Written by
Marianne Moore |
This institution,
perhaps one should say enterprise
out of respect for which
one says one need not change one's mind
about a thing one has believed in,
requiring public promises
of one's intention
to fulfill a private obligation:
I wonder what Adam and Eve
think of it by this time,
this firegilt steel
alive with goldenness;
how bright it shows --
"of circular traditions and impostures,
committing many spoils,"
requiring all one's criminal ingenuity
to avoid!
Psychology which explains everything
explains nothing
and we are still in doubt.
Eve: beautiful woman --
I have seen her
when she was so handsome
she gave me a start,
able to write simultaneously
in three languages --
English, German and French
and talk in the meantime;
equally positive in demanding a commotion
and in stipulating quiet:
"I should like to be alone;"
to which the visitor replies,
"I should like to be alone;
why not be alone together?"
Below the incandescent stars
below the incandescent fruit,
the strange experience of beauty;
its existence is too much;
it tears one to pieces
and each fresh wave of consciousness
is poison.
"See her, see her in this common world,"
the central flaw
in that first crystal-fine experiment,
this amalgamation which can never be more
than an interesting possibility,
describing it
as "that strange paradise
unlike flesh, gold, or stately buildings,
the choicest piece of my life:
the heart rising
in its estate of peace
as a boat rises
with the rising of the water;"
constrained in speaking of the serpent --
that shed snakeskin in the history of politeness
not to be returned to again --
that invaluable accident
exonerating Adam.
And he has beauty also;
it's distressing -- the O thou
to whom, from whom,
without whom nothing -- Adam;
"something feline,
something colubrine" -- how true!
a crouching mythological monster
in that Persian miniature of emerald mines,
raw silk -- ivory white, snow white,
oyster white and six others --
that paddock full of leopards and giraffes --
long lemonyellow bodies
sown with trapezoids of blue.
Alive with words,
vibrating like a cymbal
touched before it has been struck,
he has prophesied correctly --
the industrious waterfall,
"the speedy stream
which violently bears all before it,
at one time silent as the air
and now as powerful as the wind."
"Treading chasms
on the uncertain footing of a spear,"
forgetting that there is in woman
a quality of mind
which is an instinctive manifestation
is unsafe,
he goes on speaking
in a formal, customary strain
of "past states," the present state,
seals, promises,
the evil one suffered,
the good one enjoys,
hell, heaven,
everything convenient
to promote one's joy."
There is in him a state of mind
by force of which,
perceiving what it was not
intended that he should,
"he experiences a solemn joy
in seeing that he has become an idol."
Plagued by the nightingale
in the new leaves,
with its silence --
not its silence but its silences,
he says of it:
"It clothes me with a shirt of fire."
"He dares not clap his hands
to make it go on
lest it should fly off;
if he does nothing, it will sleep;
if he cries out, it will not understand."
Unnerved by the nightingale
and dazzled by the apple,
impelled by "the illusion of a fire
effectual to extinguish fire,"
compared with which
the shining of the earth
is but deformity -- a fire
"as high as deep as bright as broad
as long as life itself,"
he stumbles over marriage,
"a very trivial object indeed"
to have destroyed the attitude
in which he stood --
the ease of the philosopher
unfathered by a woman.
Unhelpful Hymen!
"a kind of overgrown cupid"
reduced to insignificance
by the mechanical advertising
parading as involuntary comment,
by that experiment of Adam's
with ways out but no way in --
the ritual of marriage,
augmenting all its lavishness;
its fiddle-head ferns,
lotus flowers, opuntias, white dromedaries,
its hippopotamus --
nose and mouth combined
in one magnificent hopper,
"the crested screamer --
that huge bird almost a lizard,"
its snake and the potent apple.
He tells us
that "for love
that will gaze an eagle blind,
that is like a Hercules
climbing the trees
in the garden of the Hesperides,
from forty-five to seventy
is the best age,"
commending it
as a fine art, as an experiment,
a duty or as merely recreation.
One must not call him ruffian
nor friction a calamity --
the fight to be affectionate:
"no truth can be fully known
until it has been tried
by the tooth of disputation."
The blue panther with black eyes,
the basalt panther with blue eyes,
entirely graceful --
one must give them the path --
the black obsidian Diana
who "darkeneth her countenance
as a bear doth,
causing her husband to sigh,"
the spiked hand
that has an affection for one
and proves it to the bone,
impatient to assure you
that impatience is the mark of independence
not of bondage.
