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Best Famous Confound Poems

Here is a collection of the all-time best famous Confound poems. This is a select list of the best famous Confound poetry. Reading, writing, and enjoying famous Confound poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of confound poems.

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Written by Marilyn Hacker | Create an image from this poem

The Boy

 It is the boy in me who's looking out
the window, while someone across the street
mends a pillowcase, clouds shift, the gutter spout
pours rain, someone else lights a cigarette?

(Because he flinched, because he didn't whirl
around, face them, because he didn't hurl
the challenge back—"Fascists?"—not "Faggots"—Swine!
he briefly wonders—if he were a girl .
.
.
) He writes a line.
He crosses out a line.
I'll never be a man, but there's a boy crossing out words: the rain, the linen-mender, are all the homework he will do today.
The absence and the priviledge of gender confound in him, soprano, clumsy, frail.
Not neuter—neutral human, and unmarked, the younger brother in the fairy tale except, boys shouted "Jew!" across the park at him when he was coming home from school.
The book that he just read, about the war, the partisans, is less a terrible and thrilling story, more a warning, more a code, and he must puzzle out the code.
He has short hair, a red sweatshirt.
They know something about him—that he should be proud of? That's shameful if it shows? That got you killed in 1942.
In his story, do the partisans have sons? Have grandparents? Is he a Jew more than he is a boy, who'll be a man someday? Someone who'll never be a man looks out the window at the rain he thought might stop.
He reads the sentence he began.
He writes down something that he crosses out.


