Written by
Robert Browning |
SHORTLY AFTER THE REVIVAL OF
LEARNING IN EUROPE.
Let us begin and carry up this corpse,
Singing together.
Leave we the common crofts, the vulgar thorpes
Each in its tether
Sleeping safe on the bosom of the plain,
Cared-for till cock-crow:
Look out if yonder be not day again
Rimming the rock-row!
That's the appropriate country; there, man's thought,
Rarer, intenser,
Self-gathered for an outbreak, as it ought,
Chafes in the censer.
Leave we the unlettered plain its herd and crop;
Seek we sepulture
On a tall mountain, citied to the top,
Crowded with culture!
All the peaks soar, but one the rest excels;
Clouds overcome it;
No! yonder sparkle is the citadel's
Circling its summit.
Thither our path lies; wind we up the heights:
Wait ye the warning?
Our low life was the level's and the night's;
He's for the morning.
Step to a tune, square chests, erect each head,
'Ware the beholders!
This is our master, famous calm and dead,
Borne on our shoulders.
Sleep, crop and herd! sleep, darkling thorpe and croft,
Safe from the weather!
He, whom we convoy to his grave aloft,
Singing together,
He was a man born with thy face and throat,
Lyric Apollo!
Long he lived nameless: how should spring take note
Winter would follow?
Till lo, the little touch, and youth was gone!
Cramped and diminished,
Moaned he, ``New measures, other feet anon!
``My dance is finished?''
No, that's the world's way: (keep the mountain-side,
Make for the city!)
He knew the signal, and stepped on with pride
Over men's pity;
Left play for work, and grappled with the world
Bent on escaping:
``What's in the scroll,'' quoth he, ``thou keepest furled?
``Show me their shaping,
``Theirs who most studied man, the bard and sage,---
``Give!''---So, he gowned him,
Straight got by heart that hook to its last page:
Learned, we found him.
Yea, but we found him bald too, eyes like lead,
Accents uncertain:
``Time to taste life,'' another would have said,
``Up with the curtain!''
This man said rather, ``Actual life comes next?
``Patience a moment!
``Grant I have mastered learning's crabbed text,
``Still there's the comment.
``Let me know all! Prate not of most or least,
``Painful or easy!
``Even to the crumbs I'd fain eat up the feast,
``Ay, nor feel queasy.
''
Oh, such a life as he resolved to live,
When he had learned it,
When he had gathered all books had to give!
Sooner, he spurned it.
Image the whole, then execute the parts---
Fancy the fabric
Quite, ere you build, ere steel strike fire from quartz,
Ere mortar dab brick!
(Here's the town-gate reached: there's the market-place
Gaping before us.
)
Yea, this in him was the peculiar grace
(Hearten our chorus!)
That before living he'd learn how to live---
No end to learning:
Earn the means first---God surely will contrive
Use for our earning.
Others mistrust and say, ``But time escapes:
``Live now or never!''
He said, ``What's time? Leave Now for dogs and apes!
``Man has Forever.
''
Back to his book then: deeper drooped his head
_Calculus_ racked him:
Leaden before, his eyes grew dross of lead:
_Tussis_ attacked him.
``Now, master, take a little rest!''---not he!
(Caution redoubled,
Step two abreast, the way winds narrowly!)
Not a whit troubled
Back to his studies, fresher than at first,
Fierce as a dragon
He (soul-hydroptic with a sacred thirst)
Sucked at the flagon.
Oh, if we draw a circle premature,
Heedless of far gain,
Greedy for quick returns of profit, sure
Bad is our bargain!
Was it not great? did not he throw on God,
(He loves the burthen)---
God's task to make the heavenly period
Perfect the earthen?
Did not he magnify the mind, show clear
Just what it all meant?
He would not discount life, as fools do here,
Paid by instalment.
He ventured neck or nothing---heaven's success
Found, or earth's failure:
``Wilt thou trust death or not?'' He answered ``Yes:
``Hence with life's pale lure!''
That low man seeks a little thing to do,
Sees it and does it:
This high man, with a great thing to pursue,
Dies ere he knows it.
That low man goes on adding nine to one,
His hundred's soon hit:
This high man, aiming at a million,
Misses an unit.
That, has the world here---should he need the next,
Let the world mind him!
This, throws himself on God, and unperplexed
Seeking shall find him.
So, with the throttling hands of death at strife,
Ground he at grammar;
Still, thro' the rattle, parts of speech were rife:
While he could stammer
He settled _Hoti's_ business---let it be!---
Properly based _Oun_---
Gave us the doctrine of the enclitic _De_,
Dead from the waist down.
Well, here's the platform, here's the proper place:
Hail to your purlieus,
All ye highfliers of the feathered race,
Swallows and curlews!
Here's the top-peak; the multitude below
Live, for they can, there:
This man decided not to Live but Know---
Bury this man there?
