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Best Famous Comparing Poems

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Written by Nazim Hikmet | Create an image from this poem

Things I Didnt Know I Loved

 it's 1962 March 28th
I'm sitting by the window on the Prague-Berlin train 
night is falling
I never knew I liked
night descending like a tired bird on a smoky wet plain 
I don't like
comparing nightfall to a tired bird

I didn't know I loved the earth
can someone who hasn't worked the earth love it 
I've never worked the earth
it must be my only Platonic love

and here I've loved rivers all this time
whether motionless like this they curl skirting the hills
European hills crowned with chateaus
or whether stretched out flat as far as the eye can see
I know you can't wash in the same river even once
I know the river will bring new lights you'll never see
I know we live slightly longer than a horse but not nearly as long as a crow
I know this has troubled people before
 and will trouble those after me
I know all this has been said a thousand times before 
 and will be said after me

I didn't know I loved the sky 
cloudy or clear
the blue vault Andrei studied on his back at Borodino
in prison I translated both volumes of War and Peace into Turkish 
I hear voices
not from the blue vault but from the yard 
the guards are beating someone again
I didn't know I loved trees
bare beeches near Moscow in Peredelkino
they come upon me in winter noble and modest 
beeches are Russian the way poplars are Turkish 
"the poplars of Izmir
losing their leaves.
.
.
they call me The Knife.
.
.
lover like a young tree.
.
.
I blow stately mansions sky-high" in the Ilgaz woods in 1920 I tied an embroidered linen handkerchief to a pine bough for luck I never knew I loved roads even the asphalt kind Vera's behind the wheel we're driving from Moscow to the Crimea Koktebele formerly "Goktepé ili" in Turkish the two of us inside a closed box the world flows past on both sides distant and mute I was never so close to anyone in my life bandits stopped me on the red road between Bolu and Geredé when I was eighteen apart from my life I didn't have anything in the wagon they could take and at eighteen our lives are what we value least I've written this somewhere before wading through a dark muddy street I'm going to the shadow play Ramazan night a paper lantern leading the way maybe nothing like this ever happened maybe I read it somewhere an eight-year-old boy going to the shadow play Ramazan night in Istanbul holding his grandfather's hand his grandfather has on a fez and is wearing the fur coat with a sable collar over his robe and there's a lantern in the servant's hand and I can't contain myself for joy flowers come to mind for some reason poppies cactuses jonquils in the jonquil garden in Kadikoy Istanbul I kissed Marika fresh almonds on her breath I was seventeen my heart on a swing touched the sky I didn't know I loved flowers friends sent me three red carnations in prison I just remembered the stars I love them too whether I'm floored watching them from below or whether I'm flying at their side I have some questions for the cosmonauts were the stars much bigger did they look like huge jewels on black velvet or apricots on orange did you feel proud to get closer to the stars I saw color photos of the cosmos in Ogonek magazine now don't be upset comrades but nonfigurative shall we say or abstract well some of them looked just like such paintings which is to say they were terribly figurative and concrete my heart was in my mouth looking at them they are our endless desire to grasp things seeing them I could even think of death and not feel at all sad I never knew I loved the cosmos snow flashes in front of my eyes both heavy wet steady snow and the dry whirling kind I didn't know I liked snow I never knew I loved the sun even when setting cherry-red as now in Istanbul too it sometimes sets in postcard colors but you aren't about to paint it that way I didn't know I loved the sea except the Sea of Azov or how much I didn't know I loved clouds whether I'm under or up above them whether they look like giants or shaggy white beasts moonlight the falsest the most languid the most petit-bourgeois strikes me I like it I didn't know I liked rain whether it falls like a fine net or splatters against the glass my heart leaves me tangled up in a net or trapped inside a drop and takes off for uncharted countries I didn't know I loved rain but why did I suddenly discover all these passions sitting by the window on the Prague-Berlin train is it because I lit my sixth cigarette one alone could kill me is it because I'm half dead from thinking about someone back in Moscow her hair straw-blond eyelashes blue the train plunges on through the pitch-black night I never knew I liked the night pitch-black sparks fly from the engine I didn't know I loved sparks I didn't know I loved so many things and I had to wait until sixty to find it out sitting by the window on the Prague-Berlin train watching the world disappear as if on a journey of no return 19 April 1962 Moscow


