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Best Famous Costs Poems

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Written by Maya Angelou | Create an image from this poem

Touched by An Angel

We, unaccustomed to courage
exiles from delight
live coiled in shells of loneliness
until love leaves its high holy temple
and comes into our sight
to liberate us into life.

Love arrives
and in its train come ecstasies
old memories of pleasure
ancient histories of pain.
Yet if we are bold,
love strikes away the chains of fear
from our souls.

We are weaned from our timidity
In the flush of love's light
we dare be brave
And suddenly we see
that love costs all we are
and will ever be.
Yet it is only love
which sets us free.


Written by Allen Ginsberg | Create an image from this poem

America

 America I've given you all and now I'm nothing. 
America two dollars and twentyseven cents January 
 17, 1956. 
I can't stand my own mind. 
America when will we end the human war? 
Go **** yourself with your atom bomb. 
I don't feel good don't bother me. 
I won't write my poem till I'm in my right mind. 
America when will you be angelic? 
When will you take off your clothes? 
When will you look at yourself through the grave? 
When will you be worthy of your million Trotskyites? 
America why are your libraries full of tears? 
America when will you send your eggs to India? 
I'm sick of your insane demands. 
When can I go into the supermarket and buy what I 
 need with my good looks? 
America after all it is you and I who are perfect not 
 the next world. 
Your machinery is too much for me. 
You made me want to be a saint. 
There must be some other way to settle this argument. 
Burroughs is in Tangiers I don't think he'll come back 
 it's sinister. 
Are you being sinister or is this some form of practical 
 joke? 
I'm trying to come to the point. 
I refuse to give up my obsession. 
America stop pushing I know what I'm doing. 
America the plum blossoms are falling. 
I haven't read the newspapers for months, everyday 
 somebody goes on trial for murder. 
America I feel sentimental about the Wobblies. 
America I used to be a communist when I was a kid 
 I'm not sorry. 
I smoke marijuana every chance I get. 
I sit in my house for days on end and stare at the roses 
 in the closet. 
When I go to Chinatown I get drunk and never get laid. 
My mind is made up there's going to be trouble. 
You should have seen me reading Marx. 
My psychoanalyst thinks I'm perfectly right. 
I won't say the Lord's Prayer. 
I have mystical visions and cosmic vibrations. 
America I still haven't told you what you did to Uncle 
 Max after he came over from Russia.

I'm addressing you. 
Are you going to let your emotional life be run by 
 Time Magazine? 
I'm obsessed by Time Magazine. 
I read it every week. 
Its cover stares at me every time I slink past the corner 
 candystore. 
I read it in the basement of the Berkeley Public Library. 
It's always telling me about responsibility. Business-
 men are serious. Movie producers are serious. 
 Everybody's serious but me. 
It occurs to me that I am America. 
I am talking to myself again. 

Asia is rising against me. 
I haven't got a chinaman's chance. 
I'd better consider my national resources. 
My national resources consist of two joints of 
 marijuana millions of genitals an unpublishable 
 private literature that goes 1400 miles an hour 
 and twenty-five-thousand mental institutions. 
I say nothing about my prisons nor the millions of 
 underprivileged who live in my flowerpots 
 under the light of five hundred suns. 
I have abolished the whorehouses of France, Tangiers 
 is the next to go. 
My ambition is to be President despite the fact that 
 I'm a Catholic. 
America how can I write a holy litany in your silly 
 mood? 
I will continue like Henry Ford my strophes are as 
 individual as his automobiles more so they're 
 all different sexes. 
America I will sell you strophes $2500 apiece $500 
 down on your old strophe 
America free Tom Mooney 
America save the Spanish Loyalists 
America Sacco & Vanzetti must not die 
America I am the Scottsboro boys. 
America when I was seven momma took me to Com-
 munist Cell meetings they sold us garbanzos a 
 handful per ticket a ticket costs a nickel and the 
 speeches were free everybody was angelic and 
 sentimental about the workers it was all so sin-
 cere you have no idea what a good thing the 
 party was in 1835 Scott Nearing was a grand 
 old man a real mensch Mother Bloor made me 
 cry I once saw Israel Amter plain. Everybody 
 must have been a spy. 
America you don't really want to go to war. 
America it's them bad Russians. 
Them Russians them Russians and them Chinamen. 
 And them Russians. 
The Russia wants to eat us alive. The Russia's power 
 mad. She wants to take our cars from out our 
 garages. 
Her wants to grab Chicago. Her needs a Red Readers' 
 Digest. Her wants our auto plants in Siberia. 
 Him big bureaucracy running our fillingsta-
 tions. 
That no good. Ugh. Him make Indians learn read. 
 Him need big black niggers. Hah. Her make us 
 all work sixteen hours a day. Help. 
America this is quite serious. 
America this is the impression I get from looking in 
 the television set. 
America is this correct? 
I'd better get right down to the job. 
It's true I don't want to join the Army or turn lathes 
 in precision parts factories, I'm nearsighted and 
 psychopathic anyway. 
America I'm putting my ***** shoulder to the wheel. 

