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Best Famous Cramps Poems

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Written by Amy Lowell | Create an image from this poem

Number 3 on the Docket

 The lawyer, are you?
Well! I ain't got nothin' to say.
Nothin'!
I told the perlice I hadn't nothin'.
They know'd real well 'twas me.
Ther warn't no supposin',
Ketchin' me in the woods as they did,
An' me in my house dress.
Folks don't walk miles an' miles
In the drifted snow,
With no hat nor wrap on 'em
Ef everythin's all right, I guess.
All right? Ha! Ha! Ha!
Nothin' warn't right with me.
Never was.
Oh, Lord! Why did I do it?
Why ain't it yesterday, and Ed here agin?
Many's the time I've set up with him nights
When he had cramps, or rheumatizm, or somethin'.
I used ter nurse him same's ef he was a baby.
I wouldn't hurt him, I love him!
Don't you dare to say I killed him. 'Twarn't me!
Somethin' got aholt o' me. I couldn't help it.
Oh, what shall I do! What shall I do!
Yes, Sir.
No, Sir.
I beg your pardon, I -- I --
Oh, I'm a wicked woman!
An' I'm desolate, desolate!
Why warn't I struck dead or paralyzed
Afore my hands done it.
Oh, my God, what shall I do!
No, Sir, ther ain't no extenuatin' circumstances,
An' I don't want none.
I want a bolt o' lightnin'
To strike me dead right now!
Oh, I'll tell yer.
But it won't make no diff'rence.
Nothin' will.
Yes, I killed him.
Why do yer make me say it?
It's cruel! Cruel!
I killed him because o' th' silence.
The long, long silence,
That watched all around me,
And he wouldn't break it.
I tried to make him,
Time an' agin,
But he was terrible taciturn, Ed was.
He never spoke 'cept when he had to,
An' then he'd only say "yes" and "no".
You can't even guess what that silence was.
I'd hear it whisperin' in my ears,
An' I got frightened, 'twas so thick,
An' al'ays comin' back.
Ef Ed would ha' talked sometimes
It would ha' driven it away;
But he never would.
He didn't hear it same as I did.
You see, Sir,
Our farm was off'n the main road,
And set away back under the mountain;
And the village was seven mile off,
Measurin' after you'd got out o' our lane.
We didn't have no hired man,
'Cept in hayin' time;
An' Dane's place,
That was the nearest,
Was clear way 'tother side the mountain.
They used Marley post-office
An' ours was Benton.
Ther was a cart-track took yer to Dane's in Summer,
An' it warn't above two mile that way,
But it warn't never broke out Winters.
I used to dread the Winters.
Seem's ef I couldn't abear to see the golden-rod bloomin';
Winter'd come so quick after that.
You don't know what snow's like when yer with it
Day in an' day out.
Ed would be out all day loggin',
An' I set at home and look at the snow
Layin' over everythin';
It 'ud dazzle me blind,
Till it warn't white any more, but black as ink.
Then the quiet 'ud commence rushin' past my ears
Till I most went mad listenin' to it.
Many's the time I've dropped a pan on the floor
Jest to hear it clatter.
I was most frantic when dinner-time come
An' Ed was back from the woods.
I'd ha' give my soul to hear him speak.
But he'd never say a word till I asked him
Did he like the raised biscuits or whatever,
An' then sometimes he'd jest nod his answer.
Then he'd go out agin,
An' I'd watch him from the kitchin winder.
It seemed the woods come marchin' out to meet him
An' the trees 'ud press round him an' hustle him.
I got so I was scared o' th' trees.
I thought they come nearer,
Every day a little nearer,
Closin' up round the house.
I never went in t' th' woods Winters,
Though in Summer I liked 'em well enough.
It warn't so bad when my little boy was with us.