Here---here's his place, where meteors shoot, clouds form,
Lightnings are loosened,
Stars come and go! Let joy break with the storm,
Peace let the dew send!
Lofty designs must close in like effects
Loftily lying,
Leave him---still loftier than the world suspects,
Living and dying.
|
Written by
Richard Wilbur |
It is a cramped little state with no foreign policy,
Save to be thought inoffensive.
The grammar of the language
Has never been fathomed, owing to the national habit
Of allowing each sentence to trail off in confusion.
Those who have visited Scusi, the capital city,
Report that the railway-route from Schuldig passes
Through country best described as unrelieved.
Sheep are the national product.
The faint inscription
Over the city gates may perhaps be rendered,
"I'm afraid you won't find much of interest here.
"
Census-reports which give the population
As zero are, of course, not to be trusted,
Save as reflecting the natives' flustered insistence
That they do not count, as well as their modest horror
Of letting one's sex be known in so many words.
The uniform grey of the nondescript buildings, the absence
Of churches or comfort-stations, have given observers
An odd impression of ostentatious meanness,
And it must be said of the citizens (muttering by
In their ratty sheepskins, shying at cracks in the sidewalk)
That they lack the peace of mind of the truly humble.
The tenor of life is careful, even in the stiff
Unsmiling carelessness of the border-guards
And douaniers, who admit, whenever they can,
Not merely the usual carloads of deodorant
But gypsies, g-strings, hasheesh, and contraband pigments.
Their complete negligence is reserved, however,
For the hoped-for invasion, at which time the happy people
(Sniggering, ruddily naked, and shamelessly drunk)
Will stun the foe by their overwhelming submission,
Corrupt the generals, infiltrate the staff,
Usurp the throne, proclaim themselves to be sun-gods,
And bring about the collapse of the whole empire.
|
Written by
Stephen Vincent Benet |
Black trees against an orange sky,
Trees that the wind shook terribly,
Like a harsh spume along the road,
Quavering up like withered arms,
Writhing like streams, like twisted charms
Of hot lead flung in snow.
Below
The iron ice stung like a goad,
Slashing the torn shoes from my feet,
And all the air was bitter sleet.
And all the land was cramped with snow,
Steel-strong and fierce and glimmering wan,
Like pale plains of obsidian.
-- And yet I strove -- and I was fire
And ice -- and fire and ice were one
In one vast hunger of desire.
A dim desire, of pleasant places,
And lush fields in the summer sun,
And logs aflame, and walls, and faces,
-- And wine, and old ambrosial talk,
A golden ball in fountains dancing,
And unforgotten hands.
(Ah, God,
I trod them down where I have trod,
And they remain, and they remain,
Etched in unutterable pain,
Loved lips and faces now apart,
That once were closer than my heart --
In agony, in agony,
And horribly a part of me.
.
.
.
For Lethe is for no man set,
And in Hell may no man forget.
)
And there were flowers, and jugs, bright-glancing,
And old Italian swords -- and looks,
A moment's glance of fire, of fire,
Spiring, leaping, flaming higher,
Into the intense, the cloudless blue,
Until two souls were one, and flame,
And very flesh, and yet the same!
As if all springs were crushed anew
Into one globed drop of dew!
But for the most I thought of heat,
Desiring greatly.
.
.
.
Hot white sand
The lazy body lies at rest in,
Or sun-dried, scented grass to nest in,
And fires, innumerable fires,
Great fagots hurling golden gyres
Of sparks far up, and the red heart
In sea-coals, crashing as they part
To tiny flares, and kindling snapping,
Bunched sticks that burst their string and wrapping
And fall like jackstraws; green and blue
The evil flames of driftwood too,
And heavy, sullen lumps of coke
With still, fierce heat and ugly smoke.
.
.
.
.
.
.
And then the vision of his face,
And theirs, all theirs, came like a sword,
Thrice, to the heart -- and as I fell
I thought I saw a light before.
I woke.
My hands were blue and sore,
Torn on the ice.
I scarcely felt
The frozen sleet begin to melt
Upon my face as I breathed deeper,
But lay there warmly, like a sleeper
Who shifts his arm once, and moans low,
And then sinks back to night.
Slow, slow,
And still as Death, came Sleep and Death
And looked at me with quiet breath.
Unbending figures, black and stark
Against the intense deeps of the dark.
Tall and like trees.
Like sweet and fire
Rest crept and crept along my veins,
Gently.
And there were no more pains.
.
.
.
Was it not better so to lie?
The fight was done.
Even gods tire
Of fighting.
.
.
.
My way was the wrong.
Now I should drift and drift along
To endless quiet, golden peace .
.
.
And let the tortured body cease.
And then a light winked like an eye.
.
.
.
And very many miles away
A girl stood at a warm, lit door,
Holding a lamp.
