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Best Famous Continually Poems

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Written by Charles Bukowski | Create an image from this poem

Let It Enfold You

 either peace or happiness,
let it enfold you

when i was a young man
I felt these things were
dumb,unsophisticated.
I had bad blood,a twisted
mind, a pecarious
upbringing.

I was hard as granite,I
leered at the 
sun.
I trusted no man and
especially no
woman.

I was living a hell in
small rooms, I broke
things, smashed things,
walked through glass,
cursed.
I challenged everything,
was continually being
evicted,jailed,in and
out of fights,in and aout
of my mind.
women were something
to screw and rail
at,i had no male
freinds,

I changed jobs and
cities,I hated holidays,
babies,history,
newspapers, museums,
grandmothers,
marriage, movies,
spiders, garbagemen,
english accents,spain,
france,italy,walnuts and
the color 
orange.
algebra angred me,
opera sickened me,
charlie chaplin was a
fake
and flowers were for
pansies.

peace an happiness to me
were signs of
inferiority,
tenants of the weak
an
addled
mind.

but as I went on with
my alley fights,
my suicidal years,
my passage through
any number of 
women-it gradually
began to occur to
me
that I wasn't diffrent

from the
others, I was the same,

they were all fulsome
with hatred,
glossed over with petty
greivances,
the men I fought in
alleys had hearts of stone.
everybody was nudging,
inching, cheating for
some insignificant
advantage,
the lie was the
weapon and the
plot was
emptey,
darkness was the
dictator.

cautiously, I allowed
myself to feel good
at times.
I found moments of 
peace in cheap
rooms
just staring at the 
knobs of some
dresser
or listening to the
rain in the 
dark.
the less i needed
the better i 
felt.

maybe the other life had worn me 
down.
I no longer found
glamour
in topping somebody
in conversation.
or in mounting the
body of some poor
drunken female
whose life had 
slipped away into 
sorrow.

I could never accept
life as it was,
i could never gobble 
down all its
poisons
but there were parts,
tenous magic parts
open for the
asking.

I re formulated
I don't know when,
date,time,all
that
but the change
occured.
something in me
relaxed, smoothed
out.
i no longer had to 
prove that i was a 
man,

I did'nt have to prove
anything.

I began to see things:
coffe cups lined up
behind a counter in a 
cafe.
or a dog walking along
a sidewalk.
or the way the mouse
on my dresser top
stopped there
with its body,
its ears,
its nose,
it was fixed,
a bit of life
caught within itself
and its eyes looked 
at me
and they were
beautiful.
then- it was
gone.

I began to feel good,
I began to feel good
in the worst situations
and there were plenty
of those.
like say, the boss
behind his desk,
he is going to have
to fire me.

I've missed too many 
days.
he is dressed in a
suit, necktie, glasses,
he says, "i am going
to have to let you go"

"it's all right" i tell
him.

He must do what he
must do, he has a 
wife, a house, children.
expenses, most probably
a girlfreind.

I am sorry for him
he is caught.

I walk onto the blazing
sunshine.
the whole day is
mine
temporailiy,
anyhow.

(the whole world is at the
throat of the world,
everybody feels angry,
short-changed, cheated,
everybody is despondent,
dissillusioned)

I welcomed shots of
peace, tattered shards of
happiness.

I embraced that stuff
like the hottest number,
like high heels,breasts,
singing,the
works.

(dont get me wrong,
there is such a thing as cockeyed optimism
that overlooks all
basic problems justr for
the sake of
itself-
this is a sheild and a 
sickness.)

The knife got near my
throat again,
I almost turned on the
gas
again
but when the good
moments arrived
again
I did'nt fight them off
like an alley 
adversary.
I let them take me,
i luxuriated in them,
I bade them welcome
home.
I even looked into
the mirror
once having thought
myself to be
ugly,
I now liked what
I saw,almost
handsome,yes,
a bit ripped and
ragged,
scares,lumps,
odd turns,
but all in all,
not too bad,
almost handsome,
better at least than
some of those movie
star faces
like the cheeks of
a babys
butt.

