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Best Famous Deigning Poems

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Written by Rg Gregory | Create an image from this poem

from the Ansty Experience

 (a)
they seek to celebrate the word
not to bring their knives out on a poem
dissecting it to find a heart
whose beat lies naked on a table
not to score in triumph on a line
no sensitive would put a nostril to
but simply to receive it as an
offering glimpsing the sacred there

poem probes the poet's once-intention
but each time said budges its truth
afresh (leaving the poet's self
estranged from the once-intending man)
and six ears in the room have tuned
objectives sifting the coloured strands
the words have hidden from the poet
asking what world has come to light

people measured by their heartbeats
language can't flout that come-and-go
to touch the heartbeat in a poem
calls for the brain's surrender
a warm diffusion of the mind
a listening to an eery silence
the words both mimic and destroy
(no excuses slipping off the tongue)

and when a poem works the unknown
opens a timid shutter on a world
so familiar it's not been seen
before - and then it's gone bringing
a frisson to an altered room
and in a stuttering frenzy dusty
attributes are tried to resurrect
a glimpse of what it's like inside

a truth (the glow a glow-worm makes)
this is not (not much) what happens
there's serious concern and banter
there's opacity there's chit-chat
diversions and derailings from
a line some avalanche has blocked
(what a fine pass through the mountains)
poetry and fidgets are blood-brothers

it's within all these the cosmos calls
that makes these afternoons a rich
adventure through a common field
when three men moving towards death
(without alacrity but conscious of it)
find youth again and bubble with
its springs - opening worn valves
to give such flow their own direction

there's no need of competition
no wish to prove that one of us
holds keys the others don't to the
sacral chambers - no want to find
consensus in technique or drench 
the rites of words in orthodox 
belief - difference is essential
and delightful (integrity's all)

quality's a private quarrel
between the poem and the poet - taste
the private hang-up of receivers
mostly migrained by exposure
to opinions not their own - fed
from a culture no one bleeds in
sustained by reputations manured
by a few and spread by hearsay

(b)
these meetings are a modest vow
to let each poet speak uncluttered
from establishment's traditions
and conditions where passions rippling
from the marrow can choose a space
to innocent themselves and long-held
tastes for carlos williams gurney
poems to siva (to name a few)

can surface in a side-attempt 
to show unexpected lineage from
the source to present patterns
of the poet - but at the core
of every poem read and comment made
it's not the poem or the poet
being sifted to the seed but
poetry itself given the works

the most despised belittled
enervated creative cowcake
of them all in the public eye
prestigious when it doesn't matter
to the clapped-out powers and turned
away from when too awkward and 
impolitic to confront - ball
to be bounced from high art to low

when fights break out amongst the teachers
and shakespeare's wielded as a cane
as the rich old crusty clan reverts
to the days it hated him at school
but loved the beatings - loudhailer
broken-down old-banger any ram-it-
up-your-**** and suck-my-prick to those
who want to tear chintz curtains down

and shock the cosy populace to taste
life at its rawest (most obscene)
courtesan to fashion and today's 
ploy - advertisement's gold gimmick
slave of beat and rhythm - dead but
much loved donkey in the hearts of all
who learned di-dah di-dah at school
and have been stuck in the custard since

plaything political-tool pop-
star's goo - poetry's been made to garb
itself in all these rags and riches
this age applauds the eye - is one 
of outward exploration - the earth
(in life) and universe (in fiction)
are there for scurrying over - haste
is everything and the beat is all

fireworks feed the fancy - a great ah
rewards the enterprise that fills
night skies with flashing bountifuls
of way-out stars - poetry has to be
in service to this want (is fed
into the system gracelessly)
there can be no standing-still or
stopping-by no take a little time

and see what blossoms here - we're into
poetry in motion and all that ****
and i can accept it all - what stirs
the surface of the ocean ignores
the depths - what talks the hindlegs off
the day can't murder dreams - that's not
to say the depths and dreams aren't there
for those who need them - it's commonplace

they hold the keystones of our lives
i fear something else much deeper
the diabolical self-deceiving
(wilful destruction of the spirit)
by those loudspeaking themselves
as poetry's protectors - publishers
editors literature officers
poetry societies and centres