He used to go sleddin' and skatin',
An' every day his father fetched him to school in the pung
An' brought him back agin.
We scraped an' scraped fer Neddy,
We wanted him to have a education.
We sent him to High School,
An' then he went up to Boston to Technology.
He was a minin' engineer,
An' doin' real well,
A credit to his bringin' up.
But his very first position ther was an explosion in the mine.
And I'm glad! I'm glad!
He ain't here to see me now.
Neddy! Neddy!
I'm your mother still, Neddy.
Don't turn from me like that.
I can't abear it. I can't! I can't!
What did you say?
Oh, yes, Sir.
I'm here.
I'm very sorry,
I don't know what I'm sayin'.
No, Sir,
Not till after Neddy died.
'Twas the next Winter the silence come,
I don't remember noticin' it afore.
That was five year ago,
An' it's been gittin' worse an' worse.
I asked Ed to put in a telephone.
I thought ef I felt the whisperin' comin' on
I could ring up some o' th' folks.
But Ed wouldn't hear of it.
He said we'd paid so much for Neddy
We couldn't hardly git along as 'twas.
An' he never understood me wantin' to talk.
Well, this year was worse'n all the others;
We had a terrible spell o' stormy weather,
An' the snow lay so thick
You couldn't see the fences even.
Out o' doors was as flat as the palm o' my hand,
Ther warn't a hump or a holler
Fer as you could see.
It was so quiet
The snappin' o' the branches back in the wood-lot
Sounded like pistol shots.
Ed was out all day
Same as usual.
An' it seemed he talked less'n ever.
He didn't even say `Good-mornin'', once or twice,
An' jest nodded or shook his head when I asked him things.
On Monday he said he'd got to go over to Benton
Fer some oats.
I'd oughter ha' gone with him,
But 'twas washin' day
An' I was afeared the fine weather'd break,
An' I couldn't do my dryin'.
All my life I'd done my work punctual,
An' I couldn't fix my conscience
To go junketin' on a washin'-day.
I can't tell you what that day was to me.
It dragged an' dragged,
Fer ther warn't no Ed ter break it in the middle
Fer dinner.
Every time I stopped stirrin' the water
I heerd the whisperin' all about me.
I stopped oftener'n I should
To see ef 'twas still ther,
An' it al'ays was.
An' gittin' louder
It seemed ter me.
Once I threw up the winder to feel the wind.
That seemed most alive somehow.
But the woods looked so kind of menacin'
I closed it quick
An' started to mangle's hard's I could,
The squeakin' was comfortin'.
Well, Ed come home 'bout four.
I seen him down the road,
An' I run out through the shed inter th' barn
To meet him quicker.
I hollered out, `Hullo!'
But he didn't say nothin',
He jest drove right in
An' climbed out o' th' sleigh
An' commenced unharnessin'.
I asked him a heap o' questions;
Who he'd seed
An' what he'd done.
Once in a while he'd nod or shake,
But most o' th' time he didn't do nothin'.
'Twas gittin' dark then,
An' I was in a state,
With the loneliness
An' Ed payin' no attention
Like somethin' warn't livin'.
All of a sudden it come,
I don't know what,
But I jest couldn't stand no more.
It didn't seem 's though that was Ed,
An' it didn't seem as though I was me.
I had to break a way out somehow,
Somethin' was closin' in
An' I was stiflin'.
Ed's loggin' axe was ther,
An' I took it.
Oh, my God!
I can't see nothin' else afore me all the time.
I run out inter th' woods,
Seemed as ef they was pullin' me;
An' all the time I was wadin' through the snow
I seed Ed in front of me
Where I'd laid him.
An' I see him now.
There! There!
What you holdin' me fer?
I want ter go to Ed,
He's bleedin'.
Stop holdin' me.
I got to go.
I'm comin', Ed.
I'll be ther in a minit.
Oh, I'm so tired!
(Faints)


