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Best Famous Consuming Poems

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Written by Kahlil Gibran | Create an image from this poem

Laughter and Tears IX

 As the Sun withdrew his rays from the garden, and the moon threw cushioned beams upon the flowers, I sat under the trees pondering upon the phenomena of the atmosphere, looking through the branches at the strewn stars which glittered like chips of silver upon a blue carpet; and I could hear from a distance the agitated murmur of the rivulet singing its way briskly into the valley. 

When the birds took shelter among the boughs, and the flowers folded their petals, and tremendous silence descended, I heard a rustle of feet though the grass. I took heed and saw a young couple approaching my arbor. The say under a tree where I could see them without being seen. 

After he looked about in every direction, I heard the young man saying, "Sit by me, my beloved, and listen to my heart; smile, for your happiness is a symbol of our future; be merry, for the sparkling days rejoice with us. 

"My soul is warning me of the doubt in your heart, for doubt in love is a sin. "Soon you will be the owner of this vast land, lighted by this beautiful moon; soon you will be the mistress of my palace, and all the servants and maids will obey your commands. 

"Smile, my beloved, like the gold smiles from my father's coffers. 

"My heart refuses to deny you its secret. Twelve months of comfort and travel await us; for a year we will spend my father's gold at the blue lakes of Switzerland, and viewing the edifices of Italy and Egypt, and resting under the Holy Cedars of Lebanon; you will meet the princesses who will envy you for your jewels and clothes. 

"All these things I will do for you; will you be satisfied?" 

In a little while I saw them walking and stepping on flowers as the rich step upon the hearts of the poor. As they disappeared from my sight, I commenced to make comparison between love and money, and to analyze their position in the heart. 

Money! The source of insincere love; the spring of false light and fortune; the well of poisoned water; the desperation of old age! 

I was still wandering in the vast desert of contemplation when a forlorn and specter-like couple passed by me and sat on the grass; a young man and a young woman who had left their farming shacks in the nearby fields for this cool and solitary place. 

After a few moments of complete silence, I heard the following words uttered with sighs from weather-bitten lips, "Shed not tears, my beloved; love that opens our eyes and enslaves our hearts can give us the blessing of patience. Be consoled in our delay our delay, for we have taken an oath and entered Love's shrine; for our love will ever grow in adversity; for it is in Love's name that we are suffering the obstacles of poverty and the sharpness of misery and the emptiness of separation. I shall attack these hardships until I triumph and place in your hands a strength that will help over all things to complete the journey of life. 

"Love - which is God - will consider our sighs and tears as incense burned at His altar and He will reward us with fortitude. Good-bye, my beloved; I must leave before the heartening moon vanishes." 

A pure voice, combined of the consuming flame of love, and the hopeless bitterness of longing and the resolved sweetness of patience, said, "Good-bye, my beloved." 

They separated, and the elegy to their union was smothered by the wails of my crying heart. 

I looked upon slumbering Nature, and with deep reflection discovered the reality of a vast and infinite thing -- something no power could demand, influence acquire, nor riches purchase. Nor could it be effaced by the tears of time or deadened by sorrow; a thing which cannot be discovered by the blue lakes of Switzerland or the beautiful edifices of Italy. 

It is something that gathers strength with patience, grows despite obstacles, warms in winter, flourishes in spring, casts a breeze in summer, and bears fruit in autumn -- I found Love.


Written by Robinson Jeffers | Create an image from this poem

The Broken Balance

 I. Reference to a Passage in Plutarch's Life of Sulla

The people buying and selling, consuming pleasures, talking in the archways,
Were all suddenly struck quiet
And ran from under stone to look up at the sky: so shrill and mournful,
So fierce and final, a brazen
Pealing of trumpets high up in the air, in the summer blue over Tuscany.
They marvelled; the soothsayers answered:
"Although the Gods are little troubled toward men, at the end of each period
A sign is declared in heaven
Indicating new times, new customs, a changed people; the Romans
Rule, and Etruria is finished;
A wise mariner will trim the sails to the wind."

