Written by
Gerard Manley Hopkins |
ACT I. SC. I
Enter Teryth from riding, Winefred following.
T. WHAT is it, Gwen, my girl? why do you hover and haunt me?
W. You came by Caerwys, sir?
T. I came by Caerwys.
W. There
Some messenger there might have met you from my uncle.
T. Your uncle met the messenger—met me; and this the message:
Lord Beuno comes to-night.
W. To-night, sir!
T. Soon, now: therefore
Have all things ready in his room.
W. There needs but little doing.
T. Let what there needs be done. Stay! with him one companion,
His deacon, Dirvan Warm: twice over must the welcome be,
But both will share one cell.—This was good news, Gwenvrewi.
W. Ah yes!
T. Why, get thee gone then; tell thy mother I want her.
Exit Winefred.
No man has such a daughter. The fathers of the world
Call no such maiden ‘mine’. The deeper grows her dearness
And more and more times laces round and round my heart,
The more some monstrous hand gropes with clammy fingers there,
Tampering with those sweet bines, draws them out, strains them, strains them;
Meantime some tongue cries ‘What, Teryth! what, thou poor fond father!
How when this bloom, this honeysuckle, that rides the air so rich about thee,
Is all, all sheared away, thus!’ Then I sweat for fear.
Or else a funeral, and yet ’tis not a funeral,
Some pageant which takes tears and I must foot with feeling that
Alive or dead my girl is carried in it, endlessly
Goes marching thro’ my mind. What sense is this? It has none.
This is too much the father; nay the mother. Fanciful!
I here forbid my thoughts to fool themselves with fears.
Enter Gwenlo.
. . . . . . . .
ACT II.—Scene, a wood ending in a steep bank over a dry dene, Winefred having been murdered within. Re-enter Caradoc with a bloody sword.
C. My heart, where have we been? What have we seen, my mind?
What stroke has Caradoc’s right arm dealt? what done? Head of a rebel
Struck off it has; written upon lovely limbs,
In bloody letters, lessons of earnest, of revenge;
Monuments of my earnest, records of my revenge,
On one that went against me wh?reas I had warned her—
Warned her! well she knew. I warned her of this work.
What work? what harm ’s done? There is no harm done, none yet;
Perhaps we struck no blow, Gwenvrewi lives perhaps;
To makebelieve my mood was—mock. O I might think so
But here, here is a workman from his day’s task sweats.
Wiped I am sure this was; it seems not well; for still,
Still the scarlet swings and dances on the blade.
So be it. Thou steel, thou butcher,
I c?n scour thee, fresh burnish thee, sheathe thee in thy dark lair; these drops
Never, never, never in their blue banks again.
The woeful, Cradock, O the woeful word! Then what,
What have we seen? Her head, sheared from her shoulders, fall,
And lapped in shining hair, roll to the bank’s edge; then
Down the beetling banks, like water in waterfalls,
It stooped and flashed and fell and ran like water away.
Her eyes, oh and her eyes!
In all her beauty, and sunlight to it is a pit, den, darkness,
Foam-falling is not fresh to it, rainbow by it not beaming,
In all her body, I say, no place was like her eyes,
No piece matched those eyes kept most part much cast down
But, being lifted, immortal, of immortal brightness.
Several times I saw them, thrice or four times turning;
Round and round they came and flashed towards heaven: O there,
There they did appeal. Therefore airy vengeances
Are afoot; heaven-vault fast purpling portends, and what first lightning
Any instant falls means me. And I do not repent;
I do not and I will not repent, not repent.
The blame bear who aroused me. What I have done violent
I have like a lion done, lionlike done,
Honouring an uncontrolled royal wrathful nature,
Mantling passion in a grandeur, crimson grandeur.
Now be my pride then perfect, all one piece. Henceforth
In a wide world of defiance Caradoc lives alone,
Loyal to his own soul, laying his own law down, no law nor
Lord now curb him for ever. O daring! O deep insight!
What is virtue? Valour; only the heart valiant.
And right? Only resolution; will, his will unwavering
Who, like me, knowing his nature to the heart home, nature’s business,
Despatches with no flinching. But will flesh, O can flesh
Second this fiery strain? Not always; O no no!
We cannot live this life out; sometimes we must weary
And in this darksome world what comfort can I find?
