Written by
Marianne Moore |
This institution,
perhaps one should say enterprise
out of respect for which
one says one need not change one's mind
about a thing one has believed in,
requiring public promises
of one's intention
to fulfill a private obligation:
I wonder what Adam and Eve
think of it by this time,
this firegilt steel
alive with goldenness;
how bright it shows --
"of circular traditions and impostures,
committing many spoils,"
requiring all one's criminal ingenuity
to avoid!
Psychology which explains everything
explains nothing
and we are still in doubt.
Eve: beautiful woman --
I have seen her
when she was so handsome
she gave me a start,
able to write simultaneously
in three languages --
English, German and French
and talk in the meantime;
equally positive in demanding a commotion
and in stipulating quiet:
"I should like to be alone;"
to which the visitor replies,
"I should like to be alone;
why not be alone together?"
Below the incandescent stars
below the incandescent fruit,
the strange experience of beauty;
its existence is too much;
it tears one to pieces
and each fresh wave of consciousness
is poison.
"See her, see her in this common world,"
the central flaw
in that first crystal-fine experiment,
this amalgamation which can never be more
than an interesting possibility,
describing it
as "that strange paradise
unlike flesh, gold, or stately buildings,
the choicest piece of my life:
the heart rising
in its estate of peace
as a boat rises
with the rising of the water;"
constrained in speaking of the serpent --
that shed snakeskin in the history of politeness
not to be returned to again --
that invaluable accident
exonerating Adam.
And he has beauty also;
it's distressing -- the O thou
to whom, from whom,
without whom nothing -- Adam;
"something feline,
something colubrine" -- how true!
a crouching mythological monster
in that Persian miniature of emerald mines,
raw silk -- ivory white, snow white,
oyster white and six others --
that paddock full of leopards and giraffes --
long lemonyellow bodies
sown with trapezoids of blue.
Alive with words,
vibrating like a cymbal
touched before it has been struck,
he has prophesied correctly --
the industrious waterfall,
"the speedy stream
which violently bears all before it,
at one time silent as the air
and now as powerful as the wind.
"
"Treading chasms
on the uncertain footing of a spear,"
forgetting that there is in woman
a quality of mind
which is an instinctive manifestation
is unsafe,
he goes on speaking
in a formal, customary strain
of "past states," the present state,
seals, promises,
the evil one suffered,
the good one enjoys,
hell, heaven,
everything convenient
to promote one's joy.
"
There is in him a state of mind
by force of which,
perceiving what it was not
intended that he should,
"he experiences a solemn joy
in seeing that he has become an idol.
"
Plagued by the nightingale
in the new leaves,
with its silence --
not its silence but its silences,
he says of it:
"It clothes me with a shirt of fire.
"
"He dares not clap his hands
to make it go on
lest it should fly off;
if he does nothing, it will sleep;
if he cries out, it will not understand.
"
Unnerved by the nightingale
and dazzled by the apple,
impelled by "the illusion of a fire
effectual to extinguish fire,"
compared with which
the shining of the earth
is but deformity -- a fire
"as high as deep as bright as broad
as long as life itself,"
he stumbles over marriage,
"a very trivial object indeed"
to have destroyed the attitude
in which he stood --
the ease of the philosopher
unfathered by a woman.
Unhelpful Hymen!
"a kind of overgrown cupid"
reduced to insignificance
by the mechanical advertising
parading as involuntary comment,
by that experiment of Adam's
with ways out but no way in --
the ritual of marriage,
augmenting all its lavishness;
its fiddle-head ferns,
lotus flowers, opuntias, white dromedaries,
its hippopotamus --
nose and mouth combined
in one magnificent hopper,
"the crested screamer --
that huge bird almost a lizard,"
its snake and the potent apple.
He tells us
that "for love
that will gaze an eagle blind,
that is like a Hercules
climbing the trees
in the garden of the Hesperides,
from forty-five to seventy
is the best age,"
commending it
as a fine art, as an experiment,
a duty or as merely recreation.
