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Best Famous Curl Poems

Here is a collection of the all-time best famous Curl poems. This is a select list of the best famous Curl poetry. Reading, writing, and enjoying famous Curl poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of curl poems.

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Written by Edgar Allan Poe | Create an image from this poem

The City In the Sea

Lo! Death has reared himself a throne
In a strange city lying alone
Far down within the dim West 
Where the good and the bad and the worst and the best
Have gone to their eternal rest.
There shrines and palaces and towers
(Time-eaten towers that tremble not!)
Resemble nothing that is ours.
Around by lifting winds forgot 
Resignedly beneath the sky
The melancholy waters lie.

No rays from the holy heaven come down
On the long night-time of that town;
But light from out the lurid sea
Streams up the turrets silently-
Gleams up the pinnacles far and free-
Up domes- up spires- up kingly halls-
Up fanes- up Babylon-like walls-
Up shadowy long-forgotten bowers
Of sculptured ivy and stone flowers-
Up many and many a marvellous shrine
Whose wreathed friezes intertwine
The viol the violet and the vine.
Resignedly beneath the sky
The melancholy waters lie.
So blend the turrets and shadows there
That all seem pendulous in air 
While from a proud tower in the town
Death looks gigantically down.

There open fanes and gaping graves
Yawn level with the luminous waves;
But not the riches there that lie
In each idol's diamond eye-
Not the gaily-jewelled dead
Tempt the waters from their bed;
For no ripples curl alas!
Along that wilderness of glass-
No swellings tell that winds may be
Upon some far-off happier sea-
No heavings hint that winds have been
On seas less hideously serene.

But lo a stir is in the air!
The wave- there is a movement there!
As if the towers had thrust aside 
In slightly sinking the dull tide-
As if their tops had feebly given
A void within the filmy Heaven.
The waves have now a redder glow-
The hours are breathing faint and low-
And when amid no earthly moans 
Down down that town shall settle hence 
Hell rising from a thousand thrones 
Shall do it reverence.


Written by Maya Angelou | Create an image from this poem

Phenomenal Woman

Pretty women wonder where my secret lies.
I'm not cute or built to suit a fashion model's size
But when I start to tell them,
They think I'm telling lies.
I say,
It's in the reach of my arms
The span of my hips,
The stride of my step,
The curl of my lips.
I'm a woman
Phenomenally.
Phenomenal woman,
That's me.

I walk into a room
Just as cool as you please,
And to a man,
The fellows stand or
Fall down on their knees.
Then they swarm around me,
A hive of honey bees.
I say,
It's the fire in my eyes,
And the flash of my teeth,
The swing in my waist,
And the joy in my feet.
I'm a woman
Phenomenally.
Phenomenal woman,
That's me.

Men themselves have wondered
What they see in me.
They try so much
But they can't touch
My inner mystery.
When I try to show them
They say they still can't see.
I say,
It's in the arch of my back,
The sun of my smile,
The ride of my breasts,
The grace of my style.
I'm a woman

Phenomenally.
Phenomenal woman,
That's me.

Now you understand
Just why my head's not bowed.
I don't shout or jump about
Or have to talk real loud.
When you see me passing
It ought to make you proud.
I say,
It's in the click of my heels,
The bend of my hair,
the palm of my hand,
The need of my care,
'Cause I'm a woman
Phenomenally.
Phenomenal woman,
That's me.
Written by Angelina Weld Grimke | Create an image from this poem

Your Hands

I love your hands:
They are big hands, firm hands, gentle hands;
Hair grows on the back near the wrist . . . .
I have seen the nails broken and stained
From hard work.
And yet, when you touch me,
I grow small . . . . . . . and quiet . . . . . .
. . . . . . . . . And happy . . . . . . . .
If I might only grow small enough
To curl up into the hollow of your palm,
Your left palm,
Curl up, lie close and cling,
So that I might know myself always there,
. . . . . . . Even if you forgot.
Written by Nazim Hikmet | Create an image from this poem

Things I Didnt Know I Loved

 it's 1962 March 28th
I'm sitting by the window on the Prague-Berlin train 
night is falling
I never knew I liked
night descending like a tired bird on a smoky wet plain 
I don't like
comparing nightfall to a tired bird