Written by William Shakespeare | Create an image from this poem

Venus and Adonis

 Lo, here the gentle lark, weary of rest,
From his moist cabinet mounts up on high,
And wakes the morning, from whose silver breast
The sun ariseth in his majesty;
Who doth the world so gloriously behold
That cedar-tops and hills seem burnish'd gold.
Venus salutes him with this fair good-morrow; "O thou clear god, and patron of all light, From whom each lamp and shining star doth borrow The beauteous influence that makes him bright, There lives a son that suck'd an earthly mother, May lend thee light, as thou dost lend to other.
" This said, she hasteth to a myrtle grove, Musing the morning is so much o'erworn, And yet she hears no tidings of her love: She hearkens for his hounds and for his horn: Anon she hears them chant it lustily, And all in haste she coasteth to the cry.
And as she runs, the bushes in the way Some catch her by the neck, some kiss her face, Some twine about her thigh to make her stay: She wildly breaketh from their strict embrace, Like a milch doe, whose swelling dugs do ache, Hasting to feed her fawn, hid in some brake.
By this she hears the hounds are at a bay; Whereat she starts, like one that spies an adder Wreath'd up in fatal folds just in his way, The fear whereof doth make him shake and shudder; Even so the timorous yelping of the hounds Appals her senses and her spirit confounds.
For now she knows it is no gentle chase, But the blunt boar, rough bear, or lion proud, Because the cry remaineth in one place, Where fearfully the dogs exclaim aloud: Finding their enemy to be so curst, They all strain court'sy who shall cope him first.
This dismal cry rings sadly in her ear, Through which it enters to surprise her heart; Who, overcome by doubt and bloodless fear, With cold-pale weakness numbs each feeling part: Like soldiers, when their captain once doth yield, They basely fly and dare not stay the field.
Thus stands she in a trembling ecstasy; Till, cheering up her senses all dismay'd, She tells them 'tis a causeless fantasy, And childish error, that they are afraid; Bids them leave quaking, bids them fear no more:-- And with that word she spied the hunted boar; Whose frothy mouth, bepainted all with red, Like milk and blood being mingled both together, A second fear through all her sinews spread, Which madly hurries her she knows not whither: This way she runs, and now she will no further, But back retires to rate the boar for murther.
A thousand spleens bear her a thousand ways; She treads the path that she untreads again; Her more than haste is mated with delays, Like the proceedings of a drunken brain, Full of respects, yet nought at all respecting; In hand with all things, nought at all effecting.
Here kennell'd in a brake she finds a hound, And asks the weary caitiff for his master, And there another licking of his wound, 'Gainst venom'd sores the only sovereign plaster; And here she meets another sadly scowling, To whom she speaks, and he replies with howling.
When he hath ceas'd his ill-resounding noise, Another flap-mouth'd mourner, black and grim, Against the welkin volleys out his voice; Another, and another, answer him, Clapping their proud tails to the ground below, Shaking their scratch'd ears, bleeding as they go.
Look, how the world's poor people are amazed At apparitions, signs, and prodigies, Whereon with fearful eyes they long have gazed, Infusing them with dreadful prophecies; So she at these sad signs draws up her breath And sighing it again, exclaims on Death.
"Hard-favour'd tyrant, ugly, meagre, lean, Hateful divorce of love,"--thus chides she Death,-- "Grim-grinning ghost, earth's worm, what dost thou mean To stifle beauty and to steal his breath, Who when he liv'd, his breath and beauty set Gloss on the rose, smell to the violet? "If he be dead,--O no, it cannot be, Seeing his beauty, thou shouldst strike at it:-- O yes, it may; thou hast no eyes to see, But hatefully at random dost thou hit.
Thy mark is feeble age, but thy false dart Mistakes that aim and cleaves an infant's heart.
"Hadst thou but bid beware, then he had spoke, And, hearing him, thy power had lost his power.
The Destinies will curse thee for this stroke; They bid thee crop a weed, thou pluck'st a flower: Love's golden arrow at him should have fled, And not Death's ebon dart, to strike him dead.
"Dost thou drink tears, that thou provok'st such weeping? What may a heavy groan advantage thee? Why hast thou cast into eternal sleeping Those eyes that taught all other eyes to see? Now nature cares not for thy mortal vigour, Since her best work is ruin'd with thy rigour.