Written by Ogden Nash | Create an image from this poem

Very Like a Whale

 One thing that literature would be greatly the better for
Would be a more restricted employment by the authors of simile and
metaphor.
Authors of all races, be they Greeks, Romans, Teutons or Celts, Can't seem just to say that anything is the thing it is but have to go out of their way to say that it is like something else.
What does it mean when we are told That that Assyrian came down like a wolf on the fold? In the first place, George Gordon Byron had enough experience To know that it probably wasn't just one Assyrian, it was a lot of Assyrians.
However, as too many arguments are apt to induce apoplexy and thus hinder longevity.
We'll let it pass as one Assyrian for the sake of brevity.
Now then, this particular Assyrian, the one whose cohorts were gleaming in purple and gold, Just what does the poet mean when he says he came down like a wold on the fold? In heaven and earth more than is dreamed of in our philosophy there are great many things.
But I don't imagine that among them there is a wolf with purple and gold cohorts or purple and gold anythings.
No, no, Lord Byron, before I'll believe that this Assyrian was actually like a wolf I must have some kind of proof; Did he run on all fours and did he have a hairy tail and a big red mouth and big white teeth and did he say Woof Woof? Frankly I think it is very unlikely, and all you were entitled to say, at the very most, Was that the Assyrian cohorts came down like a lot of Assyrian cohorts about to destroy the Hebrew host.
But that wasn't fancy enough for Lord Byron, oh dear me no, he had to invent a lot of figures of speech and then interpolate them, With the result that whenever you mention Old Testament soldiers to people they say Oh yes, they're the ones that a lot of wolves dressed up in gold and purple ate them.
That's the kind of thing that's being done all the time by poets, from Homer to Tennyson; They're always comparing ladies to lilies and veal to venison, And they always say things like that the snow is a white blanket after a winter storm.
Oh it is, is it, all right then, you sleep under a six-inch blanket of snow and I'll sleep under a half-inch blanket of unpoetical blanket material and we'll see which one keeps warm, And after that maybe you'll begin to comprehend dimly What I mean by too much metaphor and simile.
Written by John Wilmot | Create an image from this poem