I didn't know I loved the earth
can someone who hasn't worked the earth love it 
I've never worked the earth
it must be my only Platonic love

and here I've loved rivers all this time
whether motionless like this they curl skirting the hills
European hills crowned with chateaus
or whether stretched out flat as far as the eye can see
I know you can't wash in the same river even once
I know the river will bring new lights you'll never see
I know we live slightly longer than a horse but not nearly as long as a crow
I know this has troubled people before
 and will trouble those after me
I know all this has been said a thousand times before 
 and will be said after me

I didn't know I loved the sky 
cloudy or clear
the blue vault Andrei studied on his back at Borodino
in prison I translated both volumes of War and Peace into Turkish 
I hear voices
not from the blue vault but from the yard 
the guards are beating someone again
I didn't know I loved trees
bare beeches near Moscow in Peredelkino
they come upon me in winter noble and modest 
beeches are Russian the way poplars are Turkish 
"the poplars of Izmir
losing their leaves. . .
they call me The Knife. . .
 lover like a young tree. . .
I blow stately mansions sky-high"
in the Ilgaz woods in 1920 I tied an embroidered linen handkerchief 
 to a pine bough for luck

I never knew I loved roads 
even the asphalt kind
Vera's behind the wheel we're driving from Moscow to the Crimea 
 Koktebele
 formerly "Goktepé ili" in Turkish 
the two of us inside a closed box
the world flows past on both sides distant and mute 
I was never so close to anyone in my life
bandits stopped me on the red road between Bolu and Geredé
 when I was eighteen
apart from my life I didn't have anything in the wagon they could take 
and at eighteen our lives are what we value least
I've written this somewhere before
wading through a dark muddy street I'm going to the shadow play 
Ramazan night
a paper lantern leading the way
maybe nothing like this ever happened
maybe I read it somewhere an eight-year-old boy
 going to the shadow play
Ramazan night in Istanbul holding his grandfather's hand 
 his grandfather has on a fez and is wearing the fur coat
 with a sable collar over his robe
 and there's a lantern in the servant's hand
 and I can't contain myself for joy
flowers come to mind for some reason 
poppies cactuses jonquils
in the jonquil garden in Kadikoy Istanbul I kissed Marika 
fresh almonds on her breath
I was seventeen
my heart on a swing touched the sky 
I didn't know I loved flowers
friends sent me three red carnations in prison

I just remembered the stars 
I love them too
whether I'm floored watching them from below 
or whether I'm flying at their side

I have some questions for the cosmonauts 
were the stars much bigger
did they look like huge jewels on black velvet
 or apricots on orange
did you feel proud to get closer to the stars
I saw color photos of the cosmos in Ogonek magazine now don't 
 be upset comrades but nonfigurative shall we say or abstract 
 well some of them looked just like such paintings which is to 
 say they were terribly figurative and concrete
my heart was in my mouth looking at them 
they are our endless desire to grasp things
seeing them I could even think of death and not feel at all sad 
I never knew I loved the cosmos

snow flashes in front of my eyes
both heavy wet steady snow and the dry whirling kind 
I didn't know I liked snow

I never knew I loved the sun
even when setting cherry-red as now
in Istanbul too it sometimes sets in postcard colors 
but you aren't about to paint it that way
I didn't know I loved the sea
 except the Sea of Azov
or how much

I didn't know I loved clouds
whether I'm under or up above them
whether they look like giants or shaggy white beasts

moonlight the falsest the most languid the most petit-bourgeois 
strikes me
I like it

I didn't know I liked rain
whether it falls like a fine net or splatters against the glass my 
 heart leaves me tangled up in a net or trapped inside a drop 
 and takes off for uncharted countries I didn't know I loved 
 rain but why did I suddenly discover all these passions sitting 
 by the window on the Prague-Berlin train
is it because I lit my sixth cigarette 
one alone could kill me
is it because I'm half dead from thinking about someone back in Moscow
her hair straw-blond eyelashes blue

the train plunges on through the pitch-black night
I never knew I liked the night pitch-black
sparks fly from the engine
I didn't know I loved sparks
I didn't know I loved so many things and I had to wait until sixty 
 to find it out sitting by the window on the Prague-Berlin train 
 watching the world disappear as if on a journey of no return

 19 April 1962
 Moscow
Written by William Wordsworth | Create an image from this poem

We Are Seven

  A simple child, dear brother Jim,  That lightly draws its breath,  And feels its life in every limb,  What should it know of death?