 Berkeley, January 17, 1956
Written by Marianne Moore | Create an image from this poem

Baseball and Writing

 Fanaticism?No.Writing is exciting
and baseball is like writing.
You can never tell with either
how it will go
or what you will do;
generating excitement--
a fever in the victim--
pitcher, catcher, fielder, batter.
Victim in what category?
Owlman watching from the press box?
To whom does it apply?
Who is excited?Might it be I?

It's a pitcher's battle all the way--a duel--
a catcher's, as, with cruel
puma paw, Elston Howard lumbers lightly
back to plate.(His spring 
de-winged a bat swing.)
They have that killer instinct;
yet Elston--whose catching
arm has hurt them all with the bat--
when questioned, says, unenviously,
"I'm very satisfied.We won."
Shorn of the batting crown, says, "We";
robbed by a technicality.

When three players on a side play three positions
and modify conditions,
the massive run need not be everything.
"Going, going . . . "Is
it?Roger Maris
has it, running fast.You will
never see a finer catch.Well . . .
"Mickey, leaping like the devil"--why
gild it, although deer sounds better--
snares what was speeding towards its treetop nest,
one-handing the souvenir-to-be
meant to be caught by you or me.

Assign Yogi Berra to Cape Canaveral;
he could handle any missile.
He is no feather."Strike! . . . Strike two!"
Fouled back.A blur.
It's gone.You would infer
that the bat had eyes.
He put the wood to that one.
Praised, Skowron says, "Thanks, Mel.
I think I helped a little bit."
All business, each, and modesty.
Blanchard, Richardson, Kubek, Boyer.
In that galaxy of nine, say which
won the pennant?Each.It was he.

Those two magnificent saves from the knee-throws
by Boyer, finesses in twos--
like Whitey's three kinds of pitch and pre-
diagnosis
with pick-off psychosis.
Pitching is a large subject.
Your arm, too true at first, can learn to
catch your corners--even trouble
Mickey Mantle.("Grazed a Yankee!
My baby pitcher, Montejo!"
With some pedagogy,
you'll be tough, premature prodigy.)

They crowd him and curve him and aim for the knees.Trying
indeed!The secret implying:
"I can stand here, bat held steady."
One may suit him;
none has hit him.
Imponderables smite him.
Muscle kinks, infections, spike wounds
require food, rest, respite from ruffians.(Drat it!
Celebrity costs privacy!)
Cow's milk, "tiger's milk," soy milk, carrot juice,
brewer's yeast (high-potency--
concentrates presage victory

sped by Luis Arroyo, Hector Lopez--
deadly in a pinch.And "Yes,
it's work; I want you to bear down,
but enjoy it
while you're doing it."
Mr. Houk and Mr. Sain,
if you have a rummage sale,
don't sell Roland Sheldon or Tom Tresh.
Studded with stars in belt and crown,
the Stadium is an adastrium.
O flashing Orion,
your stars are muscled like the lion.
Written by Emily Dickinson | Create an image from this poem