A Satyre Against Mankind

 Were I - who to my cost already am
One of those strange, prodigious creatures, man -
A spirit free to choose for my own share
What sort of flesh and blood I pleased to wear,
I'd be a dog, a monkey, or a bear,
Or anything but that vain animal,
Who is so proud of being rational.
His senses are too gross; and he'll contrive A sixth, to contradict the other five; And before certain instinct will prefer Reason, which fifty times for one does err.
Reason, an ignis fatuus of the mind, Which leaving light of nature, sense, behind, Pathless and dangerous wand'ring ways it takes, Through Error's fenny bogs and thorny brakes; Whilst the misguided follower climbs with pain Mountains of whimsey's, heaped in his own brain; Stumbling from thought to thought, falls headlong down, Into Doubt's boundless sea where, like to drown, Books bear him up awhile, and make him try To swim with bladders of Philosophy; In hopes still to o'ertake the escaping light; The vapour dances, in his dancing sight, Till spent, it leaves him to eternal night.
Then old age and experience, hand in hand, Lead him to death, make him to understand, After a search so painful, and so long, That all his life he has been in the wrong: Huddled In dirt the reasoning engine lies, Who was so proud, so witty, and so wise.
Pride drew him in, as cheats their bubbles catch, And made him venture; to be made a wretch.
His wisdom did has happiness destroy, Aiming to know that world he should enjoy; And Wit was his vain, frivolous pretence Of pleasing others, at his own expense.
For wits are treated just like common whores, First they're enjoyed, and then kicked out of doors; The pleasure past, a threatening doubt remains, That frights th' enjoyer with succeeding pains: Women and men of wit are dangerous tools, And ever fatal to admiring fools.
Pleasure allures, and when the fops escape, 'Tis not that they're beloved, but fortunate, And therefore what they fear, at heart they hate: But now, methinks some formal band and beard Takes me to task; come on sir, I'm prepared: "Then by your Favour, anything that's writ Against this jibing, jingling knack called Wit Likes me abundantly: but you take care Upon this point not to be too severe.
Perhaps my Muse were fitter for this part, For I profess I can be very smart On Wit, which I abhor with all my heart; I long to lash it in some sharp essay, But your grand indiscretion bids me stay, And turns my tide of ink another way.
What rage Torments in your degenerate mind, To make you rail at reason, and mankind Blessed glorious man! To whom alone kind heaven An everlasting soul hath freely given; Whom his great maker took such care to make, That from himself he did the image take; And this fair frame in shining reason dressed, To dignify his nature above beast.
Reason, by whose aspiring influence We take a flight beyond material sense, Dive into mysteries, then soaring pierce The flaming limits of the universe, Search heaven and hell, Find out what's acted there, And give the world true grounds of hope and fear.
" Hold mighty man, I cry, all this we know, From the pathetic pen of Ingelo; From Patrlck's Pilgrim, Sibbes' Soliloquies, And 'tis this very reason I despise, This supernatural gift that makes a mite Think he's an image of the infinite; Comparing his short life, void of all rest, To the eternal, and the ever-blessed.
This busy, pushing stirrer-up of doubt, That frames deep mysteries, then finds them out; Filling with frantic crowds of thinking fools The reverend bedlam's, colleges and schools; Borne on whose wings each heavy sot can pierce The limits of the boundless universe; So charming ointments make an old witch fly, And bear a crippled carcass through the sky.
'Tis the exalted power whose business lies In nonsense and impossibilities.
This made a whimsical philosopher Before the spacious world his tub prefer, And we have modern cloistered coxcombs, who Retire to think 'cause they have nought to do.
But thoughts are given for action's government; Where action ceases, thought's impertinent: Our sphere of action is life's happiness, And he that thinks beyond thinks like an ass.
Thus, whilst against false reasoning I inveigh.
I own right reason, which I would obey: That reason which distinguishes by sense, And gives us rules of good and ill from thence; That bounds desires.
with a reforming will To keep 'em more in vigour, not to kill.
- Your reason hinders, mine helps to enjoy, Renewing appetites yours would destroy.
My reason is my friend, yours is a cheat, Hunger calls out, my reason bids me eat; Perversely.
yours your appetite does mock: This asks for food, that answers, 'what's o'clock' This plain distinction, sir, your doubt secures, 'Tis not true reason I despise, but yours.
Thus I think reason righted, but for man, I'll ne'er recant, defend him if you can: For all his pride, and his philosophy, 'Tis evident: beasts are in their own degree As wise at least, and better far than he.
Those creatures are the wisest who attain.
- By surest means.
the ends at which they aim.
If therefore Jowler finds and kills the hares, Better than Meres supplies committee chairs; Though one's a statesman, th' other but a hound, Jowler in justice would be wiser found.
You see how far man's wisdom here extends.
Look next if human nature makes amends; Whose principles are most generous and just, - And to whose morals you would sooner trust: Be judge yourself, I'll bring it to the test, Which is the basest creature, man or beast Birds feed on birds, beasts on each other prey, But savage man alone does man betray: Pressed by necessity; they kill for food, Man undoes man, to do himself no good.
With teeth and claws, by nature armed, they hunt Nature's allowance, to supply their want.
But man, with smiles, embraces.
friendships.
Praise, Inhumanely his fellow's life betrays; With voluntary pains works his distress, Not through necessity, but wantonness.
For hunger or for love they bite, or tear, Whilst wretched man is still in arms for fear.
For fear he arms, and is of arms afraid: From fear, to fear, successively betrayed.
Base fear, the source whence his best passions came.
His boasted honour, and his dear-bought fame.
The lust of power, to whom he's such a slave, And for the which alone he dares be brave; To which his various projects are designed, Which makes him generous, affable, and kind.
For which he takes such pains to be thought wise, And screws his actions, in a forced disguise; Leads a most tedious life in misery, Under laborious, mean hypocrisy.
Look to the bottom of his vast design, Wherein man's wisdom, power, and glory join: The good he acts.
the ill he does endure.
'Tis all from fear, to make himself secure.
Merely for safety after fame they thirst, For all men would be cowards if they durst.
And honesty's against all common sense, Men must be knaves, 'tis in their own defence.
Mankind's dishonest: if you think it fair Among known cheats to play upon the square, You'll be undone.
Nor can weak truth your reputation save, The knaves will all agree to call you knave.
Wronged shall he live, insulted o'er, oppressed, Who dares be less a villain than the rest.
Thus sir, you see what human nature craves, Most men are cowards, all men should be knaves; The difference lies, as far as I can see.
Not in the thing itself, but the degree; And all the subject matter of debate Is only, who's a knave of the first rate All this with indignation have I hurled At the pretending part of the proud world, Who, swollen with selfish vanity, devise, False freedoms, holy cheats, and formal lies, Over their fellow slaves to tyrannise.
But if in Court so just a man there be, (In Court, a just man - yet unknown to me) Who does his needful flattery direct Not to oppress and ruin, but protect: Since flattery, which way soever laid, Is still a tax: on that unhappy trade.
If so upright a statesman you can find, Whose passions bend to his unbiased mind, Who does his arts and policies apply To raise his country, not his family; Nor while his pride owned avarice withstands, Receives close bribes, from friends corrupted hands.
Is there a churchman who on God relies Whose life, his faith and doctrine justifies Not one blown up, with vain prelatic pride, Who for reproofs of sins does man deride; Whose envious heart makes preaching a pretence With his obstreperous, saucy eloquence, To chide at kings, and rail at men of sense; Who from his pulpit vents more peevlsh lies, More bitter railings, scandals, calumnies, Than at a gossiping are thrown about When the good wives get drunk, and then fall out.
None of that sensual tribe, whose talents lie In avarice, pride, sloth, and gluttony.
Who hunt good livings; but abhor good lives, Whose lust exalted, to that height arrives, They act adultery with their own wives.
And ere a score of years completed be, Can from the loftiest pulpit proudly see, Half a large parish their own progeny.
Nor doting bishop, who would be adored For domineering at the Council board; A greater fop, in business at fourscore, Fonder of serious toys, affected more, Than the gay, glittering fool at twenty proves, With all his noise, his tawdry clothes and loves.
But a meek, humble man, of honest sense, Who preaching peace does practise continence; Whose pious life's a proof he does believe Mysterious truths which no man can conceive.
If upon Earth there dwell such god-like men, I'll here recant my paradox to them, Adores those shrines of virtue, homage pay, And with the rabble world their laws obey.
If such there are, yet grant me this at least, Man differs more from man than man from beast.
Written by Jonathan Swift | Create an image from this poem