and finally I discovered
real feelings fo
others,
unhearleded,
like latley,
like this morning,
as I was leaving,
for the track,
i saw my wif in bed,
just the 
shape of
her head there
(not forgetting
centuries of the living
and the dead and
the dying,
the pyarimids,
Mozart dead
but his music still 
there in the
room, weeds growing,
the earth turning,
the toteboard waiting for
me)
I saw the shape of my
wife's head,
she so still,
i ached for her life,
just being there
under the 
covers.

i kissed her in the,
forehead,
got down the stairway,
got outside,
got into my marvelous
car,
fixed the seatbelt,
backed out the
drive.
feeling warm to
the fingertips,
down to my
foot on the gas
pedal,
I entered the world
once
more,
drove down the 
hill
past the houses
full and emptey
of
people,
i saw the mailman,
honked,
he waved
back
at me.


Written by William Wordsworth | Create an image from this poem

Resolution And Independence

 I 

There was a roaring in the wind all night; 
The rain came heavily and fell in floods; 
But now the sun is rising calm and bright; 
The birds are singing in the distant woods; 
Over his own sweet voice the Stock-dove broods; 
The Jay makes answer as the Magpie chatters; 
And all the air is filled with pleasant noise of waters. 

II 

All things that love the sun are out of doors; 
The sky rejoices in the morning's birth; 
The grass is bright with rain-drops;--on the moors 
The hare is running races in her mirth; 
And with her feet she from the plashy earth 
Raises a mist, that, glittering in the sun, 
Runs with her all the way, wherever she doth run. 

III 

I was a Traveller then upon the moor, 
I saw the hare that raced about with joy; 
I heard the woods and distant waters roar; 
Or heard them not, as happy as a boy: 
The pleasant season did my heart employ: 
My old remembrances went from me wholly; 
And all the ways of men, so vain and melancholy. 

IV 

But, as it sometimes chanceth, from the might 
Of joy in minds that can no further go, 
As high as we have mounted in delight 
In our dejection do we sink as low; 
To me that morning did it happen so; 
And fears and fancies thick upon me came; 
Dim sadness--and blind thoughts, I knew not, nor could name. 

V 

I heard the sky-lark warbling in the sky; 
And I bethought me of the playful hare: 
Even such a happy Child of earth am I; 
Even as these blissful creatures do I fare; 
Far from the world I walk, and from all care; 
But there may come another day to me-- 
Solitude, pain of heart, distress, and poverty. 

VI 

My whole life I have lived in pleasant thought, 
As if life's business were a summer mood; 
As if all needful things would come unsought 
To genial faith, still rich in genial good; 
But how can He expect that others should 
Build for him, sow for him, and at his call 
Love him, who for himself will take no heed at all? 

VII 

I thought of Chatterton, the marvellous Boy, 
The sleepless Soul that perished in his pride; 
Of Him who walked in glory and in joy 
Following his plough, along the mountain-side: 
By our own spirits are we deified: 
We Poets in our youth begin in gladness; 
But thereof come in the end despondency and madness. 

VIII 

Now, whether it were by peculiar grace, 
A leading from above, a something given, 
Yet it befell, that, in this lonely place, 
When I with these untoward thoughts had striven, 
Beside a pool bare to the eye of heaven 
I saw a Man before me unawares: 
The oldest man he seemed that ever wore grey hairs. 

IX 

As a huge stone is sometimes seen to lie 
Couched on the bald top of an eminence; 
Wonder to all who do the same espy, 
By what means it could thither come, and whence; 
So that it seems a thing endued with sense: 
Like a sea-beast crawled forth, that on a shelf 
Of rock or sand reposeth, there to sun itself; 

X 

Such seemed this Man, not all alive nor dead, 
Nor all asleep--in his extreme old age: 
His body was bent double, feet and head 
Coming together in life's pilgrimage; 
As if some dire constraint of pain, or rage 
Of sickness felt by him in times long past, 
A more than human weight upon his frame had cast. 

XI 

Himself he propped, limbs, body, and pale face, 
Upon a long grey staff of shaven wood: 
And, still as I drew near with gentle pace, 
Upon the margin of that moorish flood 
Motionless as a cloud the old Man stood, 
That heareth not the loud winds when they call 
And moveth all together, if it move at all. 