Ray upon ray
It cloaked the snow with perfect light.
And where she was there was no night
Nor could be, ever.
God is sure,
And in his hands are things secure.
It is not given me to trace
The lovely laughter of that face,
Like a clear brook most full of light,
Or olives swaying on a height,
So silver they have wings, almost;
Like a great word once known and lost
And meaning all things.
Nor her voice
A happy sound where larks rejoice,
Her body, that great loveliness,
The tender fashion of her dress,
I may not paint them.
These I see,
Blazing through all eternity,
A fire-winged sign, a glorious tree!
She stood there, and at once I knew
The bitter thing that I must do.
There could be no surrender now;
Though Sleep and Death were whispering low.
My way was wrong.
So.
Would it mend
If I shrank back before the end?
And sank to death and cowardice?
No, the last lees must be drained up,
Base wine from an ignoble cup;
(Yet not so base as sleek content
When I had shrunk from punishment)
The wretched body strain anew!
Life was a storm to wander through.
I took the wrong way.
Good and well,
At least my feet sought out not Hell!
Though night were one consuming flame
I must go on for my base aim,
And so, perhaps, make evil grow
To something clean by agony .
.
.
And reach that light upon the snow .
.
.
And touch her dress at last .
.
.
So, so,
I crawled.
I could not speak or see
Save dimly.
The ice glared like fire,
A long bright Hell of choking cold,
And each vein was a tautened wire,
Throbbing with torture -- and I crawled.
My hands were wounds.
So I attained
The second Hell.
The snow was stained
I thought, and shook my head at it
How red it was! Black tree-roots clutched
And tore -- and soon the snow was smutched
Anew; and I lurched babbling on,
And then fell down to rest a bit,
And came upon another Hell .
.
.
Loose stones that ice made terrible,
That rolled and gashed men as they fell.
I stumbled, slipped .
.
.
and all was gone
That I had gained.
Once more I lay
Before the long bright Hell of ice.
And still the light was far away.
There was red mist before my eyes
Or I could tell you how I went
Across the swaying firmament,
A glittering torture of cold stars,
And how I fought in Titan wars .
.
.
And died .
.
.
and lived again upon
The rack .
.
.
and how the horses strain
When their red task is nearly done.
.
.
.
I only know that there was Pain,
Infinite and eternal Pain.
And that I fell -- and rose again.
So she was walking in the road.
And I stood upright like a man,
Once, and fell blind, and heard her cry .
.
.
And then there came long agony.
There was no pain when I awoke,
No pain at all.
Rest, like a goad,
Spurred my eyes open -- and light broke
Upon them like a million swords:
And she was there.
There are no words.
Heaven is for a moment's span.
And ever.
So I spoke and said,
"My honor stands up unbetrayed,
And I have seen you.
Dear .
.
.
"
Sharp pain
Closed like a cloak.
.
.
.
I moaned and died.
Here, even here, these things remain.
I shall draw nearer to her side.
Oh dear and laughing, lost to me,
Hidden in grey Eternity,
I shall attain, with burning feet,
To you and to the mercy-seat!
The ages crumble down like dust,
Dark roses, deviously thrust
And scattered in sweet wine -- but I,
I shall lift up to you my cry,
And kiss your wet lips presently
Beneath the ever-living Tree.
This in my heart I keep for goad!
Somewhere, in Heaven she walks that road.
Somewhere .
.
.
in Heaven .
.
.
she walks .
.
.
that .
.
.
road.
.
.
.
|
Written by
Friedrich von Schiller |
Forever fair, forever calm and bright,
Life flies on plumage, zephyr-light,
For those who on the Olympian hill rejoice--
Moons wane, and races wither to the tomb,
And 'mid the universal ruin, bloom
The rosy days of Gods--With man, the choice,
Timid and anxious, hesitates between
The sense's pleasure and the soul's content;
While on celestial brows, aloft and sheen,
The beams of both are blent.
Seekest thou on earth the life of gods to share,
Safe in the realm of death?--beware
To pluck the fruits that glitter to thine eye;
Content thyself with gazing on their glow--
Short are the joys possession can bestow,
And in possession sweet desire will die.
'Twas not the ninefold chain of waves that bound
Thy daughter, Ceres, to the Stygian river--
She plucked the fruit of the unholy ground,
And so--was hell's forever!
The weavers of the web--the fates--but sway
The matter and the things of clay;
Safe from change that time to matter gives,
Nature's blest playmate, free at will to stray
With gods a god, amidst the fields of day,
The form, the archetype [39], serenely lives.
Would'st thou soar heavenward on its joyous wing?
Cast from thee, earth, the bitter and the real,
High from this cramped and dungeon being, spring
Into the realm of the ideal!
Here, bathed, perfection, in thy purest ray,
Free from the clogs and taints of clay,
Hovers divine the archetypal man!