" Here overcome, as one full of despair, She vail'd her eyelids, who, like sluices, stopt The crystal tide that from her two cheeks fair In the sweet channel of her bosom dropt; But through the flood-gates breaks the silver rain, And with his strong course opens them again.
O, how her eyes and tears did lend and borrow! Her eyes seen in the tears, tears in her eye; Both crystals, where they view'd each other's sorrow, Sorrow that friendly sighs sought still to dry; But like a stormy day, now wind, now rain, Sighs dry her cheeks, tears make them wet again.
Variable passions throng her constant woe, As striving who should best become her grief; All entertain'd, each passion labours so, That every present sorrow seemeth chief, But none is best: then join they all together, Like many clouds consulting for foul weather.
By this, far off she hears some huntsman hollo; A nurse's song ne'er pleased her babe so well: The dire imagination she did follow This sound of hope doth labour to expel; For now reviving joy bids her rejoice, And flatters her it is Adonis' voice.
Whereat her tears began to turn their tide, Being prison'd in her eye like pearls in glass; Yet sometimes falls an orient drop beside, Which her cheek melts, as scorning it should pass, To wash the foul face of the sluttish ground, Who is but drunken when she seemeth drown'd.
O hard-believing love, how strange it seems Not to believe, and yet too credulous! Thy weal and woe are both of them extremes; Despair and hope make thee ridiculous: The one doth flatter thee in thoughts unlikely, In likely thoughts the other kills thee quickly.
Now she unweaves the web that she hath wrought; Adonis lives, and Death is not to blame; It was not she that call'd him all to naught: Now she adds honours to his hateful name; She clepes him king of graves and grave for kings, Imperious supreme of all mortal things.
"No, no," quoth she, "sweet Death, I did but jest; Yet pardon me I felt a kind of fear When as I met the boar, that bloody beast, Which knows no pity, but is still severe; Then, gentle shadow,--truth I must confess,-- I rail'd on thee, fearing my love's decease.
"'Tis not my fault: the boar provok'd my tongue; Be wreak'd on him, invisible commander; 'Tis he, foul creature, that hath done thee wrong; I did but act, he's author of thy slander: Grief hath two tongues, and never woman yet Could rule them both without ten women's wit.
" Thus hoping that Adonis is alive, Her rash suspect she doth extenuate; And that his beauty may the better thrive, With Death she humbly doth insinuate; Tells him of trophies, statues, tombs, and stories His victories, his triumphs and his glories.
"O Jove," quoth she, "how much a fool was I To be of such a weak and silly mind To wail his death who lives and must not die Till mutual overthrow of mortal kind; For he being dead, with him is beauty slain, And, beauty dead, black chaos comes again.
"Fie, fie, fond love, thou art so full of fear As one with treasure laden, hemm'd with thieves; Trifles, unwitnessed with eye or ear, Thy coward heart with false bethinking grieves.
" Even at this word she hears a merry horn, Whereat she leaps that was but late forlorn.
As falcon to the lure, away she flies; The grass stoops not, she treads on it so light; And in her haste unfortunately spies The foul boar's conquest on her fair delight; Which seen, her eyes, as murder'd with the view, Like stars asham'd of day, themselves withdrew; Or, as the snail, whose tender horns being hit, Shrinks backward in his shelly cave with pain, And there, all smother'd up, in shade doth sit, Long after fearing to creep forth again; So, at his bloody view, her eyes are fled Into the deep dark cabins of her head: Where they resign their office and their light To the disposing of her troubled brain; Who bids them still consort with ugly night, And never wound the heart with looks again; Who, like a king perplexed in his throne, By their suggestion gives a deadly groan, Whereat each tributary subject quakes; As when the wind, imprison'd in the ground, Struggling for passage, earth's foundation shakes, Which with cold terror doth men's minds confound.
This mutiny each part doth so surprise That from their dark beds once more leap her eyes; And, being open'd, threw unwilling light Upon the wide wound that the boar had trench'd In his soft flank; whose wonted lily white With purple tears, that his wound wept, was drench'd: No flower was nigh, no grass, herb, leaf, or weed, But stole his blood and seem'd with him to bleed.
This solemn sympathy poor Venus noteth; Over one shoulder doth she hang her head; Dumbly she passions, franticly she doteth; She thinks he could not die, he is not dead: Her voice is stopt, her joints forget to bow; Her eyes are mad that they have wept till now.
Written by Charles Baudelaire | Create an image from this poem