Written by Gerard Manley Hopkins | Create an image from this poem

St. Winefreds Well

 ACT I. SC. I

Enter Teryth from riding, Winefred following.

T. WHAT is it, Gwen, my girl? why do you hover and haunt me? 

W. You came by Caerwys, sir? 
T. I came by Caerwys. 
W. There
Some messenger there might have met you from my uncle. 
T. Your uncle met the messenger—met me; and this the message:
Lord Beuno comes to-night. 
W. To-night, sir! 
T. Soon, now: therefore
Have all things ready in his room. 
W. There needs but little doing. 
T. Let what there needs be done. Stay! with him one companion,
His deacon, Dirvan Warm: twice over must the welcome be,
But both will share one cell.—This was good news, Gwenvrewi. 
W. Ah yes! 
T. Why, get thee gone then; tell thy mother I want her.

Exit Winefred.

No man has such a daughter. The fathers of the world
Call no such maiden ‘mine’. The deeper grows her dearness
And more and more times laces round and round my heart,
The more some monstrous hand gropes with clammy fingers there,
Tampering with those sweet bines, draws them out, strains them, strains them;
Meantime some tongue cries ‘What, Teryth! what, thou poor fond father!
How when this bloom, this honeysuckle, that rides the air so rich about thee,
Is all, all sheared away, thus!’ Then I sweat for fear.
Or else a funeral, and yet ’tis not a funeral,
Some pageant which takes tears and I must foot with feeling that
Alive or dead my girl is carried in it, endlessly
Goes marching thro’ my mind. What sense is this? It has none.
This is too much the father; nay the mother. Fanciful!
I here forbid my thoughts to fool themselves with fears.

Enter Gwenlo.
. . . . . . . . 

ACT II.—Scene, a wood ending in a steep bank over a dry dene, Winefred having been murdered within. Re-enter Caradoc with a bloody sword.

C. My heart, where have we been? What have we seen, my mind?
What stroke has Caradoc’s right arm dealt? what done? Head of a rebel
Struck off it has; written upon lovely limbs,
In bloody letters, lessons of earnest, of revenge;
Monuments of my earnest, records of my revenge,
On one that went against me wh?reas I had warned her—
Warned her! well she knew. I warned her of this work.
What work? what harm ’s done? There is no harm done, none yet;
Perhaps we struck no blow, Gwenvrewi lives perhaps;
To makebelieve my mood was—mock. O I might think so
But here, here is a workman from his day’s task sweats.
Wiped I am sure this was; it seems not well; for still,
Still the scarlet swings and dances on the blade.
So be it. Thou steel, thou butcher,
I c?n scour thee, fresh burnish thee, sheathe thee in thy dark lair; these drops
Never, never, never in their blue banks again.
The woeful, Cradock, O the woeful word! Then what,
What have we seen? Her head, sheared from her shoulders, fall,
And lapped in shining hair, roll to the bank’s edge; then
Down the beetling banks, like water in waterfalls,
It stooped and flashed and fell and ran like water away.
Her eyes, oh and her eyes!
In all her beauty, and sunlight to it is a pit, den, darkness,
Foam-falling is not fresh to it, rainbow by it not beaming,
In all her body, I say, no place was like her eyes,
No piece matched those eyes kept most part much cast down
But, being lifted, immortal, of immortal brightness.
Several times I saw them, thrice or four times turning;
Round and round they came and flashed towards heaven: O there,
There they did appeal. Therefore airy vengeances
Are afoot; heaven-vault fast purpling portends, and what first lightning
Any instant falls means me. And I do not repent;
I do not and I will not repent, not repent.
The blame bear who aroused me. What I have done violent
I have like a lion done, lionlike done,
Honouring an uncontrolled royal wrathful nature,
Mantling passion in a grandeur, crimson grandeur.
Now be my pride then perfect, all one piece. Henceforth
In a wide world of defiance Caradoc lives alone,
Loyal to his own soul, laying his own law down, no law nor
Lord now curb him for ever. O daring! O deep insight!
What is virtue? Valour; only the heart valiant.
And right? Only resolution; will, his will unwavering
Who, like me, knowing his nature to the heart home, nature’s business,
Despatches with no flinching. But will flesh, O can flesh
Second this fiery strain? Not always; O no no!
We cannot live this life out; sometimes we must weary
And in this darksome world what comfort can I find?
Down this darksome world c?mfort wh?re can I find
When ’ts light I quenched; its rose, time’s one rich rose, my hand,
By her bloom, fast by her fresh, her fleec?d bloom,
Hideous dashed down, leaving earth a winter withering
With no now, no Gwenvrewi. I must miss her most
That might have spared her were it but for passion-sake. Yes,
To hunger and not have, y?t hope ?n for, to storm and strive and
Be at every assault fresh foiled, worse flung, deeper disappointed,
The turmoil and the torment, it has, I swear, a sweetness,
Keeps a kind of joy in it, a zest, an edge, an ecstasy,
Next after sweet success. I am not left even this;
I all my being have hacked in half with her neck: one part,
Reason, selfdisposal, choice of better or worse way,
Is corpse now, cannot change; my other self, this soul,
Life’s quick, this k?nd, this k?en self-feeling,
With dreadful distillation of thoughts sour as blood,
Must all day long taste murder. What do n?w then? Do? Nay,
Deed-bound I am; one deed treads all down here cramps all doing. What do? Not yield,
Not hope, not pray; despair; ay, that: brazen despair out,
Brave all, and take what comes—as here this rabble is come,
Whose bloods I reck no more of, no more rank with hers
Than sewers with sacred oils. Mankind, that mobs, comes. Come! 

