Written by
Marianne Moore |
This institution,
perhaps one should say enterprise
out of respect for which
one says one need not change one's mind
about a thing one has believed in,
requiring public promises
of one's intention
to fulfill a private obligation:
I wonder what Adam and Eve
think of it by this time,
this firegilt steel
alive with goldenness;
how bright it shows --
"of circular traditions and impostures,
committing many spoils,"
requiring all one's criminal ingenuity
to avoid!
Psychology which explains everything
explains nothing
and we are still in doubt.
Eve: beautiful woman --
I have seen her
when she was so handsome
she gave me a start,
able to write simultaneously
in three languages --
English, German and French
and talk in the meantime;
equally positive in demanding a commotion
and in stipulating quiet:
"I should like to be alone;"
to which the visitor replies,
"I should like to be alone;
why not be alone together?"
Below the incandescent stars
below the incandescent fruit,
the strange experience of beauty;
its existence is too much;
it tears one to pieces
and each fresh wave of consciousness
is poison.
"See her, see her in this common world,"
the central flaw
in that first crystal-fine experiment,
this amalgamation which can never be more
than an interesting possibility,
describing it
as "that strange paradise
unlike flesh, gold, or stately buildings,
the choicest piece of my life:
the heart rising
in its estate of peace
as a boat rises
with the rising of the water;"
constrained in speaking of the serpent --
that shed snakeskin in the history of politeness
not to be returned to again --
that invaluable accident
exonerating Adam.
And he has beauty also;
it's distressing -- the O thou
to whom, from whom,
without whom nothing -- Adam;
"something feline,
something colubrine" -- how true!
a crouching mythological monster
in that Persian miniature of emerald mines,
raw silk -- ivory white, snow white,
oyster white and six others --
that paddock full of leopards and giraffes --
long lemonyellow bodies
sown with trapezoids of blue.
Alive with words,
vibrating like a cymbal
touched before it has been struck,
he has prophesied correctly --
the industrious waterfall,
"the speedy stream
which violently bears all before it,
at one time silent as the air
and now as powerful as the wind.
"
"Treading chasms
on the uncertain footing of a spear,"
forgetting that there is in woman
a quality of mind
which is an instinctive manifestation
is unsafe,
he goes on speaking
in a formal, customary strain
of "past states," the present state,
seals, promises,
the evil one suffered,
the good one enjoys,
hell, heaven,
everything convenient
to promote one's joy.
"
There is in him a state of mind
by force of which,
perceiving what it was not
intended that he should,
"he experiences a solemn joy
in seeing that he has become an idol.
"
Plagued by the nightingale
in the new leaves,
with its silence --
not its silence but its silences,
he says of it:
"It clothes me with a shirt of fire.
"
"He dares not clap his hands
to make it go on
lest it should fly off;
if he does nothing, it will sleep;
if he cries out, it will not understand.
"
Unnerved by the nightingale
and dazzled by the apple,
impelled by "the illusion of a fire
effectual to extinguish fire,"
compared with which
the shining of the earth
is but deformity -- a fire
"as high as deep as bright as broad
as long as life itself,"
he stumbles over marriage,
"a very trivial object indeed"
to have destroyed the attitude
in which he stood --
the ease of the philosopher
unfathered by a woman.
Unhelpful Hymen!
"a kind of overgrown cupid"
reduced to insignificance
by the mechanical advertising
parading as involuntary comment,
by that experiment of Adam's
with ways out but no way in --
the ritual of marriage,
augmenting all its lavishness;
its fiddle-head ferns,
lotus flowers, opuntias, white dromedaries,
its hippopotamus --
nose and mouth combined
in one magnificent hopper,
"the crested screamer --
that huge bird almost a lizard,"
its snake and the potent apple.
He tells us
that "for love
that will gaze an eagle blind,
that is like a Hercules
climbing the trees
in the garden of the Hesperides,
from forty-five to seventy
is the best age,"
commending it
as a fine art, as an experiment,
a duty or as merely recreation.