Correspondences

 Nature is a temple where the living pillars
Let go sometimes a blurred speech—
A Forest of symbols passes through a man's reach
And observes him with a familiar regard.
Like the distant echoes that mingle and confound In a unity of darkness and quiet Deep as the night, clear as daylight The perfumes, the colors, the sounds correspond.
The perfume is as fresh as the flesh of an infant Sweet as an oboe, green as a prairie —And the others, corrupt, rich and triumphant Enlightened by the things of infinity, Like amber, musk, benzoin and incense That sing, transporting the soul and sense.
Written by Eugene Field | Create an image from this poem

Sisters cake

 I'd not complain of Sister Jane, for she was good and kind,
Combining with rare comeliness distinctive gifts of mind;
Nay, I'll admit it were most fit that, worn by social cares,
She'd crave a change from parlor life to that below the stairs,
And that, eschewing needlework and music, she should take
Herself to the substantial art of manufacturing cake.
At breakfast, then, it would befall that Sister Jane would say: "Mother, if you have got the things, I'll make some cake to-day!" Poor mother'd cast a timid glance at father, like as not-- For father hinted sister's cooking cost a frightful lot-- But neither she nor he presumed to signify dissent, Accepting it for gospel truth that what she wanted went! No matter what the rest of 'em might chance to have in hand, The whole machinery of the house came to a sudden stand; The pots were hustled off the stove, the fire built up anew, With every damper set just so to heat the oven through; The kitchen-table was relieved of everything, to make That ample space which Jane required when she compounded cake.
And, oh! the bustling here and there, the flying to and fro; The click of forks that whipped the eggs to lather white as snow-- And what a wealth of sugar melted swiftly out of sight-- And butter? Mother said such waste would ruin father, quite! But Sister Jane preserved a mien no pleading could confound As she utilized the raisins and the citron by the pound.
Oh, hours of chaos, tumult, heat, vexatious din, and whirl! Of deep humiliation for the sullen hired-girl; Of grief for mother, hating to see things wasted so, And of fortune for that little boy who pined to taste that dough! It looked so sweet and yellow--sure, to taste it were no sin-- But, oh! how sister scolded if he stuck his finger in! The chances were as ten to one, before the job was through, That sister'd think of something else she'd great deal rather do! So, then, she'd softly steal away, as Arabs in the night, Leaving the girl and ma to finish up as best they might; These tactics (artful Sister Jane) enabled her to take Or shift the credit or the blame of that too-treacherous cake! And yet, unhappy is the man who has no Sister Jane-- For he who has no sister seems to me to live in vain.
I never had a sister--may be that is why today I'm wizened and dyspeptic, instead of blithe and gay; A boy who's only forty should be full of romp and mirth, But I (because I'm sisterless) am the oldest man on earth! Had I a little sister--oh, how happy I should be! I'd never let her cast her eyes on any chap but me; I'd love her and I'd cherish her for better and for worse-- I'd buy her gowns and bonnets, and sing her praise in verse; And--yes, what's more and vastly more--I tell you what I'd do: I'd let her make her wondrous cake, and I would eat it, too! I have a high opinion of the sisters, as you see-- Another fellow's sister is so very dear to me! I love to work anear her when she's making over frocks, When she patches little trousers or darns prosaic socks; But I draw the line at one thing--yes, I don my hat and take A three hours' walk when she is moved to try her hand at cake!
Written by John Greenleaf Whittier | Create an image from this poem