XII 

At length, himself unsettling, he the pond 
Stirred with his staff, and fixedly did look 
Upon the muddy water, which he conned, 
As if he had been reading in a book: 
And now a stranger's privilege I took; 
And, drawing to his side, to him did say, 
"This morning gives us promise of a glorious day." 

XIII 

A gentle answer did the old Man make, 
In courteous speech which forth he slowly drew: 
And him with further words I thus bespake, 
"What occupation do you there pursue? 
This is a lonesome place for one like you." 
Ere he replied, a flash of mild surprise 
Broke from the sable orbs of his yet-vivid eyes, 

XIV 

His words came feebly, from a feeble chest, 
But each in solemn order followed each, 
With something of a lofty utterance drest-- 
Choice word and measured phrase, above the reach 
Of ordinary men; a stately speech; 
Such as grave Livers do in Scotland use, 
Religious men, who give to God and man their dues. 

XV 

He told, that to these waters he had come 
To gather leeches, being old and poor: 
Employment hazardous and wearisome! 
And he had many hardships to endure: 
From pond to pond he roamed, from moor to moor; 
Housing, with God's good help, by choice or chance, 
And in this way he gained an honest maintenance. 

XVI 

The old Man still stood talking by my side; 
But now his voice to me was like a stream 
Scarce heard; nor word from word could I divide; 
And the whole body of the Man did seem 
Like one whom I had met with in a dream; 
Or like a man from some far region sent, 
To give me human strength, by apt admonishment. 

XVII 

My former thoughts returned: the fear that kills; 
And hope that is unwilling to be fed; 
Cold, pain, and labour, and all fleshly ills; 
And mighty Poets in their misery dead. 
--Perplexed, and longing to be comforted, 
My question eagerly did I renew, 
"How is it that you live, and what is it you do?" 

XVIII 

He with a smile did then his words repeat; 
And said, that, gathering leeches, far and wide 
He travelled; stirring thus about his feet 
The waters of the pools where they abide. 
"Once I could meet with them on every side; 
But they have dwindled long by slow decay; 
Yet still I persevere, and find them where I may." 

XIX 

While he was talking thus, the lonely place, 
The old Man's shape, and speech--all troubled me: 
In my mind's eye I seemed to see him pace 
About the weary moors continually, 
Wandering about alone and silently. 
While I these thoughts within myself pursued, 
He, having made a pause, the same discourse renewed. 

XX 

And soon with this he other matter blended, 
Cheerfully uttered, with demeanour kind, 
But stately in the main; and when he ended, 
I could have laughed myself to scorn to find 
In that decrepit Man so firm a mind. 
"God," said I, "be my help and stay secure; 
I'll think of the Leech-gatherer on the lonely moor!"
Written by Edward Estlin (E E) Cummings | Create an image from this poem

Humanity i love you

Humanity i love you
because you would rather black the boots of
success than enquire whose soul dangles from his
watch-chain which would be embarrassing for both

parties and because you 
unflinchingly applaud all
songs containing the words country home and
mother when sung at the old howard

Humanity i love you because
when you're hard up you pawn your
intelligence to buy a drink and when
you're flush pride keeps 

you from the pawn shops and
because you are continually committing
nuisances but more
especially in your own house

Humanity i love you because you 
are perpetually putting the secret of
life in your pants and forgetting
it's there and sitting down

on it
and because you are 
forever making poems in the lap
of death Humanity

i hate you
Written by Galway Kinnell | Create an image from this poem

from Flying Home

3 
As this plane dragged 
its track of used ozone half the world long 
thrusts some four hundred of us 
toward places where actual known people 
live and may wait, 
we diminish down in our seats, 
disappeared into novels of lives clearer than ours, 
and yet we do not forget for a moment 
the life down there, the doorway each will soon enter: 
where I will meet her again 
and know her again, 
dark radiance with, and then mostly without, the stars. 

Very likely she has always understood 
what I have slowly learned, 
and which only now, after being away, almost as far away 
as one can get on this globe, almost 
as far as thoughts can carry - yet still in her presence, 
still surrounded not so much by reminders of her 
as by things she had already reminded me of, 
shadows of her 
cast forward and waiting - can I try to express: 

that love is hard, 
that while many good things are easy, true love is not, 
because love is first of all a power, 
its own power, 
which continually must make its way forward, from night 
into day, from transcending union always forward into difficult day. 