One must not call him ruffian
nor friction a calamity --
the fight to be affectionate:
"no truth can be fully known
until it has been tried
by the tooth of disputation.
"
The blue panther with black eyes,
the basalt panther with blue eyes,
entirely graceful --
one must give them the path --
the black obsidian Diana
who "darkeneth her countenance
as a bear doth,
causing her husband to sigh,"
the spiked hand
that has an affection for one
and proves it to the bone,
impatient to assure you
that impatience is the mark of independence
not of bondage.
"Married people often look that way" --
"seldom and cold, up and down,
mixed and malarial
with a good day and bad.
"
"When do we feed?"
We occidentals are so unemotional,
we quarrel as we feed;
one's self is quite lost,
the irony preserved
in "the Ahasuerus t?te ? t?te banquet"
with its "good monster, lead the way,"
with little laughter
and munificence of humor
in that quixotic atmosphere of frankness
in which "Four o'clock does not exist
but at five o'clock
the ladies in their imperious humility
are ready to receive you";
in which experience attests
that men have power
and sometimes one is made to feel it.
He says, "what monarch would not blush
to have a wife
with hair like a shaving-brush?
The fact of woman
is not `the sound of the flute
but every poison.
'"
She says, "`Men are monopolists
of stars, garters, buttons
and other shining baubles' --
unfit to be the guardians
of another person's happiness.
"
He says, "These mummies
must be handled carefully --
`the crumbs from a lion's meal,
a couple of shins and the bit of an ear';
turn to the letter M
and you will find
that `a wife is a coffin,'
that severe object
with the pleasing geometry
stipulating space and not people,
refusing to be buried
and uniquely disappointing,
revengefully wrought in the attitude
of an adoring child
to a distinguished parent.
"
She says, "This butterfly,
this waterfly, this nomad
that has `proposed
to settle on my hand for life.
' --
What can one do with it?
There must have been more time
in Shakespeare's day
to sit and watch a play.
You know so many artists are fools.
"
He says, "You know so many fools
who are not artists.
"
The fact forgot
that "some have merely rights
while some have obligations,"
he loves himself so much,
he can permit himself
no rival in that love.
She loves herself so much,
she cannot see herself enough --
a statuette of ivory on ivory,
the logical last touch
to an expansive splendor
earned as wages for work done:
one is not rich but poor
when one can always seem so right.
What can one do for them --
these savages
condemned to disaffect
all those who are not visionaries
alert to undertake the silly task
of making people noble?
This model of petrine fidelity
who "leaves her peaceful husband
only because she has seen enough of him" --
that orator reminding you,
"I am yours to command.
"
"Everything to do with love is mystery;
it is more than a day's work
to investigate this science.
"
One sees that it is rare --
that striking grasp of opposites
opposed each to the other, not to unity,
which in cycloid inclusiveness
has dwarfed the demonstration
of Columbus with the egg --
a triumph of simplicity --
that charitive Euroclydon
of frightening disinterestedness
which the world hates,
admitting:
"I am such a cow,
if I had a sorrow,
I should feel it a long time;
I am not one of those
who have a great sorrow
in the morning
and a great joy at noon;"
which says: "I have encountered it
among those unpretentious
proteg?s of wisdom,
where seeming to parade
as the debater and the Roman,
the statesmanship
of an archaic Daniel Webster
persists to their simplicity of temper
as the essence of the matter:
`Liberty and union
now and forever;'
the book on the writing-table;
the hand in the breast-pocket.
"
|
Written by
Edwin Arlington Robinson |
Aunt Imogen was coming, and therefore
The children—Jane, Sylvester, and Young George—
Were eyes and ears; for there was only one
Aunt Imogen to them in the whole world,
And she was in it only for four weeks
In fifty-two.
But those great bites of time
Made all September a Queen’s Festival;
And they would strive, informally, to make
The most of them.