Perception of an object costs

 Perception of an object costs
Precise the Object's loss --
Perception in itself a Gain
Replying to its Price --

The Object Absolute -- is nought --
Perception sets it fair
And then upbraids a Perfectness
That situates so far --
Written by Thomas Hood | Create an image from this poem

The Song of the Shirt

 With fingers weary and worn, 
With eyelids heavy and red, 
A woman sat, in unwomanly rags, 
Plying her needle and thread-- 
Stitch! stitch! stitch! 
In poverty, hunger, and dirt, 
And still with a voice of dolorous pitch 
She sang the "Song of the Shirt."

"Work! work! work! 
While the cock is crowing aloof! 
And work — work — work, 
Till the stars shine through the roof! 
It's Oh! to be a slave 
Along with the barbarous Turk, 
Where woman has never a soul to save, 
If this is Christian work!

"Work — work — work 
Till the brain begins to swim; 
Work — work — work 
Till the eyes are heavy and dim! 
Seam, and gusset, and band, 
Band, and gusset, and seam, 
Till over the buttons I fall asleep, 
And sew them on in a dream!

"Oh, Men, with Sisters dear! 
Oh, Men, with Mothers and Wives! 
It is not linen you're wearing out, 
But human creatures' lives! 
Stitch — stitch — stitch, 
In poverty, hunger, and dirt, 
Sewing at once with a double thread, 
A Shroud as well as a Shirt.

But why do I talk of Death? 
That Phantom of grisly bone, 
I hardly fear its terrible shape, 
It seems so like my own —
It seems so like my own, 
Because of the fasts I keep; 
Oh, God! that bread should be so dear, 
And flesh and blood so cheap!

"Work — work — work! 
My Labour never flags; 
And what are its wages? A bed of straw, 
A crust of bread — and rags. 
That shatter'd roof — and this naked floor —
A table — a broken chair —
And a wall so blank, my shadow I thank 
For sometimes falling there!

"Work — work — work! 
From weary chime to chime, 
Work — work — work! 
As prisoners work for crime! 
Band, and gusset, and seam, 
Seam, and gusset, and band, 
Till the heart is sick, and the brain benumb'd, 
As well as the weary hand.

"Work — work — work, 
In the dull December light, 
And work — work — work, 
When the weather is warm and bright —
While underneath the eaves 
The brooding swallows cling 
As if to show me their sunny backs 
And twit me with the spring.

Oh! but to breathe the breath 
Of the cowslip and primrose sweet —
With the sky above my head, 
And the grass beneath my feet 
For only one short hour 
To feel as I used to feel, 
Before I knew the woes of want 
And the walk that costs a meal!

Oh! but for one short hour! 
A respite however brief! 
No blessed leisure for Love or Hope, 
But only time for Grief! 
A little weeping would ease my heart, 
But in their briny bed 
My tears must stop, for every drop 
Hinders needle and thread!"

With fingers weary and worn, 
With eyelids heavy and red, 
A woman sat in unwomanly rags, 
Plying her needle and thread —
Stitch! stitch! stitch! 
In poverty, hunger, and dirt, 
And still with a voice of dolorous pitch, —
Would that its tone could reach the Rich! —
She sang this "Song of the Shirt!"


Written by Robert Browning | Create an image from this poem

Up At A Villa— Down In The City

 (As Distinguished by an Italian Person of Quality)

I

Had I but plenty of money, money enough and to spare,
The house for me, no doubt, were a house in the city-square;
Ah, such a life, such a life, as one leads at the window there!

II

Something to see, by Bacchus, something to hear, at least!
There, the whole day long, one's life is a perfect feast;
While up at a villa one lives, I maintain it, no more than a beast.

III

Well now, look at our villa! stuck like the horn of a bull
Just on a mountain's edge as bare as the creature's skull,
Save a mere shag of a bush with hardly a leaf to pull!
- I scratch my own, sometimes, to see if the hair's turned wool.