To Stella Who Collected and Transcribed His Poems

 As, when a lofty pile is raised,
We never hear the workmen praised,
Who bring the lime, or place the stones;
But all admire Inigo Jones:
So, if this pile of scattered rhymes
Should be approved in aftertimes;
If it both pleases and endures,
The merit and the praise are yours.
Thou, Stella, wert no longer young, When first for thee my harp was strung, Without one word of Cupid's darts, Of killing eyes, or bleeding hearts; With friendship and esteem possest, I ne'er admitted Love a guest.
In all the habitudes of life, The friend, the mistress, and the wife, Variety we still pursue, In pleasure seek for something new; Or else, comparing with the rest, Take comfort that our own is best; The best we value by the worst, As tradesmen show their trash at first; But his pursuits are at an end, Whom Stella chooses for a friend.
A poet starving in a garret, Invokes his mistress and his Muse, And stays at home for want of shoes: Should but his Muse descending drop A slice of bread and mutton-chop; Or kindly, when his credit's out, Surprise him with a pint of stout; Or patch his broken stocking soles; Or send him in a peck of coals; Exalted in his mighty mind, He flies and leaves the stars behind; Counts all his labours amply paid, Adores her for the timely aid.
Or, should a porter make inquiries For Chloe, Sylvia, Phillis, Iris; Be told the lodging, lane, and sign, The bowers that hold those nymphs divine; Fair Chloe would perhaps be found With footmen tippling under ground; The charming Sylvia beating flax, Her shoulders marked with bloody tracks; Bright Phyllis mending ragged smocks: And radiant Iris in the pox.
These are the goddesses enrolled In Curll's collection, new and old, Whose scoundrel fathers would not know 'em, If they should meet them in a poem.
True poets can depress and raise, Are lords of infamy and praise; They are not scurrilous in satire, Nor will in panegyric flatter.
Unjustly poets we asperse; Truth shines the brighter clad in verse, And all the fictions they pursue Do but insinuate what is true.
Now, should my praises owe their truth To beauty, dress, or paint, or youth, What stoics call without our power, They could not be ensured an hour; 'Twere grafting on an annual stock, That must our expectation mock, And, making one luxuriant shoot, Die the next year for want of root: Before I could my verses bring, Perhaps you're quite another thing.
So Maevius, when he drained his skull To celebrate some suburb trull, His similes in order set, And every crambo he could get; Had gone through all the common-places Worn out by wits, who rhyme on faces; Before he could his poem close, The lovely nymph had lost her nose.
Your virtues safely I commend; They on no accidents depend: Let malice look with all her eyes, She dare not say the poet lies.
Stella, when you these lines transcribe, Lest you should take them for a bribe, Resolved to mortify your pride, I'll here expose your weaker side.
Your spirits kindle to a flame, Moved by the lightest touch of blame; And when a friend in kindness tries To show you where your error lies, Conviction does but more incense; Perverseness is your whole defence; Truth, judgment, wit, give place to spite, Regardless both of wrong and right; Your virtues all suspended wait, Till time has opened reason's gate; And, what is worse, your passion bends Its force against your nearest friends, Which manners, decency, and pride, Have taught from you the world to hide; In vain; for see, your friend has brought To public light your only fault; And yet a fault we often find Mixed in a noble, generous mind: And may compare to Etna's fire, Which, though with trembling, all admire; The heat that makes the summit glow, Enriching all the vales below.
Those who, in warmer climes, complain From Phoebus' rays they suffer pain, Must own that pain is largely paid By generous wines beneath a shade.
Yet, when I find your passions rise, And anger sparkling in your eyes, I grieve those spirits should be spent, For nobler ends by nature meant.
One passion, with a different turn, Makes wit inflame, or anger burn: So the sun's heat, with different powers, Ripens the grape, the liquor sours: Thus Ajax, when with rage possest, By Pallas breathed into his breast, His valour would no more employ, Which might alone have conquered Troy; But, blinded be resentment, seeks For vengeance on his friends the Greeks.
You think this turbulence of blood From stagnating preserves the flood, Which, thus fermenting by degrees, Exalts the spirits, sinks the lees.
Stella, for once your reason wrong; For, should this ferment last too long, By time subsiding, you may find Nothing but acid left behind; From passion you may then be freed, When peevishness and spleen succeed.
Say, Stella, when you copy next, Will you keep strictly to the text? Dare you let these reproaches stand, And to your failing set your hand? Or, if these lines your anger fire, Shall they in baser flames expire? Whene'er they burn, if burn they must, They'll prove my accusation just.
Written by John Donne | Create an image from this poem

Elegy VIII: The Comparison

 As the sweet sweat of roses in a still,
As that which from chafed musk-cats' pores doth trill,
As the almighty balm of th' early East,
Such are the sweat drops of my mistress' breast,
And on her brow her skin such lustre sets,
They seem no sweat drops, but pearl coronets.
Rank sweaty froth thy Mistress's brow defiles, Like spermatic issue of ripe menstruous boils, Or like the scum, which, by need's lawless law Enforced, Sanserra's starved men did draw From parboiled shoes and boots, and all the rest Which were with any sovereigne fatness blest, And like vile lying stones in saffroned tin, Or warts, or weals, they hang upon her skin.
Round as the world's her head, on every side, Like to the fatal ball which fell on Ide, Or that whereof God had such jealousy, As, for the ravishing thereof we die.
Thy head is like a rough-hewn statue of jet, Where marks for eyes, nose, mouth, are yet scarce set; Like the first Chaos, or flat-seeming face Of Cynthia, when th' earth's shadows her embrace.
Like Proserpine's white beauty-keeping chest, Or Jove's best fortunes urn, is her fair breast.
Thine's like worm-eaten trunks, clothed in seals' skin, Or grave, that's dust without, and stink within.
And like that slender stalk, at whose end stands The woodbine quivering, are her arms and hands.
Like rough barked elm-boughs, or the russet skin Of men late scourged for madness, or for sin, Like sun-parched quarters on the city gate, Such is thy tanned skin's lamentable state.
And like a bunch of ragged carrots stand The short swol'n fingers of thy gouty hand.
Then like the Chimic's masculine equal fire, Which in the Lymbecks warm womb doth inspire Into th' earth's worthless dirt a soul of gold, Such cherishing heat her best loved part doth hold.
Thine's like the dread mouth of a fired gun, Or like hot liquid metals newly run Into clay moulds, or like to that Etna Where round about the grass is burnt away.
Are not your kisses then as filthy, and more, As a worm sucking an envenomed sore? Doth not thy feareful hand in feeling quake, As one which gath'ring flowers still fears a snake? Is not your last act harsh, and violent, As when a plough a stony ground doth rent? So kiss good turtles, so devoutly nice Are priests in handling reverent sacrifice, And such in searching wounds the surgeon is As we, when we embrace, or touch, or kiss.
Leave her, and I will leave comparing thus, She, and comparisons are odious.


