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Best Famous Comfortable Poems

Here is a collection of the all-time best famous Comfortable poems. This is a select list of the best famous Comfortable poetry. Reading, writing, and enjoying famous Comfortable poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of comfortable poems.

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Written by Thomas Hood | Create an image from this poem

November

 No sun - no moon! 
No morn - no noon - 
No dawn - no dusk - no proper time of day.
No warmth, no cheerfulness, no healthful ease, No comfortable feel in any member - No shade, no shine, no butterflies, no bees, No fruits, no flowers, no leaves, no birds! - November!


Written by Wendell Berry | Create an image from this poem

Do not be ashamed

 You will be walking some night
in the comfortable dark of your yard
and suddenly a great light will shine
round about you, and behind you
will be a wall you never saw before.
It will be clear to you suddenly that you were about to escape, and that you are guilty: you misread the complex instructions, you are not a member, you lost your card or never had one.
And you will know that they have been there all along, their eyes on your letters and books, their hands in your pockets, their ears wired to your bed.
Though you have done nothing shameful, they will want you to be ashamed.
They will want you to kneel and weep and say you should have been like them.
And once you say you are ashamed, reading the page they hold out to you, then such light as you have made in your history will leave you.
They will no longer need to pursue you.
You will pursue them, begging forgiveness.
They will not forgive you.
There is no power against them.
It is only candor that is aloof from them, only an inward clarity, unashamed, that they cannot reach.
Be ready.
When their light has picked you out and their questions are asked, say to them: "I am not ashamed.
" A sure horizon will come around you.
The heron will begin his evening flight from the hilltop.
Written by Robert Frost | Create an image from this poem