Down this darksome world c?mfort wh?re can I find
When ’ts light I quenched; its rose, time’s one rich rose, my hand,
By her bloom, fast by her fresh, her fleec?d bloom,
Hideous dashed down, leaving earth a winter withering
With no now, no Gwenvrewi. I must miss her most
That might have spared her were it but for passion-sake. Yes,
To hunger and not have, y?t hope ?n for, to storm and strive and
Be at every assault fresh foiled, worse flung, deeper disappointed,
The turmoil and the torment, it has, I swear, a sweetness,
Keeps a kind of joy in it, a zest, an edge, an ecstasy,
Next after sweet success. I am not left even this;
I all my being have hacked in half with her neck: one part,
Reason, selfdisposal, choice of better or worse way,
Is corpse now, cannot change; my other self, this soul,
Life’s quick, this k?nd, this k?en self-feeling,
With dreadful distillation of thoughts sour as blood,
Must all day long taste murder. What do n?w then? Do? Nay,
Deed-bound I am; one deed treads all down here cramps all doing. What do? Not yield,
Not hope, not pray; despair; ay, that: brazen despair out,
Brave all, and take what comes—as here this rabble is come,
Whose bloods I reck no more of, no more rank with hers
Than sewers with sacred oils. Mankind, that mobs, comes. Come!
Enter a crowd, among them Teryth, Gwenlo, Beuno.
. . . . . . . .
After Winefred’s raising from the dead and the breaking out of the fountain.
BEUNO. O now while skies are blue, now while seas are salt,
While rushy rains shall fall or brooks shall fleet from fountains,
While sick men shall cast sighs, of sweet health all despairing,
While blind men’s eyes shall thirst after daylight, draughts of daylight,
Or deaf ears shall desire that lipmusic that ’s lost upon them,
While cripples are, while lepers, dancers in dismal limb-dance,
Fallers in dreadful frothpits, waterfearers wild,
Stone, palsy, cancer, cough, lung wasting, womb not bearing,
Rupture, running sores, what more? in brief; in burden,
As long as men are mortal and God merciful,
So long to this sweet spot, this leafy lean-over,
This Dry Dene, now no longer dry nor dumb, but moist and musical
With the uproll and the downcarol of day and night delivering
Water, which keeps thy name, (for not in r?ck wr?tten,
But in pale water, frail water, wild rash and reeling water,
That will not wear a print, that will not stain a pen,
Thy venerable record, virgin, is recorded).
Here to this holy well shall pilgrimages be,
And not from purple Wales only nor from elmy England,
But from beyond seas, Erin, France and Flanders, everywhere,
Pilgrims, still pilgrims, m?re p?lgrims, still more poor pilgrims.
. . . . . . . .
What sights shall be when some that swung, wretches, on crutches
Their crutches shall cast from them, on heels of air departing,
Or they go rich as roseleaves hence that loathsome c?me hither!
Not now to n?me even
Those dearer, more divine boons whose haven the heart is.
. . . . . . . .
As sure as what is most sure, sure as that spring primroses
Shall new-dapple next year, sure as to-morrow morning,
Amongst come-back-again things, th?ngs with a revival, things with a recovery,
Thy name…
. . . . . . . .
|
Written by
Gerard Manley Hopkins |
Earnest, earthless, equal, attuneable, ' vaulty, voluminous, ... stupendous
Evening strains to be tíme's vást, ' womb-of-all, home-of-all, hearse-of-all night.
Her fond yellow hornlight wound to the west, ' her wild hollow hoarlight hung to the height
Waste; her earliest stars, earl-stars, ' stárs principal, overbend us,
Fíre-féaturing heaven. For earth ' her being has unbound, her dapple is at an end, as-
tray or aswarm, all throughther, in throngs; ' self ín self steepèd and páshed—qúite
Disremembering, dísmémbering ' áll now. Heart, you round me right
With: Óur évening is over us; óur night ' whélms, whélms, ánd will end us.
Only the beak-leaved boughs dragonish ' damask the tool-smooth bleak light; black,
Ever so black on it. Óur tale, O óur oracle! ' Lét life, wáned, ah lét life wind
Off hér once skéined stained véined variety ' upon, áll on twó spools; párt, pen, páck
Now her áll in twó flocks, twó folds—black, white; ' right, wrong; reckon but, reck but, mind
But thése two; wáre of a wórld where bút these ' twó tell, each off the óther; of a rack
Where, selfwrung, selfstrung, sheathe- and shelterless, ' thóughts agaínst thoughts ín groans grínd.
|
Written by
Amy Lowell |
The nursery fire burns brightly, crackling in cheerful
little explosions
and trails of sparks up the back of the chimney. Miniature
rockets
peppering the black bricks with golden stars, as though a gala
flamed a night of victorious wars.