And as the plane descends, it comes to me 
in the space 
where tears stream down across the stars, 
tears fallen on the actual earth 
where their shining is what we call spirit, 
that once the lover 
recognizes the other, knows for the first time 
what is most to be valued in another, 
from then on, love is very much like courage, 
perhaps it is courage, and even 
perhaps 
only courage. Squashed 
out of old selves, smearing the darkness 
of expectation across experience, all of us little 
thinkers it brings home having similar thoughts 
of landing to the imponderable world, 
the transoceanic airliner, 
resting its huge weight down, comes in almost lightly, 
to where 
with sudden, tiny, white puffs and long, black, rubberish smears 
all its tires know the home ground.
Written by John Gould Fletcher | Create an image from this poem

Sleep

 Do you give yourself to me utterly,

Body and no-body, flesh and no-flesh

Not as a fugitive, blindly or bitterly, 

But as a child might, with no other wish?

Yes, utterly.



Then I shall bear you down my estuary,

Carry you and ferry you to burial mysteriously,

Take you and receive you,

Consume you, engulf you,

In the huge cave, my belly, lave you

With huger waves continually.

And you shall cling and clamber there

And slumber there, in that dumb chamber,

Beat with my blood's beat, hear my heart move

Blindly in bones that ride above you,

Delve in my flesh, dissolved and bedded,

Through viewless valves embodied so –



Till daylight, the expulsion and awakening,

The riving and the driving forth,

Life with remorseless forceps beckoning –

Pangs and betrayal of harsh birth.


Written by Walt Whitman | Create an image from this poem

Carol of Words

 1
EARTH, round, rolling, compact—suns, moons, animals—all these are words to be
 said; 
Watery, vegetable, sauroid advances—beings, premonitions, lispings of the future, 
Behold! these are vast words to be said. 

Were you thinking that those were the words—those upright lines? those curves,
 angles,
 dots? 
No, those are not the words—the substantial words are in the ground and sea,
They are in the air—they are in you. 

Were you thinking that those were the words—those delicious sounds out of your
 friends’
 mouths? 
No, the real words are more delicious than they. 

Human bodies are words, myriads of words; 
In the best poems re-appears the body, man’s or woman’s, well-shaped, natural,
 gay,
Every part able, active, receptive, without shame or the need of shame. 

2
Air, soil, water, fire—these are words; 
I myself am a word with them—my qualities interpenetrate with theirs—my name is
 nothing to
 them; 
Though it were told in the three thousand languages, what would air, soil, water, fire,
 know of
 my
 name? 

A healthy presence, a friendly or commanding gesture, are words, sayings, meanings;
The charms that go with the mere looks of some men and women, are sayings and meanings
 also. 

3
The workmanship of souls is by the inaudible words of the earth; 
The great masters know the earth’s words, and use them more than the audible words. 

Amelioration is one of the earth’s words; 
The earth neither lags nor hastens;
It has all attributes, growths, effects, latent in itself from the jump; 
It is not half beautiful only—defects and excrescences show just as much as
 perfections
 show. 

The earth does not withhold, it is generous enough; 
The truths of the earth continually wait, they are not so conceal’d either; 
They are calm, subtle, untransmissible by print;
They are imbued through all things, conveying themselves willingly, 
Conveying a sentiment and invitation of the earth—I utter and utter, 
I speak not, yet if you hear me not, of what avail am I to you? 
To bear—to better—lacking these, of what avail am I? 

4
Accouche! Accouchez!
Will you rot your own fruit in yourself there? 
Will you squat and stifle there? 

The earth does not argue, 
Is not pathetic, has no arrangements, 
Does not scream, haste, persuade, threaten, promise,
Makes no discriminations, has no conceivable failures, 
Closes nothing, refuses nothing, shuts none out, 
Of all the powers, objects, states, it notifies, shuts none out. 

5
The earth does not exhibit itself, nor refuse to exhibit itself—possesses still
 underneath; 
Underneath the ostensible sounds, the august chorus of heroes, the wail of slaves,
Persuasions of lovers, curses, gasps of the dying, laughter of young people, accents of
 bargainers, 
Underneath these, possessing the words that never fail. 