—The mother understood,
And wisely stepped away.
Aunt Imogen
Was there for only one month in the year,
While she, the mother,—she was always there;
And that was what made all the difference.
She knew it must be so, for Jane had once
Expounded it to her so learnedly
That she had looked away from the child’s eyes
And thought; and she had thought of many things.
There was a demonstration every time
Aunt Imogen appeared, and there was more
Than one this time.
And she was at a loss
Just how to name the meaning of it all:
It puzzled her to think that she could be
So much to any crazy thing alive—
Even to her sister’s little savages
Who knew no better than to be themselves;
But in the midst of her glad wonderment
She found herself besieged and overcome
By two tight arms and one tumultuous head,
And therewith half bewildered and half pained
By the joy she felt and by the sudden love
That proved itself in childhood’s honest noise.
Jane, by the wings of sex, had reached her first;
And while she strangled her, approvingly,
Sylvester thumped his drum and Young George howled.
But finally, when all was rectified,
And she had stilled the clamor of Young George
By giving him a long ride on her shoulders,
They went together into the old room
That looked across the fields; and Imogen
Gazed out with a girl’s gladness in her eyes,
Happy to know that she was back once more
Where there were those who knew her, and at last
Had gloriously got away again
From cabs and clattered asphalt for a while;
And there she sat and talked and looked and laughed
And made the mother and the children laugh.
Aunt Imogen made everybody laugh.
There was the feminine paradox—that she
Who had so little sunshine for herself
Should have so much for others.
How it was
That she could make, and feel for making it,
So much of joy for them, and all along
Be covering, like a scar, and while she smiled,
That hungering incompleteness and regret—
That passionate ache for something of her own,
For something of herself—she never knew.
She knew that she could seem to make them all
Believe there was no other part of her
Than her persistent happiness; but the why
And how she did not know.
Still none of them
Could have a thought that she was living down—
Almost as if regret were criminal,
So proud it was and yet so profitless—
The penance of a dream, and that was good.
Her sister Jane—the mother of little Jane,
Sylvester, and Young George—might make herself
Believe she knew, for she—well, she was Jane.
Young George, however, did not yield himself
To nourish the false hunger of a ghost
That made no good return.
He saw too much:
The accumulated wisdom of his years
Had so conclusively made plain to him
The permanent profusion of a world
Where everybody might have everything
To do, and almost everything to eat,
That he was jubilantly satisfied
And all unthwarted by adversity.
Young George knew things.
The world, he had found out,
Was a good place, and life was a good game—
Particularly when Aunt Imogen
Was in it.
And one day it came to pass—
One rainy day when she was holding him
And rocking him—that he, in his own right,
Took it upon himself to tell her so;
And something in his way of telling it—
The language, or the tone, or something else—
Gripped like insidious fingers on her throat,
And then went foraging as if to make
A plaything of her heart.
Such undeserved
And unsophisticated confidence
Went mercilessly home; and had she sat
Before a looking glass, the deeps of it
Could not have shown more clearly to her then
Than one thought-mirrored little glimpse had shown,
The pang that wrenched her face and filled her eyes
With anguish and intolerable mist.
The blow that she had vaguely thrust aside
Like fright so many times had found her now:
Clean-thrust and final it had come to her
From a child’s lips at last, as it had come
Never before, and as it might be felt
Never again.
Some grief, like some delight,
Stings hard but once: to custom after that
The rapture or the pain submits itself,
And we are wiser than we were before.
And Imogen was wiser; though at first
Her dream-defeating wisdom was indeed
A thankless heritage: there was no sweet,
No bitter now; nor was there anything
To make a daily meaning for her life—
Till truth, like Harlequin, leapt out somehow
From ambush and threw sudden savor to it—
But the blank taste of time.