A Servant to Servants

 I didn't make you know how glad I was 
To have you come and camp here on our land.
I promised myself to get down some day And see the way you lived, but I don't know! With a houseful of hungry men to feed I guess you'd find.
.
.
.
It seems to me I can't express my feelings any more Than I can raise my voice or want to lift My hand (oh, I can lift it when I have to).
Did ever you feel so? I hope you never.
It's got so I don't even know for sure Whether I am glad, sorry, or anything.
There's nothing but a voice-like left inside That seems to tell me how I ought to feel, And would feel if I wasn't all gone wrong.
You take the lake.
I look and look at it.
I see it's a fair, pretty sheet of water.
I stand and make myself repeat out loud The advantages it has, so long and narrow, Like a deep piece of some old running river Cut short off at both ends.
It lies five miles Straight away through the mountain notch From the sink window where I wash the plates, And all our storms come up toward the house, Drawing the slow waves whiter and whiter and whiter.
It took my mind off doughnuts and soda biscuit To step outdoors and take the water dazzle A sunny morning, or take the rising wind About my face and body and through my wrapper, When a storm threatened from the Dragon's Den, And a cold chill shivered across the lake.
I see it's a fair, pretty sheet of water, Our Willoughby! How did you hear of it? I expect, though, everyone's heard of it.
In a book about ferns? Listen to that! You let things more like feathers regulate Your going and coming.
And you like it here? I can see how you might.
But I don't know! It would be different if more people came, For then there would be business.
As it is, The cottages Len built, sometimes we rent them, Sometimes we don't.
We've a good piece of shore That ought to be worth something, and may yet.
But I don't count on it as much as Len.
He looks on the bright side of everything, Including me.
He thinks I'll be all right With doctoring.
But it's not medicine-- Lowe is the only doctor's dared to say so-- It's rest I want--there, I have said it out-- From cooking meals for hungry hired men And washing dishes after them--from doing Things over and over that just won't stay done.
By good rights I ought not to have so much Put on me, but there seems no other way.
Len says one steady pull more ought to do it.
He says the best way out is always through.
And I agree to that, or in so far As that I can see no way out but through-- Leastways for me--and then they'll be convinced.
It's not that Len don't want the best for me.
It was his plan our moving over in Beside the lake from where that day I showed you We used to live--ten miles from anywhere.
We didn't change without some sacrifice, But Len went at it to make up the loss.
His work's a man's, of course, from sun to sun, But he works when he works as hard as I do-- Though there's small profit in comparisons.
(Women and men will make them all the same.
) But work ain't all.
Len undertakes too much.
He's into everything in town.
This year It's highways, and he's got too many men Around him to look after that make waste.
They take advantage of him shamefully, And proud, too, of themselves for doing so.
We have four here to board, great good-for-nothings, Sprawling about the kitchen with their talk While I fry their bacon.
Much they care! No more put out in what they do or say Than if I wasn't in the room at all.
Coming and going all the time, they are: I don't learn what their names are, let alone Their characters, or whether they are safe To have inside the house with doors unlocked.
I'm not afraid of them, though, if they're not Afraid of me.
There's two can play at that.
I have my fancies: it runs in the family.
My father's brother wasn't right.
They kept him Locked up for years back there at the old farm.
I've been away once--yes, I've been away.
The State Asylum.
I was prejudiced; I wouldn't have sent anyone of mine there; You know the old idea--the only asylum Was the poorhouse, and those who could afford, Rather than send their folks to such a place, Kept them at home; and it does seem more human.
But it's not so: the place is the asylum.
There they have every means proper to do with, And you aren't darkening other people's lives-- Worse than no good to them, and they no good To you in your condition; you can't know Affection or the want of it in that state.
I've heard too much of the old-fashioned way.
My father's brother, he went mad quite young.
Some thought he had been bitten by a dog, Because his violence took on the form Of carrying his pillow in his teeth; But it's more likely he was crossed in love, Or so the story goes.
It was some girl.
Anyway all he talked about was love.
They soon saw he would do someone a mischief If he wa'n't kept strict watch of, and it ended In father's building him a sort of cage, Or room within a room, of hickory poles, Like stanchions in the barn, from floor to ceiling,-- A narrow passage all the way around.
Anything they put in for furniture He'd tear to pieces, even a bed to lie on.
So they made the place comfortable with straw, Like a beast's stall, to ease their consciences.
Of course they had to feed him without dishes.
They tried to keep him clothed, but he paraded With his clothes on his arm--all of his clothes.
Cruel--it sounds.
I 'spose they did the best They knew.
And just when he was at the height, Father and mother married, and mother came, A bride, to help take care of such a creature, And accommodate her young life to his.
That was what marrying father meant to her.
She had to lie and hear love things made dreadful By his shouts in the night.
He'd shout and shout Until the strength was shouted out of him, And his voice died down slowly from exhaustion.
He'd pull his bars apart like bow and bow-string, And let them go and make them twang until His hands had worn them smooth as any ox-bow.
And then he'd crow as if he thought that child's play-- The only fun he had.
I've heard them say, though, They found a way to put a stop to it.
He was before my time--I never saw him; But the pen stayed exactly as it was There in the upper chamber in the ell, A sort of catch-all full of attic clutter.
I often think of the smooth hickory bars.
It got so I would say--you know, half fooling-- "It's time I took my turn upstairs in jail"-- Just as you will till it becomes a habit.
No wonder I was glad to get away.
Mind you, I waited till Len said the word.
I didn't want the blame if things went wrong.
I was glad though, no end, when we moved out, And I looked to be happy, and I was, As I said, for a while--but I don't know! Somehow the change wore out like a prescription.
And there's more to it than just window-views And living by a lake.
I'm past such help-- Unless Len took the notion, which he won't, And I won't ask him--it's not sure enough.
I 'spose I've got to go the road I'm going: Other folks have to, and why shouldn't I? I almost think if I could do like you, Drop everything and live out on the ground-- But it might be, come night, I shouldn't like it, Or a long rain.
I should soon get enough, And be glad of a good roof overhead.
I've lain awake thinking of you, I'll warrant, More than you have yourself, some of these nights.
The wonder was the tents weren't snatched away From over you as you lay in your beds.
I haven't courage for a risk like that.
Bless you, of course, you're keeping me from work, But the thing of it is, I need to be kept.
There's work enough to do--there's always that; But behind's behind.
The worst that you can do Is set me back a little more behind.
I sha'n't catch up in this world, anyway.
I'd rather you'd not go unless you must.
Written by William Butler Yeats | Create an image from this poem