To her children, the words of the eloquent dumb great mother never fail; 
The true words do not fail, for motion does not fail, and reflection does not fail; 
Also the day and night do not fail, and the voyage we pursue does not fail.

6
Of the interminable sisters, 
Of the ceaseless cotillions of sisters, 
Of the centripetal and centrifugal sisters, the elder and younger sisters, 
The beautiful sister we know dances on with the rest. 
With her ample back towards every beholder,
With the fascinations of youth, and the equal fascinations of age, 
Sits she whom I too love like the rest—sits undisturb’d, 
Holding up in her hand what has the character of a mirror, while her eyes glance back from
 it, 
Glance as she sits, inviting none, denying none, 
Holding a mirror day and night tirelessly before her own face.

7
Seen at hand, or seen at a distance, 
Duly the twenty-four appear in public every day, 
Duly approach and pass with their companions, or a companion, 
Looking from no countenances of their own, but from the countenances of those who are with
 them, 
From the countenances of children or women, or the manly countenance,
From the open countenances of animals, or from inanimate things, 
From the landscape or waters, or from the exquisite apparition of the sky, 
From our countenances, mine and yours, faithfully returning them, 
Every day in public appearing without fail, but never twice with the same companions. 

8
Embracing man, embracing all, proceed the three hundred and sixty-five resistlessly round
 the
 sun;
Embracing all, soothing, supporting, follow close three hundred and sixty-five offsets of
 the
 first,
 sure and necessary as they. 

9
Tumbling on steadily, nothing dreading, 
Sunshine, storm, cold, heat, forever withstanding, passing, carrying, 
The Soul’s realization and determination still inheriting, 
The fluid vacuum around and ahead still entering and dividing,
No balk retarding, no anchor anchoring, on no rock striking, 
Swift, glad, content, unbereav’d, nothing losing, 
Of all able and ready at any time to give strict account, 
The divine ship sails the divine sea. 

10
Whoever you are! motion and reflection are especially for you;
The divine ship sails the divine sea for you. 

Whoever you are! you are he or she for whom the earth is solid and liquid, 
You are he or she for whom the sun and moon hang in the sky, 
For none more than you are the present and the past, 
For none more than you is immortality.

11
Each man to himself, and each woman to herself, such is the word of the past and present,
 and
 the
 word of immortality; 
No one can acquire for another—not one! 
Not one can grow for another—not one! 

The song is to the singer, and comes back most to him; 
The teaching is to the teacher, and comes back most to him;
The murder is to the murderer, and comes back most to him; 
The theft is to the thief, and comes back most to him; 
The love is to the lover, and comes back most to him; 
The gift is to the giver, and comes back most to him—it cannot fail; 
The oration is to the orator, the acting is to the actor and actress, not to the audience;
And no man understands any greatness or goodness but his own, or the indication of his
 own. 

12
I swear the earth shall surely be complete to him or her who shall be complete! 
I swear the earth remains jagged and broken only to him or her who remains jagged and
 broken! 
I swear there is no greatness or power that does not emulate those of the earth! 
I swear there can be no theory of any account, unless it corroborate the theory of the
 earth!
No politics, art, religion, behavior, or what not, is of account, unless it compare with
 the
 amplitude of the earth, 
Unless it face the exactness, vitality, impartiality, rectitude of the earth. 

13
I swear I begin to see love with sweeter spasms than that which responds love! 
It is that which contains itself—which never invites, and never refuses. 

I swear I begin to see little or nothing in audible words!
I swear I think all merges toward the presentation of the unspoken meanings of the earth! 
Toward him who sings the songs of the Body, and of the truths of the earth; 
Toward him who makes the dictionaries of words that print cannot touch. 

14
I swear I see what is better than to tell the best; 
It is always to leave the best untold.

When I undertake to tell the best, I find I cannot, 
My tongue is ineffectual on its pivots, 
My breath will not be obedient to its organs, 
I become a dumb man. 

The best of the earth cannot be told anyhow—all or any is best;
It is not what you anticipated—it is cheaper, easier, nearer; 
Things are not dismiss’d from the places they held before; 
The earth is just as positive and direct as it was before; 
Facts, religions, improvements, politics, trades, are as real as before; 
But the Soul is also real,—it too is positive and direct;
No reasoning, no proof has establish’d it, 
Undeniable growth has establish’d it. 