Written by Friedrich von Schiller | Create an image from this poem

The Celebrated Woman - An Epistle By A Married Man

 Can I, my friend, with thee condole?--
Can I conceive the woes that try men,
When late repentance racks the soul
Ensnared into the toils of hymen?
Can I take part in such distress?--
Poor martyr,--most devoutly, "Yes!"
Thou weep'st because thy spouse has flown
To arms preferred before thine own;--
A faithless wife,--I grant the curse,--
And yet, my friend, it might be worse!
Just hear another's tale of sorrow,
And, in comparing, comfort borrow!

What! dost thou think thyself undone,
Because thy rights are shared with one!
O, happy man--be more resigned,
My wife belongs to all mankind!
My wife--she's found abroad--at home;
But cross the Alps and she's at Rome;
Sail to the Baltic--there you'll find her;
Lounge on the Boulevards--kind and kinder:
In short, you've only just to drop
Where'er they sell the last new tale,
And, bound and lettered in the shop,
You'll find my lady up for sale!

She must her fair proportions render
To all whose praise can glory lend her;--
Within the coach, on board the boat,
Let every pedant "take a note;"
Endure, for public approbation,
Each critic's "close investigation,"
And brave--nay, court it as a flattery--
Each spectacled Philistine's battery.
Just as it suits some scurvy carcase In which she hails an Aristarchus, Ready to fly with kindred souls, O'er blooming flowers or burning coals, To fame or shame, to shrine or gallows, Let him but lead--sublimely callous! A Leipsic man--(confound the wretch!) Has made her topographic sketch, A kind of map, as of a town, Each point minutely dotted down; Scarce to myself I dare to hint What this d----d fellow wants to print! Thy wife--howe'er she slight the vows-- Respects, at least, the name of spouse; But mine to regions far too high For that terrestrial name is carried; My wife's "The famous Ninon!"--I "The gentleman that Ninon married!" It galls you that you scarce are able To stake a florin at the table-- Confront the pit, or join the walk, But straight all tongues begin to talk! O that such luck could me befall, Just to be talked about at all! Behold me dwindling in my nook, Edged at her left,--and not a look! A sort of rushlight of a life, Put out by that great orb--my wife! Scarce is the morning gray--before Postman and porter crowd the door; No premier has so dear a levee-- She finds the mail-bag half its trade; My God--the parcels are so heavy! And not a parcel carriage-paid! But then--the truth must be confessed-- They're all so charmingly addressed: Whate'er they cost, they well requite her-- "To Madame Blank, the famous writer!" Poor thing, she sleeps so soft! and yet 'Twere worth my life to spare her slumber; "Madame--from Jena--the Gazette-- The Berlin Journal--the last number!" Sudden she wakes; those eyes of blue (Sweet eyes!) fall straight--on the Review! I by her side--all undetected, While those cursed columns are inspected; Loud squall the children overhead, Still she reads on, till all is read: At last she lays that darling by, And asks--"What makes the baby cry?" Already now the toilet's care Claims from her couch the restless fair; The toilet's care!--the glass has won Just half a glance, and all is done! A snappish--pettish word or so Warns the poor maid 'tis time to go:-- Not at her toilet wait the Graces Uncombed Erynnys takes their places; So great a mind expands its scope Far from the mean details of--soap! Now roll the coach-wheels to the muster-- Now round my muse her votaries cluster; Spruce Abbe Millefleurs--Baron Herman-- The English Lord, who don't know German,-- But all uncommonly well read From matchless A to deathless Z! Sneaks in the corner, shy and small, A thing which men the husband call! While every fop with flattery fires her, Swears with what passion he admires her.
-- "'Passion!' 'admire!' and still you're dumb?" Lord bless your soul, the worst's to come:-- I'm forced to bow, as I'm a sinner,-- And hope--the rogue will stay to dinner! But oh, at dinner!--there's the sting; I see my cellar on the wing! You know if Burgundy is dear?-- Mine once emerged three times a year;-- And now to wash these learned throttles, In dozens disappear the bottles; They well must drink who well do eat (I've sunk a capital on meat).
Her immortality, I fear, a Death-blow will prove to my Madeira; It has given, alas! a mortal shock To that old friend--my Steinberg hock! If Faust had really any hand In printing, I can understand The fate which legends more than hint;-- The devil take all hands that print! And what my thanks for all?--a pout-- Sour looks--deep sighs; but what about? About! O, that I well divine-- That such a pearl should fall to swine-- That such a literary ruby Should grace the finger of a booby! Spring comes;--behold, sweet mead and lea Nature's green splendor tapestries o'er; Fresh blooms the flower, and buds the tree; Larks sing--the woodland wakes once more.
