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Best Famous Delta Poems

Here is a collection of the all-time best famous Delta poems. This is a select list of the best famous Delta poetry. Reading, writing, and enjoying famous Delta poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of delta poems.

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Written by Walt Whitman | Create an image from this poem

American Feuillage

 AMERICA always! 
Always our own feuillage! 
Always Florida’s green peninsula! Always the priceless delta of Louisiana! Always the
 cotton-fields of Alabama and Texas! 
Always California’s golden hills and hollows—and the silver mountains of New
 Mexico!
 Always soft-breath’d Cuba! 
Always the vast slope drain’d by the Southern Sea—inseparable with the slopes
 drain’d
 by the Eastern and Western Seas;
The area the eighty-third year of These States—the three and a half millions of
 square
 miles; 
The eighteen thousand miles of sea-coast and bay-coast on the main—the thirty
 thousand
 miles of
 river navigation, 
The seven millions of distinct families, and the same number of dwellings—Always
 these,
 and
 more, branching forth into numberless branches; 
Always the free range and diversity! always the continent of Democracy! 
Always the prairies, pastures, forests, vast cities, travelers, Kanada, the snows;
Always these compact lands—lands tied at the hips with the belt stringing the huge
 oval
 lakes; 
Always the West, with strong native persons—the increasing density there—the
 habitans,
 friendly, threatening, ironical, scorning invaders; 
All sights, South, North, East—all deeds, promiscuously done at all times, 
All characters, movements, growths—a few noticed, myriads unnoticed, 
Through Mannahatta’s streets I walking, these things gathering;
On interior rivers, by night, in the glare of pine knots, steamboats wooding up; 
Sunlight by day on the valley of the Susquehanna, and on the valleys of the Potomac and
 Rappahannock, and the valleys of the Roanoke and Delaware; 
In their northerly wilds, beasts of prey haunting the Adirondacks, the hills—or
 lapping
 the
 Saginaw waters to drink; 
In a lonesome inlet, a sheldrake, lost from the flock, sitting on the water, rocking
 silently; 
In farmers’ barns, oxen in the stable, their harvest labor done—they rest
 standing—they are too tired;
Afar on arctic ice, the she-walrus lying drowsily, while her cubs play around; 
The hawk sailing where men have not yet sail’d—the farthest polar sea, ripply,
 crystalline, open, beyond the floes; 
White drift spooning ahead, where the ship in the tempest dashes; 
On solid land, what is done in cities, as the bells all strike midnight together; 
In primitive woods, the sounds there also sounding—the howl of the wolf, the scream
 of the
 panther, and the hoarse bellow of the elk;
In winter beneath the hard blue ice of Moosehead Lake—in summer visible through the
 clear
 waters, the great trout swimming; 
In lower latitudes, in warmer air, in the Carolinas, the large black buzzard floating
 slowly,
 high
 beyond the tree tops, 
Below, the red cedar, festoon’d with tylandria—the pines and cypresses, growing
 out
 of the
 white sand that spreads far and flat; 
Rude boats descending the big Pedee—climbing plants, parasites, with color’d
 flowers
 and
 berries, enveloping huge trees, 
The waving drapery on the live oak, trailing long and low, noiselessly waved by the wind;
The camp of Georgia wagoners, just after dark—the supper-fires, and the cooking and
 eating
 by
 whites and *******, 
Thirty or forty great wagons—the mules, cattle, horses, feeding from troughs, 
The shadows, gleams, up under the leaves of the old sycamore-trees—the
 flames—with
 the
 black smoke from the pitch-pine, curling and rising; 
Southern fishermen fishing—the sounds and inlets of North Carolina’s
 coast—the
 shad-fishery and the herring-fishery—the large sweep-seines—the windlasses on
 shore
 work’d by horses—the clearing, curing, and packing-houses; 
Deep in the forest, in piney woods, turpentine dropping from the incisions in the
 trees—There
 are the turpentine works,
There are the ******* at work, in good health—the ground in all directions is
 cover’d
 with
 pine straw: 
—In Tennessee and Kentucky, slaves busy in the coalings, at the forge, by the
 furnace-blaze, or
 at the corn-shucking; 
In Virginia, the planter’s son returning after a long absence, joyfully welcom’d
 and
 kiss’d by the aged mulatto nurse; 
On rivers, boatmen safely moor’d at night-fall, in their boats, under shelter of high
 banks, 
Some of the younger men dance to the sound of the banjo or fiddle—others sit on the
 gunwale,
 smoking and talking;
Late in the afternoon, the mocking-bird, the American mimic, singing in the Great Dismal
 Swamp—there are the greenish waters, the resinous odor, the plenteous moss, the
 cypress
 tree,
 and the juniper tree; 