15
This is a poem—a carol of words—these are hints of meanings, 
These are to echo the tones of Souls, and the phrases of Souls; 
If they did not echo the phrases of Souls, what were they then?
If they had not reference to you in especial, what were they then? 

I swear I will never henceforth have to do with the faith that tells the best! 
I will have to do only with that faith that leaves the best untold. 

16
Say on, sayers! 
Delve! mould! pile the words of the earth!
Work on—(it is materials you must bring, not breaths;) 
Work on, age after age! nothing is to be lost; 
It may have to wait long, but it will certainly come in use; 
When the materials are all prepared, the architects shall appear. 

I swear to you the architects shall appear without fail! I announce them and lead them;
I swear to you they will understand you, and justify you; 
I swear to you the greatest among them shall be he who best knows you, and encloses all,
 and is
 faithful to all; 
I swear to you, he and the rest shall not forget you—they shall perceive that you are
 not
 an
 iota less than they; 
I swear to you, you shall be glorified in them.
Written by Walt Whitman | Create an image from this poem

This Compost

 1
SOMETHING startles me where I thought I was safest; 
I withdraw from the still woods I loved; 
I will not go now on the pastures to walk; 
I will not strip the clothes from my body to meet my lover the sea; 
I will not touch my flesh to the earth, as to other flesh, to renew me.

O how can it be that the ground does not sicken? 
How can you be alive, you growths of spring? 
How can you furnish health, you blood of herbs, roots, orchards, grain? 
Are they not continually putting distemper’d corpses within you? 
Is not every continent work’d over and over with sour dead?

Where have you disposed of their carcasses? 
Those drunkards and gluttons of so many generations; 
Where have you drawn off all the foul liquid and meat? 
I do not see any of it upon you to-day—or perhaps I am deceiv’d; 
I will run a furrow with my plough—I will press my spade through the sod, and turn it
 up
 underneath;
I am sure I shall expose some of the foul meat. 

2
Behold this compost! behold it well! 
Perhaps every mite has once form’d part of a sick person—Yet behold! 
The grass of spring covers the prairies, 
The bean bursts noislessly through the mould in the garden,
The delicate spear of the onion pierces upward, 
The apple-buds cluster together on the apple-branches, 
The resurrection of the wheat appears with pale visage out of its graves, 
The tinge awakes over the willow-tree and the mulberry-tree, 
The he-birds carol mornings and evenings, while the she-birds sit on their nests,
The young of poultry break through the hatch’d eggs, 
The new-born of animals appear—the calf is dropt from the cow, the colt from the
 mare, 
Out of its little hill faithfully rise the potato’s dark green leaves, 
Out of its hill rises the yellow maize-stalk—the lilacs bloom in the door-yards; 
The summer growth is innocent and disdainful above all those strata of sour dead.

What chemistry! 
That the winds are really not infectious, 
That this is no cheat, this transparent green-wash of the sea, which is so amorous after
 me, 
That it is safe to allow it to lick my naked body all over with its tongues, 
That it will not endanger me with the fevers that have deposited themselves in it,
That all is clean forever and forever. 
That the cool drink from the well tastes so good, 
That blackberries are so flavorous and juicy, 
That the fruits of the apple-orchard, and of the orange-orchard—that melons, grapes,
 peaches, plums, will none of them poison me, 
That when I recline on the grass I do not catch any disease,
Though probably every spear of grass rises out of what was once a catching disease. 

3
Now I am terrified at the Earth! it is that calm and patient, 
It grows such sweet things out of such corruptions, 
It turns harmless and stainless on its axis, with such endless successions of
 diseas’d
 corpses, 
It distils such exquisite winds out of such infused fetor,
It renews with such unwitting looks, its prodigal, annual, sumptuous crops, 
It gives such divine materials to men, and accepts such leavings from them at last.
Written by William Wordsworth | Create an image from this poem

Resolution And Independence

 I 

There was a roaring in the wind all night; 
The rain came heavily and fell in floods; 
But now the sun is rising calm and bright; 
The birds are singing in the distant woods; 
Over his own sweet voice the Stock-dove broods; 
The Jay makes answer as the Magpie chatters; 
And all the air is filled with pleasant noise of waters. 

