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Best Famous Cooled Poems

Here is a collection of the all-time best famous Cooled poems. This is a select list of the best famous Cooled poetry. Reading, writing, and enjoying famous Cooled poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of cooled poems.

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Written by Edgar Bowers | Create an image from this poem

Elegy: Walking the Line

 Every month or so, Sundays, we walked the line,
The limit and the boundary. Past the sweet gum
Superb above the cabin, along the wall—
Stones gathered from the level field nearby
When first we cleared it. (Angry bumblebees
Stung the two mules. They kicked. Thirteen, I ran.)
And then the field: thread-leaf maple, deciduous
Magnolia, hybrid broom, and, further down,
In light shade, one Franklinia Alatamaha
In solstice bloom, all white, most graciously.
On the sunnier slope, the wild plums that my mother
Later would make preserves of, to give to friends
Or sell, in autumn, with the foxgrape, quince,
Elderberry, and muscadine. Around
The granite overhang, moist den of foxes;
Gradually up a long hill, high in pine,
Park-like, years of dry needles on the ground,
And dogwood, slopes the settlers terraced; pine
We cut at Christmas, berries, hollies, anise,
And cones for sale in Mister Haymore’s yard
In town, below the Courthouse Square. James Haymore,
One of the two good teachers at Boys’ High,
Ironic and demanding, chemistry;
Mary Lou Culver taught us English: essays,
Plot summaries, outlines, meters, kinds of clauses
(Noun, adjective, and adverb, five at a time),
Written each day and then revised, and she
Up half the night to read them once again
Through her pince-nez, under a single lamp.
Across the road, on a steeper hill, the settlers
Set a house, unpainted, the porch fallen in,
The road a red clay strip without a bridge,
A shallow stream that liked to overflow.
Oliver Brand’s mules pulled our station wagon
Out of the gluey mire, earth’s rust. Then, here
And there, back from the road, the specimen
Shrubs and small trees my father planted, some
Taller than we were, some in bloom, some berried,
And some we still brought water to. We always
Paused at the weed-filled hole beside the beech
That, one year, brought forth beech nuts by the thousands,
A hole still reminiscent of the man
Chewing tobacco in among his whiskers
My father happened on, who, discovered, told
Of dreaming he should dig there for the gold
And promised to give half of what he found. 

During the wars with Germany and Japan,
Descendents of the settlers, of Oliver Brand
And of that man built Flying Fortresses
For Lockheed, in Atlanta; now they build
Brick mansions in the woods they left, with lawns
To paved and lighted streets, azaleas, camellias
Blooming among the pines and tulip trees—
Mercedes Benz and Cadillac Republicans.
There was another stream further along 
Divided through a marsh, lined by the fence
We stretched to posts with Mister Garner’s help
The time he needed cash for his son’s bail
And offered all his place. A noble spring
Under the oak root cooled his milk and butter.
He called me “honey,” working with us there
(My father bought three acres as a gift),
His wife pale, hair a country orange, voice
Uncanny, like a ghost’s, through the open door
Behind her, chickens scratching on the floor.
Barred Rocks, our chickens; one, a rooster, splendid
Sliver and grey, red comb and long sharp spurs,
Once chased Aunt Jennie as far as the daphne bed
The two big king snakes were familiars of.
My father’s dog would challenge him sometimes
To laughter and applause. Once, in Stone Mountain,
Travelers, stopped for gas, drove off with Smokey;
Angrily, grievingly, leaving his work, my father
Traced the car and found them way far south,
Had them arrested and, bringing Smokey home,
Was proud as Sherlock Holmes, and happier.
Above the spring, my sister’s cats, black Amy,
Grey Junior, down to meet us. The rose trees,
Domestic, Asiatic, my father’s favorites.
The bridge, marauding dragonflies, the bullfrog,
Camellias cracked and blackened by the freeze,
Bay tree, mimosa, mountain laurel, apple, 
Monkey pine twenty feet high, banana shrub,
The owls’ tall pine curved like a flattened S.
The pump house Mort and I built block by block,
Smooth concrete floor, roof pale aluminum
Half-covered by a clematis, the pump 
Thirty feet down the mountain’s granite foot. 