  I met a little cottage girl,  She was eight years old, she said;  Her hair was thick with many a curl  That cluster'd round her head.

  She had a rustic, woodland air,  And she was wildly clad;  Her eyes were fair, and very fair,  —Her beauty made me glad.

  "Sisters and brothers, little maid,  How many may you be?"  "How many? seven in all," she said,  And wondering looked at me.

  "And where are they, I pray you tell?"  She answered, "Seven are we,  And two of us at Conway dwell,  And two are gone to sea."

  "Two of us in the church-yard lie,  My sister and my brother,  And in the church-yard cottage, I  Dwell near them with my mother."

  "You say that two at Conway dwell,  And two are gone to sea,  Yet you are seven; I pray you tell  Sweet Maid, how this may be?"

  Then did the little Maid reply,  "Seven boys and girls are we;  Two of us in the church-yard lie,  Beneath the church-yard tree."

  "You run about, my little maid,  Your limbs they are alive;  If two are in the church-yard laid,  Then ye are only five."

  "Their graves are green, they may be seen,"  The little Maid replied,  "Twelve steps or more from my mother's door,  And they are side by side."

  "My stockings there I often knit,  My 'kerchief there I hem;  And there upon the ground I sit—  I sit and sing to them."

  "And often after sunset, Sir,  When it is light and fair,  I take my little porringer,  And eat my supper there."

  "The first that died was little Jane;  In bed she moaning lay,  Till God released her of her pain,  And then she went away."

  "So in the church-yard she was laid,  And all the summer dry,  Together round her grave we played,  My brother John and I."

  "And when the ground was white with snow,  And I could run and slide,  My brother John was forced to go,  And he lies by her side."

  "How many are you then," said I,  "If they two are in Heaven?"  The little Maiden did reply,  "O Master! we are seven."

  "But they are dead; those two are dead!  Their spirits are in heaven!"  'Twas throwing words away; for still  The little Maid would have her will,  And said, "Nay, we are seven!"

ANECDOTE for FATHERS,   Shewing how the practice of Lying may be taught.

  I have a boy of five years old,  His face is fair and fresh to see;  His limbs are cast in beauty's mould,  And dearly he loves me.

  One morn we stroll'd on our dry walk,  Our quiet house all full in view,  And held such intermitted talk  As we are wont to do.

  My thoughts on former pleasures ran;  I thought of Kilve's delightful shore,  My pleasant home, when Spring began,  A long, long year before.

  A day it was when I could bear  To think, and think, and think again;  With so much happiness to spare,  I could not feel a pain.

  My boy was by my side, so slim  And graceful in his rustic dress!  And oftentimes I talked to him  In very idleness.

  The young lambs ran a pretty race;  The morning sun shone bright and warm;  "Kilve," said I, "was a pleasant place,  And so is Liswyn farm."

  "My little boy, which like you more,"  I said and took him by the arm—  "Our home by Kilve's delightful shore,  Or here at Liswyn farm?"

  "And tell me, had you rather be,"  I said and held-him by the arm,  "At Kilve's smooth shore by the green sea,  Or here at Liswyn farm?"

  In careless mood he looked at me,  While still I held him by the arm,  And said, "At Kilve I'd rather be  Than here at Liswyn farm."

  "Now, little Edward, say why so;  My little Edward, tell me why;"  "I cannot tell, I do not know."  "Why this is strange," said I.

  "For, here are woods and green hills warm:  There surely must some reason be  Why you would change sweet Liswyn farm,  For Kilve by the green sea."

  At this, my boy hung down his head,  He blush'd with shame, nor made reply;  And five times to the child I said,  "Why, Edward, tell me, why?"

  His head he raised—there was in sight,  It caught his eye, he saw it plain—  Upon the house-top, glittering bright,  A broad and gilded vane.

  Then did the boy his tongue unlock,  And thus to me he made reply;  "At Kilve there was no weather-cock,  And that's the reason why."

  Oh dearest, dearest boy! my heart  For better lore would seldom yearn  Could I but teach the hundredth part  Of what from thee I learn.