all all jumping on the flagship
competition's crock of gold
find the winners pick the famous
all the hopefuls cry please name us
aspiring poets search their wardrobes
for the wordy swimsuit likely
to catch the eyeful of the judges
(winners too in previous contests

inured to the needle of success
but this time though now they are tops
totally pissed-off with the process
only here because the money's good)
winners' middle name is wordsworth
losers swallow a dose of shame
organisers rub their golden hands
pride themselves on their discernment

these jacks have found the beanstalk
castle harp and the golden egg
the stupid giant and his frightened wife
who let them steal their best possessions
whose ear for poetry's so poor
they think fum rhymes with englishman
and so of course they get no prizes
thief and trickster now come rich

poetry's purpose is to hit the jackpot
so great the lust for poetic fame
thousands without a ghost of winning
find poems like mothballs in their drawers
sprinkle them with twinkling stardust
post them off with copperplate cheques
the judges wipe their arses on them
the money's gone to a super cause

everyone knows it's just a joke
who gets taken - the foolish and vain
if they're daft enough and such bad poets
more money than sense the best advice 
is - keep it up grannies the cause
is noble and we'll take your cheque
again and again and again
it's the winners who fall in the bog

to win is to be preened - conceit
finds a little fluffy nest dear
to the feted heart and swells there
fed (for a foetal space) on all 
the praisiest worms but in the nest 
is a bloated thing that sucks (and chokes)
on hurt that has the knack of pecking
where there's malice - it grows two heads

winners by their nature soon become
winged and weighted - icarus begins
to prey upon their waking dreams 
prometheus gnawed by eagles 
the tight-shut box epimetheus
gave pandora about to burst
apart - yeats's centre cannot hold
being poets they know the references

and they learn the lesson quickly
climb upon others as they would
climb on you - in short be ruthless
or be dead they mostly fade away
being too intact or too weak-willed
to go the shining way with light-
ning bolts at every second bend 
agents breathing fire up their pants

those who withstand the course become
the poets of their day (and every one
naturally good as gold - exceptions
to the rule - out of the hearing
and the judgment of their rivals)
the media covet the heartache
and the bile - love the new meteor
can't wait to blast it from the heavens

universities will start the cult
with-it secondary teachers catch
the name on fast - magazines begin
to taste the honey on the plate
and soon another name is buzzing 
round the bars where literary pass-
ons meet to dole out bits of hem
i accept it all - it's not for me

above it all the literary lions
(jackals to each other) stand posed
upon their polystyrene mountains
constructed by their fans and foes
alike (they have such need of them)
disdaining what they see but terror-
stricken when newcomers climb up 
waving their thin bright books

for so long they've dubbed themselves
the intellectual cream - deigning
to hand out poems when they're asked
(for proper recompense in cash
or fawning) - but well beyond the risk
of letting others turn the bleeders
down so sure they are they're halfway
to the gods (yet still need preening)

a poem from one of them is like 
the loaves and fishes jesus touched
and rendered food for the five thousand
they too can walk on water in
their home - or so the reviewers say
poetry from their mouths is such a gift
if you don't read or understand it
you'll be damned - i accept all that

but what i can't accept is (all 
this while) the source and bed of what
is poetry to me as cracked and parched -
condemned ignored made mock of 
shoved in wilderness by those 
who've gone the gilded route (mapped out 
by ego and a driving need to claim
best prick with a capital pee)

it's being roomed with the said poem
coming back and back to the same
felt heartbeat having its way with words
absorbing the strains and promises
that make the language opt for paths
no other voice would go - shifting
a dull stone and knowing what bright
creature this instinct has bred there

it's trusting the poet with his own map
not wanting to tear it up before
the ink is dry because the symbols
he's been using don't suit your own
conception of terrain you've not
been born to - it's being pleased
to have connections made in ways
you couldn't dream of (wouldn't want to)