A Word for the Hour

 The firmament breaks up.
In black eclipse Light after light goes out.
One evil star, Luridly glaring through the smoke of war, As in the dream of the Apocalypse, Drags others down.
Let us not weakly weep Nor rashly threaten.
Give us grace to keep Our faith and patience; wherefore should we leap On one hand into fratricidal fight, Or, on the other, yield eternal right, Frame lies of laws, and good and ill confound? What fear we? Safe on freedom's vantage ground Our feet are planted; let us there remain In unrevengeful calm, no means untried Which truth can sanction, no just claim denied, The sad spectators of a suicide! They break the lines of Union: shall we light The fires of hell to weld anew the chain On that red anvil where each blow is pain? Draw we not even now a freer breath, As from our shoulders falls a load of death Loathsome as that the Tuscan's victim bore When keen with life to a dead horror bound? Why take we up the accursed thing again? Pity, forgive, but urge them back no more Who, drunk with passion, flaunt disunion's rag With its vile reptile blazon.
Let us press The golden cluster on our brave old flag In closer union, and, if numbering less, Brighter shall shine the stars which still remain.


Written by Robert Burns | Create an image from this poem

280. The Kirk of Scotland's Alarm: A Ballad

 ORTHODOX! orthodox, who believe in John Knox,
 Let me sound an alarm to your conscience:
A heretic blast has been blown in the West,
 That what is no sense must be nonsense,
Orthodox! That what is no sense must be nonsense.
Doctor Mac! Doctor Mac, you should streek on a rack, To strike evil-doers wi’ terror: To join Faith and Sense, upon any pretence, Was heretic, damnable error, Doctor Mac! 1 ’Twas heretic, damnable error.
Town of Ayr! town of Ayr, it was mad, I declare, To meddle wi’ mischief a-brewing, 2 Provost John 3 is still deaf to the Church’s relief, And Orator Bob 4 is its ruin, Town of Ayr! Yes, Orator Bob is its ruin.
D’rymple mild! D’rymple mild, tho’ your heart’s like a child, And your life like the new-driven snaw, Yet that winna save you, auld Satan must have you, For preaching that three’s ane an’ twa, D’rymple mild! 5 For preaching that three’s ane an’ twa.
Rumble John! rumble John, mount the steps with a groan, Cry the book is with heresy cramm’d; Then out wi’ your ladle, deal brimstone like aidle, And roar ev’ry note of the D—’d.
Rumble John! 6 And roar ev’ry note of the D—’d.
Simper James! simper James, leave your fair Killie dames, There’s a holier chase in your view: I’ll lay on your head, that the pack you’ll soon lead, For puppies like you there’s but few, Simper James! 7 For puppies like you there’s but few.
Singet Sawnie! singet Sawnie, are ye huirdin the penny, Unconscious what evils await? With a jump, yell, and howl, alarm ev’ry soul, For the foul thief is just at your gate.
Singet Sawnie! 8 For the foul thief is just at your gate.
Poet Willie! poet Willie, gie the Doctor a volley, Wi’ your “Liberty’s Chain” and your wit; O’er Pegasus’ side ye ne’er laid a stride, Ye but smelt, man, the place where he sh-t.
Poet Willie! 9 Ye but smelt man, the place where he sh-t.
Barr Steenie! Barr Steenie, what mean ye, what mean ye? If ye meddle nae mair wi’ the matter, Ye may hae some pretence to havins and sense, Wi’ people that ken ye nae better, Barr Steenie! 10 Wi’people that ken ye nae better.
Jamie Goose! Jamie Goose, ye made but toom roose, In hunting the wicked Lieutenant; But the Doctor’s your mark, for the Lord’s holy ark, He has cooper’d an’ ca’d a wrang pin in’t, Jamie Goose! 11 He has cooper’d an’ ca’d a wrang pin in’t.
Davie Bluster! Davie Bluster, for a saint ye do muster, The core is no nice o’ recruits; Yet to worth let’s be just, royal blood ye might boast, If the Ass were the king o’ the brutes, Davie Bluster! 12 If the Ass were the king o’ the brutes.
Cessnock-side! Cessnock-side, wi’ your turkey-cock pride Of manhood but sma’ is your share: Ye’ve the figure, ’tis true, ev’n your foes will allow, And your friends they dare grant you nae mair, Cessnock-side! 13 And your friends they dare grant you nae mair.
Muirland Jock! muirland Jock, when the L—d makes a rock, To crush common-sense for her sins; If ill-manners were wit, there’s no mortal so fit To confound the poor Doctor at ance, Muirland Jock! 14 To confound the poor Doctor at ance.
Andro Gowk! Andro Gowk, ye may slander the Book, An’ the Book nought the waur, let me tell ye; Tho’ ye’re rich, an’ look big, yet, lay by hat an’ wig, An’ ye’ll hae a calf’s-had o’ sma’ value, Andro Gowk! 15 Ye’ll hae a calf’s head o’ sma value.
Daddy Auld! daddy Auld, there’a a tod in the fauld, A tod meikle waur than the clerk; Tho’ ye do little skaith, ye’ll be in at the death, For gif ye canna bite, ye may bark, Daddy Auld! 16 Gif ye canna bite, ye may bark.
Holy Will! holy Will, there was wit in your skull, When ye pilfer’d the alms o’ the poor; The timmer is scant when ye’re taen for a saunt, Wha should swing in a rape for an hour, Holy Will! 17 Ye should swing in a rape for an hour.
Calvin’s sons! Calvin’s sons, seize your spiritual guns, Ammunition you never can need; Your hearts are the stuff will be powder enough, And your skulls are a storehouse o’ lead, Calvin’s sons! Your skulls are a storehouse o’ lead.
Poet Burns! poet Burns, wi” your priest-skelpin turns, Why desert ye your auld native shire? Your muse is a gipsy, yet were she e’en tipsy, She could ca’us nae waur than we are, Poet Burns! She could ca’us nae waur than we are.
PRESENTATION STANZAS TO CORRESPONDENTSFactor John! Factor John, whom the Lord made alone, And ne’er made anither, thy peer, Thy poor servant, the Bard, in respectful regard, He presents thee this token sincere, Factor John! He presents thee this token sincere.
Afton’s Laird! Afton’s Laird, when your pen can be spared, A copy of this I bequeath, On the same sicker score as I mention’d before, To that trusty auld worthy, Clackleith, Afton’s Laird! To that trusty auld worthy, Clackleith.
Note 1.
Dr.
M’Gill, Ayr.
—R.
B.
[back] Note 2.
See the advertisement.
—R.
B.
[back] Note 3.
John Ballantine,—R.
B.
[back] Note 4.
Robert Aiken.
—R.
B.
[back] Note 5.
Dr.
Dalrymple, Ayr.
—R.
B.
[back] Note 6.
John Russell, Kilmarnock.
—R.
B.
[back] Note 7.
James Mackinlay, Kilmarnock.
—R.
B.
[back] Note 8.
Alexander Moodie of Riccarton.
—R.
B.
[back] Note 9.
William Peebles, in Newton-upon-Ayr, a poetaster, who, among many other things, published an ode on the “Centenary of the Revolution,” in which was the line: “And bound in Liberty’s endering chain.
”—R.
B.
[back] Note 10.
Stephen Young of Barr.
—R.
B.
[back] Note 11.
James Young, in New Cumnock, who had lately been foiled in an ecclesiastical prosecution against a Lieutenant Mitchel—R.
B.
[back] Note 12.
David Grant, Ochiltree.
—R.
B.
[back] Note 13.
George Smith, Galston.
—R.
B.
[back] Note 14.
John Shepherd Muirkirk.
—R.
B.
[back] Note 15.
Dr.
Andrew Mitchel, Monkton.
—R.
B.
[back] Note 16.
William Auld, Mauchline; for the clerk, see “Holy Willie”s Prayer.
”—R.
B.
[back] Note 17.
Vide the “Prayer” of this saint.
—R.
B.
[back]
Written by Walt Whitman | Create an image from this poem