Mort was the hired man sent to us by Fortune,
Childlike enough to lead us. He brought home,
Although he could not even drive a tractor,
Cheated, a worthless car, which we returned.
When, at the trial to garnishee his wages,
Frank Guess, the judge, Grandmother’s longtime neighbor,
Whose children my mother taught in Cradle Roll,
Heard Mort’s examination, he broke in
As if in disbelief on the bank’s attorneys:
“Gentlemen, must we continue this charade?”
Finally, past the compost heap, the garden,
Tomatoes and sweet corn for succotash,
Okra for frying, Kentucky Wonders, limas,
Cucumbers, squashes, leeks heaped round with soil,
Lavender, dill, parsley, and rosemary,
Tithonia and zinnias between the rows;
The greenhouse by the rock wall, used for cuttings
In late spring, frames to grow them strong for planting
Through winter into summer. Early one morning
Mort called out, lying helpless by the bridge.
His ashes we let drift where the magnolia
We planted as a stem divides the path
The others lie, too young, at Silver Hill,
Except my mother. Ninety-five, she lives
Three thousand miles away, beside the bare
Pacific, in rooms that overlook the Mission,
The Riviera, and the silver range 
La Cumbre east. Magnolia grandiflora
And one druidic live oak guard the view. 
Proudly around the walls, she shows her paintings
Of twenty years ago: the great oak’s arm
Extended, Zeuslike, straight and strong, wisteria
Tangled among the branches, amaryllis
Around the base; her cat, UC, at ease
In marigolds; the weeping cherry, pink
And white arms like a blessing to the blue
Bird feeder Mort made; cabin, scarlet sweet gum
Superb when tribes migrated north and south.
Alert, still quick of speech, a little blind,
Active, ready for laughter, open to fear,
Pity, and wonder that such things may be,
Some Sundays, I think, she must walk the line,
Aunt Jennie, too, if she were still alive,
And Eleanor, whose story is untold,
Their presences like muses, prompting me
In my small study, all listening to the sea,
All of one mind, the true posterity.


Written by C S Lewis | Create an image from this poem

Cliche Came Out of its Cage

 1

You said 'The world is going back to Paganism'. 
Oh bright Vision! I saw our dynasty in the bar of the House 
Spill from their tumblers a libation to the Erinyes, 
And Leavis with Lord Russell wreathed in flowers, heralded with flutes, 
Leading white bulls to the cathedral of the solemn Muses 
To pay where due the glory of their latest theorem. 
Hestia's fire in every flat, rekindled, burned before 
The Lardergods. Unmarried daughters with obedient hands 
Tended it By the hearth the white-armd venerable mother 
Domum servabat, lanam faciebat. at the hour 
Of sacrifice their brothers came, silent, corrected, grave 
Before their elders; on their downy cheeks easily the blush 
Arose (it is the mark of freemen's children) as they trooped, 
Gleaming with oil, demurely home from the palaestra or the dance. 
Walk carefully, do not wake the envy of the happy gods, 
Shun Hubris. The middle of the road, the middle sort of men, 
Are best. Aidos surpasses gold. Reverence for the aged 
Is wholesome as seasonable rain, and for a man to die 
Defending the city in battle is a harmonious thing. 
Thus with magistral hand the Puritan Sophrosune 
Cooled and schooled and tempered our uneasy motions; 
Heathendom came again, the circumspection and the holy fears ... 
You said it. Did you mean it? Oh inordinate liar, stop.

2

Or did you mean another kind of heathenry? 
Think, then, that under heaven-roof the little disc of the earth, 
Fortified Midgard, lies encircled by the ravening Worm. 
Over its icy bastions faces of giant and troll 
Look in, ready to invade it. The Wolf, admittedly, is bound; 
But the bond wil1 break, the Beast run free. The weary gods, 
Scarred with old wounds the one-eyed Odin, Tyr who has lost a hand, 
Will limp to their stations for the Last defence. Make it your hope 
To be counted worthy on that day to stand beside them; 
For the end of man is to partake of their defeat and die 
His second, final death in good company. The stupid, strong 
Unteachable monsters are certain to be victorious at last, 
And every man of decent blood is on the losing side. 
Take as your model the tall women with yellow hair in plaits 
Who walked back into burning houses to die with men, 
Or him who as the death spear entered into his vitals 
Made critical comments on its workmanship and aim. 
Are these the Pagans you spoke of? Know your betters and crouch, dogs; 
You that have Vichy water in your veins and worship the event 
Your goddess History (whom your fathers called the strumpet Fortune).
Written by Ralph Waldo Emerson | Create an image from this poem