Written by Amy Lowell | Create an image from this poem

A Japanese Wood-Carving

 High up above the open, welcoming door
It hangs, a piece of wood with colours dim.
Once, long ago, it was a waving tree And knew the sun and shadow through the leaves Of forest trees, in a thick eastern wood.
The winter snows had bent its branches down, The spring had swelled its buds with coming flowers, Summer had run like fire through its veins, While autumn pelted it with chestnut burrs, And strewed the leafy ground with acorn cups.
Dark midnight storms had roared and crashed among Its branches, breaking here and there a limb; But every now and then broad sunlit days Lovingly lingered, caught among the leaves.
Yes, it had known all this, and yet to us It does not speak of mossy forest ways, Of whispering pine trees or the shimmering birch; But of quick winds, and the salt, stinging sea! An artist once, with patient, careful knife, Had fashioned it like to the untamed sea.
Here waves uprear themselves, their tops blown back By the gay, sunny wind, which whips the blue And breaks it into gleams and sparks of light.
Among the flashing waves are two white birds Which swoop, and soar, and scream for very joy At the wild sport.
Now diving quickly in, Questing some glistening fish.
Now flying up, Their dripping feathers shining in the sun, While the wet drops like little glints of light, Fall pattering backward to the parent sea.
Gliding along the green and foam-flecked hollows, Or skimming some white crest about to break, The spirits of the sky deigning to stoop And play with ocean in a summer mood.
Hanging above the high, wide open door, It brings to us in quiet, firelit room, The freedom of the earth's vast solitudes, Where heaping, sunny waves tumble and roll, And seabirds scream in wanton happiness.
Written by Ella Wheeler Wilcox | Create an image from this poem

Momus God Of Laughter

 Though with gods the world is cumbered, 
Gods unnamed, and gods unnumbered, 
Never god was known to be
Who had not his devotee.
So I dedicate to mine, Here in verse, my temple-shrine.
‘Tis not Ares, - mighty Mars, Who can give success in wars.
‘Tis not Morpheus, who doth keep Guard above us while we sleep, ‘Tis not Venus, she whose duty ‘Tis to give us love and beauty; Hail to these, and others, after Momus, gleesome god of laughter.
Quirinus would guard my health, Plutus would insure me wealth; Mercury looks after trade, Hera smiles on youth and maid.
All are kind, I own their worth, After Momus, god of mirth.
Though Apollo, out of spite, Hides away his face of light, Though Minerva looks askance, Deigning me no smiling glance, Kings and queens may envy me While I claim the god of glee.
Wisdom wearies, Love had wings – Wealth makes burdens, Pleasure stings, Glory proves a thorny crown – So all gifts the gods throw down Bring their pains and troubles after; All save Momus, god of laughter.
He alone gives constant joy.
Hail to Momus, happy boy.
Written by Johann Wolfgang von Goethe | Create an image from this poem

TRUE ENJOYMENT

 VAINLY wouldst thou, to gain a heart,

Heap up a maiden's lap with gold;
The joys of love thou must impart,

Wouldst thou e'er see those joys unfold.
The voices of the throng gold buys, No single heart 'twill win for thee; Wouldst thou a maiden make thy prize, Thyself alone the bribe must be.
If by no sacred tie thou'rt bound, Oh youth, thou must thyself restrain! Well may true liberty be found, Tho' man may seem to wear a chain.
Let one alone inflame thee e'er, And if her heart with love o'erflows, Let tenderness unite you there, If duty's self no fetter knows.
First feel, oh youth! A girl then find Worthy thy choice,--let her choose thee, In body fair, and fair in mind, And then thou wilt be blessed, like me.
I who have made this art mine own, A girl have chosen such as this The blessing of the priest alone Is wanting to complete our bliss.
Nought but my rapture is her guide, Only for me she cares to please,-- Ne'er wanton save when by my side, And modest when the world she sees; That time our glow may never chill, She yields no right through frailty; Her favour is a favour still, And I must ever grateful be.
Yet I'm content, and full of joy, If she'll but grant her smile so sweet, Or if at table she'll employ, To pillow hers, her lover's feet, Give me the apple that she bit, The glass from which she drank, bestow, And when my kiss so orders it, Her bosom, veil'd till then, will show.
And when she wills of love to speak, In fond and silent hours of bliss, Words from her mouth are all I seek, Nought else I crave,--not e'en a kiss.
With what a soul her mind is fraught, Wreath'd round with charms unceasingly! She's perfect,--and she fails in nought Save in her deigning to love me.
My rev'rence throws me at her feet, My longing throws me on her breast; This, youth, is rapture true and sweet, Be wise, thus seeking to be blest.
When death shall take thee from her side, To join the angelic choir above, In heaven's bright mansions to abide,-- No diff'rence at the change thoult prove.
1767-8.

Book: Reflection on the Important Things