Of the Terrible Doubt of Appearances

 OF the terrible doubt of appearances, 
Of the uncertainty after all—that we may be deluded, 
That may-be reliance and hope are but speculations after all, 
That may-be identity beyond the grave is a beautiful fable only, 
May-be the things I perceive—the animals, plants, men, hills, shining and flowing
 waters,
The skies of day and night—colors, densities, forms—May-be these are, (as
 doubtless
 they
 are,) only apparitions, and the real something has yet to be known; 
(How often they dart out of themselves, as if to confound me and mock me! 
How often I think neither I know, nor any man knows, aught of them;) 
May-be seeming to me what they are, (as doubtless they indeed but seem,) as from my
 present
 point of
 view—And might prove, (as of course they would,) naught of what they appear, or
 naught
 any how,
 from entirely changed points of view; 
—To me, these, and the like of these, are curiously answer’d by my lovers, my
 dear
 friends;
When he whom I love travels with me, or sits a long while holding me by the hand, 
When the subtle air, the impalpable, the sense that words and reason hold not, surround us
 and
 pervade us, 
Then I am charged with untold and untellable wisdom—I am silent—I require
 nothing
 further,

I cannot answer the question of appearances, or that of identity beyond the grave; 
But I walk or sit indifferent—I am satisfied,
He ahold of my hand has completely satisfied me.
Written by Henry David Thoreau | Create an image from this poem

Let such pure hate still underprop

 "Friends, Romans, Countrymen, and Lovers.
" Let such pure hate still underprop Our love, that we may be Each other's conscience, And have our sympathy Mainly from thence.
We'll one another treat like gods, And all the faith we have In virtue and in truth, bestow On either, and suspicion leave To gods below.
Two solitary stars-- Unmeasured systems far Between us roll; But by our conscious light we are Determined to one pole.
What need confound the sphere?-- Love can afford to wait; For it no hour's too late That witnesseth one duty's end, Or to another doth beginning lend.
It will subserve no use, More than the tints of flowers; Only the independent guest Frequents its bowers, Inherits its bequest.
No speech, though kind, has it; But kinder silence doles Unto its mates; By night consoles, By day congratulates.
What saith the tongue to tongue? What hearest ear of ear? By the decrees of fate From year to year, Does it communicate.
Pathless the gulf of feeling yawns; No trivial bridge of words, Or arch of boldest span, Can leap the moat that girds The sincere man.
No show of bolts and bars Can keep the foeman out, Or 'scape his secret mine, Who entered with the doubt That drew the line.
No warder at the gate Can let the friendly in; But, like the sun, o'er all He will the castle win, And shine along the wall.
There's nothing in the world I know That can escape from love, For every depth it goes below, And every height above.
It waits, as waits the sky, Until the clouds go by, Yet shines serenely on With an eternal day, Alike when they are gone, And when they stay.
Implacable is Love-- Foes may be bought or teased From their hostile intent, But he goes unappeased Who is on kindness bent.
Written by Anne Kingsmill Finch | Create an image from this poem

