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Best Famous Cupola Poems

Here is a collection of the all-time best famous Cupola poems. This is a select list of the best famous Cupola poetry. Reading, writing, and enjoying famous Cupola poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of cupola poems.

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Written by Victor Hugo | Create an image from this poem

A Sunset

 I love the evenings, passionless and fair, I love the evens, 
Whether old manor-fronts their ray with golden fulgence leavens, 
In numerous leafage bosomed close; 
Whether the mist in reefs of fire extend its reaches sheer, 
Or a hundred sunbeams splinter in an azure atmosphere 
On cloudy archipelagos.
Oh, gaze ye on the firmament! a hundred clouds in motion, Up-piled in the immense sublime beneath the winds' commotion, Their unimagined shapes accord: Under their waves at intervals flame a pale levin through, As if some giant of the air amid the vapors drew A sudden elemental sword.
The sun at bay with splendid thrusts still keeps the sullen fold; And momently at distance sets, as a cupola of gold, The thatched roof of a cot a-glance; Or on the blurred horizon joins his battle with the haze; Or pools the blooming fields about with inter-isolate blaze, Great moveless meres of radiance.
Then mark you how there hangs athwart the firmament's swept track, Yonder a mighty crocodile with vast irradiant back, A triple row of pointed teeth? Under its burnished belly slips a ray of eventide, The flickerings of a hundred glowing clouds in tenebrous side With scales of golden mail ensheathe.
Then mounts a palace, then the air vibrates--the vision flees.
Confounded to its base, the fearful cloudy edifice Ruins immense in mounded wrack; Afar the fragments strew the sky, and each envermeiled cone Hangeth, peak downward, overhead, like mountains overthrown When the earthquake heaves its hugy back.
These vapors, with their leaden, golden, iron, bronzèd glows, Where the hurricane, the waterspout, thunder, and hell repose, Muttering hoarse dreams of destined harms,-- 'Tis God who hangs their multitude amid the skiey deep, As a warrior that suspendeth from the roof-tree of his keep His dreadful and resounding arms! All vanishes! The Sun, from topmost heaven precipitated, Like a globe of iron which is tossed back fiery red Into the furnace stirred to fume, Shocking the cloudy surges, plashed from its impetuous ire, Even to the zenith spattereth in a flecking scud of fire The vaporous and inflamèd spaume.
O contemplate the heavens! Whenas the vein-drawn day dies pale, In every season, every place, gaze through their every veil? With love that has not speech for need! Beneath their solemn beauty is a mystery infinite: If winter hue them like a pall, or if the summer night Fantasy them starre brede.


Written by Jorie Graham | Create an image from this poem

The Guardian Angel Of The Little Utopia

 Shall I move the flowers again?
Shall I put them further to the left
into the light?
Win that fix it, will that arrange the
thing?
Yellow sky.
Faint cricket in the dried-out bush.
As I approach, my footfall in the leaves drowns out the cricket-chirping I was coming close to hear Yellow sky with black leaves rearranging it.
Wind rearranging the black leaves in it.
But anyway I am indoors, of course, and this is a pane, here, and I have arranged the flowers for you again.
Have taken the dead cordless ones, the yellow bits past apogee, the faded cloth, the pollen-free abandoned marriage-hymn back out, leaving the few crisp blooms to swagger, winglets, limpid debris Shall I arrange these few remaining flowers? Shall I rearrange these gossamer efficiencies? Please don't touch me with your skin.
Please let the thing evaporate.
Please tell me clearly what it is.
The party is so loud downstairs, bristling with souvenirs.
It's a philosophy of life, of course, drinks fluorescent, whips of syntax in the air above the heads -- how small they seem from here, the bobbing universal heads, stuffing the void with eloquence, and also tiny merciless darts of truth.
It's pulled on tight, the air they breathe and rip.
It's like a prize the way it's stretched on tight over the voices, keeping them intermingling, forcing the breaths to marry, marry, cunning little hermeneutic cupola, dome of occasion in which the thoughts re- group, the footprints stall and gnaw in tiny ruts, the napkins wave, are waved , the honeycombing thoughts are felt to dialogue, a form of self- congratulation, no?, or is it suffering? I'm a bit dizzy up here rearranging things, they will come up here soon, and need a setting for their fears, and loves, an architecture for their evolutionary morphic needs -- what will they need if I don't make the place? -- what will they know to miss?, what cry out for, what feel the bitter restless irritations for? A bit dizzy from the altitude of everlastingness, the tireless altitudes of the created place, in which to make a life -- a liberty -- the hollow, fetishized, and starry place, a bit gossamer with dream, a vortex of evaporations, oh little dream, invisible city, invisible hill I make here on the upper floors for you -- down there, where you are entertained, where you are passing time, there's glass and moss on air, there's the feeling of being numerous, mouths submitting to air, lips to protocol, and dreams of sense, tongues, hinges, forceps clicking in anticipation ofas if the moment, freeze-burned by accuracies--of could be thawed open into life again by gladnesses, by rectitude -- no, no -- by the sinewy efforts at sincerity -- can't you feel it gliding round you, mutating, yielding the effort-filled phrases of your talk to air, compounding, stemming them, honeying-open the sheerest innuendoes till the rightness seems to root, in the air, in the compact indoor sky, and the rest, all round, feels like desert, falls away, and you have the sensation of muscular timeliness,and you feel the calligraphic in you reach out like a soul into the midst of others, in conversation, gloved by desire, into the tiny carnage of opinionsSo dizzy.
Life buzzing beneath me though my feeling says the hive is gone, queen gone, the continuum continuing beneath, busy, earnest, in con- versation.
Shall I prepare.
Shall I put this further to the left, shall I move the light, the point-of-view, the shades are drawn, to cast a glow resembling disappearance, slightly red, will that fix it, will that make clear the task, the trellised ongoingness and all these tiny purposes, these parables, this marketplace of tightening truths? Oh knit me that am crumpled dust, the heap is all dispersed.
Knit me that am.
Say therefore.
Say philosophy and mean by that the pane.
Let us look out again.
The yellow sky.
With black leaves rearranging it
Written by Pablo Neruda | Create an image from this poem