—Northward, young men of Mannahatta—the target company from an excursion
 returning
 home at
 evening—the musket-muzzles all bear bunches of flowers presented by women; 
Children at play—or on his father’s lap a young boy fallen asleep, (how his lips
 move! how
 he smiles in his sleep!) 
The scout riding on horseback over the plains west of the Mississippi—he ascends a
 knoll
 and
 sweeps his eye around; 
California life—the miner, bearded, dress’d in his rude costume—the stanch
 California
 friendship—the sweet air—the graves one, in passing, meets, solitary, just
 aside the
 horsepath;
Down in Texas, the cotton-field, the *****-cabins—drivers driving mules or oxen
 before
 rude
 carts—cotton bales piled on banks and wharves; 
Encircling all, vast-darting, up and wide, the American Soul, with equal
 hemispheres—one
 Love,
 one Dilation or Pride; 
—In arriere, the peace-talk with the Iroquois, the aborigines—the calumet, the
 pipe
 of
 good-will, arbitration, and indorsement, 
The sachem blowing the smoke first toward the sun and then toward the earth, 
The drama of the scalp-dance enacted with painted faces and guttural exclamations,
The setting out of the war-party—the long and stealthy march, 
The single-file—the swinging hatchets—the surprise and slaughter of enemies; 
—All the acts, scenes, ways, persons, attitudes of These States—reminiscences,
 all
 institutions, 
All These States, compact—Every square mile of These States, without excepting a
 particle—you also—me also, 
Me pleas’d, rambling in lanes and country fields, Paumanok’s fields,
Me, observing the spiral flight of two little yellow butterflies, shuffling between each
 other,
 ascending high in the air; 
The darting swallow, the destroyer of insects—the fall traveler southward, but
 returning
 northward early in the spring; 
The country boy at the close of the day, driving the herd of cows, and shouting to them as
 they
 loiter to browse by the road-side; 
The city wharf—Boston, Philadelphia, Baltimore, Charleston, New Orleans, San
 Francisco, 
The departing ships, when the sailors heave at the capstan;
—Evening—me in my room—the setting sun, 
The setting summer sun shining in my open window, showing the swarm of flies, suspended,
 balancing
 in the air in the centre of the room, darting athwart, up and down, casting swift shadows
 in
 specks
 on the opposite wall, where the shine is; 
The athletic American matron speaking in public to crowds of listeners; 
Males, females, immigrants, combinations—the copiousness—the individuality of
 The
 States,
 each for itself—the money-makers; 
Factories, machinery, the mechanical forces—the windlass, lever, pulley—All
 certainties,
The certainty of space, increase, freedom, futurity, 
In space, the sporades, the scatter’d islands, the stars—on the firm earth, the
 lands, my
 lands; 
O lands! all so dear to me—what you are, (whatever it is,) I become a part of that,
 whatever it
 is; 
Southward there, I screaming, with wings slowly flapping, with the myriads of gulls
 wintering
 along
 the coasts of Florida—or in Louisiana, with pelicans breeding; 
Otherways, there, atwixt the banks of the Arkansaw, the Rio Grande, the Nueces, the
 Brazos, the
 Tombigbee, the Red River, the Saskatchawan, or the Osage, I with the spring waters
 laughing
 and
 skipping and running;
Northward, on the sands, on some shallow bay of Paumanok, I, with parties of snowy herons
 wading in
 the wet to seek worms and aquatic plants; 
Retreating, triumphantly twittering, the king-bird, from piercing the crow with its bill,
 for
 amusement—And I triumphantly twittering; 
The migrating flock of wild geese alighting in autumn to refresh themselves—the body
 of
 the
 flock feed—the sentinels outside move around with erect heads watching, and are from
 time
 to
 time reliev’d by other sentinels—And I feeding and taking turns with the rest; 
In Kanadian forests, the moose, large as an ox, corner’d by hunters, rising
 desperately on
 his
 hind-feet, and plunging with his fore-feet, the hoofs as sharp as knives—And I,
 plunging
 at the
 hunters, corner’d and desperate; 
In the Mannahatta, streets, piers, shipping, store-houses, and the countless workmen
 working in
 the
 shops,
And I too of the Mannahatta, singing thereof—and no less in myself than the whole of
 the
 Mannahatta in itself, 
Singing the song of These, my ever united lands—my body no more inevitably united,
 part to
 part, and made one identity, any more than my lands are inevitably united, and made ONE
 IDENTITY; 
Nativities, climates, the grass of the great Pastoral Plains; 
Cities, labors, death, animals, products, war, good and evil—these me, 
These affording, in all their particulars, endless feuillage to me and to America, how can
 I do
 less
 than pass the clew of the union of them, to afford the like to you?
Whoever you are! how can I but offer you divine leaves, that you also be eligible as I am?