Hamatreya

 Bulkeley, Hunt, Willard, Hosmer, Meriam, Flint, 
Possessed the land which rendered to their toil 
Hay, corn, roots, hemp, flax, apples, wool and wood. 
Each of these landlords walked amidst his farm, 
Saying, "'Tis mine, my children's and my name's. 
How sweet the west wind sounds in my own trees! 
How graceful climb those shadows on my hill! 
I fancy these pure waters and the flags 
Know me, as does my dog: we sympathize; 
And, I affirm, my actions smack of the soil.'

Where are these men? Asleep beneath their grounds: 
And strangers, fond as they, their furrows plough. 
Earth laughs in flowers, to see her boastful boys 
Earth-proud, proud of the earth which is not theirs; 
Who steer the plough, but cannot steer their feet 
Clear of the grave. 
They added ridge to valley, brook to pond, 
And sighed for all that bounded their domain; 
'This suits me for a pasture; that's my park; 
We must have clay, lime, gravel, granite-ledge, 
And misty lowland, where to go for peat. 
The land is well,--lies fairly to the south. 
'Tis good, when you have crossed the sea and back, 
To find the sitfast acres where you left them.' 
Ah! the hot owner sees not Death, who adds 
Him to his land, a lump of mould the more. 
Hear what the Earth says:-- 

Earth-Song

'Mine and yours; 
Mine, not yours, Earth endures; 
Stars abide-- 
Shine down in the old sea; 
Old are the shores; 
But where are old men? 
I who have seen much, 
Such have I never seen.

'The lawyer's deed 
Ran sure, 
In tail, 
To them, and to their heirs 
Who shall succeed, 
Without fail, 
Forevermore. 

'Here is the land, 
Shaggy with wood, 
With its old valley, 
Mound and flood. 
"But the heritors?-- 
Fled like the flood's foam. 
The lawyer, and the laws, 
And the kingdom, 
Clean swept herefrom. 

'They called me theirs, 
Who so controlled me; 
Yet every one 
Wished to stay, and is gone, 
How am I theirs, 
If they cannot hold me, 
But I hold them?'

When I heard the Earth-song, 
I was no longer brave; 
My avarice cooled 
Like lust in the chill of the grave.
Written by Rg Gregory | Create an image from this poem

daft icarus

 it began as a secret desire (an itch
in the marrow too vague to get through
to the bone) an idea that never could
make it as flesh - there wasn't a part of me
sane i could tell that would have spared
it a breath to get started
   so i slept

one midday i woke up with a bang - light
was bashing in through the windows
and suddenly out of my pores
sprang this fully-fledged practical paeon
this triumphant brass-note of praise
for a why-hadn't-i-yelled-it-before
sort of answer to my life's rubbing-out
of my dreams
  i’ll jump from the window
(i sang to myself)
  and i'll fly
and be damned to daft icarus
   i crowed
and i flew - or i fled (which is
very much the same grain of word
and it graciously covers the gap
between the experience i had in my head
and the one i met rushing up
from the ground where the glasshouse
splashed around to reflect me
as i passed on my way down to earth
and the squirt of my dad's best tomatoes
and my mum's angry mask of a face
that just wasn't brought up to be fruitful)
so i fled - or i flew - out the gate
up the street till i melted
just like that daft icarus before me
and i thought
  well why the sod not
so i jumped in a pond till i cooled
and the blood from a scratch on my hand
turned the green water red but not a
thick peasant came to be in on the wonder
and i had to go home soaking wet
to a tongue that had blisters and a belt
round the head from my dad - but i lived

which is more than daft icarus did
Written by T S (Thomas Stearns) Eliot | Create an image from this poem

Gerontion

 Thou hast nor youth nor age
But as it were an after dinner sleep
Dreaming of both.