There were no dreams,
No phantoms in her future any more:
One clinching revelation of what was
One by-flash of irrevocable chance,
Had acridly but honestly foretold
The mystical fulfilment of a life
That might have once … But that was all gone by:
There was no need of reaching back for that:
The triumph was not hers: there was no love
Save borrowed love: there was no might have been.
But there was yet Young George—and he had gone
Conveniently to sleep, like a good boy;
And there was yet Sylvester with his drum,
And there was frowzle-headed little Jane;
And there was Jane the sister, and the mother,—
Her sister, and the mother of them all.
They were not hers, not even one of them:
She was not born to be so much as that,
For she was born to be Aunt Imogen.
Now she could see the truth and look at it;
Now she could make stars out where once had palled
A future’s emptiness; now she could share
With others—ah, the others!—to the end
The largess of a woman who could smile;
Now it was hers to dance the folly down,
And all the murmuring; now it was hers
To be Aunt Imogen.
—So, when Young George
Woke up and blinked at her with his big eyes,
And smiled to see the way she blinked at him,
’T was only in old concord with the stars
That she took hold of him and held him close,
Close to herself, and crushed him till he laughed.
|
Written by
Marriott Edgar |
I'll tell of Canute, King of England,
A native of Denmark was he,
His hobbies was roving and raiding
And paddling his feet in the sea.
By trade he were what's called a Viking,
Every summer he'd visit our shore,
Help himself to whatever he wanted,
And come back in the autumn for more.
These trips always showed him a profit,
But what stumped him to know was this 'ere.
.
.
Where the English folk got all the money,
He came and took off them each year.
After duly considering the matter,
He concluded as how his best course,
Were to have an invasion of England,
And tap the supply at its source.
He got other Vikings to join him,
With a promise of plunder and spoil,
And raked up atrocity stories,
To bring all their blood to the boil.
They landed one morning at Weymouth,
And waited for fight to begin,
While their foe, Ethelred the Unready,
Found his army and got it fell in.
When the battle were done, Crown of England,
Changed heads, so the history book states,
From Ethelred's seven-and-a-quarter,
To King Canutes six-and-five-eights.
The Vikings was cheered as the winners,
Ethelred, he went somewhere and died,
And Canute, to his lasting atonement.
.
.
Made the widow, Queen Emma, his bride.
She started to teach him his manners,
To drink without wetting his nose,
Put his hand to his mouth and say "Pardon!",
Every time the occasion arose.
She said his companions was vulgar,
His habits more easy than free,
Made him promise no more to disgrace her,
By paddling his feet in the sea.
At the time this 'ere promise meant nothing,
It were made in the cool of the spring,
But when summer came in with a heat wave,
T' were a totally different thing.
He moved his court down to the seaside,
Where they took off their shoes and their socks,
And rushed to the water and left him,
Alone on his throne on the rocks.
Said one, "Come on King, have a paddle,
I'll look after your sceptre and crown.
"
He replied, "Nay, I promised the missus,
And I can't let the old.
.
.
lady down.
"
"No need to do that," said the Tempter,
"The tide's coming in, as you see;
You promised you wouldn't go to it,
But you can't stop it coming to thee!"
And that's how it happened.
.
.
that later,
When Emma came over the sands,
She found Canute knee deep in water,
Trying to shush the sea back with his hands.
For not letting on that he'd seen her,
He was chiding each wave as it came,
Saying, "Thus far, my lad, and no further!"
'Til Emma said, "What is this game?"
He replied, These 'ere flatterers told me,
That the sea would obey me, and so,
I'm giving them this demonstration,
To show what a fat lot they know.
"
"You're doing quite right," shouted Emma,
"It's time someone made them look small!"
Then she took off her shoes and her stockings,
And started to paddle an' all.
|
Written by
James Thomson |
Shall the great soul of Newton quit this earth,
To mingle with his stars; and every muse,
Astonish'd into silence, shun the weight
Of honours due to his illustrious name?