The nodding mandarin on the bookcase moves his
head forward and back, slowly,
and looks into the air with his blue-green eyes. He stares
into the air
and nods -- forward and back. The red rose in his hand
is a crimson splash
on his yellow coat. Forward and back, and his blue-green
eyes stare
into the air, and he nods -- nods.
Tommy's soldiers march to battle,
Trumpets flare and snare-drums rattle.
Bayonets flash, and sabres glance --
How the horses snort and prance!
Cannon drawn up in a line
Glitter in the dizzy shine
Of the morning sunlight. Flags
Ripple colours in great jags.
Red blows out, then blue, then green,
Then all three -- a weaving sheen
Of prismed patriotism. March
Tommy's soldiers, stiff and starch,
Boldly stepping to the rattle
Of the drums, they go to battle.
Tommy lies on his stomach on the floor and directs his columns.
He puts his infantry in front, and before them ambles a mounted
band.
Their instruments make a strand of gold before the scarlet-tunicked
soldiers,
and they take very long steps on their little green platforms,
and from the ranks bursts the song of Tommy's soldiers marching
to battle.
The song jolts a little as the green platforms stick on the thick
carpet.
Tommy wheels his guns round the edge of a box of blocks, and places
a squad of cavalry on the commanding eminence of a footstool.
The fire snaps pleasantly, and the old Chinaman nods -- nods. The
fire makes
the red rose in his hand glow and twist. Hist! That
is a bold song
Tommy's soldiers sing as they march along to battle.
Crack! Rattle! The sparks
fly up the chimney.
Tommy's army's off to war --
Not a soldier knows what for.
But he knows about his rifle,
How to shoot it, and a trifle
Of the proper thing to do
When it's he who is shot through.
Like a cleverly trained flea,
He can follow instantly
Orders, and some quick commands
Really make severe demands
On a mind that's none too rapid,
Leaden brains tend to the vapid.
But how beautifully dressed
Is this army! How impressed
Tommy is when at his heel
All his baggage wagons wheel
About the patterned carpet, and
Moving up his heavy guns
He sees them glow with diamond suns
Flashing all along each barrel.
And the gold and blue apparel
Of his gunners is a joy.
Tommy is a lucky boy.
Boom! Boom! Ta-ra!
The old mandarin nods under his purple umbrella. The
rose in his hand
shoots its petals up in thin quills of crimson. Then
they collapse
and shrivel like red embers. The fire sizzles.
Tommy is galloping his cavalry, two by two, over the floor. They
must pass
the open terror of the door and gain the enemy encamped under the
wash-stand.
The mounted band is very grand, playing allegro and leading the
infantry on
at the double quick. The tassel of the hearth-rug has
flung down
the bass-drum, and he and his dapple-grey horse lie overtripped,
slipped out of line, with the little lead drumsticks glistening
to the fire's shine.
The fire burns and crackles, and tickles the tripped
bass-drum
with its sparkles.
The marching army hitches its little green platforms
valiantly, and steadily
approaches the door. The overturned bass-drummer, lying
on the hearth-rug,
melting in the heat, softens and sheds tears. The song
jeers
at his impotence, and flaunts the glory of the martial and still
upstanding,
vaunting the deeds it will do. For are not Tommy's soldiers
all bright and new?
Tommy's leaden soldiers we,
Glittering with efficiency.
Not a button's out of place,
Tons and tons of golden lace
Wind about our officers.
Every manly bosom stirs
At the thought of killing -- killing!
Tommy's dearest wish fulfilling.
We are gaudy, savage, strong,
And our loins so ripe we long
First to kill, then procreate,
Doubling so the laws of Fate.
On their women we have sworn
To graft our sons. And overborne
They'll rear us younger soldiers, so
Shall our race endure and grow,
Waxing greater in the wombs
Borrowed of them, while damp tombs
Rot their men. O Glorious War!
Goad us with your points, Great Star!
The china mandarin on the bookcase nods slowly, forward and back
--
forward and back -- and the red rose writhes and wriggles,
thrusting its flaming petals under and over one another like tortured
snakes.