Dim as those phantom ghosts of life that gleam
And wander voiceless by the Stygian stream,--
Fair as it stands in fields Elysian,
Ere down to flesh the immortal doth descend:--
If doubtful ever in the actual life
Each contest--here a victory crowns the end
Of every nobler strife.
Not from the strife itself to set thee free,
But more to nerve--doth victory
Wave her rich garland from the ideal clime.
Whate'er thy wish, the earth has no repose--
Life still must drag thee onward as it flows,
Whirling thee down the dancing surge of time.
But when the courage sinks beneath the dull
Sense of its narrow limits--on the soul,
Bright from the hill-tops of the beautiful,
Bursts the attained goal!
If worth thy while the glory and the strife
Which fire the lists of actual life--
The ardent rush to fortune or to fame,
In the hot field where strength and valor are,
And rolls the whirling thunder of the car,
And the world, breathless, eyes the glorious game--
Then dare and strive--the prize can but belong
To him whose valor o'er his tribe prevails;
In life the victory only crowns the strong--
He who is feeble fails.
But life, whose source, by crags around it piled,
Chafed while confined, foams fierce and wild,
Glides soft and smooth when once its streams expand,
When its waves, glassing in their silver play,
Aurora blent with Hesper's milder ray,
Gain the still beautiful--that shadow-land!
Here, contest grows but interchange of love,
All curb is but the bondage of the grace;
Gone is each foe,--peace folds her wings above
Her native dwelling-place.
When, through dead stone to breathe a soul of light,
With the dull matter to unite
The kindling genius, some great sculptor glows;
Behold him straining, every nerve intent--
Behold how, o'er the subject element,
The stately thought its march laborious goes!
For never, save to toil untiring, spoke
The unwilling truth from her mysterious well--
The statue only to the chisel's stroke
Wakes from its marble cell.
But onward to the sphere of beauty--go
Onward, O child of art! and, lo!
Out of the matter which thy pains control
The statue springs!--not as with labor wrung
From the hard block, but as from nothing sprung--
Airy and light--the offspring of the soul!
The pangs, the cares, the weary toils it cost
Leave not a trace when once the work is done--
The Artist's human frailty merged and lost
In art's great victory won! [40]
If human sin confronts the rigid law
Of perfect truth and virtue [41], awe
Seizes and saddens thee to see how far
Beyond thy reach, perfection;--if we test
By the ideal of the good, the best,
How mean our efforts and our actions are!
This space between the ideal of man's soul
And man's achievement, who hath ever past?
An ocean spreads between us and that goal,
Where anchor ne'er was cast!
But fly the boundary of the senses--live
The ideal life free thought can give;
And, lo, the gulf shall vanish, and the chill
Of the soul's impotent despair be gone!
And with divinity thou sharest the throne,
Let but divinity become thy will!
Scorn not the law--permit its iron band
The sense (it cannot chain the soul) to thrall.
Let man no more the will of Jove withstand [42],
And Jove the bolt lets fall!
If, in the woes of actual human life--
If thou could'st see the serpent strife
Which the Greek art has made divine in stone--
Could'st see the writhing limbs, the livid cheek,
Note every pang, and hearken every shriek,
Of some despairing lost Laocoon,
The human nature would thyself subdue
To share the human woe before thine eye--
Thy cheek would pale, and all thy soul be true
To man's great sympathy.
But in the ideal realm, aloof and far,
Where the calm art's pure dwellers are,
Lo, the Laocoon writhes, but does not groan.
Here, no sharp grief the high emotion knows--
Here, suffering's self is made divine, and shows
The brave resolve of the firm soul alone:
Here, lovely as the rainbow on the dew
Of the spent thunder-cloud, to art is given,
Gleaming through grief's dark veil, the peaceful blue
Of the sweet moral heaven.
So, in the glorious parable, behold
How, bowed to mortal bonds, of old
Life's dreary path divine Alcides trod:
The hydra and the lion were his prey,
And to restore the friend he loved to-day,
He went undaunted to the black-browed god;
And all the torments and the labors sore
Wroth Juno sent--the meek majestic one,
With patient spirit and unquailing, bore,
Until the course was run--
Until the god cast down his garb of clay,
And rent in hallowing flame away
The mortal part from the divine--to soar
To the empyreal air! Behold him spring
Blithe in the pride of the unwonted wing,
And the dull matter that confined before
Sinks downward, downward, downward as a dream!
Olympian hymns receive the escaping soul,
And smiling Hebe, from the ambrosial stream,
Fills for a god the bowl!
|
Written by
Sylvia Plath |
The day you died I went into the dirt,
Into the lightless hibernaculum
Where bees, striped black and gold, sleep out the blizzard
Like hieratic stones, and the ground is hard.
It was good for twenty years, that wintering --
As if you never existed, as if I came
God-fathered into the world from my mother's belly:
Her wide bed wore the stain of divinity.