But what can man?--Even now the sons of light,
In strains high-warbled to seraphic lyre,
Hail his arrival on the coast of bliss.
Yet am not I deterr'd, though high the theme,
And sung to harps of angels, for with you,
Ethereal flames! ambitious, I aspire
In Nature's general symphony to join.
And what new wonders can ye show your guest!
Who, while on this dim spot, where mortals toil
Clouded in dust, from motion's simple laws,
Could trace the secret hand of Providence,
Wide-working through this universal frame.
Have ye not listen'd while he bound the suns
And planets to their spheres! th' unequal task
Of humankind till then.
Oft had they roll'd
O'er erring man the year, and oft disgrac'd
The pride of schools, before their course was known
Full in its causes and effects to him,
All-piercing sage! who sat not down and dream'd
Romantic schemes, defended by the din
Of specious words, and tyranny of names;
But, bidding his amazing mind attend,
And with heroic patience years on years
Deep-searching, saw at last the system dawn,
And shine, of all his race, on him alone.
What were his raptures then! how pure! how strong!
And what the triumphs of old Greece and Rome,
By his diminish'd, but the pride of boys
In some small fray victorious! when instead
Of shatter'd parcels of this earth usurp'd
By violence unmanly, and sore deeds
Of cruelty and blood, Nature herself
Stood all subdu'd by him, and open laid
Her every latent glory to his view.
All intellectual eye, our solar-round
First gazing through, he by the blended power
Of gravitation and projection saw
The whole in silent harmony revolve.
From unassisted vision hid, the moons
To cheer remoter planets numerous pour'd,
By him in all their mingled tracts were seen.
He also fix'd the wandering Queen of Night,
Whether she wanes into a scanty orb,
Or, waxing broad, with her pale shadowy light,
In a soft deluge overflows the sky.
Her every motion clear-discerning, he
Adjusted to the mutual main, and taught
Why now the mighty mass of water swells
Resistless, heaving on the broken rocks,
And the full river turning; till again
The tide revertive, unattracted, leaves
A yellow waste of idle sands behind.
Then breaking hence, he took his ardent flight
Through the blue infinite; and every star,
Which the clear concave of a winter's night
Pours on the eye, or astronomic tube,
Far-stretching, snatches from the dark abyss,
Or such as farther in successive skies
To fancy shine alone, at his approach
Blaz'd into suns, the living centre each
Of an harmonious system: all combin'd,
And rul'd unerring by that single power,
Which draws the stone projected to the ground.
O unprofuse magnificence divine!
O wisdom truly perfect! thus to call
From a few causes such a scheme of things,
Effects so various, beautiful, and great,
An universe complete! and O belov'd
Of Heaven! whose well-purg'd penetrative eye,
The mystic veil transpiercing, inly scann'd
The rising, moving, wide-establish'd frame.
He, first of men, with awful wing pursu'd
The comet through the long elliptic curve,
As round innumerous worlds he wound his way,
Till, to the forehead of our evening sky
Return'd, the blazing wonder glares anew,
And o'er the trembling nations shakes dismay.
The heavens are all his own, from the wild rule
Of whirling vortices and circling spheres
To their first great simplicity restor'd.
The schools astonish'd stood; but found it vain
To keep at odds with demonstration strong,
And, unawaken'd, dream beneath the blaze
Of truth.
At once their pleasing visions fled,
With the gay shadows of the morning mix'd,
When Newton rose, our philosophic sun!
Th' aërial flow of sound was known to him,
From whence it first in wavy circles breaks,
Till the touch'd organ takes the message in.
Nor could the darting beam of speed immense
Escape his swift pursuit and measuring eye.
Ev'n Light itself, which every thing displays,
Shone undiscover'd, till his brighter mind
Untwisted all the shining robe of day;
And, from the whitening undistinguish'd blaze,
Collecting every ray into his kind,
To the charm'd eye educ'd the gorgeous train
Of parent colours.