 I heard yesterday
So shrill and mournful a trumpet-blast,
It was hard to be wise.... You must eat change and endure; not be much troubled
For the people; they will have their happiness.
When the republic grows too heavy to endure, then Caesar will carry It;
When life grows hateful, there's power ...

II. To the Children

Power's good; life is not always good but power's good.
So you must think when abundance
Makes pawns of people and all the loaves are one dough.
The steep singleness of passion
Dies; they will say, "What was that?" but the power triumphs.
Loveliness will live under glass
And beauty will go savage in the secret mountains.
There is beauty in power also.
You children must widen your minds' eyes to take mountains
Instead of faces, and millions
Instead of persons; not to hate life; and massed power
After the lone hawk's dead.

III

That light blood-loving weasel, a tongue of yellow
Fire licking the sides of the gray stones,
Has a more passionate and more pure heart
In the snake-slender flanks than man can imagine;
But he is betrayed by his own courage,
The man who kills him is like a cloud hiding a star.

Then praise the jewel-eyed hawk and the tall blue heron;
The black cormorants that fatten their sea-rock
With shining slime; even that ruiner of anthills
The red-shafted woodpecker flying,
A white star between blood-color wing-clouds,
Across the glades of the wood and the green lakes of shade.

These live their felt natures; they know their norm
And live it to the brim; they understand life.
While men moulding themselves to the anthill have choked
Their natures until the souls the in them;
They have sold themselves for toys and protection:
No, but consider awhile: what else? Men sold for toys.

Uneasy and fractional people, having no center
But in the eyes and mouths that surround them,
Having no function but to serve and support
Civilization, the enemy of man,
No wonder they live insanely, and desire
With their tongues, progress; with their eyes, pleasure; with their hearts, death.

Their ancestors were good hunters, good herdsmen and swordsman,
But now the world is turned upside down;
The good do evil, the hope's in criminals; in vice
That dissolves the cities and war to destroy them.
Through wars and corruptions the house will fall.
Mourn whom it falls on. Be glad: the house is mined, it will fall.

IV

Rain, hail and brutal sun, the plow in the roots,
The pitiless pruning-iron in the branches,
Strengthen the vines, they are all feeding friends
Or powerless foes until the grapes purple.
But when you have ripened your berries it is time to begin to perish.

The world sickens with change, rain becomes poison,
The earth is a pit, it Is time to perish.
The vines are fey, the very kindness of nature
Corrupts what her cruelty before strengthened.
When you stand on the peak of time it is time to begin to perish.

Reach down the long morbid roots that forget the plow,
Discover the depths; let the long pale tendrils
Spend all to discover the sky, now nothing is good
But only the steel mirrors of discovery . . .
And the beautiful enormous dawns of time, after we perish.

V

Mourning the broken balance, the hopeless prostration of the earth
Under men's hands and their minds,
The beautiful places killed like rabbits to make a city,
The spreading fungus, the slime-threads
And spores; my own coast's obscene future: I remember the farther
Future, and the last man dying
Without succession under the confident eyes of the stars.
It was only a moment's accident,
The race that plagued us; the world resumes the old lonely immortal
Splendor; from here I can even
Perceive that that snuffed candle had something . . . a fantastic virtue,
A faint and unshapely pathos . . .
So death will flatter them at last: what, even the bald ape's by-shot
Was moderately admirable?

VI. Palinode

All summer neither rain nor wave washes the cormorants'
Perch, and their droppings have painted it shining white.
If the excrement of fish-eaters makes the brown rock a snow-mountain
At noon, a rose in the morning, a beacon at moonrise
On the black water: it is barely possible that even men's present
Lives are something; their arts and sciences (by moonlight)
Not wholly ridiculous, nor their cities merely an offense.