LINES  Written at a small distance from my House, and sent by  my little boy to the person to whom they are addressed.

  It is the first mild day of March:  Each minute sweeter than before,  The red-breast sings from the tall larch  That stands beside our door.

  There is a blessing in the air,  Which seems a sense of joy to yield  To the bare trees, and mountains bare,  And grass in the green field.

  My Sister! ('tis a wish of mine)  Now that our morning meal is done,  Make haste, your morning task resign;  Come forth and feel the sun.

  Edward will come with you, and pray,  Put on with speed your woodland dress,  And bring no book, for this one day  We'll give to idleness.

  No joyless forms shall regulate  Our living Calendar:  We from to-day, my friend, will date  The opening of the year.

  Love, now an universal birth,  From heart to heart is stealing,  From earth to man, from man to earth,  —It is the hour of feeling.

  One moment now may give us more  Than fifty years of reason;  Our minds shall drink at every pore  The spirit of the season.

  Some silent laws our hearts may make,  Which they shall long obey;  We for the year to come may take  Our temper from to-day.

  And from the blessed power that rolls  About, below, above;  We'll frame the measure of our souls,  They shall be tuned to love.

  Then come, my sister I come, I pray,  With speed put on your woodland dress,  And bring no book; for this one day  We'll give to idleness.



Written by Alfred Lord Tennyson | Create an image from this poem

The Mermaid

 I

Who would be
A mermaid fair,
Singing alone,
Combing her hair
Under the sea,
In a golden curl
With a comb of pearl,
On a throne?

II

I would be a mermaid fair;
I would sing to myself the whole of the day;
With a comb of pearl I would comb my hair;
And still as I comb'd I would sing and say,
'Who is it loves me? who loves not me?'
I would comb my hair till my ringlets would fall
 Low adown, low adown,
From under my starry sea-bud crown
 Low adown and around,
And I should look like a fountain of gold
 Springing alone
 With a shrill inner sound
 Over the throne
 In the midst of the hall;
Till that great sea-snake under the sea
From his coiled sleeps in the central deeps
Would slowly trail himself sevenfold
Round the hall where I sate, and look in at the gate
With his large calm eyes for the love of me.
And all the mermen under the sea
Would feel their immortality
Die in their hearts for the love of me.

III

But at night I would wander away, away,
 I would fling on each side my low-flowing locks,
And lightly vault from the throne and play
 With the mermen in and out of the rocks;
We would run to and fro, and hide and seek,
 On the broad sea-wolds in the crimson shells,
Whose silvery spikes are nighest the sea.
But if any came near I would call and shriek,
And adown the steep like a wave I would leap
 From the diamond-ledges that jut from the dells;
For I would not be kiss'd by all who would list
Of the bold merry mermen under the sea.
They would sue me, and woo me, and flatter me,
In the purple twilights under the sea;
But the king of them all would carry me,
Woo me, and win me, and marry me,
In the branching jaspers under the sea.
Then all the dry-pied things that be
In the hueless mosses under the sea
Would curl round my silver feet silently,
All looking up for the love of me.
And if I should carol aloud, from aloft
All things that are forked, and horned, and soft
Would lean out from the hollow sphere of the sea,
All looking down for the love of me.
Written by Amy Lowell | Create an image from this poem

Roads

 I know a country laced with roads,
They join the hills and they span the brooks,
They weave like a shuttle between broad fields,
And slide discreetly through hidden nooks.
They are canopied like a Persian dome
And carpeted with orient dyes.
They are myriad-voiced, and musical,
And scented with happiest memories.
O Winding roads that I know so well,
Every twist and turn, every hollow and hill!
They are set in my heart to a pulsing tune
Gay as a honey-bee humming in June.
'T is the rhythmic beat of a horse's feet
And the pattering paws of a sheep-dog *****;
'T is the creaking trees, and the singing breeze,
And the rustle of leaves in the road-side ditch.
A cow in a meadow shakes her bell
And the notes cut sharp through the autumn air,
Each chattering brook bears a fleet of leaves
Their cargo the rainbow, and just now where
The sun splashed bright on the road ahead
A startled rabbit quivered and fled.
O Uphill roads and roads that dip down!
You curl your sun-spattered length along,
And your march is beaten into a song
By the softly ringing hoofs of a horse
And the panting breath of the dogs I love.
The pageant of Autumn follows its course
And the blue sky of Autumn laughs above.
And the song and the country become as one,
I see it as music, I hear it as light;
Prismatic and shimmering, trembling to tone,
The land of desire, my soul's delight.
And always it beats in my listening ears
With the gentle thud of a horse's stride,
With the swift-falling steps of many dogs,
Following, following at my side.
O Roads that journey to fairyland!
Radiant highways whose vistas gleam,
Leading me on, under crimson leaves,
To the opaline gates of the Castles of Dream.
Written by Rainer Maria Rilke | Create an image from this poem