II 

All things that love the sun are out of doors; 
The sky rejoices in the morning's birth; 
The grass is bright with rain-drops;--on the moors 
The hare is running races in her mirth; 
And with her feet she from the plashy earth 
Raises a mist, that, glittering in the sun, 
Runs with her all the way, wherever she doth run. 

III 

I was a Traveller then upon the moor, 
I saw the hare that raced about with joy; 
I heard the woods and distant waters roar; 
Or heard them not, as happy as a boy: 
The pleasant season did my heart employ: 
My old remembrances went from me wholly; 
And all the ways of men, so vain and melancholy. 

IV 

But, as it sometimes chanceth, from the might 
Of joy in minds that can no further go, 
As high as we have mounted in delight 
In our dejection do we sink as low; 
To me that morning did it happen so; 
And fears and fancies thick upon me came; 
Dim sadness--and blind thoughts, I knew not, nor could name. 

V 

I heard the sky-lark warbling in the sky; 
And I bethought me of the playful hare: 
Even such a happy Child of earth am I; 
Even as these blissful creatures do I fare; 
Far from the world I walk, and from all care; 
But there may come another day to me-- 
Solitude, pain of heart, distress, and poverty. 

VI 

My whole life I have lived in pleasant thought, 
As if life's business were a summer mood; 
As if all needful things would come unsought 
To genial faith, still rich in genial good; 
But how can He expect that others should 
Build for him, sow for him, and at his call 
Love him, who for himself will take no heed at all? 

VII 

I thought of Chatterton, the marvellous Boy, 
The sleepless Soul that perished in his pride; 
Of Him who walked in glory and in joy 
Following his plough, along the mountain-side: 
By our own spirits are we deified: 
We Poets in our youth begin in gladness; 
But thereof come in the end despondency and madness. 

VIII 

Now, whether it were by peculiar grace, 
A leading from above, a something given, 
Yet it befell, that, in this lonely place, 
When I with these untoward thoughts had striven, 
Beside a pool bare to the eye of heaven 
I saw a Man before me unawares: 
The oldest man he seemed that ever wore grey hairs. 

IX 

As a huge stone is sometimes seen to lie 
Couched on the bald top of an eminence; 
Wonder to all who do the same espy, 
By what means it could thither come, and whence; 
So that it seems a thing endued with sense: 
Like a sea-beast crawled forth, that on a shelf 
Of rock or sand reposeth, there to sun itself; 

X 

Such seemed this Man, not all alive nor dead, 
Nor all asleep--in his extreme old age: 
His body was bent double, feet and head 
Coming together in life's pilgrimage; 
As if some dire constraint of pain, or rage 
Of sickness felt by him in times long past, 
A more than human weight upon his frame had cast. 

XI 

Himself he propped, limbs, body, and pale face, 
Upon a long grey staff of shaven wood: 
And, still as I drew near with gentle pace, 
Upon the margin of that moorish flood 
Motionless as a cloud the old Man stood, 
That heareth not the loud winds when they call 
And moveth all together, if it move at all. 

XII 

At length, himself unsettling, he the pond 
Stirred with his staff, and fixedly did look 
Upon the muddy water, which he conned, 
As if he had been reading in a book: 
And now a stranger's privilege I took; 
And, drawing to his side, to him did say, 
"This morning gives us promise of a glorious day." 

XIII 

A gentle answer did the old Man make, 
In courteous speech which forth he slowly drew: 
And him with further words I thus bespake, 
"What occupation do you there pursue? 
This is a lonesome place for one like you." 
Ere he replied, a flash of mild surprise 
Broke from the sable orbs of his yet-vivid eyes, 

XIV 

His words came feebly, from a feeble chest, 
But each in solemn order followed each, 
With something of a lofty utterance drest-- 
Choice word and measured phrase, above the reach 
Of ordinary men; a stately speech; 
Such as grave Livers do in Scotland use, 
Religious men, who give to God and man their dues. 

XV 

He told, that to these waters he had come 
To gather leeches, being old and poor: 
Employment hazardous and wearisome! 
And he had many hardships to endure: 
From pond to pond he roamed, from moor to moor; 
Housing, with God's good help, by choice or chance, 
And in this way he gained an honest maintenance. 