"Married people often look that way" --
"seldom and cold, up and down,
mixed and malarial
with a good day and bad."
"When do we feed?"
We occidentals are so unemotional,
we quarrel as we feed;
one's self is quite lost,
the irony preserved
in "the Ahasuerus t?te ? t?te banquet"
with its "good monster, lead the way,"
with little laughter
and munificence of humor
in that quixotic atmosphere of frankness
in which "Four o'clock does not exist
but at five o'clock
the ladies in their imperious humility
are ready to receive you";
in which experience attests
that men have power
and sometimes one is made to feel it.
He says, "what monarch would not blush
to have a wife
with hair like a shaving-brush?
The fact of woman
is not `the sound of the flute
but every poison.'"
She says, "`Men are monopolists
of stars, garters, buttons
and other shining baubles' --
unfit to be the guardians
of another person's happiness."
He says, "These mummies
must be handled carefully --
`the crumbs from a lion's meal,
a couple of shins and the bit of an ear';
turn to the letter M
and you will find
that `a wife is a coffin,'
that severe object
with the pleasing geometry
stipulating space and not people,
refusing to be buried
and uniquely disappointing,
revengefully wrought in the attitude
of an adoring child
to a distinguished parent."
She says, "This butterfly,
this waterfly, this nomad
that has `proposed
to settle on my hand for life.' --
What can one do with it?
There must have been more time
in Shakespeare's day
to sit and watch a play.
You know so many artists are fools."
He says, "You know so many fools
who are not artists."
The fact forgot
that "some have merely rights
while some have obligations,"
he loves himself so much,
he can permit himself
no rival in that love.
She loves herself so much,
she cannot see herself enough --
a statuette of ivory on ivory,
the logical last touch
to an expansive splendor
earned as wages for work done:
one is not rich but poor
when one can always seem so right.
What can one do for them --
these savages
condemned to disaffect
all those who are not visionaries
alert to undertake the silly task
of making people noble?
This model of petrine fidelity
who "leaves her peaceful husband
only because she has seen enough of him" --
that orator reminding you,
"I am yours to command."
"Everything to do with love is mystery;
it is more than a day's work
to investigate this science."
One sees that it is rare --
that striking grasp of opposites
opposed each to the other, not to unity,
which in cycloid inclusiveness
has dwarfed the demonstration
of Columbus with the egg --
a triumph of simplicity --
that charitive Euroclydon
of frightening disinterestedness
which the world hates,
admitting:
"I am such a cow,
if I had a sorrow,
I should feel it a long time;
I am not one of those
who have a great sorrow
in the morning
and a great joy at noon;"
which says: "I have encountered it
among those unpretentious
proteg?s of wisdom,
where seeming to parade
as the debater and the Roman,
the statesmanship
of an archaic Daniel Webster
persists to their simplicity of temper
as the essence of the matter:
`Liberty and union
now and forever;'
the book on the writing-table;
the hand in the breast-pocket."
|
Written by
Sarojini Naidu |
Mens Voices:
LORD of the lotus, lord of the harvest,
Bright and munificent lord of the morn!
Thine is the bounty that prospered our sowing,
Thine is the bounty that nurtured our corn.
We bring thee our songs and our garlands for tribute,
The gold of our fields and the gold of our fruit;
O giver of mellowing radiance, we hail thee,
We praise thee, O Surya, with cymbal and flute.
Lord of the rainbow, lord of the harvest,
Great and beneficent lord of the main!
Thine is the mercy that cherished our furrows,
Thine is the mercy that fostered our grain.
We bring thee our thanks and our garlands for tribute,
The wealth of our valleys, new-garnered and ripe;
O sender of rain and the dewfall, we hail thee,
We praise thee, Varuna, with cymbal and pipe.
Womens Voices:
Queen of the gourd-flower, queen of the har- vest,
Sweet and omnipotent mother, O Earth!
Thine is the plentiful bosom that feeds us,
Thine is the womb where our riches have birth.
We bring thee our love and our garlands for tribute,
With gifts of thy opulent giving we come;
O source of our manifold gladness, we hail thee,
We praise thee, O Prithvi, with cymbal and drum.
All Voices:
Lord of the Universe, Lord of our being,
Father eternal, ineffable Om!
Thou art the Seed and the Scythe of our harvests,
Thou art our Hands and our Heart and our Home.