Black Cat

 A ghost, though invisible, still is like a place
your sight can knock on, echoing; but here
within this thick black pelt, your strongest gaze
will be absorbed and utterly disappear:

just as a raving madman, when nothing else
can ease him, charges into his dark night
howling, pounds on the padded wall, and feels
the rage being taken in and pacified.

She seems to hide all looks that have ever fallen
into her, so that, like an audience,
she can look them over, menacing and sullen,
and curl to sleep with them. But all at once

as if awakened, she turns her face to yours;
and with a shock, you see yourself, tiny,
inside the golden amber of her eyeballs
suspended, like a prehistoric fly.
Written by Anne Sexton | Create an image from this poem

45 Mercy Street

 In my dream, 
drilling into the marrow 
of my entire bone, 
my real dream, 
I'm walking up and down Beacon Hill 
searching for a street sign -- 
namely MERCY STREET. 
Not there. 

I try the Back Bay. 
Not there. 
Not there. 
And yet I know the number. 
45 Mercy Street. 
I know the stained-glass window 
of the foyer, 
the three flights of the house 
with its parquet floors. 
I know the furniture and 
mother, grandmother, great-grandmother, 
the servants. 
I know the cupboard of Spode 
the boat of ice, solid silver, 
where the butter sits in neat squares 
like strange giant's teeth 
on the big mahogany table. 
I know it well. 
Not there. 

Where did you go? 
45 Mercy Street, 
with great-grandmother 
kneeling in her whale-bone corset 
and praying gently but fiercely 
to the wash basin, 
at five A.M. 
at noon 
dozing in her wiggy rocker, 
grandfather taking a nap in the pantry, 
grandmother pushing the bell for the downstairs maid, 
and Nana rocking Mother with an oversized flower 
on her forehead to cover the curl 
of when she was good and when she was... 
And where she was begat 
and in a generation 
the third she will beget, 
me, 
with the stranger's seed blooming 
into the flower called Horrid. 

I walk in a yellow dress 
and a white pocketbook stuffed with cigarettes, 
enough pills, my wallet, my keys, 
and being twenty-eight, or is it forty-five? 
I walk. I walk. 
I hold matches at street signs 
for it is dark, 
as dark as the leathery dead 
and I have lost my green Ford, 
my house in the suburbs, 
two little kids 
sucked up like pollen by the bee in me 
and a husband 
who has wiped off his eyes 
in order not to see my inside out 
and I am walking and looking 
and this is no dream 
just my oily life 
where the people are alibis 
and the street is unfindable for an 
entire lifetime. 

Pull the shades down -- 
I don't care! 
Bolt the door, mercy, 
erase the number, 
rip down the street sign, 
what can it matter, 
what can it matter to this cheapskate 
who wants to own the past 
that went out on a dead ship 
and left me only with paper? 

Not there. 

I open my pocketbook, 
as women do, 
and fish swim back and forth 
between the dollars and the lipstick. 
I pick them out, 
one by one 
and throw them at the street signs, 
and shoot my pocketbook 
into the Charles River. 
Next I pull the dream off 
and slam into the cement wall 
of the clumsy calendar 
I live in, 
my life, 
and its hauled up 
notebooks.
Written by Robert Frost | Create an image from this poem

The Bonfire

 “OH, let’s go up the hill and scare ourselves,
As reckless as the best of them to-night,
By setting fire to all the brush we piled
With pitchy hands to wait for rain or snow.
Oh, let’s not wait for rain to make it safe.
The pile is ours: we dragged it bough on bough
Down dark converging paths between the pines.
Let’s not care what we do with it to-night.
Divide it? No! But burn it as one pile
The way we piled it. And let’s be the talk
Of people brought to windows by a light
Thrown from somewhere against their wall-paper.
Rouse them all, both the free and not so free
With saying what they’d like to do to us
For what they’d better wait till we have done.
Let’s all but bring to life this old volcano,
If that is what the mountain ever was—
And scare ourselves. Let wild fire loose we will….”

