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Best Famous Dampness Poems

Here is a collection of the all-time best famous Dampness poems. This is a select list of the best famous Dampness poetry. Reading, writing, and enjoying famous Dampness poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of dampness poems.

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Written by Pablo Neruda | Create an image from this poem

Nothing But Death

 There are cemeteries that are lonely,
graves full of bones that do not make a sound,
the heart moving through a tunnel,
in it darkness, darkness, darkness,
like a shipwreck we die going into ourselves,
as though we were drowning inside our hearts,
as though we lived falling out of the skin into the soul.
And there are corpses, feet made of cold and sticky clay, death is inside the bones, like a barking where there are no dogs, coming out from bells somewhere, from graves somewhere, growing in the damp air like tears of rain.
Sometimes I see alone coffins under sail, embarking with the pale dead, with women that have dead hair, with bakers who are as white as angels, and pensive young girls married to notary publics, caskets sailing up the vertical river of the dead, the river of dark purple, moving upstream with sails filled out by the sound of death, filled by the sound of death which is silence.
Death arrives among all that sound like a shoe with no foot in it, like a suit with no man in it, comes and knocks, using a ring with no stone in it, with no finger in it, comes and shouts with no mouth, with no tongue, with no throat.
Nevertheless its steps can be heard and its clothing makes a hushed sound, like a tree.
I'm not sure, I understand only a little, I can hardly see, but it seems to me that its singing has the color of damp violets, of violets that are at home in the earth, because the face of death is green, and the look death gives is green, with the penetrating dampness of a violet leaf and the somber color of embittered winter.
But death also goes through the world dressed as a broom, lapping the floor, looking for dead bodies, death is inside the broom, the broom is the tongue of death looking for corpses, it is the needle of death looking for thread.
Death is inside the folding cots: it spends its life sleeping on the slow mattresses, in the black blankets, and suddenly breathes out: it blows out a mournful sound that swells the sheets, and the beds go sailing toward a port where death is waiting, dressed like an admiral.


Written by John Williams | Create an image from this poem

A Benediction Of The Air

 In every presence there is absence.
When we're together, the spaces between Threaten to enclose our bodies And isolate our spirits.
The mirror reflects what we are not, And we wonder if our mate Suspects a fatal misreading Of our original text, Not to mention the dreaded subtext.
Reality, we fear, mocks appearance.
Or is trapped in a hall of mirrors Where infinite regress prevents A grateful egress.
That is, We can never know the meaning Of being two-in-one, Or if we are one-in-two.
What-I-Am is grieved at What-I'm-Not.
What-We-Should-Be is numbed by What-We-Are.
Yes, I'm playing word games With the idea of marriage, Musing over how even we can Secularize Holy wedlock.
Or to figure it another way, To wonder why two televisions In the same house seem natural symbols Of the family in decline.
Yet you are present to me now.
I sense you keenly, at work, Bending red in face to reach A last defiant spot of yellow On those horrific kitchen cabinets.
Your honey hair flecked with paint; Your large soft hidden breasts Pushing down against your shirt.
The hemispheres of those buttocks Curving into uncompromising hips.
To embrace you would be to take hold Of my life in all its substance.
Without romance, I say that if I were to deconstruct myself And fling the pieces at random, They would compose themselves Into your shape.
But I guess that is romantic, The old mystification- Cramming two bodies Into a single space.
Amen! Our separation has taught me That, dwelling in mind, The corporeality Of mates has spiritual mass Which may be formulated: Memory times desire over distance Yields a bodying forth.
Thus I project into the Deadly space between us A corposant,Pulsating a language That will cleave to you In the coolness of sleep With insubstantiality So fierce as to leave its dampness On the morning sheets, Or so gentle As to fan your brow While you paint the kitchen.
A body like a breath, Whispering the axiom By which all religions are blessed: In every absence there is presence.
Bene Bene Benedictus.
Written by Percy Bysshe Shelley | Create an image from this poem

Queen Mab: Part VI (excerpts)