The fire strokes them with its dartles, and purrs
at them,
and the old man nods.
Tommy does not hear the song. He only sees the beautiful,
new,
gaily-coloured lead soldiers. They belong to him, and
he is very proud
and happy. He shouts his orders aloud, and gallops his
cavalry past the door
to the wash-stand. He creeps over the floor on his hands
and knees
to one battalion and another, but he sees only the bright colours
of his soldiers and the beautiful precision of their gestures.
He is a lucky boy to have such fine lead soldiers to enjoy.
Tommy catches his toe in the leg of the wash-stand, and jars the
pitcher.
He snatches at it with his hands, but it is too late. The
pitcher falls,
and as it goes, he sees the white water flow over its lip. It
slips
between his fingers and crashes to the floor. But it
is not water which oozes
to the door. The stain is glutinous and dark, a spark
from the firelight
heads it to red. In and out, between the fine, new soldiers,
licking over the carpet, squirms the stream of blood, lapping at
the little green platforms, and flapping itself against the painted
uniforms.
The nodding mandarin moves his head slowly, forward and back.
The rose is broken, and where it fell is black blood. The
old mandarin leers
under his purple umbrella, and nods -- forward and back, staring
into the air
with blue-green eyes. Every time his head comes forward
a rosebud pushes
between his lips, rushes into full bloom, and drips to the ground
with a splashing sound. The pool of black blood grows
and grows,
with each dropped rose, and spreads out to join the stream from
the wash-stand. The beautiful army of lead soldiers steps
boldly forward,
but the little green platforms are covered in the rising stream
of blood.
The nursery fire burns brightly and flings fan-bursts of stars up
the chimney,
as though a gala flamed a night of victorious wars.
|
Written by
Robert Burns |
THOU, Liberty, thou art my theme;
Not such as idle poets dream,
Who trick thee up a heathen goddess
That a fantastic cap and rod has;
Such stale conceits are poor and silly;
I paint thee out, a Highland filly,
A sturdy, stubborn, handsome dapple,
As sleek’s a mouse, as round’s an apple,
That when thou pleasest canst do wonders;
But when thy luckless rider blunders,
Or if thy fancy should demur there,
Wilt break thy neck ere thou go further.
These things premised, I sing a Fox,
Was caught among his native rocks,
And to a dirty kennel chained,
How he his liberty regained.
Glenriddell! Whig without a stain,
A Whig in principle and grain,
Could’st thou enslave a free-born creature,
A native denizen of Nature?
How could’st thou, with a heart so good,
(A better ne’er was sluiced with blood!)
Nail a poor devil to a tree,
That ne’er did harm to thine or thee?
The staunchest Whig Glenriddell was,
Quite frantic in his country’s cause;
And oft was Reynard’s prison passing,
And with his brother-Whigs canvassing
The Rights of Men, the Powers of Women,
With all the dignity of Freemen.
Sir Reynard daily heard debates
Of Princes’, Kings’, and Nations’ fates,
With many rueful, bloody stories
Of Tyrants, Jacobites, and Tories:
From liberty how angels fell,
That now are galley-slaves in hell;
How Nimrod first the trade began
Of binding Slavery’s chains on Man;
How fell Semiramis—G—d d-mn her!
Did first, with sacrilegious hammer,
(All ills till then were trivial matters)
For Man dethron’d forge hen-peck fetters;
How Xerxes, that abandoned Tory,
Thought cutting throats was reaping glory,
Until the stubborn Whigs of Sparta
Taught him great Nature’s Magna Charta;
How mighty Rome her fiat hurl’d
Resistless o’er a bowing world,
And, kinder than they did desire,
Polish’d mankind with sword and fire;
With much, too tedious to relate,
Of ancient and of modern date,
But ending still, how Billy Pitt
(Unlucky boy!) with wicked wit,
Has gagg’d old Britain, drain’d her coffer,
As butchers bind and bleed a heifer,
Thus wily Reynard by degrees,
In kennel listening at his ease,
Suck’d in a mighty stock of knowledge,
As much as some folks at a College;
Knew Britain’s rights and constitution,
Her aggrandisement, diminution,
How fortune wrought us good from evil;
Let no man, then, despise the Devil,
As who should say, ‘I never can need him,’
Since we to scoundrels owe our freedom.
|