The woodland wakes--but not for her! From Nature's self the charm has flown; No more the Spring of earth can stir The fond remembrance of our own! The sweetest bird upon the bough Has not one note of music now; And, oh! how dull the grove's soft shade, Where once--(as lovers then)--we strayed! The nightingales have got no learning-- Dull creatures--how can they inspire her? The lilies are so undiscerning, They never say--"how they admire her!" In all this jubilee of being, Some subject for a point she's seeing-- Some epigram--(to be impartial, Well turned)--there may be worse in Martial! But, hark! the goddess stoops to reason:-- "The country now is quite in season, I'll go!"--"What! to our country seat?" "No!--Travelling will be such a treat; Pyrmont's extremely full, I hear; But Carlsbad's quite the rage this year!" Oh yes, she loves the rural Graces; Nature is gay--in watering-places! Those pleasant spas--our reigning passion-- Where learned Dons meet folks of fashion; Where--each with each illustrious soul Familiar as in Charon's boat, All sorts of fame sit cheek-by-jowl, Pearls in that string--the table d'hote! Where dames whom man has injured--fly, To heal their wounds or to efface, them; While others, with the waters, try A course of flirting,--just to brace them! Well, there (O man, how light thy woes Compared with mine--thou need'st must see!) My wife, undaunted, greatly goes-- And leaves the orphans (seven!!!) to me! O, wherefore art thou flown so soon, Thou first fair year--Love's honeymoon! All, dream too exquisite for life! Home's goddess--in the name of wife! Reared by each grace--yet but to be Man's household Anadyomene! With mind from which the sunbeams fall, Rejoice while pervading all; Frank in the temper pleased to please-- Soft in the feeling waked with ease.
So broke, as native of the skies, The heart-enthraller on my eyes; So saw I, like a morn of May, The playmate given to glad my way; With eyes that more than lips bespoke, Eyes whence--sweet words--"I love thee!" broke! So--Ah, what transports then were mine! I led the bride before the shrine! And saw the future years revealed, Glassed on my hope--one blooming field! More wide, and widening more, were given The angel-gates disclosing heaven; Round us the lovely, mirthful troop Of children came--yet still to me The loveliest--merriest of the group The happy mother seemed to be! Mine, by the bonds that bind us more Than all the oaths the priest before; Mine, by the concord of content, When heart with heart is music-blent; When, as sweet sounds in unison, Two lives harmonious melt in one! When--sudden (O the villain!)--came Upon the scene a mind profound!-- A bel esprit, who whispered "Fame," And shook my card-house to the ground.
What have I now instead of all The Eden lost of hearth and hall? What comforts for the heaven bereft? What of the younger angel's left? A sort of intellectual mule, Man's stubborn mind in woman's shape, Too hard to love, too frail to rule-- A sage engrafted on an ape! To what she calls the realm of mind, She leaves that throne, her sex, to crawl, The cestus and the charm resigned-- A public gaping-show to all! She blots from beauty's golden book A name 'mid nature's choicest few, To gain the glory of a nook In Doctor Dunderhead's Review.
Written by Kahlil Gibran | Create an image from this poem

The Widow and Her Son XXI

 Night fell over North Lebanon and snow was covering the villages surrounded by the Kadeesha Valley, giving the fields and prairies the appearance of a great sheet of parchment upon which the furious Nature was recording her many deeds.
Men came home from the streets while silence engulfed the night.
In a lone house near those villages lived a woman who sat by her fireside spinning wool, and at her side was her only child, staring now at the fire and then at his mother.
A terrible roar of thunder shook the house and the little boy shook with fright.
He threw his arms about his mother, seeking protection from Nature in her affection.
She took him to her bosom and kissed him; then she say him on her lap and said, "Do not fear, my son, for Nature is but comparing her great power to man's weakness.
There is a Supreme Being beyond the falling snow and the heavy clouds and the blowing wind, and He knows the needs of the earth, for He made it; and He looks upon the weak with merciful eyes.
"Be brave, my boy.
Nature smiles in Spring and laughs in Summer and yawns in Autumn, but now she is weeping; and with her tears she waters life, hidden under the earth.
"Sleep, my dear child; your father is viewing us from Eternity.
The snow and thunder bring us closer to him at this time.
"Sleep, my beloved, for this white blanket which makes us cold, keeps the seeds warm, and these war-like things will produce beautiful flowers when Nisan comes.
"Thus, my child, man cannot reap love until after sad and revealing separation, and bitter patience, and desperate hardship.
Sleep, my little boy; sweet dreams will find your soul who is unafraid of the terrible darkness of night and the biting frost.
" The little boy looked upon his mother with sleep-laden eyes and said, "Mother, my eyes are heavy, but I cannot go to bed without saying my prayer.
" The woman looked at his angelic face, her vision blurred by misted eyes, and said, "Repeat with me, my boy - 'God, have mercy on the poor and protect them from the winter; warm their thin-clad bodies with Thy merciful hands; look upon the orphans who are sleeping in wretched houses, suffering from hunger and cold.
Hear, oh Lord, the call of widows who are helpless and shivering with fear for their young.
Open, oh Lord, the hearts of all humans, that they may see the misery of the weak.
Have mercy upon the sufferers who knock on doors, and lead the wayfarers into warm places.
Watch, oh Lord, over the little birds and protect the trees and fields from the anger of the storm; for Thou art merciful and full of love.
'" As Slumber captured the boy's spirit, his mother placed him in the bed and kissed his eyes with quivering lips.
Then she went back and sat by the hearth, spinning the wool to make him raiment.
Written by James Thomson | Create an image from this poem