 "Throughout these infinite orbs of mingling light, 
Of which yon earth is one, is wide diffus'd
A Spirit of activity and life,
That knows no term, cessation, or decay;
That fades not when the lamp of earthly life,
Extinguish'd in the dampness of the grave,
Awhile there slumbers, more than when the babe
In the dim newness of its being feels
The impulses of sublunary things,
And all is wonder to unpractis'd sense:
But, active, steadfast and eternal, still
Guides the fierce whirlwind, in the tempest roars,
Cheers in the day, breathes in the balmy groves,
Strengthens in health, and poisons in disease;
And in the storm of change, that ceaselessly
Rolls round the eternal universe and shakes
Its undecaying battlement, presides,
Apportioning with irresistible law
The place each spring of its machine shall fill;
So that when waves on waves tumultuous heap
Confusion to the clouds, and fiercely driven
Heaven's lightnings scorch the uprooted ocean-fords,
Whilst, to the eye of shipwreck'd mariner,
Lone sitting on the bare and shuddering rock,
All seems unlink'd contingency and chance,
No atom of this turbulence fulfils
A vague and unnecessitated task,
Or acts but as it must and ought to act.
Even the minutest molecule of light, That in an April sunbeam's fleeting glow Fulfils its destin'd, though invisible work, The universal Spirit guides; nor less, When merciless ambition, or mad zeal, Has led two hosts of dupes to battlefield, That, blind, they there may dig each other's graves, And call the sad work glory, does it rule All passions: not a thought, a will, an act, No working of the tyrant's moody mind, Nor one misgiving of the slaves who boast Their servitude to hide the shame they feel, Nor the events enchaining every will, That from the depths of unrecorded time Have drawn all-influencing virtue, pass Unrecogniz'd or unforeseen by thee, Soul of the Universe! eternal spring Of life and death, of happiness and woe, Of all that chequers the phantasmal scene That floats before our eyes in wavering light, Which gleams but on the darkness of our prison, Whose chains and massy walls We feel, but cannot see.
"Spirit of Nature! all-sufficing Power, Necessity! thou mother of the world! Unlike the God of human error, thou Requir'st no prayers or praises; the caprice Of man's weak will belongs no more to thee Than do the changeful passions of his breast To thy unvarying harmony: the slave, Whose horrible lusts spread misery o'er the world, And the good man, who lifts with virtuous pride His being in the sight of happiness That springs from his own works; the poison-tree, Beneath whose shade all life is wither'd up, And the fair oak, whose leafy dome affords A temple where the vows of happy love Are register'd, are equal in thy sight: No love, no hate thou cherishest; revenge And favouritism, and worst desire of fame Thou know'st not: all that the wide world contains Are but thy passive instruments, and thou Regard'st them all with an impartial eye, Whose joy or pain thy nature cannot feel, Because thou hast not human sense, Because thou art not human mind.
"Yes! when the sweeping storm of time Has sung its death-dirge o'er the ruin'd fanes And broken altars of the almighty Fiend Whose name usurps thy honours, and the blood Through centuries clotted there has floated down The tainted flood of ages, shalt thou live Unchangeable! A shrine is rais'd to thee, Which, nor the tempest-breath of time, Nor the interminable flood Over earth's slight pageant rolling, Availeth to destroy-- The sensitive extension of the world.
That wondrous and eternal fane, Where pain and pleasure, good and evil join, To do the will of strong necessity, And life, in multitudinous shapes, Still pressing forward where no term can be, Like hungry and unresting flame Curls round the eternal columns of its strength.
"
Written by Edgar Lee Masters | Create an image from this poem

Mrs. Charles Bliss

 Reverend Wiley advised me not to divorce him
For the sake of the children,
And Judge Somers advised him the same.
So we stuck to the end of the path.
But two of the children thought he was right, And two of the children thought I was right.
And the two who sided with him blamed me, And the two who sided with me blamed him, And they grieved for the one they sided with.
And all were torn with the guilt of judging, And tortured in soul because they could not admire Equally him and me.
Now every gardener knows that plants grown in cellars Or under stones are twisted and yellow and weak.
And no mother would let her baby suck Diseased milk from her breast.
Yet preachers and judges advise the raising of souls Where there is no sunlight, but only twilight, No warmth, but only dampness and cold -- Preachers and judges!
Written by Amy Lowell | Create an image from this poem

A Coloured Print by Shokei

 It winds along the face of a cliff
This path which I long to explore,
And over it dashes a waterfall,
And the air is full of the roar
And the thunderous voice of waters which sweep
In a silver torrent over some steep.
It clears the path with a mighty bound And tumbles below and away, And the trees and the bushes which grow in the rocks Are wet with its jewelled spray; The air is misty and heavy with sound, And small, wet wildflowers star the ground.
Oh! The dampness is very good to smell, And the path is soft to tread, And beyond the fall it winds up and on, While little streamlets thread Their own meandering way down the hill Each singing its own little song, until I forget that 't is only a pictured path, And I hear the water and wind, And look through the mist, and strain my eyes To see what there is behind; For it must lead to a happy land, This little path by a waterfall spanned.


Written by Paul Laurence Dunbar | Create an image from this poem

A CHRISTMAS FOLKSONG

De win' is blowin' wahmah,
An hit's blowin' f'om de bay;
Dey's a so't o' mist a-risin'
All erlong de meddah way;
Dey ain't a hint o' frostin'
On de groun' ner in de sky,
An' dey ain't no use in hopin'
Dat de snow'll 'mence to fly.
It's goin' to be a green Christmas,
An' sad de day fu' me.
I wish dis was de las' one
Dat evah I should see.
Dey's dancin' in de cabin,
Dey's spahkin' by de tree;
But dancin' times an' spahkin'
Are all done pas' fur me.
Dey's feastin' in de big house,
Wid all de windahs wide—
Is dat de way fu' people
To meet de Christmas-tide?
It's goin' to be a green Christmas,
No mattah what you say.
Dey's us dat will remembah
An' grieve de comin' day.
Dey's des a bref o' dampness
A-clingin' to my cheek;
De aih's been dahk an' heavy
An' threatenin' fu' a week,
But not wid signs o' wintah,
Dough wintah'd seem so deah—
De wintah's out o' season,
An' Christmas eve is heah.
It's goin' to be a green Christmas,
An' oh, how sad de day!
Go ax de hongry chu'chya'd,
[Pg 237]An' see what hit will say.
Dey's Allen on de hillside,
An' Marfy in de plain;
Fu' Christmas was like springtime,
An' come wid sun an' rain.
Dey's Ca'line, John, an' Susie,
Wid only dis one lef':
An' now de curse is comin'
Wid murder in hits bref.
It's goin' to be a green Christmas—
Des hyeah my words an' see:
Befo' de summah beckons
Dey's many 'll weep wid me.