One must not call him ruffian
nor friction a calamity --
the fight to be affectionate:
"no truth can be fully known
until it has been tried
by the tooth of disputation.
"
The blue panther with black eyes,
the basalt panther with blue eyes,
entirely graceful --
one must give them the path --
the black obsidian Diana
who "darkeneth her countenance
as a bear doth,
causing her husband to sigh,"
the spiked hand
that has an affection for one
and proves it to the bone,
impatient to assure you
that impatience is the mark of independence
not of bondage.
"Married people often look that way" --
"seldom and cold, up and down,
mixed and malarial
with a good day and bad.
"
"When do we feed?"
We occidentals are so unemotional,
we quarrel as we feed;
one's self is quite lost,
the irony preserved
in "the Ahasuerus t?te ? t?te banquet"
with its "good monster, lead the way,"
with little laughter
and munificence of humor
in that quixotic atmosphere of frankness
in which "Four o'clock does not exist
but at five o'clock
the ladies in their imperious humility
are ready to receive you";
in which experience attests
that men have power
and sometimes one is made to feel it.
He says, "what monarch would not blush
to have a wife
with hair like a shaving-brush?
The fact of woman
is not `the sound of the flute
but every poison.
'"
She says, "`Men are monopolists
of stars, garters, buttons
and other shining baubles' --
unfit to be the guardians
of another person's happiness.
"
He says, "These mummies
must be handled carefully --
`the crumbs from a lion's meal,
a couple of shins and the bit of an ear';
turn to the letter M
and you will find
that `a wife is a coffin,'
that severe object
with the pleasing geometry
stipulating space and not people,
refusing to be buried
and uniquely disappointing,
revengefully wrought in the attitude
of an adoring child
to a distinguished parent.
"
She says, "This butterfly,
this waterfly, this nomad
that has `proposed
to settle on my hand for life.
' --
What can one do with it?
There must have been more time
in Shakespeare's day
to sit and watch a play.
You know so many artists are fools.
"
He says, "You know so many fools
who are not artists.
"
The fact forgot
that "some have merely rights
while some have obligations,"
he loves himself so much,
he can permit himself
no rival in that love.
She loves herself so much,
she cannot see herself enough --
a statuette of ivory on ivory,
the logical last touch
to an expansive splendor
earned as wages for work done:
one is not rich but poor
when one can always seem so right.
What can one do for them --
these savages
condemned to disaffect
all those who are not visionaries
alert to undertake the silly task
of making people noble?
This model of petrine fidelity
who "leaves her peaceful husband
only because she has seen enough of him" --
that orator reminding you,
"I am yours to command.
"
"Everything to do with love is mystery;
it is more than a day's work
to investigate this science.
"
One sees that it is rare --
that striking grasp of opposites
opposed each to the other, not to unity,
which in cycloid inclusiveness
has dwarfed the demonstration
of Columbus with the egg --
a triumph of simplicity --
that charitive Euroclydon
of frightening disinterestedness
which the world hates,
admitting:
"I am such a cow,
if I had a sorrow,
I should feel it a long time;
I am not one of those
who have a great sorrow
in the morning
and a great joy at noon;"
which says: "I have encountered it
among those unpretentious
proteg?s of wisdom,
where seeming to parade
as the debater and the Roman,
the statesmanship
of an archaic Daniel Webster
persists to their simplicity of temper
as the essence of the matter:
`Liberty and union
now and forever;'
the book on the writing-table;
the hand in the breast-pocket.
"
|
Written by
Thomas Hardy |
Good Father!… ’Twas an eve in middle June,
And war was waged anew
By great Napoleon, who for years had strewn
Men’s bones all Europe through.
Three nights ere this, with columned corps he’d crossed
The Sambre at Charleroi,
To move on Brussels, where the English host
Dallied in Parc and Bois.