A Poem Sacred to the Memory of Sir Isaac Newton

 Shall the great soul of Newton quit this earth, 
To mingle with his stars; and every muse,
Astonish'd into silence, shun the weight
Of honours due to his illustrious name?
But what can man?--Even now the sons of light,
In strains high-warbled to seraphic lyre,
Hail his arrival on the coast of bliss.
Yet am not I deterr'd, though high the theme, And sung to harps of angels, for with you, Ethereal flames! ambitious, I aspire In Nature's general symphony to join.
And what new wonders can ye show your guest! Who, while on this dim spot, where mortals toil Clouded in dust, from motion's simple laws, Could trace the secret hand of Providence, Wide-working through this universal frame.
Have ye not listen'd while he bound the suns And planets to their spheres! th' unequal task Of humankind till then.
Oft had they roll'd O'er erring man the year, and oft disgrac'd The pride of schools, before their course was known Full in its causes and effects to him, All-piercing sage! who sat not down and dream'd Romantic schemes, defended by the din Of specious words, and tyranny of names; But, bidding his amazing mind attend, And with heroic patience years on years Deep-searching, saw at last the system dawn, And shine, of all his race, on him alone.
What were his raptures then! how pure! how strong! And what the triumphs of old Greece and Rome, By his diminish'd, but the pride of boys In some small fray victorious! when instead Of shatter'd parcels of this earth usurp'd By violence unmanly, and sore deeds Of cruelty and blood, Nature herself Stood all subdu'd by him, and open laid Her every latent glory to his view.
All intellectual eye, our solar-round First gazing through, he by the blended power Of gravitation and projection saw The whole in silent harmony revolve.
From unassisted vision hid, the moons To cheer remoter planets numerous pour'd, By him in all their mingled tracts were seen.
He also fix'd the wandering Queen of Night, Whether she wanes into a scanty orb, Or, waxing broad, with her pale shadowy light, In a soft deluge overflows the sky.
Her every motion clear-discerning, he Adjusted to the mutual main, and taught Why now the mighty mass of water swells Resistless, heaving on the broken rocks, And the full river turning; till again The tide revertive, unattracted, leaves A yellow waste of idle sands behind.
Then breaking hence, he took his ardent flight Through the blue infinite; and every star, Which the clear concave of a winter's night Pours on the eye, or astronomic tube, Far-stretching, snatches from the dark abyss, Or such as farther in successive skies To fancy shine alone, at his approach Blaz'd into suns, the living centre each Of an harmonious system: all combin'd, And rul'd unerring by that single power, Which draws the stone projected to the ground.
O unprofuse magnificence divine! O wisdom truly perfect! thus to call From a few causes such a scheme of things, Effects so various, beautiful, and great, An universe complete! and O belov'd Of Heaven! whose well-purg'd penetrative eye, The mystic veil transpiercing, inly scann'd The rising, moving, wide-establish'd frame.
He, first of men, with awful wing pursu'd The comet through the long elliptic curve, As round innumerous worlds he wound his way, Till, to the forehead of our evening sky Return'd, the blazing wonder glares anew, And o'er the trembling nations shakes dismay.
The heavens are all his own, from the wild rule Of whirling vortices and circling spheres To their first great simplicity restor'd.
The schools astonish'd stood; but found it vain To keep at odds with demonstration strong, And, unawaken'd, dream beneath the blaze Of truth.
At once their pleasing visions fled, With the gay shadows of the morning mix'd, When Newton rose, our philosophic sun! Th' aërial flow of sound was known to him, From whence it first in wavy circles breaks, Till the touch'd organ takes the message in.
Nor could the darting beam of speed immense Escape his swift pursuit and measuring eye.
Ev'n Light itself, which every thing displays, Shone undiscover'd, till his brighter mind Untwisted all the shining robe of day; And, from the whitening undistinguish'd blaze, Collecting every ray into his kind, To the charm'd eye educ'd the gorgeous train Of parent colours.
First the flaming red Sprung vivid forth; the tawny orange next; And next delicious yellow; by whose side Fell the kind beams of all-refreshing green.
Then the pure blue, that swells autumnal skies Ethereal played; and then, of sadder hue, Emerg'd the deepen'd indigo, as when The heavy-skirted evening droops with frost; While the last gleamings of refracted light Died in the fainting violet away.
These, when the clouds distil the rosy shower, Shine out distinct adown the wat'ry bow; While o'er our heads the dewy vision bends Delightful, melting on the fields beneath.
Myriads of mingling dyes from these result, And myriads still remain--infinite source Of beauty, ever flushing, ever new.
Did ever poet image aught so fair, Dreaming in whisp'ring groves by the hoarse brook? Or prophet, to whose rapture heaven descends? Ev'n now the setting sun and shifting clouds, Seen, Greenwich, from thy lovely heights, declare How just, how beauteous the refractive law.
The noiseless tide of time, all bearing down To vast eternity's unbounded sea, Where the green islands of the happy shine, He stemm'd alone; and, to the source (involv'd Deep in primeval gloom) ascending, rais'd His lights at equal distances, to guide Historian wilder'd on his darksome way.
But who can number up his labours? who His high discoveries sing? When but a few Of the deep-studying race can stretch their minds To what he knew--in fancy's lighter thought How shall the muse then grasp the mighty theme? What wonder thence that his devotion swell'd Responsive to his knowledge? For could he, Whose piercing mental eye diffusive saw The finish'd university of things In all its order, magnitude, and parts, Forbear incessant to adore that Power Who fills, sustains, and actuates the whole? Say, ye who best can tell, ye happy few, Who saw him in the softest lights of life, All unwithheld, indulging to his friends The vast unborrow'd treasures of his mind, oh, speak the wondrous man! how mild, how calr How greatly humble, how divinely good, How firm establish'd on eternal truth; Fervent in doing well, with every nerve Still pressing on, forgetful of the past, And panting for perfection; far above Those little cares and visionary joys That so perplex the fond impassion'd heart Of ever-cheated, ever-trusting man.
This, Conduitt, from thy rural hours we hope; As through the pleasing shade where nature pours Her every sweet in studious ease you walk, The social passions smiling at thy heart That glows with all the recollected sage.
And you, ye hopeless gloomy-minded tribe, You who, unconscious of those nobler flights That reach impatient at immortal life, Against the prime endearing privilege Of being dare contend,--say, can a soul Of such extensive, deep, tremendous powers, Enlarging still, be but a finer breath Of spirits dancing through their tubes awhile, And then for ever lost in vacant air? But hark! methinks I hear a warning voice, Solemn as when some awful change is come, Sound through the world--" 'Tis done!--the measure's full; And I resign my charge.
"--Ye mouldering stones That build the towering pyramid, the proud Triumphal arch, the monument effac'd By ruthless ruin, and whate'er supports The worship'd name of hoar antiquity-- Down to the dust! What grandeur can ye boast While Newton lifts his column to the skies, Beyond the waste of time.
Let no weak drop Be shed for him.
The virgin in her bloom Cut off, the joyous youth, and darling child-- These are the tombs that claim the tender tear And elegiac song.
But Newton calls For other notes of gratulation high, That now he wanders through those endless worlds He here so well descried, and wondering talks, And hymns their Author with his glad compeers.
O Britain's boast! whether with angels thou Sittest in dread discourse, or fellow-blest, Who joy to see the honour of their kind; Or whether, mounted on cherubic wing, Thy swift career is with the whirling orbs, Comparing things with things, in rapture lost, And grateful adoration for that light So plenteous ray'd into thy mind below From Light Himself; oh, look with pity down On humankind, a frail erroneous race! Exalt the spirit of a downward world! O'er thy dejected country chief preside, And be her Genius call'd! her studies raise, Correct her manners, and inspire her youth; For, though deprav'd and sunk, she brought thee forth, And glories in thy name! she points thee out To all her sons, and bids them eye thy star: While, in expectance of the second life, When time shall be no more, thy sacred dust Sleeps with her kings, and dignifies the scene.
Written by George Herbert | Create an image from this poem