We bring thee our lives and our labours for tribute,
Grant us thy succour, thy counsel, thy care.
O Life of all life and all blessing, we hail thee,
We praise thee, O Bramha, with cymbal and prayer
|
Written by
Robert Lowell |
Here the jack-hammer jabs into the ocean;
My heart, you race and stagger and demand
More blood-gangs for your ******-brass percussions,
Till I, the stunned machine of your devotion,
Clanging upon this cymbal of a hand,
Am rattled screw and footloose. All discussions
End in the mud-flat detritus of death.
My heart, beat faster, faster. In Black Mud
Hungarian workmen give their blood
For the martyrs Stephen who was stoned to death.
Black Myd, a name to conjure with: O mud
For watermelons gutted to the crust,
Mud for the mole-tide harbor, mud for mouse,
Mud for teh armored Diesel fishing tubs that thud
A year and a day to wind and tide; the dust
Is on this skipping heart that shakes my house,
House of our Savior who was hanged till death.
My heart, beat faster, faster. In Black Mud
Stephen the martyre was broken down to blood:
Our ransom is the rubble of his death.
Christ walks on the black water. In Black Mud
Darts the kingfisher. On Corpus Christi, heart,
Over the drum-beat of St. Stephen's choir
I hear him, Stupor Mundi, and the mud
Flies from his hunching wings and beak--my heart,
he blue kingfisher dives on you in fire.
|
Written by
Wallace Stevens |
I
1 Just as my fingers on these keys
2 Make music, so the self-same sounds
3 On my spirit make a music, too.
4 Music is feeling, then, not sound;
5 And thus it is that what I feel,
6 Here in this room, desiring you,
7 Thinking of your blue-shadowed silk,
8 Is music. It is like the strain
9 Waked in the elders by Susanna;
10 Of a green evening, clear and warm,
11 She bathed in her still garden, while
12 The red-eyed elders, watching, felt
13 The basses of their beings throb
14 In witching chords, and their thin blood
15 Pulse pizzicati of Hosanna.
II
16 In the green water, clear and warm,
17 Susanna lay.
18 She searched
19 The touch of springs,
20 And found
21 Concealed imaginings.
22 She sighed,
23 For so much melody.
24 Upon the bank, she stood
25 In the cool
26 Of spent emotions.
27 She felt, among the leaves,
28 The dew
29 Of old devotions.
30 She walked upon the grass,
31 Still quavering.
32 The winds were like her maids,
33 On timid feet,
34 Fetching her woven scarves,
35 Yet wavering.
36 A breath upon her hand
37 Muted the night.
38 She turned --
39 A cymbal crashed,
40 Amid roaring horns.
III
41 Soon, with a noise like tambourines,
42 Came her attendant Byzantines.
43 They wondered why Susanna cried
44 Against the elders by her side;
45 And as they whispered, the refrain
46 Was like a willow swept by rain.
47 Anon, their lamps' uplifted flame
48 Revealed Susanna and her shame.
49 And then, the simpering Byzantines
50 Fled, with a noise like tambourines.
IV
51 Beauty is momentary in the mind --
52 The fitful tracing of a portal;
53 But in the flesh it is immortal.
54 The body dies; the body's beauty lives.
55 So evenings die, in their green going,
56 A wave, interminably flowing.
57 So gardens die, their meek breath scenting
58 The cowl of winter, done repenting.
59 So maidens die, to the auroral
60 Celebration of a maiden's choral.
61 Susanna's music touched the bawdy strings
62 Of those white elders; but, escaping,
63 Left only Death's ironic scraping.
64 Now, in its immortality, it plays
65 On the clear viol of her memory,
66 And makes a constant sacrament of praise.
|
Written by
Johann Wolfgang von Goethe |
AN INDIAN LEGEND.
[This very fine Ballad was also first given in the Horen.]
(MAHADEVA is one of the numerous names of Seeva, the destroyer,--
the great god of the Brahmins.)
MAHADEVA,* Lord of earth
For the sixth time comes below,
As a man of mortal birth,--
Like him, feeling joy and woe.
Hither loves he to repair,
And his power behind to leave;
If to punish or to spare,
Men as man he'd fain perceive.
And when he the town as a trav'ller hath seen,
Observing the mighty, regarding the mean,
He quits it, to go on his journey, at eve.
He was leaving now the place,
When an outcast met his eyes,--
Fair in form, with painted face,--
Where some straggling dwellings rise.