“And scare you too?” the children said together.

“Why wouldn’t it scare me to have a fire
Begin in smudge with ropy smoke and know
That still, if I repent, I may recall it,
But in a moment not: a little spurt
Of burning fatness, and then nothing but
The fire itself can put it out, and that
By burning out, and before it burns out
It will have roared first and mixed sparks with stars,
And sweeping round it with a flaming sword,
Made the dim trees stand back in wider circle—
Done so much and I know not how much more
I mean it shall not do if I can bind it.
Well if it doesn’t with its draft bring on
A wind to blow in earnest from some quarter,
As once it did with me upon an April.
The breezes were so spent with winter blowing
They seemed to fail the bluebirds under them
Short of the perch their languid flight was toward;
And my flame made a pinnacle to heaven
As I walked once round it in possession.
But the wind out of doors—you know the saying.
There came a gust. You used to think the trees
Made wind by fanning since you never knew
It blow but that you saw the trees in motion.
Something or someone watching made that gust.
It put the flame tip-down and dabbed the grass
Of over-winter with the least tip-touch
Your tongue gives salt or sugar in your hand.
The place it reached to blackened instantly.
The black was all there was by day-light,
That and the merest curl of cigarette smoke—
And a flame slender as the hepaticas,
Blood-root, and violets so soon to be now.
But the black spread like black death on the ground,
And I think the sky darkened with a cloud
Like winter and evening coming on together.
There were enough things to be thought of then.
Where the field stretches toward the north
And setting sun to Hyla brook, I gave it
To flames without twice thinking, where it verges
Upon the road, to flames too, though in fear
They might find fuel there, in withered brake,
Grass its full length, old silver golden-rod,
And alder and grape vine entanglement,
To leap the dusty deadline. For my own
I took what front there was beside. I knelt
And thrust hands in and held my face away.
Fight such a fire by rubbing not by beating.
A board is the best weapon if you have it.
I had my coat. And oh, I knew, I knew,
And said out loud, I couldn’t bide the smother
And heat so close in; but the thought of all
The woods and town on fire by me, and all
The town turned out to fight for me—that held me.
I trusted the brook barrier, but feared
The road would fail; and on that side the fire
Died not without a noise of crackling wood—
Of something more than tinder-grass and weed—
That brought me to my feet to hold it back
By leaning back myself, as if the reins
Were round my neck and I was at the plough.
I won! But I’m sure no one ever spread
Another color over a tenth the space
That I spread coal-black over in the time
It took me. Neighbors coming home from town
Couldn’t believe that so much black had come there
While they had backs turned, that it hadn’t been there
When they had passed an hour or so before
Going the other way and they not seen it.
They looked about for someone to have done it.
But there was no one. I was somewhere wondering
Where all my weariness had gone and why
I walked so light on air in heavy shoes
In spite of a scorched Fourth-of-July feeling.
Why wouldn’t I be scared remembering that?”

“If it scares you, what will it do to us?”

“Scare you. But if you shrink from being scared,
What would you say to war if it should come?
That’s what for reasons I should like to know—
If you can comfort me by any answer.”

“Oh, but war’s not for children—it’s for men.”

“Now we are digging almost down to China.
My dears, my dears, you thought that—we all thought it.
So your mistake was ours. Haven’t you heard, though,
About the ships where war has found them out
At sea, about the towns where war has come
Through opening clouds at night with droning speed
Further o’erhead than all but stars and angels,—
And children in the ships and in the towns?
Haven’t you heard what we have lived to learn?
Nothing so new—something we had forgotten:
War is for everyone, for children too.
I wasn’t going to tell you and I mustn’t.
The best way is to come up hill with me
And have our fire and laugh and be afraid.”

Book: Reflection on the Important Things