Ode To an Artichoke

 The artichoke
of delicate heart
erect
in its battle-dress, builds
its minimal cupola;
keeps
stark
in its scallop of
scales.
Around it, demoniac vegetables bristle their thicknesses, devise tendrils and belfries, the bulb's agitations; while under the subsoil the carrot sleeps sound in its rusty mustaches.
Runner and filaments bleach in the vineyards, whereon rise the vines.
The sedulous cabbage arranges its petticoats; oregano sweetens a world; and the artichoke dulcetly there in a gardenplot, armed for a skirmish, goes proud in its pomegranate burnishes.
Till, on a day, each by the other, the artichoke moves to its dream of a market place in the big willow hoppers: a battle formation.
Most warlike of defilades- with men in the market stalls, white shirts in the soup-greens, artichoke field marshals, close-order conclaves, commands, detonations, and voices, a crashing of crate staves.
And Maria come down with her hamper to make trial of an artichoke: she reflects, she examines, she candles them up to the light like an egg, never flinching; she bargains, she tumbles her prize in a market bag among shoes and a cabbage head, a bottle of vinegar; is back in her kitchen.
The artichoke drowns in a pot.
So you have it: a vegetable, armed, a profession (call it an artichoke) whose end is millennial.
We taste of that sweetness, dismembering scale after scale.
We eat of a halcyon paste: it is green at the artichoke heart.
Written by Elizabeth Barrett Browning | Create an image from this poem

The House Of Clouds

 I would build a cloudy House
For my thoughts to live in;
When for earth too fancy-loose
And too low for Heaven!
Hush! I talk my dream aloud---
I build it bright to see,---
I build it on the moonlit cloud,
To which I looked with thee.
Cloud-walls of the morning's grey, Faced with amber column,--- Crowned with crimson cupola From a sunset solemn! May mists, for the casements, fetch, Pale and glimmering; With a sunbeam hid in each, And a smell of spring.
Build the entrance high and proud, Darkening and then brightening,--- If a riven thunder-cloud, Veined by the lightning.
Use one with an iris-stain, For the door within; Turning to a sound like rain, As I enter in.
Build a spacious hall thereby: Boldly, never fearing.
Use the blue place of the sky, Which the wind is clearing; Branched with corridors sublime, Flecked with winding stairs--- Such as children wish to climb, Following their own prayers.
In the mutest of the house, I will have my chamber: Silence at the door shall use Evening's light of amber, Solemnising every mood, Softemng in degree,--- Turning sadness into good, As I turn the key.
Be my chamber tapestried With the showers of summer, Close, but soundless,---glorified When the sunbeams come here; Wandering harpers, harping on Waters stringed for such,--- Drawing colours, for a tune, With a vibrant touch.
Bring a shadow green and still From the chestnut forest, Bring a purple from the hill, When the heat is sorest; Spread them out from wall to wall, Carpet-wove around,--- Whereupon the foot shall fall In light instead of sound.
Bring the fantasque cloudlets home From the noontide zenith Ranged, for sculptures, round the room,--- Named as Fancy weeneth: Some be Junos, without eyes; Naiads, without sources Some be birds of paradise,--- Some, Olympian horses.
Bring the dews the birds shake off, Waking in the hedges,--- Those too, perfumed for a proof, From the lilies' edges: From our England's field and moor, Bring them calm and white in; Whence to form a mirror pure, For Love's self-delighting.
Bring a grey cloud from the east, Where the lark is singing; Something of the song at least, Unlost in the bringing: That shall be a morning chair, Poet-dream may sit in, When it leans out on the air, Unrhymed and unwritten.
Bring the red cloud from the sun While he sinketh, catch it.
That shall be a couch,---with one Sidelong star to watch it,--- Fit for poet's finest Thought, At the curfew-sounding,--- ; Things unseen being nearer brought Than the seen, around him.
Poet's thought,----not poet's sigh! 'Las, they come together! Cloudy walls divide and fly, As in April weather! Cupola and column proud, Structure bright to see--- Gone---except that moonlit cloud, To which I looked with thee! Let them! Wipe such visionings From the Fancy's cartel--- Love secures some fairer things Dowered with his immortal.
The sun may darken,---heaven be bowed--- But still, unchanged shall be,--- Here in my soul,---that moonlit cloud, To which I looked with THEE!
Written by Anna Akhmatova | Create an image from this poem