I had nothing to do with guilt or anything
When I wormed back under my mother's heart.
Small as a doll in my dress of innocence
I lay dreaming your epic, image by image.
Nobody died or withered on that stage.
Everything took place in a durable whiteness.
The day I woke, I woke on Churchyard Hill.
I found your name, I found your bones and all
Enlisted in a cramped necropolis
your speckled stone skewed by an iron fence.
In this charity ward, this poorhouse, where the dead
Crowd foot to foot, head to head, no flower
Breaks the soil.
This is Azalea path.
A field of burdock opens to the south.
Six feet of yellow gravel cover you.
The artificial red sage does not stir
In the basket of plastic evergreens they put
At the headstone next to yours, nor does it rot,
Although the rains dissolve a bloody dye:
The ersatz petals drip, and they drip red.
Another kind of redness bothers me:
The day your slack sail drank my sister's breath
The flat sea purpled like that evil cloth
My mother unrolled at your last homecoming.
I borrow the silts of an old tragedy.
The truth is, one late October, at my birth-cry
A scorpion stung its head, an ill-starred thing;
My mother dreamed you face down in the sea.
The stony actors poise and pause for breath.
I brought my love to bear, and then you died.
It was the gangrene ate you to the bone
My mother said: you died like any man.
How shall I age into that state of mind?
I am the ghost of an infamous suicide,
My own blue razor rusting at my throat.
O pardon the one who knocks for pardon at
Your gate, father -- your hound-*****, daughter, friend.
It was my love that did us both to death.
|
Written by
Elizabeth Bishop |
Now can you see the monument? It is of wood
built somewhat like a box.
No.
Built
like several boxes in descending sizes
one above the other.
Each is turned half-way round so that
its corners point toward the sides
of the one below and the angles alternate.
Then on the topmost cube is set
a sort of fleur-de-lys of weathered wood,
long petals of board, pierced with odd holes,
four-sided, stiff, ecclesiastical.
From it four thin, warped poles spring out,
(slanted like fishing-poles or flag-poles)
and from them jig-saw work hangs down,
four lines of vaguely whittled ornament
over the edges of the boxes
to the ground.
The monument is one-third set against
a sea; two-thirds against a sky.
The view is geared
(that is, the view's perspective)
so low there is no "far away,"
and we are far away within the view.
A sea of narrow, horizontal boards
lies out behind our lonely monument,
its long grains alternating right and left
like floor-boards--spotted, swarming-still,
and motionless.
A sky runs parallel,
and it is palings, coarser than the sea's:
splintery sunlight and long-fibred clouds.
"Why does the strange sea make no sound?
Is it because we're far away?
Where are we? Are we in Asia Minor,
or in Mongolia?"
An ancient promontory,
an ancient principality whose artist-prince
might have wanted to build a monument
to mark a tomb or boundary, or make
a melancholy or romantic scene of it.
.
.
"But that ***** sea looks made of wood,
half-shining, like a driftwood, sea.
And the sky looks wooden, grained with cloud.
It's like a stage-set; it is all so flat!
Those clouds are full of glistening splinters!
What is that?"
It is the monument.
"It's piled-up boxes,
outlined with shoddy fret-work, half-fallen off,
cracked and unpainted.
It looks old.
"
--The strong sunlight, the wind from the sea,
all the conditions of its existence,
may have flaked off the paint, if ever it was painted,
and made it homelier than it was.
"Why did you bring me here to see it?
A temple of crates in cramped and crated scenery,
what can it prove?
I am tired of breathing this eroded air,
this dryness in which the monument is cracking.
"
It is an artifact
of wood.
Wood holds together better
than sea or cloud or and could by itself,
much better than real sea or sand or cloud.
It chose that way to grow and not to move.
The monument's an object, yet those decorations,
carelessly nailed, looking like nothing at all,
give it away as having life, and wishing;
wanting to be a monument, to cherish something.
The crudest scroll-work says "commemorate,"
while once each day the light goes around it
like a prowling animal,
or the rain falls on it, or the wind blows into it.
It may be solid, may be hollow.
The bones of the artist-prince may be inside
or far away on even drier soil.
But roughly but adequately it can shelter
what is within (which after all
cannot have been intended to be seen).
It is the beginning of a painting,
a piece of sculpture, or poem, or monument,
and all of wood.
Watch it closely.
|
Written by
Robert Browning |
I.
I said---Then, dearest, since 'tis so,
Since now at length my fate I know,
Since nothing all my love avails,
Since all, my life seemed meant for, fails,
Since this was written and needs must be---
My whole heart rises up to bless
Your name in pride and thankfulness!
Take back the hope you gave,---I claim
---Only a memory of the same,
---And this beside, if you will not blame,
Your leave for one more last ride with me.
II.