Enter a crowd, among them Teryth, Gwenlo, Beuno.
. . . . . . . .

After Winefred’s raising from the dead and the breaking out of the fountain.

BEUNO. O now while skies are blue, now while seas are salt,
While rushy rains shall fall or brooks shall fleet from fountains,
While sick men shall cast sighs, of sweet health all despairing,
While blind men’s eyes shall thirst after daylight, draughts of daylight,
Or deaf ears shall desire that lipmusic that ’s lost upon them,
While cripples are, while lepers, dancers in dismal limb-dance,
Fallers in dreadful frothpits, waterfearers wild,
Stone, palsy, cancer, cough, lung wasting, womb not bearing,
Rupture, running sores, what more? in brief; in burden,
As long as men are mortal and God merciful,
So long to this sweet spot, this leafy lean-over,
This Dry Dene, now no longer dry nor dumb, but moist and musical
With the uproll and the downcarol of day and night delivering
Water, which keeps thy name, (for not in r?ck wr?tten,
But in pale water, frail water, wild rash and reeling water,
That will not wear a print, that will not stain a pen,
Thy venerable record, virgin, is recorded).
Here to this holy well shall pilgrimages be,
And not from purple Wales only nor from elmy England,
But from beyond seas, Erin, France and Flanders, everywhere,
Pilgrims, still pilgrims, m?re p?lgrims, still more poor pilgrims.
. . . . . . . .
What sights shall be when some that swung, wretches, on crutches
Their crutches shall cast from them, on heels of air departing,
Or they go rich as roseleaves hence that loathsome c?me hither!
Not now to n?me even
Those dearer, more divine boons whose haven the heart is.
. . . . . . . .
As sure as what is most sure, sure as that spring primroses
Shall new-dapple next year, sure as to-morrow morning,
Amongst come-back-again things, th?ngs with a revival, things with a recovery,
Thy name…
. . . . . . . .
Written by Rg Gregory | Create an image from this poem

snowdrop blaze

 from late december onwards the day comes back
but not till february do we see those glimpses
that let us take deep darkness off the rack
and shake it free of lethargy that cramps us
through those dim months we’re made amanuensis
to what loud rain and bitter spells dictate
we seek bed early and must get up late

long january’s puffing in the right direction
but its early mornings keep that midnight feel
it still is subject to the date’s dejection
but once it’s over – see how light can steal
through cracks of trees and curtains - beneath the keel
of the eastern skyline (rocking like a boat
surprised so early to find itself afloat)

and from the earth presentiments are rustling
as cheeky snowdrops hoist their periscopes
within a week a mass of them is bustling
and white becomes the flavour of the slopes
and people flock invigorating hopes
seasons (they say) have forfeited effect on
one snowdrop-look and instantly dejection

is whipped (though biting winds and brooding skies)
away from the pure white cream the eyes are lapping
a frisson blooms as every bloodstream tries
to come to terms with its own natural sapping
and from the earth reorganise that mapping
that reaches out to plot those far endeavours
a spirit yearns for (wishing its forevers)

so walk away – no spread of simple flowers
can change the limitations we must live with
snowdrops come and go – our fickle powers
play havoc with the talents we can thrive with
it’s just that february comes and lo - forthwith
for one brief snowdrop moment there’s a blaze
that lights the world up with its splash of praise
Written by Robert Graves | Create an image from this poem

Goliath and David

 (For D. C. T., Killed at Fricourt, March, 1916)


Yet once an earlier David took 
Smooth pebbles from the brook: 
Out between the lines he went 
To that one-sided tournament, 
A shepherd boy who stood out fine
And young to fight a Philistine 
Clad all in brazen mail. He swears 
That he’s killed lions, he’s killed bears, 
And those that scorn the God of Zion 
Shall perish so like bear or lion.
But … the historian of that fight 
Had not the heart to tell it right. 