HERE I am, an old man in a dry month,
Being read to by a boy, waiting for rain.
I was neither at the hot gates
Nor fought in the warm rain
Nor knee deep in the salt marsh, heaving a cutlass,
Bitten by flies, fought.
My house is a decayed house,
And the jew squats on the window sill, the owner,
Spawned in some estaminet of Antwerp,
Blistered in Brussels, patched and peeled in London.
The goat coughs at night in the field overhead;
Rocks, moss, stonecrop, iron, merds.
The woman keeps the kitchen, makes tea,
Sneezes at evening, poking the peevish gutter.
I an old man,
A dull head among windy spaces.

Signs are taken for wonders. “We would see a sign!”
The word within a word, unable to speak a word,
Swaddled with darkness. In the juvescence of the year
Came Christ the tiger
In depraved May, dogwood and chestnut, flowering judas,
To be eaten, to be divided, to be drunk
Among whispers; by Mr. Silvero
With caressing hands, at Limoges
Who walked all night in the next room;

By Hakagawa, bowing among the Titians;
By Madame de Tornquist, in the dark room
Shifting the candles; Fräulein von Kulp
Who turned in the hall, one hand on the door. Vacant shuttles
Weave the wind. I have no ghosts,
An old man in a draughty house
Under a windy knob.

After such knowledge, what forgiveness? Think now
History has many cunning passages, contrived corridors
And issues, deceives with whispering ambitions,
Guides us by vanities. Think now
She gives when our attention is distracted
And what she gives, gives with such supple confusions
That the giving famishes the craving. Gives too late
What’s not believed in, or if still believed,
In memory only, reconsidered passion. Gives too soon
Into weak hands, what’s thought can be dispensed with
Till the refusal propagates a fear. Think
Neither fear nor courage saves us. Unnatural vices
Are fathered by our heroism. Virtues
Are forced upon us by our impudent crimes.
These tears are shaken from the wrath-bearing tree.

The tiger springs in the new year. Us he devours. Think at last
We have not reached conclusion, when I
Stiffen in a rented house. Think at last
I have not made this show purposelessly
And it is not by any concitation
Of the backward devils
I would meet you upon this honestly.
I that was near your heart was removed therefrom
To lose beauty in terror, terror in inquisition.
I have lost my passion: why should I need to keep it
Since what is kept must be adulterated?
I have lost my sight, smell, hearing, taste and touch:
How should I use them for your closer contact?
These with a thousand small deliberations
Protract the profit of their chilled delirium,
Excite the membrane, when the sense has cooled,
With pungent sauces, multiply variety
In a wilderness of mirrors. What will the spider do,
Suspend its operations, will the weevil
Delay? De Bailhache, Fresca, Mrs. Cammel, whirled
Beyond the circuit of the shuddering Bear
In fractured atoms. Gull against the wind, in the windy straits
Of Belle Isle, or running on the Horn,
White feathers in the snow, the Gulf claims,
And an old man driven by the Trades
To a sleepy corner.

Tenants of the house,
Thoughts of a dry brain in a dry season.


Written by John Greenleaf Whittier | Create an image from this poem

Telling the Bees

 Here is the place; right over the hill 
Runs the path I took; 
You can see the gap in the old wall still, 
And the stepping-stones in the shallow brook. 

There is the house, with the gate red-barred, 
And the poplars tall; 
And the barn's brown length, and the cattle-yard, 
And the white horns tossing above the wall. 

There are the beehives ranged in the sun; 
And down by the brink 
Of the brook are her poor flowers, weed-o'errun, 
Pansy and daffodil, rose and pink. 

A year has gone, as the tortoise goes, 
Heavy and slow; 
And the same rose blows, and the same sun glows, 
And the same brook sings of a year ago. 

There 's the same sweet clover-smell in the breeze; 
And the June sun warm 
Tangles his wings of fire in the trees, 
Setting, as then, over Fernside farm. 

I mind me how with a lover's care 
From my Sunday coat 
I brushed off the burrs, and smoothed my hair, 
And cooled at the brookside my brow and throat. 