"Maiden, hail!"--"Thanks! welcome here!
Stay!--I'll join thee in the road.'
"Who art thou?"--"A Bayadere,
And this house is love's abode."
The cymbal she hastens to play for the dance,
Well skill'd in its mazes the sight to entrance,
Then by her with grace is the nosegay bestow'd.
Then she draws him, as in play,
O'er the threshold eagerly:
"Beauteous stranger, light as day
Thou shalt soon this cottage see.
I'll refresh thee, if thou'rt tired,
And will bathe thy weary feet;
Take whate'er by thee's desired,
Toying, rest, or rapture sweet."--
She busily seeks his feign'd suff'rings to ease;
Then smiles the Immortal; with pleasure he sees
That with kindness a heart so corrupted can beat.
And he makes her act the part
Of a slave; he's straight obey'd.
What at first had been but art,
Soon is nature in the maid.
By degrees the fruit we find,
Where the buds at first obtain;
When obedience fills the mind,
Love will never far remain.
But sharper and sharper the maiden to prove,
The Discerner of all things below and above,
Feigns pleasure, and horror, and maddening pain.
And her painted cheeks he kisses,
And his vows her heart enthrall;
Feeling love's sharp pangs and blisses,
Soon her tears begin to fall.
At his feet she now must sink,
Not with thoughts of lust or gain,--
And her slender members shrink,
And devoid of power remain.
And so the bright hours with gladness prepare
Their dark, pleasing veil of a texture so fair,
And over the couch softly, tranquilly reign.
Late she falls asleep, thus bless'd,--
Early wakes, her slumbers fled,
And she finds the much-loved guest
On her bosom lying dead.
Screaming falls she on him there,
But, alas, too late to save!
And his rigid limbs they bear
Straightway to their fiery grave.
Then hears she the priests and the funeral song,
Then madly she runs, and she severs the throng:
"Why press tow'rd the pile thus? Why scream thus, and rave?"
Then she sinks beside his bier,
And her screams through air resound:
"I must seek my spouse so dear,
E'en if in the grave he's bound.
Shall those limbs of grace divine
Fall to ashes in my sight?
Mine he was! Yes, only mine!
Ah, one single blissful night!"
The priests chaunt in chorus: "We bear out the old,
When long they've been weary, and late they've grown cold:
We bear out the young, too, so thoughtless and light.
"To thy priests' commands give ear!
This one was thy husband ne'er;
Live still as a Bayadere,
And no duty thou need'st share.
To deaths silent realms from life,
None but shades attend man's frame,
With the husband, none but wife,--
That is duty, that is fame.
Ye trumpets, your sacred lament haste to raise
Oh, welcome, ye gods, the bright lustre of days!
Oh, welcome to heaven the youth from the flame!"
Thus increased her torments are
By the cruel, heartless quire;
And with arms outstretching far
Leaps she on the glowing pyre.
But the youth divine outsprings
From the flame with heav'nly grace,
And on high his flight he wings,
While his arms his love embrace.
In the sinner repentant the Godhead feels joy;
Immortals delight thus their might to employ.
Lost children to raise to a heavenly place.
1797.
|
Written by
Andrew Marvell |
First was the world as one great cymbal made,
Where jarring winds to infant Nature played.
All music was a solitary sound,
To hollow rocks and murm'ring fountains bound.
Jubal first made the wilder notes agree;
And Jubal tuned music's Jubilee;
He call'd the echoes from their sullen cell,
And built the organ's city where they dwell.
Each sought a consort in that lovely place,
And virgin trebles wed the manly bass.
From whence the progeny of numbers new
Into harmonious colonies withdrew.
Some to the lute, some to the viol went,
And others chose the cornet eloquent,
These practicing the wind, and those the wire,
To sing men's triumphs, or in Heaven's choir.
Then music, the mosaic of the air,
Did of all these a solemn noise prepare;
With which she gain'd the empire of the ear,
Including all between the earth and sphere.
Victorious sounds! yet here your homage do
Unto a gentler conqueror than you;
Who though he flies the music of his praise,
Would with you Heaven's Hallelujahs raise.
|
Written by
Algernon Charles Swinburne |
Between the green bud and the red
Youth sat and sang by Time, and shed
From eyes and tresses flowers and tears,
From heart and spirit hopes and fears,
Upon the hollow stream whose bed
Is channelled by the foamless years;
And with the white the gold-haired head
Mixed running locks, and in Time's ears
Youth's dreams hung singing, and Time's truth
Was half not harsh in the ears of Youth.