My mistress bent that brow of hers;
Those deep dark eyes where pride demurs
When pity would be softening through,
Fixed me, a breathing-while or two,
With life or death in the balance: right!
The blood replenished me again;
My last thought was at least not vain:
I and my mistress, side by side
Shall be together, breathe and ride,
So, one day more am I deified.
Who knows but the world may end tonight?
III.
Hush! if you saw some western cloud
All billowy-bosomed, over-bowed
By many benedictions---sun's
And moon's and evening-star's at once---
And so, you, looking and loving best,
Conscious grew, your passion drew
Cloud, sunset, moonrise, star-shine too,
Down on you, near and yet more near,
Till flesh must fade for heaven was here!---
Thus leant she and lingered---joy and fear!
Thus lay she a moment on my breast.
IV.
Then we began to ride.
My soul
Smoothed itself out, a long-cramped scroll
Freshening and fluttering in the wind.
Past hopes already lay behind.
What need to strive with a life awry?
Had I said that, had I done this,
So might I gain, so might I miss.
Might she have loved me? just as well
She might have hated, who can tell!
Where had I been now if the worst befell?
And here we are riding, she and I.
V.
Fail I alone, in words and deeds?
Why, all men strive and who succeeds?
We rode; it seemed my spirit flew,
Saw other regions, cities new,
As the world rushed by on either side.
I thought,---All labour, yet no less
Bear up beneath their unsuccess.
Look at the end of work, contrast
The petty done, the undone vast,
This present of theirs with the hopeful past!
I hoped she would love me; here we ride.
VI.
What hand and brain went ever paired?
What heart alike conceived and dared?
What act proved all its thought had been?
What will but felt the fleshly screen?
We ride and I see her bosom heave.
There's many a crown for who can reach,
Ten lines, a statesman's life in each!
The flag stuck on a heap of bones,
A soldier's doing! what atones?
They scratch his name on the Abbey-stones.
My riding is better, by their leave.
VII.
What does it all mean, poet? Well,
Your brains beat into rhythm, you tell
What we felt only; you expressed
You hold things beautiful the best,
And pace them in rhyme so, side by side.
'Tis something, nay 'tis much: but then,
Have you yourself what's best for men?
Are you---poor, sick, old ere your time---
Nearer one whit your own sublime
Than we who never have turned a rhyme?
Sing, riding's a joy! For me, I ride.
VIII.
And you, great sculptor---so, you gave
A score of years to Art, her slave,
And that's your Venus, whence we turn
To yonder girl that fords the burn!
You acquiesce, and shall I repine?
What, man of music, you grown grey
With notes and nothing else to say,
Is this your sole praise from a friend,
``Greatly his opera's strains intend,
``Put in music we know how fashions end!''
I gave my youth; but we ride, in fine.
IX.
Who knows what's fit for us? Had fate
Proposed bliss here should sublimate
My being---had I signed the bond---
Still one must lead some life beyond,
Have a bliss to die with, dim-descried.
This foot once planted on the goal,
This glory-garland round my soul,
Could I descry such? Try and test!
I sink back shuddering from the quest.
Earth being so good, would heaven seem best?
Now, heaven and she are beyond this ride.
X.
And yet---she has not spoke so long!
What if heaven be that, fair and strong
At life's best, with our eyes upturned
Whither life's flower is first discerned,
We, fixed so, ever should so abide?
What if we still ride on, we two
With life for ever old yet new,
Changed not in kind but in degree,
The instant made eternity,---
And heaven just prove that I and she
Ride, ride together, for ever ride?
|
Written by
Thomas Hardy |
I
"Percussus sum sicut foenum, et aruit cor meum.
"
- Ps.
ci
Wintertime nighs;
But my bereavement-pain
It cannot bring again:
Twice no one dies.
Flower-petals flee;
But, since it once hath been,
No more that severing scene
Can harrow me.
Birds faint in dread:
I shall not lose old strength
In the lone frost's black length:
Strength long since fled!
Leaves freeze to dun;
But friends can not turn cold
This season as of old
For him with none.
Tempests may scath;
But love can not make smart
Again this year his heart
Who no heart hath.
Black is night's cope;
But death will not appal
One who, past doubtings all,
Waits in unhope.
De Profundis
II
"Considerabam ad dexteram, et videbam; et non erat qui cognosceret me
When the clouds' swoln bosoms echo back the shouts of the many and
strong
That things are all as they best may be, save a few to be right ere
long,
And my eyes have not the vision in them to discern what to these is
so clear,
The blot seems straightway in me alone; one better he were not here.
The stout upstanders say, All's well with us: ruers have nought to
rue!
And what the potent say so oft, can it fail to be somewhat true?
Breezily go they, breezily come; their dust smokes around their
career,
Till I think I am one horn out of due time, who has no calling here.