IV

But the city, oh the city—the square with the houses! Why?
They are stone-faced, white as a curd, there's something to take the eye!
Houses in four straight lines, not a single front awry!
You watch who crosses and gossips, who saunters, who hurries by:
Green blinds, as a matter of course, to draw when the sun gets high;
And the shops with fanciful signs which are painted properly.

V

What of a villa? Though winter be over in March by rights,
'Tis May perhaps ere the snow shall have withered well off the heights:
You've the brown ploughed land before, where the oxen steam and wheeze,
And the hills over-smoked behind by the faint grey olive trees.

VI

Is it better in May, I ask you? You've summer all at once;
In a day he leaps complete with a few strong April suns.
'Mid the sharp short emerald wheat, scarce risen three fingers well,
The wild tulip, at end of its tube, blows out its great red bell
Like a thin clear bubble of blood, for the children to pick and sell.

VII

Is it ever hot in the square? There's a fountain to spout and splash!
In the shade it sings and springs; in the shine such foam-bows flash
On the horses with curling fish-tails, that prance and paddle and pash
Round the lady atop in her conch—fifty gazers do not abash,
Though all that she wears is some weeds round her waist in a sort of sash!

VIII

All the year long at the villa, nothing to see though you linger,
Except yon cypress that points like Death's lean lifted forefinger.
Some think fireflies pretty, when they mix in the corn and mingle,
Or thrid the stinking hemp till the stalks of it seem a-tingle.
Late August or early September, the stunning cicala is shrill,
And the bees keep their tiresome whine round the resinous firs on the hill.
Enough of the seasons,—I spare you the months of the fever and chill.

IX

Ere opening your eyes in the city, the blessed church-bells begin:
No sooner the bells leave off than the diligence rattles in:
You get the pick of the news, and it costs you never a pin.
By and by there's the travelling doctor gives pills, lets blood, draws teeth;
Or the Pulcinello-trumpet breaks up the market beneath.
At the post-office such a scene-picture—the new play, piping hot!
And a notice how, only this morning, three liberal thieves were shot.
Above it, behold the Archbishop's most fatherly of rebukes,
And beneath, with his crown and his lion, some little new law of the Duke's!
Or a sonnet with flowery marge, to the Reverend Don So-and-so
Who is Dante, Boccaccio, Petrarca, Saint Jerome, and Cicero,
"And moreover," (the sonnet goes rhyming,) "the skirts of Saint Paul has 
reached,
Having preached us those six Lent-lectures more unctuous than ever he preached."
Noon strikes,—here sweeps the procession! our Lady borne smiling and smart
With a pink gauze gown all spangles, and seven swords stuck in her heart!
Bang, whang, whang goes the drum, tootle-te-tootle the fife;
No keeping one's haunches still: it's the greatest pleasure in life.

X

But bless you, it's dear—it's dear! fowls, wine, at double the rate.
They have clapped a new tax upon salt, and what oil pays passing the gate
It's a horror to think of. And so, the villa for me, not the city!
Beggars can scarcely be choosers: but still—ah, the pity, the pity!
Look, two and two go the priests, then the monks with cowls and sandals,
And the penitents dressed in white shirts, a-holding the yellow candles;
One, he carries a flag up straight, and another a cross with handles,
And the Duke's guard brings up the rear, for the better prevention of scandals.
Bang, whang, whang goes the drum, tootle-te-tootle the fife.
Oh, a day in the city-square, there is no such pleasure in life!
Written by Dorothy Parker | Create an image from this poem

Ballade Of A Great Weariness

 There's little to have but the things I had,
There's little to bear but the things I bore.
There's nothing to carry and naught to add,
And glory to Heaven, I paid the score.

There's little to do but I did before,
There's little to learn but the things I know;
And this is the sum of a lasting lore:
Scratch a lover, and find a foe.