VII

Under my windows, between the road and the sea-cliff, bitter wild grass
Stands narrowed between the people and the storm.
The ocean winter after winter gnaws at its earth, the wheels and the feet
Summer after summer encroach and destroy.
Stubborn green life, for the cliff-eater I cannot comfort you, ignorant which color,
Gray-blue or pale-green, will please the late stars;
But laugh at the other, your seed shall enjoy wonderful vengeances and suck
The arteries and walk in triumph on the faces.
Written by Andrew Barton Paterson | Create an image from this poem

Song of the Future

 'Tis strange that in a land so strong 
So strong and bold in mighty youth, 
We have no poet's voice of truth 
To sing for us a wondrous song. 
Our chiefest singer yet has sung 
In wild, sweet notes a passing strain, 
All carelessly and sadly flung 
To that dull world he thought so vain. 

"I care for nothing, good nor bad, 
My hopes are gone, my pleasures fled, 
I am but sifting sand," he said: 
What wonder Gordon's songs were sad! 

And yet, not always sad and hard; 
In cheerful mood and light of heart 
He told the tale of Britomarte, 
And wrote the Rhyme of Joyous Garde. 

And some have said that Nature's face 
To us is always sad; but these 
Have never felt the smiling grace 
Of waving grass and forest trees 
On sunlit plains as wide as seas. 

"A land where dull Despair is king 
O'er scentless flowers and songless bird!" 
But we have heard the bell-birds ring 
Their silver bells at eventide, 
Like fairies on the mountain side, 
The sweetest note man ever heard. 

The wild thrush lifts a note of mirth; 
The bronzewing pigeons call and coo 
Beside their nests the long day through; 
The magpie warbles clear and strong 
A joyous, glad, thanksgiving song, 
For all God's mercies upon earth. 

And many voices such as these 
Are joyful sounds for those to tell, 
Who know the Bush and love it well, 
With all its hidden mysteries. 

We cannot love the restless sea, 
That rolls and tosses to and fro 
Like some fierce creature in its glee; 
For human weal or human woe 
It has no touch of sympathy. 

For us the bush is never sad: 
Its myriad voices whisper low, 
In tones the bushmen only know, 
Its sympathy and welcome glad. 
For us the roving breezes bring 
From many a blossum-tufted tree -- 
Where wild bees murmur dreamily -- 
The honey-laden breath of Spring. 

* * * * 

We have our tales of other days, 
Good tales the northern wanderers tell 
When bushmen meet and camp-fires blaze, 
And round the ring of dancing light 
The great, dark bush with arms of night 
Folds every hearer in its spell. 

We have our songs -- not songs of strife 
And hot blood spilt on sea and land; 
But lilts that link achievement grand 
To honest toil and valiant life. 

Lift ye your faces to the sky 
Ye barrier mountains in the west 
Who lie so peacefully at rest 
Enshrouded in a haze of blue; 
'Tis hard to feel that years went by 
Before the pioneers broke through 
Your rocky heights and walls of stone, 
And made your secrets all their own. 

For years the fertile Western plains 
Were hid behind your sullen walls, 
Your cliffs and crags and waterfalls 
All weatherworn with tropic rains. 

Between the mountains and the sea 
Like Israelites with staff in hand, 
The people waited restlessly: 
They looked towards the mountains old 
And saw the sunsets come and go 
With gorgeous golden afterglow, 
That made the West a fairyland, 
And marvelled what that West might be 
Of which such wondrous tales were told. 

For tales were told of inland seas 
Like sullen oceans, salt and dead, 
And sandy deserts, white and wan, 
Where never trod the foot of man, 
Nor bird went winging overhead, 
Nor ever stirred a gracious breeze 
To wake the silence with its breath -- 
A land of loneliness and death. 

At length the hardy pioneers 
By rock and crag found out the way, 
And woke with voices of today 
A silence kept for years and tears. 