Their dawns bring lusty joys, it seems; their eves exultance sweet;
Our times are blessed times, they cry: Life shapes it as is most
meet,
And nothing is much the matter; there are many smiles to a tear;
Then what is the matter is I, I say.
Why should such an one be here?
Let him to whose ears the low-voiced Best seems stilled by the clash
of the First,
Who holds that if way to the Better there be, it exacts a full look
at the Worst,
Who feels that delight is a delicate growth cramped by crookedness,
custom, and fear,
Get him up and be gone as one shaped awry; he disturbs the order
here.
De Profundis
III
"Heu mihi, quia incolatus meus prolongatus est! Habitavi cum
habitantibus Cedar; multum incola fuit aninia mea.
"--Ps.
cxix.
There have been times when I well might have passed and the ending
have come -
Points in my path when the dark might have stolen on me, artless,
unrueing -
Ere I had learnt that the world was a welter of futile doing:
Such had been times when I well might have passed, and the ending
have come!
Say, on the noon when the half-sunny hours told that April was nigh,
And I upgathered and cast forth the snow from the crocus-border,
Fashioned and furbished the soil into a summer-seeming order,
Glowing in gladsome faith that I quickened the year thereby.
Or on that loneliest of eves when afar and benighted we stood,
She who upheld me and I, in the midmost of Egdon together,
Confident I in her watching and ward through the blackening heather,
Deeming her matchless in might and with measureless scope endued.
Or on that winter-wild night when, reclined by the chimney-nook
quoin,
Slowly a drowse overgat me, the smallest and feeblest of folk there,
Weak from my baptism of pain; when at times and anon I awoke there -
Heard of a world wheeling on, with no listing or longing to join.
Even then! while unweeting that vision could vex or that knowledge
could numb,
That sweets to the mouth in the belly are bitter, and tart, and
untoward,
Then, on some dim-coloured scene should my briefly raised curtain
have lowered,
Then might the Voice that is law have said "Cease!" and the ending
have come.
|
Written by
Rg Gregory |
(1)
and off to scott's (the dockers' restaurant)
burly men packed in round solid tables
but what the helle (drowned in hellespont)
this place for me was rich in its own fables
i'll be the lover sunk if that enables
an awesome sense of just how deep the spells
that put scotts for me beyond the dardanelles
lace-curtained windows (or memory plays me false)
no capped odysseus could turn such sirens down
or was it a circean slip that shocked the pulse
all men are pigs when hunger rips the gown
and these men were not there to grace the town
service bustling (no time to take caps off)
hot steaming food and noses in the trough
i loved it deeply squashed in there with you
rough offensive banter bantered back
the smells of sweat and cargoes mixed with stew
and dumplings lamb chops roast beef - what the ****
these toughened men could outdo friar tuck
so ravenous their faith blown off the sea
that god lived in the stomach raucously
perhaps cramped into scotts i felt it most
that you belonged in a living sea of men
who shared the one blood-vision of a coast
tides washed you to but washed you off again
too much history made the struggle plain
but all the time there was this rough-hewn glimmer
that truth wore dirty clothes and ate its dinner
at midday - scotts was a parliament of sorts
where what was said had not the solid weight
of what was felt (or what was eaten) courts
bewigged and stuffed with pomp of state
were brushed aside in favour of the plate
but those who entered hungry came out wise
unspoken resolutions mulled like pies
(2)
and then the tram ride home (if we were lucky -
and nothing during the day had caused despair)
trams had a gift about them that was snaky
wriggling their straitened ways from lair to lair
they hissed upon their wires and flashed the air
they swallowed people whole and spewed them out
and most engorged in them became devout
you either believed in trams or thought them heathen
savage contraptions that shook you to your roots
on busy jaunts there was no room for breathing
damn dignity - rapt flesh was in cahoots
all sexes fused from head-scarves to their boots
and somewhere in the melee children pressed
shoulders to crotches noses to the rest
and in light-headed periods trams debunked
the classier lissome ways of shifting freight
emptied of pomp their anarchy instinct
they'd rattle down their tracks at such a rate
they'd writhe their upper structures like an eight
being drawn by revelling legless topers
strict rails (they claimed) gave sanction for such capers
trams had this kind of catholic conviction
the end ordained their waywardness was blessed
if tramways claimed per se this benediction
who cared if errant trams at times seemed pissed
religions prosper from the hedonist
who shags the world by day and prays at night
those drunken trams still brim me with delight
to climb the twisted stairs and seek a seat
as tram got under way through sozzled rotors
and find olympia vacant at my feet
(the gods too razzled by the rasping motors
- the sharps of life too much for absolutors)
would send me skeltering along the aisle
king of the upper world for one short while
and all the shaking rolling raucous gait
of this metallic serpent sizzling through