The yestertide we’d heard the gloomy gun
Growl through the long-sunned day
From Quatre-Bras and Ligny; till the dun
Twilight suppressed the fray;
Albeit therein—as lated tongues bespoke—
Brunswick’s high heart was drained,
And Prussia’s Line and Landwehr, though unbroke,
Stood cornered and constrained.
And at next noon-time Grouchy slowly passed
With thirty thousand men:
We hoped thenceforth no army, small or vast,
Would trouble us again.
My hut lay deeply in a vale recessed,
And never a soul seemed nigh
When, reassured at length, we went to rest—
My children, wife, and I.
But what was this that broke our humble ease?
What noise, above the rain,
Above the dripping of the poplar trees
That smote along the pane?
—A call of mastery, bidding me arise,
Compelled me to the door,
At which a horseman stood in martial guise—
Splashed—sweating from every pore.
Had I seen Grouchy? Yes? Which track took he?
Could I lead thither on?—
Fulfilment would ensure gold pieces three,
Perchance more gifts anon.
“I bear the Emperor’s mandate,” then he said,
“Charging the Marshal straight
To strike between the double host ahead
Ere they co-operate,
“Engaging Bl?cher till the Emperor put
Lord Wellington to flight,
And next the Prussians.
This to set afoot
Is my emprise to-night.
”
I joined him in the mist; but, pausing, sought
To estimate his say,
Grouchy had made for Wavre; and yet, on thought,
I did not lead that way.
I mused: “If Grouchy thus instructed be,
The clash comes sheer hereon;
My farm is stript.
While, as for pieces three,
Money the French have none.
“Grouchy unwarned, moreo’er, the English win,
And mine is left to me—
They buy, not borrow.
”—Hence did I begin
To lead him treacherously.
By Joidoigne, near to east, as we ondrew,
Dawn pierced the humid air;
And eastward faced I with him, though I knew
Never marched Grouchy there.
Near Ottignies we passed, across the Dyle
(Lim’lette left far aside),
And thence direct toward Pervez and Noville
Through green grain, till he cried:
“I doubt thy conduct, man! no track is here
I doubt they gag?d word!”
Thereat he scowled on me, and pranced me near,
And pricked me with his sword.
“Nay, Captain, hold! We skirt, not trace the course
Of Grouchy,” said I then:
“As we go, yonder went he, with his force
Of thirty thousand men.
”
—At length noon nighed, when west, from Saint-John’s-Mound,
A hoarse artillery boomed,
And from Saint-Lambert’s upland, chapel-crowned,
The Prussian squadrons loomed.
Then to the wayless wet gray ground he leapt;
“My mission fails!” he cried;
“Too late for Grouchy now to intercept,
For, peasant, you have lied!”
He turned to pistol me.
I sprang, and drew
The sabre from his flank,
And ’twixt his nape and shoulder, ere he knew,
I struck, and dead he sank.
I hid him deep in nodding rye and oat—
His shroud green stalks and loam;
His requiem the corn-blade’s husky note—
And then I hastened home….
—Two armies writhe in coils of red and blue,
And brass and iron clang
From Goumont, past the front of Waterloo,
To Pap’lotte and Smohain.
The Guard Imperial wavered on the height;
The Emperor’s face grew glum;
“I sent,” he said, “to Grouchy yesternight,
And yet he does not come!”
’Twas then, Good Father, that the French espied,
Streaking the summer land,
The men of Bl?cher.
But the Emperor cried,
“Grouchy is now at hand!”
And meanwhile Vand’leur, Vivian, Maitland, Kempt,
Met d’Erlon, Friant, Ney;
But Grouchy—mis-sent, blamed, yet blame-exempt—
Grouchy was far away.
Be even, slain or struck, Michel the strong,
Bold Travers, Dnop, Delord,
Smart Guyot, Reil-le, l’Heriter, Friant.
Scattered that champaign o’er.