How can I but, as here, chanting, invite you for yourself to collect bouquets of the
 incomparable
 feuillage of These States?


Written by Charles Webb | Create an image from this poem

Suitcase

 Its silver clasp looks like a man grasping
his hands above his head in victory;
the latches, like twin hatchbacks headed away.
There are no wheels, just four steel nipples for sliding.
A hexagonal seal announces the defunct "U.
S.
Trunk Company.
" The frame is wood— big, heavy, cheap—covered with imitation leather, its blue just slightly darker than Mom's eyes.
"It's beautiful.
Much too expensive," she told Dad, and kissed him.
The lining is pink, quilted acetate.
Three sides have pouches with elastic tops— stretched out now, like old underwear.
I watched Mom pack them with panties and brassieres when I was so little she didn't blush.
The right front corner has been punctured and crushed.
(I could have choked the baggage handler.
) The handle—blue plastic doorknocker— is fringed with wrinkled tags from United, Delta, U.
S.
Air (which crunched the hole, flying the suitcase back from Houston).
I'd gone there to see Mom in the "home," and save some boyhood relics before my sister gave them to Good Will.
"Take mine," Mom said, hearing my suitcase was full.
"I won't need luggage, the next place I go.
"
Written by Amy Lowell | Create an image from this poem

Diya {original title is Greek Delta-iota-psi-alpha}

 Look, Dear, how bright the moonlight is to-night!
See where it casts the shadow of that tree
Far out upon the grass.
And every gust Of light night wind comes laden with the scent Of opening flowers which never bloom by day: Night-scented stocks, and four-o'clocks, and that Pale yellow disk, upreared on its tall stalk, The evening primrose, comrade of the stars.
It seems as though the garden which you love Were like a swinging censer, its incense Floating before us as a reverent act To sanctify and bless our night of love.
Tell me once more you love me, that 't is you Yes, really you, I touch, so, with my hand; And tell me it is by your own free will That you are here, and that you like to be Just here, with me, under this sailing pine.
I need to hear it often for my heart Doubts naturally, and finds it hard to trust.
Ah, Dearest, you are good to love me so, And yet I would not have it goodness, rather Excess of selfishness in you to need Me through and through, as flowers need the sun.
I wonder can it really be that you And I are here alone, and that the night Is full of hours, and all the world asleep, And none can call to you to come away; For you have given all yourself to me Making me gentle by your willingness.
Has your life too been waiting for this time, Not only mine the sharpness of this joy? Dear Heart, I love you, worship you as though I were a priest before a holy shrine.
I'm glad that you are beautiful, although Were you not lovely still I needs must love; But you are all things, it must have been so For otherwise it were not you.
Come, close; When you are in the circle of my arm Faith grows a mountain and I take my stand Upon its utmost top.
Yes, yes, once more Kiss me, and let me feel you very near Wanting me wholly, even as I want you.
Have years behind been dark? Will those to come Bring unguessed sorrows into our two lives? What does it matter, we have had to-night! To-night will make us strong, for we believe Each in the other, this is a sacrament.