the maze of shoppy streets (o dizzy state)
sprinkled my heart-strings with ambrosial dew
(well tell a lie but such a wish will do)
and i'd be gloried as if leviathan
said hop on nip and sped me to japan
so back to earth - the tram that netley day
would be quite sober bumbling through the town
the rush-hour gone and night still on its way
mum lil and baby (babies) would stay down
and we'd be up the top - too tired to clown
our bodies glowed (a warm contentment brewed)
burnt backs nor aching legs could pop that mood
(3)
i lay in bed one day my joints subsiding
lost in a day-dream rhythmed by my heart
medicine-time (a pleasure not abiding)
i did my best to play the sleeping part
then at my back a nurse's rustling skirt
a bending breeze (all breathing held in check)
and then she blew sweet eddies down my neck
the nurse (of all) whose presence turned the winter
to summer's morning (cool before the sun)
who touched the quick with such exquisite splinter
the wince was there but no great hurt was done
she moved like silk the finest loom had spun
the ward went dark when she was gone or late
and i was seven longing to be eight
that whispering down my spine by scented lips
threw wants and hopes my way that stewed my mind
a draught drunk down in paradisal sips
stirred passages in me not then defined
at three i'd touched the grail with fingers blind
to heart-ache - this nurse though first described the gates
to elysium where grown-up love pupates
but soon a cloud knocked pristine sex aback
(i had to learn the hard way nothing's easy)
i went my own route off the sanctioned track
and came distraught - in fact distinctly queasy
without permission (both nonchalant and breezy)
i sailed from bed to have a pee (or worse)
and got locked in - and drew that nurse's curse
not only hers but all the fussing staff's
for daring such a voyage in my state
whose heart just then was not a bag of laughs
did i not understand the fist of fate
that waited naughty boys who could not wait
thunderous gods glared through the quaking panes
a corporate wrath set back my growing pains
forget the scented lips the creeping bliss
of such a nurse's presence on my flesh
locked in i'd been an hour or more amiss
they thought i'd done a bunk or slipped the leash
when found i'd gone all blue like frozen fish
those scented lips discharged their angry bile
and cupid's dart fell short a scornful mile
come christmas day the christmas tree was bright
its mothering arms held glittering gifts for all
and i was seven longing to be eight
and i was given a large pink fluffy ball
my spirit shrank into the nearest wall
true love reduced to this insulting gimcrack
my pumped-up heart was punctured by a tintack
|
Written by
Rudyard Kipling |
Now this is the tale of the Council the German Kaiser decreed,
To ease the strong of their burden, to help the weak in their need,
He sent a word to the peoples, who struggle, and pant, and sweat,
That the straw might be counted fairly and the tally of bricks be set.
The Lords of Their Hands assembled; from the East and the West they drew --
Baltimore, Lille, and Essen, Brummagem, Clyde, and Crewe.
And some were black from the furnace, and some were brown from the soil,
And some were blue from the dye-vat; but all were wearied of toil.
And the young King said: -- "I have found it, the road to the rest ye seek:
The strong shall wait for the weary, the hale shall halt for the weak;
With the even tramp of an army where no man breaks from the line,
Ye shall march to peace and plenty in the bond of brotherhood -- sign!"
The paper lay on the table, the strong heads bowed thereby,
And a wail went up from the peoples: -- "Ay, sign -- give rest, for we die!"
A hand was stretched to the goose-quill, a fist was cramped to scrawl,
When -- the laugh of a blue-eyed maiden ran clear through the council-hall.
And each one heard Her laughing as each one saw Her plain --
Saidie, Mimi, or Olga, Gretchen, or Mary Jane.
And the Spirit of Man that is in Him to the light of the vision woke;
And the men drew back from the paper, as a Yankee delegate spoke: --
"There's a girl in Jersey City who works on the telephone;
We're going to hitch our horses and dig for a house of our own,
With gas and water connections, and steam-heat through to the top;
And, W.
Hohenzollern, I guess I shall work till I drop.
"
And an English delegate thundered: -- "The weak an' the lame be blowed!
I've a berth in the Sou'-West workshops, a home in the Wandsworth Road;
And till the 'sociation has footed my buryin' bill,
I work for the kids an' the missus.
Pull up? I be damned if I will!"
And over the German benches the bearded whisper ran: --
"Lager, der girls und der dollars, dey makes or dey breaks a man.
If Schmitt haf collared der dollars, he collars der girl deremit;
But if Schmitt bust in der pizness, we collars der girl from Schmitt.
"
They passed one resolution: -- "Your sub-committee believe
You can lighten the curse of Adam when you've lightened the curse of Eve.
But till we are built like angels, with hammer and chisel and pen,
We will work for ourself and a woman, for ever and ever, amen.
"
Now this is the tale of the Council the German Kaiser held --
The day that they razored the Grindstone, the day that the Cat was belled,
The day of the Figs from Thistles, the day of the Twisted Sands,
The day that the laugh of a maiden made light of the Lords of Their Hands.
|