Between the bud and the blown flower
Youth talked with joy and grief an hour,
With footless joy and wingless grief
And twin-born faith and disbelief
Who share the seasons to devour;
And long ere these made up their sheaf
Felt the winds round him shake and shower
The rose-red and the blood-red leaf,
Delight whose germ grew never grain,
And passion dyed in its own pain.
Then he stood up, and trod to dust
Fear and desire, mistrust and trust,
And dreams of bitter sleep and sweet,
And bound for sandals on his feet
Knowledge and patience of what must
And what things may be, in the heat
And cold of years that rot and rust
And alter; and his spirit's meat
Was freedom, and his staff was wrought
Of strength, and his cloak woven of thought.
For what has he whose will sees clear
To do with doubt and faith and fear,
Swift hopes and slow despondencies?
His heart is equal with the sea's
And with the sea-wind's, and his ear
Is level to the speech of these,
And his soul communes and takes cheer
With the actual earth's equalities,
Air, light, and night, hills, winds, and streams,
And seeks not strength from strengthless dreams.
His soul is even with the sun
Whose spirit and whose eye are one,
Who seeks not stars by day, nor light
And heavy heat of day by night.
Him can no God cast down, whom none
Can lift in hope beyond the height
Of fate and nature and things done
By the calm rule of might and right
That bids men be and bear and do,
And die beneath blind skies or blue.
To him the lights of even and morn
Speak no vain things of love or scorn,
Fancies and passions miscreate
By man in things dispassionate.
Nor holds he fellowship forlorn
With souls that pray and hope and hate,
And doubt they had better not been born,
And fain would lure or scare off fate
And charm their doomsman from their doom
And make fear dig its own false tomb.
He builds not half of doubts and half
Of dreams his own soul's cenotaph,
Whence hopes and fears with helpless eyes,
Wrapt loose in cast-off cerecloths, rise
And dance and wring their hands and laugh,
And weep thin tears and sigh light sighs,
And without living lips would quaff
The living spring in man that lies,
And drain his soul of faith and strength
It might have lived on a life's length.
He hath given himself and hath not sold
To God for heaven or man for gold,
Or grief for comfort that it gives,
Or joy for grief's restoratives.
He hath given himself to time, whose fold
Shuts in the mortal flock that lives
On its plain pasture's heat and cold
And the equal year's alternatives.
Earth, heaven, and time, death, life, and he,
Endure while they shall be to be.
"Yet between death and life are hours
To flush with love and hide in flowers;
What profit save in these?" men cry:
"Ah, see, between soft earth and sky,
What only good things here are ours!"
They say, "what better wouldst thou try,
What sweeter sing of? or what powers
Serve, that will give thee ere thou die
More joy to sing and be less sad,
More heart to play and grow more glad?"
Play then and sing; we too have played,
We likewise, in that subtle shade.
We too have twisted through our hair
Such tendrils as the wild Loves wear,
And heard what mirth the Maenads made,
Till the wind blew our garlands bare
And left their roses disarrayed,
And smote the summer with strange air,
And disengirdled and discrowned
The limbs and locks that vine-wreaths bound.
We too have tracked by star-proof trees
The tempest of the Thyiades
Scare the loud night on hills that hid
The blood-feasts of the Bassarid,
Heard their song's iron cadences
Fright the wolf hungering from the kid,
Outroar the lion-throated seas,
Outchide the north-wind if it chid,
And hush the torrent-tongued ravines
With thunders of their tambourines.
But the fierce flute whose notes acclaim
Dim goddesses of fiery fame,
Cymbal and clamorous kettledrum,
Timbrels and tabrets, all are dumb
That turned the high chill air to flame;
The singing tongues of fire are numb
That called on Cotys by her name
Edonian, till they felt her come
And maddened, and her mystic face
Lightened along the streams of Thrace.
For Pleasure slumberless and pale,
And Passion with rejected veil,
Pass, and the tempest-footed throng
Of hours that follow them with song
Till their feet flag and voices fail,
And lips that were so loud so long
Learn silence, or a wearier wail;
So keen is change, and time so strong,
To weave the robes of life and rend
And weave again till life have end.
But weak is change, but strengthless time,
To take the light from heaven, or climb
The hills of heaven with wasting feet.