March Elegy

 I have enough treasures from the past
to last me longer than I need, or want.
You know as well as I .
.
.
malevolent memory won't let go of half of them: a modest church, with its gold cupola slightly askew; a harsh chorus of crows; the whistle of a train; a birch tree haggard in a field as if it had just been sprung from jail; a secret midnight conclave of monumental Bible-oaks; and a tiny rowboat that comes drifting out of somebody's dreams, slowly foundering.
Winter has already loitered here, lightly powdering these fields, casting an impenetrable haze that fills the world as far as the horizon.
I used to think that after we are gone there's nothing, simply nothing at all.
Then who's that wandering by the porch again and calling us by name? Whose face is pressed against the frosted pane? What hand out there is waving like a branch? By way of reply, in that cobwebbed corner a sunstruck tatter dances in the mirror.


Written by Friedrich von Schiller | Create an image from this poem

The Veiled Statue At Sais

 A youth, impelled by a burning thirst for knowledge
To roam to Sais, in fair Egypt's land,
The priesthood's secret learning to explore,
Had passed through many a grade with eager haste,
And still was hurrying on with fond impatience.
Scarce could the Hierophant impose a rein Upon his headlong efforts.
"What avails A part without the whole?" the youth exclaimed; "Can there be here a lesser or a greater? The truth thou speak'st of, like mere earthly dross, Is't but a sum that can be held by man In larger or in smaller quantity? Surely 'tis changeless, indivisible; Deprive a harmony of but one note, Deprive the rainbow of one single color, And all that will remain is naught, so long As that one color, that one note, is wanting.
" While thus they converse held, they chanced to stand Within the precincts of a lonely temple, Where a veiled statue of gigantic size The youth's attention caught.
In wonderment He turned him toward his guide, and asked him, saying, "What form is that concealed beneath yon veil?" "Truth!" was the answer.
"What!" the young man cried, "When I am striving after truth alone, Seekest thou to hide that very truth from me?" "The Godhead's self alone can answer thee," Replied the Hierophant.
"'Let no rash mortal Disturb this veil,' said he, 'till raised by me; For he who dares with sacrilegious hand To move the sacred mystic covering, He'--said the Godhead--" "Well?"--"'will see the truth.
'" "Strangely oracular, indeed! And thou Hast never ventured, then, to raise the veil?" "I? Truly not! I never even felt The least desire.
"--"Is't possible? If I Were severed from the truth by nothing else Than this thin gauze--" "And a divine decree," His guide broke in.
"Far heavier than thou thinkest Is this thin gauze, my son.
Light to thy hand It may be--but most weighty to thy conscience.
" The youth now sought his home, absorbed in thought; His burning wish to solve the mystery Banished all sleep; upon his couch he lay, Tossing his feverish limbs.
When midnight came, He rose, and toward the temple timidly, Led by a mighty impulse, bent his way.
The walls he scaled, and soon one active spring Landed the daring boy beneath the dome.
Behold him now, in utter solitude, Welcomed by naught save fearful, deathlike silence,-- A silence which the echo of his steps Alone disturbs, as through the vaults he paces.
Piercing an opening in the cupola, The moon cast down her pale and silvery beams, And, awful as a present deity, Glittering amid the darkness of the pile, In its long veil concealed, the statue stands.
With hesitating step, he now draws near-- His impious hand would fain remove the veil-- Sudden a burning chill assails his bones And then an unseen arm repulses him.
"Unhappy one, what wouldst thou do?" Thus cries A faithful voice within his trembling breast.
"Wouldst thou profanely violate the All-Holy?" "'Tis true the oracle declared, 'Let none Venture to raise the veil till raised by me.
' But did the oracle itself not add, That he who did so would behold the truth? Whate'er is hid behind, I'll raise the veil.
" And then he shouted: "Yes! I will behold it!" "Behold it!" Repeats in mocking tone the distant echo.
He speaks, and, with the word, lifts up the veil.
Would you inquire what form there met his eye? I know not,--but, when day appeared, the priests Found him extended senseless, pale as death, Before the pedestal of Isis' statue.
What had been seen and heard by him when there He never would disclose, but from that hour His happiness in life had fled forever, And his deep sorrow soon conducted him To an untimely grave.
"Woe to that man," He warning said to every questioner, "Woe to that man who wins the truth by guilt, For truth so gained will ne'er reward its owner.
"

Book: Shattered Sighs