Fallen likewise wronged Duhesme, and skilled Lobau
Did that red sunset see;
Colbert, Legros, Blancard!… And of the foe
Picton and Ponsonby;
With Gordon, Canning, Blackman, Ompteda,
L’Estrange, Delancey, Packe,
Grose, D’Oyly, Stables, Morice, Howard, Hay,
Von Schwerin, Watzdorf, Boek,
Smith, Phelips, Fuller, Lind, and Battersby,
And hosts of ranksmen round…
Memorials linger yet to speak to thee
Of those that bit the ground!
The Guards’ last column yielded; dykes of dead
Lay between vale and ridge,
As, thinned yet closing, faint yet fierce, they sped
In packs to Genappe Bridge.
Safe was my stock; my capple cow unslain;
Intact each cock and hen;
But Grouchy far at Wavre all day had lain,
And thirty thousand men.
O Saints, had I but lost my earing corn
And saved the cause once prized!
O Saints, why such false witness had I borne
When late I’d sympathized!…
So, now, being old, my children eye askance
My slowly dwindling store,
And crave my mite; till, worn with tarriance,
I care for life no more.
To Almighty God henceforth I stand confessed,
And Virgin-Saint Marie;
O Michael, John, and Holy Ones in rest,
Entreat the Lord for me!
|
Written by
Gertrude Stein |
Why is the world at peace.
This may astonish you a little but when you realise how
easily Mrs.
Charles Bianco sells the work of American
painters to American millionaires you will recognize that
authorities are constrained to be relieved.
Let me tell you a
story.
A painter loved a woman.
A musician did not sing.
A South African loved books.
An American was a woman
and needed help.
Are Americans the same as incubators.
But this is the rest of the story.
He became an authority.
|
Written by
Claude McKay |
If we must die, let it not be like hogs
Hunted and penned in an inglorious spot,
While round us bark the mad and hungry dogs,
Making their mock at our accursèd lot.
If we must die, O let us nobly die,
So that our precious blood may not be shed
In vain; then even the monsters we defy
Shall be constrained to honor us though dead!
O kinsmen! we must meet the common foe!
Though far outnumbered let us show us brave,
And for their thousand blows deal one death-blow!
What though before us lies the open grave?
Like men we'll face the murderous, cowardly pack,
Pressed to the wall, dying, but fighting back!
|
Written by
Katherine Philips |
Whom does this stately Navy bring?
O! ‘tis Great Britain's Glorious King,
Convey him then, ye Winds and Seas,
Swift as Desire and calm as Peace.
In your Respect let him survey
What all his other Subjects pay;
And prophesie to them again
The splendid smoothness of his Reign.
Charles and his mighty hopes you bear:
A greater now then C?sar's here;
Whose Veins a richer Purple boast
Then ever Hero's yet engrost;
Sprung from a Father so august,
He triumphs in his very dust.
In him two Miracles we view,
His Vertue and his Safety too:
For when compell'd by Traitors crimes
To breathe and bow in forein Climes,
Expos'd to all the rigid fate
That does on wither'd Greatness wait,
Had plots for Life and Conscience laid,
By Foes pursu'd, by Friends betray'd;
Then Heaven, his secret potent friend,
Did him from Drugs and Stabs defend;
And, what's more yet, kept him upright
‘Midst flattering Hope and bloudy Fight.
Cromwell his whole Right never gain'd,
Defender of the Faith remain'd,
For which his Predecessors fought
And writ, but none so dearly bought.
Never was Prince so much beseiged,
At home provok'd, abroad obliged;
Nor ever Man resisted thus,
No not great Athanasius.
No help of Friends could, or Foes spight,
To fierce Invasion him invite.
Revenge to him no pleasure is,
He spar'd their bloud who gap'd for his;
Blush'd any hands the English Crown
Should fasten on him but their own.
As Peace and Freedom with him went,
With him they came from Banishment.
That he might his Dominions win,
He with himself did first begin:
And that best victory obtain'd,
His Kingdom quickly he regain'd.