Songs they can stop that earth found meet,
But the stars keep their ageless rhyme;
Flowers they can slay that spring thought sweet,
But the stars keep their spring sublime;
Passions and pleasures can defeat,
Actions and agonies control,
And life and death, but not the soul.
Because man's soul is man's God still,
What wind soever waft his will
Across the waves of day and night
To port or shipwreck, left or right,
By shores and shoals of good and ill;
And still its flame at mainmast height
Through the rent air that foam-flakes fill
Sustains the indomitable light
Whence only man hath strength to steer
Or helm to handle without fear.
Save his own soul's light overhead,
None leads him, and none ever led,
Across birth's hidden harbour-bar,
Past youth where shoreward shallows are,
Through age that drives on toward the red
Vast void of sunset hailed from far,
To the equal waters of the dead;
Save his own soul he hath no star,
And sinks, except his own soul guide,
Helmless in middle turn of tide.
No blast of air or fire of sun
Puts out the light whereby we run
With girded loins our lamplit race,
And each from each takes heart of grace
And spirit till his turn be done,
And light of face from each man's face
In whom the light of trust is one;
Since only souls that keep their place
By their own light, and watch things roll,
And stand, have light for any soul.
A little time we gain from time
To set our seasons in some chime,
For harsh or sweet or loud or low,
With seasons played out long ago
And souls that in their time and prime
Took part with summer or with snow,
Lived abject lives out or sublime,
And had their chance of seed to sow
For service or disservice done
To those days daed and this their son.
A little time that we may fill
Or with such good works or such ill
As loose the bonds or make them strong
Wherein all manhood suffers wrong.
By rose-hung river and light-foot rill
There are who rest not; who think long
Till they discern as from a hill
At the sun's hour of morning song,
Known of souls only, and those souls free,
The sacred spaces of the sea.
|
Written by
Aleister Crowley |
El Arabi! El Arabi! Burn in thy brilliance, mine own!
O Beautiful! O Barbarous! Seductive as a serpent is
That poises head and hood, and makes his body tremble to the drone
Of tom-tom and of cymbal wooed by love's assassin sorceries!
El Arabi! El Arabi!
The moon is down; we are alone;
May not our mouths meet, madden, mix, melt in the starlight of a kiss?
El Arabi!
There by the palms, the desert's edge, I drew thee to my heart and held
Thy shy slim beauty for a splendid second; and fell moaning back,
Smitten by Love's forked flashing rod -as if the uprooted mandrake yelled!
As if I had seen God, and died! I thirst! I writhe upon the rack!
El Arabi! El Arabi!
It is not love! I am compelled
By some fierce fate, a vulture poised, heaven's single ominous speck of black.
El Arabi!
There in the lonely bordj across the dreadful lines of sleeping men,
Swart sons of the Sahara, thou didst writhe slim, sinuous and swift,
Warning me with a viper's hiss -and was not death upon us then,
No bastard of thy maiden kiss? God's grace, the all-surpassing gift!
El Arabi! El Arabi!
Yea, death is man's Elixir when
Life's pale wine foams and splashes over his imagination's rim!
El Arabi!
El Arabi! El Arabi! witch-amber and obsidian
Thine eyes are, to ensorcell me, and leonine thy male caress.
Will not God grant us Paradise to end the music Earth began?
We play with loaded dice! He cannot choose but raise right hand to bless.
El Arabi! El Arabi!
Great is the love of God and man
While I am trembling in thine arms, wild wanderer of the wilderness!
El Arabi!
|
Written by
Robert William Service |
I saw a Priest in beetle black
Come to our golden beach,
And I was taken sore aback
Lest he should choose to preach
And chide me for my only wear,
A "Gee" string and a brassière.
And then I saw him shyly doff
And fold his grim soutane,
And one by one his clothes take off,
Until like any man
He stood in bathing trunks, a sight
To thrill a maiden with delight.
For he was framed and fashioned like
Apollo Belvedere;
I felt my heart like cymbal strike
Beneath my brassière.
And then the flounce of foam he broke,
And disappeared with flashing stroke.
We met. 'Twas in the billows roll.
Oh how he sang with joy;
But not a hymn, - a merry troll
With gusto of a boy.
I looked, and lo! the priest was gone,
And in his place a laughing faun. . . .
Today confession I have made.
The Father's face was stern,
And I was glad that in the shade
Mine he could not discern . . .
He gave me grace - but oh the bliss,
The salty passion of his kiss!
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