XVI 

The old Man still stood talking by my side; 
But now his voice to me was like a stream 
Scarce heard; nor word from word could I divide; 
And the whole body of the Man did seem 
Like one whom I had met with in a dream; 
Or like a man from some far region sent, 
To give me human strength, by apt admonishment. 

XVII 

My former thoughts returned: the fear that kills; 
And hope that is unwilling to be fed; 
Cold, pain, and labour, and all fleshly ills; 
And mighty Poets in their misery dead. 
--Perplexed, and longing to be comforted, 
My question eagerly did I renew, 
"How is it that you live, and what is it you do?" 

XVIII 

He with a smile did then his words repeat; 
And said, that, gathering leeches, far and wide 
He travelled; stirring thus about his feet 
The waters of the pools where they abide. 
"Once I could meet with them on every side; 
But they have dwindled long by slow decay; 
Yet still I persevere, and find them where I may." 

XIX 

While he was talking thus, the lonely place, 
The old Man's shape, and speech--all troubled me: 
In my mind's eye I seemed to see him pace 
About the weary moors continually, 
Wandering about alone and silently. 
While I these thoughts within myself pursued, 
He, having made a pause, the same discourse renewed. 

XX 

And soon with this he other matter blended, 
Cheerfully uttered, with demeanour kind, 
But stately in the main; and when he ended, 
I could have laughed myself to scorn to find 
In that decrepit Man so firm a mind. 
"God," said I, "be my help and stay secure; 
I'll think of the Leech-gatherer on the lonely moor!"
Written by Edgar Allan Poe | Create an image from this poem

To One Departed

 Seraph! thy memory is to me
Like some enchanted far-off isle
In some tumultuous sea -
Some ocean vexed as it may be
With storms; but where, meanwhile,
Serenest skies continually
Just o'er that one bright island smile. 
For 'mid the earnest cares and woes
That crowd around my earthly path,
(Sad path, alas, where grows
Not even one lonely rose!)
My soul at least a solace hath
In dreams of thee; and therein knows
An Eden of bland repose.
Written by Walt Whitman | Create an image from this poem

Myself and Mine

 MYSELF and mine gymnastic ever, 
To stand the cold or heat—to take good aim with a gun—to sail a boat—to
 manage
 horses—to beget superb children, 
To speak readily and clearly—to feel at home among common people, 
And to hold our own in terrible positions, on land and sea. 

Not for an embroiderer;
(There will always be plenty of embroiderers—I welcome them also;) 
But for the fibre of things, and for inherent men and women. 

Not to chisel ornaments, 
But to chisel with free stroke the heads and limbs of plenteous Supreme Gods, that The
 States
 may realize them, walking and talking. 

Let me have my own way;
Let others promulge the laws—I will make no account of the laws; 
Let others praise eminent men and hold up peace—I hold up agitation and conflict; 
I praise no eminent man—I rebuke to his face the one that was thought most worthy. 

(Who are you? you mean devil! And what are you secretly guilty of, all your life? 
Will you turn aside all your life? Will you grub and chatter all your life?)

(And who are you—blabbing by rote, years, pages, languages, reminiscences, 
Unwitting to-day that you do not know how to speak a single word?) 

Let others finish specimens—I never finish specimens; 
I shower them by exhaustless laws, as Nature does, fresh and modern continually. 

I give nothing as duties;
What others give as duties, I give as living impulses; 
(Shall I give the heart’s action as a duty?) 

Let others dispose of questions—I dispose of nothing—I arouse unanswerable
 questions;

Who are they I see and touch, and what about them? 
What about these likes of myself, that draw me so close by tender directions and
 indirections?

I call to the world to distrust the accounts of my friends, but listen to my
 enemies—as I
 myself do; 
I charge you, too, forever, reject those who would expound me—for I cannot expound
 myself;

I charge that there be no theory or school founded out of me; 
I charge you to leave all free, as I have left all free. 

After me, vista!
O, I see life is not short, but immeasurably long; 
I henceforth tread the world, chaste, temperate, an early riser, a steady grower, 
Every hour the semen of centuries—and still of centuries. 

I will follow up these continual lessons of the air, water, earth; 
I perceive I have no time to lose.

Book: Radiant Verses: A Journey Through Inspiring Poetry