Striding within javelin range, 
Goliath marvels at this strange 
Goodly-faced boy so proud of strength.
David’s clear eye measures the length; 
With hand thrust back, he cramps one knee, 
Poises a moment thoughtfully, 
And hurls with a long vengeful swing. 
The pebble, humming from the sling
Like a wild bee, flies a sure line 
For the forehead of the Philistine; 
Then … but there comes a brazen clink, 
And quicker than a man can think 
Goliath’s shield parries each cast.
Clang! clang! and clang! was David’s last. 
Scorn blazes in the Giant’s eye, 
Towering unhurt six cubits high. 
Says foolish David, “Damn your shield! 
And damn my sling! but I’ll not yield.”
He takes his staff of Mamre oak, 
A knotted shepherd-staff that’s broke 
The skull of many a wolf and fox 
Come filching lambs from Jesse’s flocks. 
Loud laughs Goliath, and that laugh
Can scatter chariots like blown chaff 
To rout; but David, calm and brave, 
Holds his ground, for God will save. 
Steel crosses wood, a flash, and oh! 
Shame for beauty’s overthrow! 40 
(God’s eyes are dim, His ears are shut.) 
One cruel backhand sabre-cut— 
“I’m hit! I’m killed!” young David cries, 
Throws blindly forward, chokes … and dies. 
And look, spike-helmeted, grey, grim,
Goliath straddles over him.
Written by Philip Levine | Create an image from this poem

Green Thumb

 Shake out my pockets! Harken to the call 
Of that calm voice that makes no sound at all! 
Take of me all you can; my average weight 
May make amends for this, my low estate. 
But do not shake, Green Thumb, as once you did 
My heart and liver, or my prostate bid 
Good Morning to -- leave it, the savage gland 
Content within the mercy of my hand. 

The world was safe in winter, I was spring, 
Enslaved and rattling to the slightest thing 
That she might give. If planter were my trade 
Why was I then not like a planter made: 
With veins like rivers, smudge-pots for a soul, 
A simple mind geared to a simple goal? 
You fashioned me, great headed and obscene 
On two weak legs, the weakest thing between. 

My blood was bubbling like a ten-day stew; 
it kept on telling me the thing to do. 
I asked, she acquiesced, and then we fell 
To private Edens in the midst of hell. 
For forty days temptation was our meal, 
The night our guide, and what we could not feel 
We could not trust. Later, beneath the bed, 
We found you taking notes of all we said. 

At last we parted, she to East Moline, 
I to the service of the great unseen. 
All the way home I watched a circling crow 
And read your falling portents in the snow. 
I burned my clothes, I moved, I changed my name, 
But every night, unstamped her letter came: 
"Ominous cramps and pains." I cursed the vows 
That cattle make to grass when cattle browse. 

Heartsick and tired, to you, Green Thumb, I prayed 
For her reprieve and that our debt be paid 
By my remorse. "Give me a sign," I said, 
"Give me my burning bush." You squeaked the bed. 
I hid my face like Moses on the hill, 
But unlike Moses did not feel my will 
Swell with new strength; I put my choice to sleep. 
That night we cowered, choice and I, like sheep. 

When I awoke I found beneath the door 
Only the invoice from the liquor store. 
The grape-vine brought the word. I switched to beer: 
She had become a civil engineer. 
When I went walking birds and children fled. 
I took my love, myself, behind the shed; 
The shed burned down. I switched to milk and eggs. 
At night a dream ran up and down my legs. 

I have endured, as Godless Nazarite, 
Life like a bone even a dog would slight; 
All that the dog would have, I have refused. 
May I, of all your subjects, be excused? 
The world is yours, Green Thumb; I smell your heat 
Licking the winter to a green defeat. 
The creatures join, the coupling seasons start; 
Leave me, Green Thumb, my solitary part.


Written by Thomas Hardy | Create an image from this poem

The Lacking Sense Scene.--A sad-coloured landscape Waddon Vale

 I 

"O Time, whence comes the Mother's moody look amid her labours, 
 As of one who all unwittingly has wounded where she loves? 
 Why weaves she not her world-webs to according lutes and tabors, 
With nevermore this too remorseful air upon her face, 
 As of angel fallen from grace?" 

II 

- "Her look is but her story: construe not its symbols keenly: 
 In her wonderworks yea surely has she wounded where she loves. 
 The sense of ills misdealt for blisses blanks the mien most 
queenly, 
Self-smitings kill self-joys; and everywhere beneath the sun 
 Such deeds her hands have done." 