Upon the Western slope they stood 
And saw -- a wide expanse of plain 
As far as eye could stretch or see 
Go rolling westward endlessly. 
The native grasses, tall as grain, 
Bowed, waved and rippled in the breeze; 
From boughs of blossom-laden trees 
The parrots answered back again. 
They saw the land that it was good, 
A land of fatness all untrod, 
And gave their silent thanks to God. 

The way is won! The way is won! 
And straightway from the barren coast 
There came a westward-marching host, 
That aye and ever onward prest 
With eager faces to the West, 
Along the pathway of the sun. 

The mountains saw them marching by: 
They faced the all-consuming drought, 
They would not rest in settled land: 
But, taking each his life in hand, 
Their faces ever westward bent 
Beyond the farthest settlement, 
Responding to the challenge cry 
of "better country farther out". 

And lo, a miracle! the land 
But yesterday was all unknown, 
The wild man's boomerang was thrown 
Where now great busy cities stand. 
It was not much, you say, that these 
Should win their way where none withstood; 
In sooth there was not much of blood -- 
No war was fought between the seas. 

It was not much! but we who know 
The strange capricious land they trod -- 
At times a stricken, parching sod, 
At times with raging floods beset -- 
Through which they found their lonely way 
Are quite content that you should say 
It was not much, while we can feel 
That nothing in the ages old, 
In song or story written yet 
On Grecian urn or Roman arch, 
Though it should ring with clash of steel, 
Could braver histories unfold 
Than this bush story, yet untold -- 
The story of their westward march. 

* * * * 

But times are changed, and changes rung 
From old to new -- the olden days, 
The old bush life and all its ways, 
Are passing from us all unsung. 
The freedom, and the hopeful sense 
Of toil that brought due recompense, 
Of room for all, has passed away, 
And lies forgotten with the dead. 
Within our streets men cry for bread 
In cities built but yesterday. 
About us stretches wealth of land, 
A boundless wealth of virgin soil 
As yet unfruitful and untilled! 
Our willing workmen, strong and skilled, 
Within our cities idle stand, 
And cry aloud for leave to toil. 

The stunted children come and go 
In squalid lanes and alleys black: 
We follow but the beaten track 
Of other nations, and we grow 
In wealth for some -- for many, woe. 

And it may be that we who live 
In this new land apart, beyond 
The hard old world grown fierce and fond 
And bound by precedent and bond, 
May read the riddle right, and give 
New hope to those who dimly see 
That all things yet shall be for good, 
And teach the world at length to be 
One vast united brotherhood. 

* * * * 

So may it be! and he who sings 
In accents hopeful, clear, and strong, 
The glories which that future brings 
Shall sing, indeed, a wondrous song.
Written by Stephen Vincent Benet | Create an image from this poem

The Quality of Courage

 Black trees against an orange sky, 
Trees that the wind shook terribly, 
Like a harsh spume along the road, 
Quavering up like withered arms, 
Writhing like streams, like twisted charms 
Of hot lead flung in snow. Below 
The iron ice stung like a goad, 
Slashing the torn shoes from my feet, 
And all the air was bitter sleet. 

And all the land was cramped with snow, 
Steel-strong and fierce and glimmering wan, 
Like pale plains of obsidian. 
-- And yet I strove -- and I was fire 
And ice -- and fire and ice were one 
In one vast hunger of desire. 
A dim desire, of pleasant places, 
And lush fields in the summer sun, 
And logs aflame, and walls, and faces, 
-- And wine, and old ambrosial talk, 
A golden ball in fountains dancing, 
And unforgotten hands. (Ah, God, 
I trod them down where I have trod, 
And they remain, and they remain, 
Etched in unutterable pain, 
Loved lips and faces now apart, 
That once were closer than my heart -- 
In agony, in agony, 
And horribly a part of me. . . . 
For Lethe is for no man set, 
And in Hell may no man forget.) 