Church Monuments

 While that my soul repairs to her devotion,
Here I intomb my flesh, that it betimes
May take acquaintance of this heap of dust;
To which the blast of death's incessant motion,
Fed with the exhalation of our crimes,
Drives all at last.
Therefore I gladly trust My body to this school, that it may learn To spell his elements, and find his birth Written in dusty heraldry and lines; Which dissolution sure doth best discern, Comparing dust with dust, and earth with earth.
These laugh at jet and marble put for signs, To sever the good fellowship of dust, And spoil the meeting.
What shall point out them, When they shall bow, and kneel, and fall down flat To kiss those heaps, which now they have in trust? Dear flesh, while I do pray, learn here thy stem And true descent, that when thou shalt grow fat And wanton in thy cravings, thou mayst know That flesh is but the glass which holds the dust That measures all our time; which also shall Be crumbled into dust.
Mark, here below How tame these ashes are, how free from lust, That thou mayst fit thyself against thy fall.
Written by Ehsan Sehgal | Create an image from this poem

Like a Roz

Living as like a "Roz", that is surrounded but untouched with thorns is a characterful person.
Fall in love is a glorious feelings, those are surrouneded with evil desires, should not be touched with that before legitimate move, comparing with "Roz".
Ehsan Sehgal

Book: Reflection on the Important Things