O
pioneers!
15
All the pulses of the world,
Falling in, they beat for us, with the western movement beat;
Holding single or together, steady moving, to the front, all for us, Pioneers! O
pioneers!
16
Life’s involv’d and varied pageants,
All the forms and shows, all the workmen at their work,
All the seamen and the landsmen, all the masters with their slaves, Pioneers! O pioneers!
17
All the hapless silent lovers,
All the prisoners in the prisons, all the righteous and the wicked,
All the joyous, all the sorrowing, all the living, all the dying, Pioneers! O pioneers!
18
I too with my soul and body,
We, a curious trio, picking, wandering on our way,
Through these shores, amid the shadows, with the apparitions pressing, Pioneers! O
pioneers!
19
Lo! the darting bowling orb!
Lo! the brother orbs around! all the clustering suns and planets,
All the dazzling days, all the mystic nights with dreams, Pioneers! O pioneers!
20
These are of us, they are with us,
All for primal needed work, while the followers there in embryo wait behind,
We to-day’s procession heading, we the route for travel clearing, Pioneers! O pioneers!
21
O you daughters of the west!
O you young and elder daughters! O you mothers and you wives!
Never must you be divided, in our ranks you move united, Pioneers! O pioneers!
22
Minstrels latent on the prairies!
(Shrouded bards of other lands! you may sleep—you have done your work;)
Soon I hear you coming warbling, soon you rise and tramp amid us, Pioneers! O pioneers!
23
Not for delectations sweet;
Not the cushion and the slipper, not the peaceful and the studious;
Not the riches safe and palling, not for us the tame enjoyment, Pioneers! O pioneers!
24
Do the feasters gluttonous feast?
Do the corpulent sleepers sleep? have they lock’d and bolted doors?
Still be ours the diet hard, and the blanket on the ground, Pioneers! O pioneers!
25
Has the night descended?
Was the road of late so toilsome? did we stop discouraged, nodding on our way?
Yet a passing hour I yield you, in your tracks to pause oblivious, Pioneers! O pioneers!
26
Till with sound of trumpet,
Far, far off the day-break call—hark! how loud and clear I hear it wind;
Swift! to the head of the army!—swift! spring to your places, Pioneers! O pioneers.
|
Written by
T S (Thomas Stearns) Eliot |
I have a Gumbie Cat in mind, her name is Jennyanydots;
Her coat is of the tabby kind, with tiger stripes and leopard spots.
All day she sits upon the stair or on the steps or on the mat;
She sits and sits and sits and sits--and that's what makes a Gumbie Cat!
But when the day's hustle and bustle is done,
Then the Gumbie Cat's work is but hardly begun.
And when all the family's in bed and asleep,
She tucks up her skirts to the basement to creep.
She is deeply concerned with the ways of the mice--
Their behaviour's not good and their manners not nice;
So when she has got them lined up on the matting,
She teachs them music, crocheting and tatting.
I have a Gumbie Cat in mind, her name is Jennyanydots;
Her equal would be hard to find, she likes the warm and sunny spots.
All day she sits beside the hearth or on the bed or on my hat:
She sits and sits and sits and sits--and that's what makes a Gumbie Cat!
But when the day's hustle and bustle is done,
Then the Gumbie Cat's work is but hardly begun.
As she finds that the mice will not ever keep quiet,
She is sure it is due to irregular diet;
And believing that nothing is done without trying,
She sets right to work with her baking and frying.
She makes them a mouse--cake of bread and dried peas,
And a beautiful fry of lean bacon and cheese.
I have a Gumbie Cat in mind, her name is Jennyanydots;
The curtain-cord she likes to wind, and tie it into sailor-knots.
She sits upon the window-sill, or anything that's smooth and flat:
She sits and sits and sits and sits--and that's what makes a Gumbie Cat!
But when the day's hustle and bustle is done,
Then the Gumbie Cat's work is but hardly begun.
She thinks that the cockroaches just need employment
To prevent them from idle and wanton destroyment.
So she's formed, from that lot of disorderly louts,
A troop of well-disciplined helpful boy-scouts,
With a purpose in life and a good deed to do--
And she's even created a Beetles' Tattoo.
So for Old Gumbie Cats let us now give three cheers--
On whom well-ordered households depend, it appears.
|
Written by
Alan Seeger |
A shell surprised our post one day
And killed a comrade at my side.
My heart was sick to see the way
He suffered as he died.
I dug about the place he fell,
And found, no bigger than my thumb,
A fragment of the splintered shell
In warm aluminum.
I melted it, and made a mould,
And poured it in the opening,
And worked it, when the cast was cold,
Into a shapely ring.
And when my ring was smooth and bright,
Holding it on a rounded stick,
For seal, I bade a Turco write
Maktoob in Arabic.
Maktoob! "'Tis written!" . . . So they think,
These children of the desert, who
From its immense expanses drink
Some of its grandeur too.
Within the book of Destiny,
Whose leaves are time, whose cover, space,
The day when you shall cease to be,
The hour, the mode, the place,
Are marked, they say; and you shall not
By taking thought or using wit
Alter that certain fate one jot,
Postpone or conjure it.
Learn to drive fear, then, from your heart.
If you must perish, know, O man,
'Tis an inevitable part
Of the predestined plan.
And, seeing that through the ebon door
Once only you may pass, and meet
Of those that have gone through before
The mighty, the elite -- ---
Guard that not bowed nor blanched with fear
You enter, but serene, erect,
As you would wish most to appear
To those you most respect.
So die as though your funeral
Ushered you through the doors that led
Into a stately banquet hall
Where heroes banqueted;
And it shall all depend therein
Whether you come as slave or lord,
If they acclaim you as their kin
Or spurn you from their board.
So, when the order comes: "Attack!"
And the assaulting wave deploys,
And the heart trembles to look back
On life and all its joys;
Or in a ditch that they seem near
To find, and round your shallow trough
Drop the big shells that you can hear
Coming a half mile off;
When, not to hear, some try to talk,
And some to clean their guns, or sing,
And some dig deeper in the chalk -- -
I look upon my ring:
And nerves relax that were most tense,
And Death comes whistling down unheard,
As I consider all the sense
Held in that mystic word.
And it brings, quieting like balm
My heart whose flutterings have ceased,
The resignation and the calm
And wisdom of the East.
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