And there were flowers, and jugs, bright-glancing, 
And old Italian swords -- and looks, 
A moment's glance of fire, of fire, 
Spiring, leaping, flaming higher, 
Into the intense, the cloudless blue, 
Until two souls were one, and flame, 
And very flesh, and yet the same! 
As if all springs were crushed anew 
Into one globed drop of dew! 
But for the most I thought of heat, 
Desiring greatly. . . . Hot white sand 
The lazy body lies at rest in, 
Or sun-dried, scented grass to nest in, 
And fires, innumerable fires, 
Great fagots hurling golden gyres 
Of sparks far up, and the red heart 
In sea-coals, crashing as they part 
To tiny flares, and kindling snapping, 
Bunched sticks that burst their string and wrapping 
And fall like jackstraws; green and blue 
The evil flames of driftwood too, 
And heavy, sullen lumps of coke 
With still, fierce heat and ugly smoke. . . . 
. . . And then the vision of his face, 
And theirs, all theirs, came like a sword, 
Thrice, to the heart -- and as I fell 
I thought I saw a light before. 

I woke. My hands were blue and sore, 
Torn on the ice. I scarcely felt 
The frozen sleet begin to melt 
Upon my face as I breathed deeper, 
But lay there warmly, like a sleeper 
Who shifts his arm once, and moans low, 
And then sinks back to night. Slow, slow, 
And still as Death, came Sleep and Death 
And looked at me with quiet breath. 
Unbending figures, black and stark 
Against the intense deeps of the dark. 
Tall and like trees. Like sweet and fire 
Rest crept and crept along my veins, 
Gently. And there were no more pains. . . . 

Was it not better so to lie? 
The fight was done. Even gods tire 
Of fighting. . . . My way was the wrong. 
Now I should drift and drift along 
To endless quiet, golden peace . . . 
And let the tortured body cease. 

And then a light winked like an eye. 
. . . And very many miles away 
A girl stood at a warm, lit door, 
Holding a lamp. Ray upon ray 
It cloaked the snow with perfect light. 
And where she was there was no night 
Nor could be, ever. God is sure, 
And in his hands are things secure. 
It is not given me to trace 
The lovely laughter of that face, 
Like a clear brook most full of light, 
Or olives swaying on a height, 
So silver they have wings, almost; 
Like a great word once known and lost 
And meaning all things. Nor her voice 
A happy sound where larks rejoice, 
Her body, that great loveliness, 
The tender fashion of her dress, 
I may not paint them. 
These I see, 
Blazing through all eternity, 
A fire-winged sign, a glorious tree! 

She stood there, and at once I knew 
The bitter thing that I must do. 
There could be no surrender now; 
Though Sleep and Death were whispering low. 
My way was wrong. So. Would it mend 
If I shrank back before the end? 
And sank to death and cowardice? 
No, the last lees must be drained up, 
Base wine from an ignoble cup; 
(Yet not so base as sleek content 
When I had shrunk from punishment) 
The wretched body strain anew! 
Life was a storm to wander through. 
I took the wrong way. Good and well, 
At least my feet sought out not Hell! 
Though night were one consuming flame 
I must go on for my base aim, 
And so, perhaps, make evil grow 
To something clean by agony . . . 
And reach that light upon the snow . . . 
And touch her dress at last . . . 
So, so, 
I crawled. I could not speak or see 
Save dimly. The ice glared like fire, 
A long bright Hell of choking cold, 
And each vein was a tautened wire, 
Throbbing with torture -- and I crawled. 
My hands were wounds. 
So I attained 
The second Hell. The snow was stained 
I thought, and shook my head at it 
How red it was! Black tree-roots clutched 
And tore -- and soon the snow was smutched 
Anew; and I lurched babbling on, 
And then fell down to rest a bit, 
And came upon another Hell . . . 
Loose stones that ice made terrible, 
That rolled and gashed men as they fell. 
I stumbled, slipped . . . and all was gone 
That I had gained. Once more I lay 
Before the long bright Hell of ice. 
And still the light was far away. 
There was red mist before my eyes 
Or I could tell you how I went 
Across the swaying firmament, 
A glittering torture of cold stars, 
And how I fought in Titan wars . . . 
And died . . . and lived again upon 
The rack . . . and how the horses strain 
When their red task is nearly done. . . . 