Th' illustrious suff'rings of this Prince
Did all reduce and all convince.
He onely liv'd with such success,
That the whole world would fight with less.
Assistant Kings could but subdue
Those Foes which he can pardon too.
He thinks no Slaughter-trophees good,
Nor Laurels dipt in Subjects blood;
But with a sweet resistless art
Disarms the hand, and wins the heart;
And like a God doth rescue those
Who did themselves and him oppose.
Go, wondrous Prince, adorn that Throne
Which Birth and Merit make your own;
And in your Mercy brighter shine
Then in the Glories of your Line:
Find Love at home, and abroad Fear,
And Veneration every where.
Th' united world will you allow
Their Chief, to whom the English bow:
And Monarchs shall to yours resort,
As Sheba's Queen to Judah's Court;
Returning thence constrained more
To wonder, envy, and adore.
Disgusted Rome will hate your Crown,
But she shall tremble at your Frown.
For England shall (rul'd and restor'd by You)
The suppliant world protect, or else subdue.
|
Written by
Emily Dickinson |
Of Death I try to think like this --
The Well in which they lay us
Is but the Likeness of the Brook
That menaced not to slay us,
But to invite by that Dismay
Which is the Zest of sweetness
To the same Flower Hesperian,
Decoying but to greet us --
I do remember when a Child
With bolder Playmates straying
To where a Brook that seemed a Sea
Withheld us by its roaring
From just the Purple Flower beyond
Until constrained to clutch it
If Doom itself were the result,
The boldest leaped, and clutched it --
|
Written by
William Butler Yeats |
I
On the grey rock of Cashel the mind's eye
Has called up the cold spirits that are born
When the old moon is vanished from the sky
And the new still hides her horn.
Under blank eyes and fingers never still
The particular is pounded till it is man.
When had I my own will?
O not since life began.
Constrained, arraigned, baffled, bent and unbent
By these wire-jointed jaws and limbs of wood,
Themselves obedient,
Knowing not evil and good;
Obedient to some hidden magical breath.
They do not even feel, so abstract are they.
So dead beyond our death,
Triumph that we obey.
II
On the grey rock of Cashel I suddenly saw
A Sphinx with woman breast and lion paw.
A Buddha, hand at rest,
Hand lifted up that blest;
And right between these two a girl at play
That, it may be, had danced her life away,
For now being dead it seemed
That she of dancing dreamed.
Although I saw it all in the mind's eye
There can be nothing solider till I die;
I saw by the moon's light
Now at its fifteenth night.
One lashed her tail; her eyes lit by the moon
Gazed upon all things known, all things unknown,
In triumph of intellect
With motionless head erect.
That other's moonlit eyeballs never moved,
Being fixed on all things loved, all things unloved.
Yet little peace he had,
For those that love are sad.
Little did they care who danced between,
And little she by whom her dance was seen
So she had outdanced thought.
Body perfection brought,
For what but eye and ear silence the mind
With the minute particulars of mankind?
Mind moved yet seemed to stop
As 'twere a spinning-top.
In contemplation had those three so wrought
Upon a moment, and so stretched it out
That they, time overthrown,
Were dead yet flesh and bone.
III
I knew that I had seen, had seen at last
That girl my unremembering nights hold fast
Or else my dreams that fly
If I should rub an eye,
And yet in flying fling into my meat
A crazy juice that makes the pulses beat
As though I had been undone
By Homer's Paragon
Who never gave the burning town a thought;
To such a pitch of folly I am brought,
Being caught between the pull
Of the dark moon and the full,
The commonness of thought and images
That have the frenzy of our western seas.
Thereon I made my moan,
And after kissed a stone,
And after that arranged it in a song
Seeing that I, ignorant for So long,
Had been rewarded thus
In Cormac's ruined house.
|
Written by
William Cowper |
No strength of nature can suffice
To serve the Lord aright:
And what she has she misapplies,
For want of clearer light.