First the flaming red
Sprung vivid forth; the tawny orange next;
And next delicious yellow; by whose side
Fell the kind beams of all-refreshing green.
Then the pure blue, that swells autumnal skies
Ethereal played; and then, of sadder hue,
Emerg'd the deepen'd indigo, as when
The heavy-skirted evening droops with frost;
While the last gleamings of refracted light
Died in the fainting violet away.
These, when the clouds distil the rosy shower,
Shine out distinct adown the wat'ry bow;
While o'er our heads the dewy vision bends
Delightful, melting on the fields beneath.
Myriads of mingling dyes from these result,
And myriads still remain--infinite source
Of beauty, ever flushing, ever new.
Did ever poet image aught so fair,
Dreaming in whisp'ring groves by the hoarse brook?
Or prophet, to whose rapture heaven descends?
Ev'n now the setting sun and shifting clouds,
Seen, Greenwich, from thy lovely heights, declare
How just, how beauteous the refractive law.
The noiseless tide of time, all bearing down
To vast eternity's unbounded sea,
Where the green islands of the happy shine,
He stemm'd alone; and, to the source (involv'd
Deep in primeval gloom) ascending, rais'd
His lights at equal distances, to guide
Historian wilder'd on his darksome way.
But who can number up his labours? who
His high discoveries sing? When but a few
Of the deep-studying race can stretch their minds
To what he knew--in fancy's lighter thought
How shall the muse then grasp the mighty theme?
What wonder thence that his devotion swell'd
Responsive to his knowledge? For could he,
Whose piercing mental eye diffusive saw
The finish'd university of things
In all its order, magnitude, and parts,
Forbear incessant to adore that Power
Who fills, sustains, and actuates the whole?
Say, ye who best can tell, ye happy few,
Who saw him in the softest lights of life,
All unwithheld, indulging to his friends
The vast unborrow'd treasures of his mind,
oh, speak the wondrous man! how mild, how calr
How greatly humble, how divinely good,
How firm establish'd on eternal truth;
Fervent in doing well, with every nerve
Still pressing on, forgetful of the past,
And panting for perfection; far above
Those little cares and visionary joys
That so perplex the fond impassion'd heart
Of ever-cheated, ever-trusting man.
This, Conduitt, from thy rural hours we hope;
As through the pleasing shade where nature pours
Her every sweet in studious ease you walk,
The social passions smiling at thy heart
That glows with all the recollected sage.
And you, ye hopeless gloomy-minded tribe,
You who, unconscious of those nobler flights
That reach impatient at immortal life,
Against the prime endearing privilege
Of being dare contend,--say, can a soul
Of such extensive, deep, tremendous powers,
Enlarging still, be but a finer breath
Of spirits dancing through their tubes awhile,
And then for ever lost in vacant air?
But hark! methinks I hear a warning voice,
Solemn as when some awful change is come,
Sound through the world--" 'Tis done!--the measure's full;
And I resign my charge.
"--Ye mouldering stones
That build the towering pyramid, the proud
Triumphal arch, the monument effac'd
By ruthless ruin, and whate'er supports
The worship'd name of hoar antiquity--
Down to the dust! What grandeur can ye boast
While Newton lifts his column to the skies,
Beyond the waste of time.
Let no weak drop
Be shed for him.
The virgin in her bloom
Cut off, the joyous youth, and darling child--
These are the tombs that claim the tender tear
And elegiac song.
But Newton calls
For other notes of gratulation high,
That now he wanders through those endless worlds
He here so well descried, and wondering talks,
And hymns their Author with his glad compeers.
O Britain's boast! whether with angels thou
Sittest in dread discourse, or fellow-blest,
Who joy to see the honour of their kind;
Or whether, mounted on cherubic wing,
Thy swift career is with the whirling orbs,
Comparing things with things, in rapture lost,
And grateful adoration for that light
So plenteous ray'd into thy mind below
From Light Himself; oh, look with pity down
On humankind, a frail erroneous race!