I only know that there was Pain, 
Infinite and eternal Pain. 
And that I fell -- and rose again. 

So she was walking in the road. 
And I stood upright like a man, 
Once, and fell blind, and heard her cry . . . 
And then there came long agony. 
There was no pain when I awoke, 
No pain at all. Rest, like a goad, 
Spurred my eyes open -- and light broke 
Upon them like a million swords: 
And she was there. There are no words. 

Heaven is for a moment's span. 
And ever. 
So I spoke and said, 
"My honor stands up unbetrayed, 
And I have seen you. Dear . . ." 
Sharp pain 
Closed like a cloak. . . . 
I moaned and died. 

Here, even here, these things remain. 
I shall draw nearer to her side. 

Oh dear and laughing, lost to me, 
Hidden in grey Eternity, 
I shall attain, with burning feet, 
To you and to the mercy-seat! 
The ages crumble down like dust, 
Dark roses, deviously thrust 
And scattered in sweet wine -- but I, 
I shall lift up to you my cry, 
And kiss your wet lips presently 
Beneath the ever-living Tree. 

This in my heart I keep for goad! 
Somewhere, in Heaven she walks that road. 
Somewhere . . . in Heaven . . . she walks . . . that . . . road. . . .
Written by Emma Lazarus | Create an image from this poem

Chopin

 I

A dream of interlinking hands, of feet 
Tireless to spin the unseen, fairy woof 
Of the entangling waltz. Bright eyebeams meet, 
Gay laughter echoes from the vaulted roof. 
Warm perfumes rise; the soft unflickering glow 
Of branching lights sets off the changeful charms 
Of glancing gems, rich stuffs, the dazzling snow 
Of necks unkerchieft, and bare, clinging arms. 
Hark to the music! How beneath the strain 
Of reckless revelry, vibrates and sobs 
One fundamental chord of constant pain, 
The pulse-beat of the poet's heart that throbs. 
So yearns, though all the dancing waves rejoice, 
The troubled sea's disconsolate, deep voice. 


II

Who shall proclaim the golden fable false 
Of Orpheus' miracles? This subtle strain 
Above our prose-world's sordid loss and gain 
Lightly uplifts us. With the rhythmic waltz, 
The lyric prelude, the nocturnal song 
Of love and languor, varied visions rise, 
That melt and blend to our enchanted eyes. 
The Polish poet who sleeps silenced long, 
The seraph-souled musician, breathes again 
Eternal eloquence, immortal pain. 
Revived the exalted face we know so well, 
The illuminated eyes, the fragile frame, 
Slowly consuming with its inward flame, 
We stir not, speak not, lest we break the spell. 


III

A voice was needed, sweet and true and fine 
As the sad spirit of the evening breeze, 
Throbbing with human passion, yet devine 
As the wild bird's untutored melodies. 
A voice for him 'neath twilight heavens dim, 
Who mourneth for his dead, while round him fall 
The wan and noiseless leaves. A voice for him 
Who sees the first green sprout, who hears the call 
Of the first robin on the first spring day. 
A voice for all whom Fate hath set apart, 
Who, still misprized, must perish by the way, 
Longing with love, for that they lack the art 
Of their own soul's expression. For all these 
Sing the unspoken hope, the vague, sad reveries. 


IV

Then Nature shaped a poet's heart--a lyre 
From out whose chords the lightest breeze that blows 
Drew trembling music, wakening sweet desire. 
How shall she cherish him? Behold! she throws 
This precious, fragile treasure in the whirl 
Of seething passions; he is scourged and stung, 
Must dive in storm-vext seas, if but one pearl 
Of art or beauty therefrom may be wrung. 
No pure-browed pensive nymph his Muse shall be, 
An amazon of thought with sovereign eyes, 
Whose kiss was poison, man-brained, worldy-wise, 
Inspired that elfin, delicate harmony. 
Rich gain for us! But with him is it well? 
The poet who must sound earth, heaven, and hell!