How long beneath the law I lay
In bondage and distress;
I toll'd the precept to obey,
But toil'd without success.
Then, to abstain from outward sin
Was more than I could do;
Now, if I feel its power within,
I feel I hate it too.
Then all my servile works were done
A righteousness to raise;
Now, freely chosen in the Son,
I freely choose His ways.
"What shall I do," was then the word,
"That I may worthier grow?"
"What shall I render to the Lord?"
Is my inquiry now.
To see the law by Christ fulfilled
And hear His pardoning voice,
Changes a slave into a child,
And duty into choice.
|
Written by
Francesco Petrarch |
[Pg 67] CANZONE VII.
Lasso me, ch i' non so in qual parte pieghi.
HE WOULD CONSOLE HIMSELF WITH SONG, BUT IS CONSTRAINED TO WEEP.
Me wretched! for I know not whither tend
The hopes which have so long my heart betray'd:
If none there be who will compassion lend,
Wherefore to Heaven these often prayers for aid?
But if, belike, not yet denied to me
That, ere my own life end,
These sad notes mute shall be,
Let not my Lord conceive the wish too free,
Yet once, amid sweet flowers, to touch the string,
"Reason and right it is that love I sing.
"
Reason indeed there were at last that I
Should sing, since I have sigh'd so long and late,
But that for me 'tis vain such art to try,
Brief pleasures balancing with sorrows great;
Could I, by some sweet verse, but cause to shine
Glad wonder and new joy
Within those eyes divine,
Bliss o'er all other lovers then were mine!
But more, if frankly fondly I could say,
"My lady asks, I therefore wake the lay.
"
Delicious, dangerous thoughts! that, to begin
A theme so high, have gently led me thus,
You know I ne'er can hope to pass within
Our lady's heart, so strongly steel'd from us;
She will not deign to look on thing so low,
Nor may our language win
Aught of her care: since Heaven ordains it so,
And vainly to oppose must irksome grow,
Even as I my heart to stone would turn,
"So in my verse would I be rude and stern.
"
What do I say? where am I?—My own heart
And its misplaced desires alone deceive!
Though my view travel utmost heaven athwart
No planet there condemns me thus to grieve:
Why, if the body's veil obscure my sight,
Blame to the stars impart.
[Pg 68]Or other things as bright?
Within me reigns my tyrant, day and night,
Since, for his triumph, me a captive took
"Her lovely face, and lustrous eyes' dear look.
"
While all things else in Nature's boundless reign
Came good from the Eternal Master's mould,
I look for such desert in me in vain:
Me the light wounds that I around behold;
To the true splendour if I turn at last,
My eye would shrink in pain,
Whose own fault o'er it cast
Such film, and not the fatal day long past,
When first her angel beauty met my view,
"In the sweet season when my life was new.
"
Macgregor.
|
Written by
Thomas Hardy |
WHEN I look forth at dawning, pool,
Field, flock, and lonely tree,
All seem to look at me
Like chastened children sitting silent in a school;
Their faces dulled, constrained, and worn,
As though the master's ways
Through the long teaching days
Their first terrestrial zest had chilled and overborne.
And on them stirs, in lippings mere
(As if once clear in call,
But now scarce breathed at all)--
"We wonder, ever wonder, why we find us here!
"Has some Vast Imbecility,
Mighty to build and blend,
But impotent to tend,
Framed us in jest, and left us now to hazardry?
"Or come we of an Automaton
Unconscious of our pains?.
.
.
Or are we live remains
Of Godhead dying downwards, brain and eye now gone?
"Or is it that some high Plan betides,
As yet not understood,
Of Evil stormed by Good,
We the Forlorn Hope over which Achievement strides?"
Thus things around.
No answerer I.
.
.
.
Meanwhile the winds, and rains,
And Earth's old glooms and pains
Are still the same, and gladdest Life Death neighbors nigh.
|