Since we parted, a month had passed, -- 
To love, a year; 
Down through the beeches I looked at last 
On the little red gate and the well-sweep near. 

I can see it all now, -- the slantwise rain 
Of light through the leaves, 
The sundown's blaze on her window-pane, 
The bloom of her roses under the eaves. 

Just the same as a month before, -- 
The house and the trees, 
The barn's brown gable, the vine by the door, -- 
Nothing changed but the hives of bees. 

Before them, under the garden wall, 
Forward and back, 
Went drearily singing the chore-girl small, 
Draping each hive with a shred of black. 

Trembling, I listened: the summer sun 
Had the chill of snow; 
For I knew she was telling the bees of one 
Gone on the journey we all must go! 

Then I said to myself, "My Mary weeps 
For the dead to-day: 
Haply her blind old grandsire sleeps 
The fret and the pain of his age away." 

But her dog whined low; on the doorway sill, 
With his cane to his chin, 
The old man sat; and the chore-girl still 
Sung to the bees stealing out and in. 

And the song she was singing ever since 
In my ear sounds on: -- 
"Stay at home, pretty bees, fly not hence! 
Mistress Mary is dead and gone!"
Written by Keith Douglas | Create an image from this poem

The Knife

 Can I explain this to you? Your eyes
are entrances the mouths of caves
I issue from wonderful interiors
upon a blessed sea and a fine day,
from inside these caves I look and dream.

Your hair explicable as a waterfall
in some black liquid cooled by legend
fell across my thought in a moment
became a garment I am naked without
lines drawn across through morning and evening.

And in your body each minute I died
moving your thigh could disinter me
from a grave in a distant city:
your breasts deserted by cloth, clothed in twilight
filled me with tears, sweet cups of flesh.

Yes, to touch two fingers made us worlds
stars, waters, promontories, chaos
swooning in elements without form or time
come down through long seas among sea marvels
embracing like survivors in our islands.

This I think happened to us together
though now no shadow of it flickers in your hands
your eyes look down on ordinary streets
If I talk to you I might be a bird
with a message, a dead man, a photograph.
Written by Rabindranath Tagore | Create an image from this poem

Lovers Gifts XIII: Last Night in the Garden

 Last night in the garden I offered you my youth's foaming wine. You
lifted the cup to your lips, you shut your eyes and smiled while
I raised your veil, unbound your tresses, drawing down upon my
breast your face sweet with its silence, last night when the moon's
dream overflowed the world of slumber.
To-day in the dew-cooled calm of the dawn you are walking to
God's temple, bathed and robed in white, with a basketful of
flowers in your hand. I stand aside in the shade under the tree,
with my head bent, in the calm of the dawn by the lonely road to
the temple.
Written by Seamus Heaney | Create an image from this poem

Rite of Spring

 So winter closed its fist
And got it stuck in the pump.
The plunger froze up a lump

In its throat, ice founding itself
Upon iron. The handle
Paralysed at an angle.

Then the twisting of wheat straw
into ropes, lapping them tight
Round stem and snout, then a light

That sent the pump up in a flame
It cooled, we lifted her latch,
Her entrance was wet, and she came.
Written by Julie Hill Alger | Create an image from this poem

Opening the Geode

 When the molten earth seethed 
in its whirling cauldron 
nobody watched the pot 
from a tall wooden stool 
set out in windy space 
beyond flame's reach;

and when the spattering mush 
steamed, gurgled, boiled over, 
mounded up in smoking hills
no giant mixing spoon 
smoothed out the lumps and bubbles 
as the pottage cooled to rock. 

No kitchen timer ticked 
precisely the eons required 
to fill the gritty pits 
slowly, drop by drop 
with layers of glassy salts, 
agate, opal, quartz; 

no listening ear inclined 
over the silicon mold 
to hear the chink of crystals 
rising geometrically 
facet upon facet 
in the airless dark. 

No hand lifted the stony lid 
to add light, the finishing touch, 
and no guest cried Ah! how well
the recipe turned out - 
until this millennium, today, 
at my table. 
 -Julie Alger

Book: Radiant Verses: A Journey Through Inspiring Poetry