Written by William Butler Yeats | Create an image from this poem

To Ireland In The Coming Times

 Know, that I would accounted be
True brother of a company
That sang, to sweeten Ireland's wrong,
Ballad and story, rann and song;
Nor be I any less of them,
Because the red-rose-bordered hem
Of her, whose history began
Before God made the angelic clan,
Trails all about the written page.
When Time began to rant and rage
The measure of her flying feet
Made Ireland's heart hegin to beat;
And Time bade all his candles flare
To light a measure here and there;
And may the thoughts of Ireland brood
Upon a measured guietude.
Nor may I less be counted one
With Davis, Mangan, Ferguson,
Because, to him who ponders well,
My rhymes more than their rhyming tell
Of things discovered in the deep,
Where only body's laid asleep.
For the elemental creatures go
About my table to and fro,
That hurry from unmeasured mind
To rant and rage in flood and wind,
Yet he who treads in measured ways
May surely barter gaze for gaze.
Man ever journeys on with them
After the red-rose-bordered hem.
Ah, faerics, dancing under the moon,
A Druid land, a Druid tune.!
While still I may, I write for you
The love I lived, the dream I knew.
From our birthday, until we die,
Is but the winking of an eye;
And we, our singing and our love,
What measurer Time has lit above,
And all benighted things that go
About my table to and fro,
Are passing on to where may be,
In truth's consuming ecstasy,
No place for love and dream at all;
For God goes by with white footfall.
I cast my heart into my rhymes,
That you, in the dim coming times,
May know how my heart went with them
After the red-rose-bordered hem.
Written by Michael Drayton | Create an image from this poem

Sonnet XVI: Mongst All the Creatures

 An Allusion to the Phoenix

'Mongst all the creatures in this spacious round 
Of the birds' kind, the Phoenix is alone, 
Which best by you of living things is known; 
None like to that, none like to you is found. 
Your beauty is the hot and splend'rous sun, 
The precious spices be your chaste desire, 
Which being kindled by that heav'nly fire, 
Your life so like the Phoenix's begun; 
Yourself thus burned in that sacred flame, 
With so rare sweetness all the heav'ns perfuming, 
Again increasing as you are consuming, 
Only by dying born the very same; 
And, wing'd by fame, you to the stars ascend, 
So you of time shall live beyond the end.
Written by Robert William Service | Create an image from this poem

Barcelona

 The night before I left Milan
A mob jammed the Cathedral Square,
And high the tide of passion ran
As politics befouled the air.
A seething hell of human strife,
I shrank back from its evil core,
Seeing in this convulsive life
The living seeds of war.

To Barcelona then I came,
And oh the heavenly release!
From conflict and consuming flame
I knew the preciousness of peace.
Such veneration for the law!
How decorous was every one!
And then (significant) I saw
Each copper packed a tommy gun.

Well, maybe it is best that way.
Peace can mean more than liberty:
These people, state-directed, may
Be happier than those more free.
When politics wield evil grip,
And warring factions rise and fall,
Benevolent dictatorship
May be the answer, after all.
Written by George Herbert | Create an image from this poem

Affliction

 When thou didst entice to thee my heart, 
I thought the service brave: 
So many joys I writ down for my part, 
Besides what I might have
Out of my stock of natural delights, 
Augmented with thy gracious benefits.

I looked on thy furniture so fine, 
And made it fine to me: 
Thy glorious household-stuff did me entwine, 
And 'tice me unto thee.
Such stars I counted mine: both heav'n and earth
Paid me my wages in a world of mirth.

What pleasures could I want, whose King I served? 
Where joys my fellows were? 
Thus argu'd into hopes, my thoughts reserved 
No place for grief or fear.
Therefore my sudden soul caught at the place, 
And made her youth and fierceness seek thy face.