Exalt the spirit of a downward world!
O'er thy dejected country chief preside,
And be her Genius call'd! her studies raise,
Correct her manners, and inspire her youth;
For, though deprav'd and sunk, she brought thee forth,
And glories in thy name! she points thee out
To all her sons, and bids them eye thy star:
While, in expectance of the second life,
When time shall be no more, thy sacred dust
Sleeps with her kings, and dignifies the scene.
|
Written by
Robert Graves |
Truth-loving Persians do not dwell upon
The trivial skirmish fought near Marathon.
As for the Greek theatrical tradition
Which represents that summer's expedition
Not as a mere reconnaisance in force
By three brigades of foot and one of horse
(Their left flank covered by some obsolete
Light craft detached from the main Persian fleet)
But as a grandiose, ill-starred attempt
To conquer Greece - they treat it with contempt;
And only incidentally refute
Major Greek claims, by stressing what repute
The Persian monarch and the Persian nation
Won by this salutary demonstration:
Despite a strong defence and adverse weather
All arms combined magnificently together.
|
Written by
William Topaz McGonagall |
'Twas in the year of 1884, and on Saturday the 20th of September,
Which the inhabitants of Dundee will long remember
The great Liberal Franchise Demonstration,
Which filled their minds with admiration.
Oh! it was a most magnificent display,
To see about 20 or 30 thousand men all in grand array;
And each man with a medal on his breast;
And every man in the procession dressed in his best.
The banners of the processionists were really grand to see-
The like hasn't been seen for a long time in Dundee;
While sweet music from the bands did rend the skies,
And every processionist was resolved to vote for the Franchise.
And as the procession passed along each street,
The spectators did loudly the processionists greet;
As they viewed their beautiful banners waving in the wind,
They declared such a scene would be ever fresh in their mind.
The mustering of the processionists was very grand,
As along the Esplanade each man took his stand,
And as soon as they were marshalled in grand array,
To the Magdalen Green, in haste, they wended their way.
And when they arrived on the Magdalen Green,
I'm sure it was a very beautiful imposing scene-
While the cheers of that vast multitude ascended to the skies,
For the "Grand Old Man," Gladstone, the Hero of the Franchise,
Who has struggled very hard for the people's rights,
Many long years, and many weary nights;
And I think the "Grand Old Man" will gain the Franchise,
And if he does, the people will laud him to the skies.
And his name should be written in letters of gold :
For he is a wise statesman- true and bold-
Who has advocated the people's rights for many long years;
And when he is dead they will thank him with their tears.
For he is the man for the working man,
And without fear of contradiction, deny it who can;
Because he wishes the working man to have a good coat,
And, both in town and country, to have power to vote.
The reason why the Lords won't pass the Franchise Bill :
They fear that it will do themselves some ill;
That is the reason why they wish to throw it out,
Yes, believe me, fellow citizens, that's the cause without doubt.
The emblems and mottoes in the procession, were really grand,
The like hasn't been seen in broad Scotland;
Especially the picture of Gladstone- the nation's hope,
Who is a much cleverer man than Sir John Cope.
There were masons and ploughmen all in a row,
Also tailors, tenters, and blacksmiths, which made a grand show;
Likewise carters and bakers which was most beautiful to be seen,
To see them marching from the Esplanade to the Magdalen Green.
I'm sure it was a most beautiful sight to see,
The like has never been seen before in Dundee;
Such a body of men, and Gladstone at the helm,
Such a sight, I'm sure, 'twould the Lords o'erwhelm.
Oh! it was grand to see that vast crowd,
And to hear the speeches, most eloquent and loud,
That were made by the speakers, regarding the Franchise;
While the spectators applauded them to the skies.
And for the "Grand Old Man" they gave three cheers,
Hoping he would live for many long years;
And when the speeches were ended, the people's hearts were gay,
And they all dispersed quietly to their homes without delay.
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