III 

- "And how explains thy Ancient Mind her crimes upon her creatures, 
 These fallings from her fair beginnings, woundings where she 
loves, 
 Into her would-be perfect motions, modes, effects, and features 
Admitting cramps, black humours, wan decay, and baleful blights, 
 Distress into delights?" 

IV 

- "Ah! know'st thou not her secret yet, her vainly veiled deficience, 
 Whence it comes that all unwittingly she wounds the lives she 
loves? 
 That sightless are those orbs of hers?--which bar to her 
omniscience 
Brings those fearful unfulfilments, that red ravage through her zones 
 Whereat all creation groans. 

V 

"She whispers it in each pathetic strenuous slow endeavour, 
 When in mothering she unwittingly sets wounds on what she loves; 
 Yet her primal doom pursues her, faultful, fatal is she ever; 
Though so deft and nigh to vision is her facile finger-touch 
 That the seers marvel much. 

VI 

"Deal, then, her groping skill no scorn, no note of malediction; 
 Not long on thee will press the hand that hurts the lives it 
loves; 
 And while she dares dead-reckoning on, in darkness of affliction, 
Assist her where thy creaturely dependence can or may, 
 For thou art of her clay."
Written by Wilfred Owen | Create an image from this poem

Greater Love

 Red lips are not so red
 As the stained stones kissed by the English dead.
Kindness of wooed and wooer
Seems shame to their love pure.
O Love, your eyes lose lure
 When I behold eyes blinded in my stead!

Your slender attitude
 Trembles not exquisite like limbs knife-skewed,
Rolling and rolling there
Where God seems not to care;
Till the fierce Love they bear
 Cramps them in death's extreme decrepitude.

Your voice sings not so soft, --
 Though even as wind murmuring through raftered loft, --
Your dear voice is not dear,
Gentle, and evening clear,
As theirs whom none now hear
 Now earth has stopped their piteous mouths that coughed.

Heart, you were never hot,
 Nor large, nor full like hearts made great with shot;
And though your hand be pale,
Paler are all which trail
Your cross through flame and hail:
 Weep, you may weep, for you may touch them not.
Written by Badger Clark | Create an image from this poem

The Old Cow Man

  I rode across a valley range
    I hadn't seen for years.
  The trail was all so spoilt and strange
    It nearly fetched the tears.
  I had to let ten fences down
    (The fussy lanes ran wrong)
  And each new line would make me frown
    And hum a mournin' song.

    _Oh, it's squeak! squeak! squeak!_
      _Hear 'em stretchin' of the wire!_
    _The nester brand is on the land;_
      _I reckon I'll retire,_
    _While progress toots her brassy horn_
      _And makes her motor buzz,_
    _I thank the Lord I wasn't born_
      _No later than I was._

  'Twas good to live when all the sod,
    Without no fence nor fuss,
  Belonged in pardnership to God,
    The Gover'ment and us.
  With skyline bounds from east to west
    And room to go and come,
  I loved my fellow man the best
    When he was scattered some.

    _Oh, it's squeak! squeak! squeak!_
      _Close and closer cramps the wire._
    _There's hardly play to back away_
      _And call a man a liar._
    _Their house has locks on every door;_
      _Their land is in a crate._
    _These ain't the plains of God no more,_
      _They're only real estate._

  There's land where yet no ditchers dig
    Nor cranks experiment;
  It's only lovely, free and big
    And isn't worth a cent.
  I pray that them who come to spoil
    May wait till I am dead
  Before they foul that blessed soil
    With fence and cabbage head.

    _Yet it's squeak! squeak! squeak!_
      _Far and farther crawls the wire._
    _To crowd and pinch another inch_
      _Is all their heart's desire._
    _The world is overstocked with men_
      _And some will see the day_
    _When each must keep his little pen,_
      _But I'll be far away._

  When my old soul hunts range and rest
    Beyond the last divide,
  Just plant me in some stretch of West
    That's sunny, lone and wide.
  Let cattle rub my tombstone down
    And coyotes mourn their kin,
  Let hawses paw and tromp the moun'
    But don't you fence it in!

    _Oh, it's squeak! squeak! squeak!_
      _And they pen the land with wire._
    _They figure fence and copper cents_
      _Where we laughed 'round the fire._
    _Job cussed his birthday, night and morn._
      _In his old land of Uz,_
    _But I'm just glad I wasn't born_
      _No later than I was!_

Book: Radiant Verses: A Journey Through Inspiring Poetry