At first thou gav'st me milk and sweetnesses; 
I had my wish and way: 
My days were straw'd with flow'rs and happiness; 
There was no month but May.
But with my years sorrow did twist and grow, 
And made a party unawares for woe.

My flesh began unto my soul in pain, 
Sicknesses cleave my bones; 
Consuming agues dwell in ev'ry vein, 
And tune my breath to groans.
Sorrow was all my soul; I scarce believed, 
Till grief did tell me roundly, that I lived.

When I got health, thou took'st away my life, 
And more; for my friends die: 
My mirth and edge was lost; a blunted knife
Was of more use than I.
Thus thin and lean without a fence or friend, 
I was blown through with ev'ry storm and wind.

Whereas my birth and spirit rather took
The way that takes the town; 
Thou didst betray me to a lingering book, 
And wrap me in a gown.
I was entangled in the world of strife, 
Before I had the power to change my life.

Yet, for I threatened oft the siege to raise, 
Not simpring all mine age, 
Thou often didst with Academic praise
Melt and dissolve my rage.
I took thy sweetened pill, till I came where
I could not go away, nor persevere.

Yet lest perchance I should too happy be
In my unhappiness, 
Turning my purge to food, thou throwest me
Into more sicknesses.
Thus doth thy power cross-bias me; not making
Thine own gift good, yet me from my ways taking.

Now I am here, what thou wilt do with me 
None of my books will show: 
I read, and sigh, and wish I were a tree; 
For sure I then should grow
To fruit or shade: at least some bird would trust
Her household to me, and I should be just.

Yet though thou troublest me, I must be meek; 
In weakness must be stout.
Well, I will change the service, and go seek
Some other master out.
Ah my dear God! though I am clean forgot, 
Let me not love thee, if I love thee not.
Written by Philip Levine | Create an image from this poem

Black Stone On Top Of Nothing

 Still sober, César Vallejo comes home and finds a black ribbon 
around the apartment building covering the front door. 
He puts down his cane, removes his greasy fedora, and begins 
to untangle the mess. His neighbors line up behind him 
wondering what's going on. A middle-aged woman carrying 
a loaf of fresh bread asks him to step aside so she 
can enter, ascend the two steep flights to her apartment, 
and begin the daily task of preparing lunch for her Monsieur. 
Vallejo pretends he hears nothing or perhaps he truly 
hears nothing so absorbed is he in this odd task consuming 
his late morning. Did I forget to mention that no one else 
can see the black ribbon or understand why his fingers 
seem so intent on unraveling what is not there? Remember 
when you were only six and on especially hot days you 
would descend the shaky steps to the cellar hoping at first 
that someone, perhaps your mother, would gradually 
become aware of your absence and feel a sudden seizure 
of anxiety or terror. Of course no one noticed. Mother 
sat for hours beside the phone waiting, and now and then 
gazed at summer sunlight blazing through the parlor curtains 
while below, cool and alone, seated on the damp concrete 
you watched the same sunlight filter through the rising dust 
from the two high windows. Beside the furnace a spider 
worked brilliantly downward from the burned-out, overhead bulb 
with a purpose you at that age could still comprehend. 
1937 would last only six more months. It was a Thursday. 
Rain was promised but never arrived. The brown spider worked 
with or without hope, though when the dusty sunlight caught 
in the web you beheld a design so perfect it remained 
in your memory as a model of meaning. César Vallejo 
untangled the black ribbon no one else saw and climbed 
to his attic apartment and gazed out at the sullen rooftops 
stretching southward toward Spain where his heart died. I know this. 
I've walked by the same building year after year in late evening 
when the swallows were settling noiselessly in the few sparse trees
beside the unused canal. I've come when the winter snow 
blinded the distant brooding sky. I've come just after dawn, 
I've come in spring, in autumn, in rain, and he was never there.

Book: Radiant Verses: A Journey Through Inspiring Poetry