And couldn't it be I was young and mad
If ever my heart on my sleeve I wore?
There's many to claw at a heart unclad,
And little the wonder it ripped and tore.
There's one that'll join in their push and roar,
With stories to jabber, and stones to throw;
He'll fetch you a lesson that costs you sore:
Scratch a lover, and find a foe.

So little I'll offer to you, my lad;
It's little in loving I set my store.
There's many a maid would be flushed and glad,
And better you'll knock at a kindlier door.
I'll dig at my lettuce, and sweep my floor,
Forever, forever I'm done with woe.
And happen I'll whistle about my chore,
"Scratch a lover, and find a foe."



L'ENVOI

Oh, beggar or prince, no more, no more!
Be off and away with your strut and show.
The sweeter the apple, the blacker the core:
Scratch a lover, and find a foe!
Written by John Wilmot | Create an image from this poem

A Satyre on Charles II

 [Rochester had to flee the court for several months
after handing this to the King by mistake.]


In th' isle of Britain, long since famous grown
For breeding the best cunts in Christendom,
There reigns, and oh! long may he reign and thrive,
The easiest King and best bred man alive.
Him no ambition moves to get reknown
Like the French fool, that wanders up and down
Starving his people, hazarding his crown.
Peace is his aim, his gentleness is such,
And love he loves, for he loves fucking much.
Nor are his high desires above his strength:
His scepter and his prick are of a length;
And she may sway the one who plays with th' other,
And make him little wiser than his brother.
Poor Prince! thy prick, like thy buffoons at court,
Will govern thee because it makes thee sport.
'Tis sure the sauciest prick that e'er did swive,
The proudest, peremptoriest prick alive.
Though safety, law, religion, life lay on 't,
'Twould break through all to make its way to ****.
Restless he rolls about from whore to whore,
A merry monarch, scandalous and poor.
To Carwell, the most dear of all his dears,
The best relief of his declining years,
Oft he bewails his fortune, and her fate:
To love so well, and be beloved so late.
Yet his dull, graceless bollocks hang an ****.
This you'd believe, had I but time to tell ye
The pains it costs to poor, laborious Nelly,
Whilst she employs hands, fingers, mouth, and thighs,
Ere she can raise the member she enjoys.
All monarchs I hate, and the thrones they sit on,
From the hector of France to the cully of Britain.
Written by Jane Austen | Create an image from this poem

Mock Panegyric on a Young Friend

 In measured verse I'll now rehearse 
The charms of lovely Anna: 
And, first, her mind is unconfined 
Like any vast savannah.

Ontario's lake may fitly speak 
Her fancy's ample bound: 
Its circuit may, on strict survey 
Five hundred miles be found.

Her wit descends on foes and friends 
Like famed Niagara's fall; 
And travellers gaze in wild amaze, 
And listen, one and all.

Her judgment sound, thick, black, profound, 
Like transatlantic groves, 
Dispenses aid, and friendly shade 
To all that in it roves.

If thus her mind to be defined 
America exhausts, 
And all that's grand in that great land 
In similes it costs --

Oh how can I her person try 
To image and portray? 
How paint the face, the form how trace, 
In which those virtues lay?

Another world must be unfurled, 
Another language known, 
Ere tongue or sound can publish round 
Her charms of flesh and bone.
Written by Li Bai | Create an image from this poem

The Hard Road - 1 of 3

Pure wine costs, for the golden cup,

ten thousand coppers a flagon,

And a jade plate of dainty food calls for million coins.

I fling aside my chop-sticks and cup, I cannot eat nor drink...

I pull out my dagger, I peer four ways in vain.

I would cross the Yellow River, but ice chokes the ferry;

I would climb the Tai-hang Mountains,

but the sky is blind with snow..

I would sit and poise a fishing-pole, lazy by a brook --

But I suddenly dream of riding a boat, sailing for the sun...

Journeying is hard,

Journeying is hard.

There are many turings --

Which am I to follow?...

I will mount a long wind some day and break the heavy waves

And set my cloudy sail straight and bridge the deep, deep sea.

Book: Radiant Verses: A Journey Through Inspiring Poetry