Beloved, is it true?
Written by Barry Tebb | Create an image from this poem

DEATH OF A POET

 for Wendy Oliver, who knew him

I am the sick animal you dream you are caring for

In the long avenues of night I cannot find a name

For the sickness except the despair of a poet sensing his veins

Silt up like the delta of a neglected river with none of the solace

Sidney Graham felt as he lay by Nessie’s side with Madron’s circling

Wood and its snow blanket of comfort falling as he glided

From this world into the next, finger-painting his adieux into the small

Of her back, bidding them be hidden beyond the tiny bulk of his poems

To be found by the faithful far from the yawning taverns of eager tourists.
Alone with Nessie and her shadows in sleep as the wood of Madron Moved slowly towards that final deep.
Written by James Lee Jobe | Create an image from this poem

Moon In Virgo

 You are not beaten.
The simple music rises up, children's voices in the air, sound floating out across the land and on to the river beyond, over the valley's floor.
No, you cannot go back for those things you lost, the parts of yourself that were taken, often by force.
Like an animal in the forest you must weep it all away at once, violently, and then simply live on.
The music here is Bach, Vivaldi; a chorale of children, a piano, a violin.
Together, they have a certain spirit that is light, that lets in light, joyful, ecstatic.
"Forgive," said The Christ, and why not? Every day that you still breathe has all the joy and murderous possibilities of your bravest dream.
Forgive.
Breathe.
Live.
The moon has entered Virgo, the wind shifts, blows up from the Delta, cools this valley, and you are not beaten; the children sing, it is Bach, and you are brave, alive, and human.


Written by Russell Edson | Create an image from this poem

The Alfresco Moment

 A butler asks, will Madam be having her morning coffee
alfresco?
 If you would be so good as to lift me out of my bed to
the veranda I would be more than willing to imbibe coffee
alfresco.
Shall I ask the Master to join you for coffee alfresco, Madam? But my nightgown's so sheer he might see my pubic delta alfresco.
And being a woman of wealth I have the loins of a goddess.
While you, being but a servant, have the loins of a child's teddy bear.
Yes, have the Master join the alfresco moment.
He might just as well be informed of my pubic delta, it's not a state secret.
Besides, because of his wealth he bears the organ of a bull, while you, being but a lowly servant, have the loins of a toy.
Very good, Madam .
.
.
Written by John Berryman | Create an image from this poem

Dream Song 27: The greens of the Ganges delta foliate

 The greens of the Ganges delta foliate.
Of heartless youth made late aware he pled: Brownies, please come.
To Henry in his sparest times sometimes the little people spread, & did friendly things; then he was glad.
Pleased, at the worst, except with the man, he shook the brightest winter sun.
All the green lives of the great delta, hours, hurt his migrant heart in a safety of the steady 'plane.
Please, please come.
My friends,—he has been known to mourn,—I'll die; live you, in the most wild, kindly, green partly forgiving wood, sort of forever and all those human sings close not your better ears to, while good Spring returns with a dance and a sigh.

Book: Reflection on the Important Things