Reformation

 A Gentleman, most wretched in his Lot, 
A wrangling and reproving Wife had got, 
Who, tho' she curb'd his Pleasures, and his Food, 
Call'd him My Dear, and did it for his Good, 
Ills to prevent; She of all Ills the worst, 
So wisely Froward, and so kindly Curst.
The Servants too experiment her Lungs, And find they've Breath to serve a thousand Tongues.
Nothing went on; for her eternal Clack Still rectifying, set all Matters back; Nor Town, nor Neighbours, nor the Court cou'd please, But furnish'd Matter for her sharp Disease.
To distant Plains at length he gets her down, With no Affairs to manage of her own; Hoping from that unactive State to find A calmer Habit, grown upon her Mind: But soon return'd he hears her at his Door, As noisy and tempestuous as before; Yet mildly ask'd, How she her Days had spent Amidst the Quiet of a sweet Content, Where Shepherds 'tend their Flocks, and Maids their Pails, And no harsh Mistress domineers, or rails? Not rail! she cries–Why, I that had no share In their Concerns, cou'd not the Trollops spare; But told 'em, they were Sluts–And for the Swains, My Name a Terror to them still remains; So often I reprov'd their slothful Faults, And with such Freedom told 'em all my Thoughts, That I no more amongst them cou'd reside.
Has then, alas! the Gentleman reply'd, One single Month so much their patience try'd? Where you by Day, and but at Seasons due, Cou'd with your Clamours their Defects pursue; How had they shrunk, and justly been afraid, Had they with me one Curtain Lecture heard! Yet enter Madam, and resume your Sway; Who can't Command, must silently Obey.
In secret here let endless Faults be found, Till, like Reformers who in States abound, You all to Ruin bring, and ev'ry Part confound.
Written by John Donne | Create an image from this poem

Elegy IV: The Perfume

 Once, and but once found in thy company,
All thy supposed escapes are laid on me;
And as a thief at bar is questioned there
By all the men that have been robed that year,
So am I (by this traiterous means surprized)
By thy hydroptic father catechized.
Though he had wont to search with glazed eyes, As though he came to kill a cockatrice, Though he hath oft sworn that he would remove Thy beauty's beauty, and food of our love, Hope of his goods, if I with thee were seen, Yet close and secret, as our souls, we've been.
Though thy immortal mother, which doth lie Still-buried in her bed, yet wiil not die, Takes this advantage to sleep out daylight, And watch thy entries and returns all night, And, when she takes thy hand, and would seem kind, Doth search what rings and armlets she can find, And kissing, notes the colour of thy face, And fearing lest thou'rt swol'n, doth thee embrace; To try if thou long, doth name strange meats, And notes thy paleness, blushing, sighs, and sweats; And politicly will to thee confess The sins of her own youth's rank lustiness; Yet love these sorceries did remove, and move Thee to gull thine own mother for my love.
Thy little brethren, which like faery sprites Oft skipped into our chamber, those sweet nights, And kissed, and ingled on thy father's knee, Were bribed next day to tell what they did see: The grim eight-foot-high iron-bound servingman, That oft names God in oaths, and only then, He that to bar the first gate doth as wide As the great Rhodian Colossus stride, Which, if in hell no other pains there were, Makes me fear hell, because he must be there: Though by thy father he were hired to this, Could never witness any touch or kiss.
But Oh, too common ill, I brought with me That which betrayed me to my enemy: A loud perfume, which at my entrance cried Even at thy father's nose, so were we spied; When, like a tyran King, that in his bed Smelt gunpowder, the pale wretch shivered.
Had it been some bad smell he would have thought That his own feet, or breath, that smell had wrought.
But as we in our isle imprisoned, Where cattle only, and diverse dogs are bred, The precious Unicorns strange monsters call, So thought he good, strange, that had none at all.
I taught my silks their whistling to forbear, Even my oppressed shoes dumb and speechless were, Only, thou bitter sweet, whom I had laid Next me, me traiterously hast betrayed, And unsuspected hast invisibly At once fled unto him, and stayed with me.
Base excrement of earth, which dost confound Sense from distinguishing the sick from sound; By thee the seely amorous sucks his death By drawing in a leprous harlot's breath; By thee the greatest stain to man's estate Falls on us, to be called effeminate; Though you be much loved in the Prince's hall, There, things that seem, exceed substantial.
Gods, when ye fumed on altars, were pleased well, Because you were burnt, not that they liked your smell; You're loathsome all, being taken simply alone, Shall we love ill things joined, and hate each one? If you were good, your good doth soon decay; And you are rare, that takes the good away.
All my perfumes I give most willingly T' embalm thy father's corse; What? will he die?

Book: Reflection on the Important Things