The Hour Before Dawn

 A cursing rogue with a merry face,
A bundle of rags upon a crutch,
Stumbled upon that windy place
Called Cruachan, and it was as much
As the one sturdy leg could do
To keep him upright while he cursed.
He had counted, where long years ago Queen Maeve's nine Maines had been nursed, A pair of lapwings, one old sheep, And not a house to the plain's edge, When close to his right hand a heap Of grey stones and a rocky ledge Reminded him that he could make.
If he but shifted a few stones, A shelter till the daylight broke.
But while he fumbled with the stones They toppled over; 'Were it not I have a lucky wooden shin I had been hurt'; and toppling brought Before his eyes, where stones had been, A dark deep hollow in the rock.
He gave a gasp and thought to have fled, Being certain it was no right rock Because an ancient history said Hell Mouth lay open near that place, And yet stood still, because inside A great lad with a beery face Had tucked himself away beside A ladle and a tub of beer, And snored, no phantom by his look.
So with a laugh at his own fear He crawled into that pleasant nook.
'Night grows uneasy near the dawn Till even I sleep light; but who Has tired of his own company? What one of Maeve's nine brawling sons Sick of his grave has wakened me? But let him keep his grave for once That I may find the sleep I have lost.
' What care I if you sleep or wake? But I'Il have no man call me ghost.
' Say what you please, but from daybreak I'll sleep another century.
' And I will talk before I sleep And drink before I talk.
' And he Had dipped the wooden ladle deep Into the sleeper's tub of beer Had not the sleeper started up.
Before you have dipped it in the beer I dragged from Goban's mountain-top I'll have assurance that you are able To value beer; no half-legged fool Shall dip his nose into my ladle Merely for stumbling on this hole In the bad hour before the dawn.
' 'Why beer is only beer.
' 'But say 'I'll sleep until the winter's gone, Or maybe to Midsummer Day,' And drink and you will sleep that length.
' 'I'd like to sleep till winter's gone Or till the sun is in his srrength.
This blast has chilled me to the bone.
' 'I had no better plan at first.
I thought to wait for that or this; Maybe the weather was accursed Or I had no woman there to kiss; So slept for half a year or so; But year by year I found that less Gave me such pleasure I'd forgo Even a half-hour's nothingness, And when at one year's end I found I had not waked a single minute, I chosc this burrow under ground.
I'll sleep away all time within it: My sleep were now nine centuries But for those mornings when I find The lapwing at their foolish dies And the sheep bleating at the wind As when I also played the fool.
' The beggar in a rage began Upon his hunkers in the hole, 'It's plain that you are no right man To mock at everything I love As if it were not worth, the doing.
I'd have a merry life enough If a good Easter wind were blowing, And though the winter wind is bad I should not be too down in the mouth For anything you did or said If but this wind were in the south.
' 'You cry aloud, O would 'twere spring Or that the wind would shift a point, And do not know that you would bring, If time were suppler in the joint, Neither the spring nor the south wind But the hour when you shall pass away And leave no smoking wick behind, For all life longs for the Last Day And there's no man but cocks his ear To know when Michael's trumpet cries 'That flesh and bone may disappear, And souls as if they were but sighs, And there be nothing but God left; But, I aone being blessed keep Like some old rabbit to my cleft And wait Him in a drunken sleep.
' He dipped his ladle in the tub And drank and yawned and stretched him out, The other shouted, 'You would rob My life of every pleasant thought And every comfortable thing, And so take that and that.
' Thereon He gave him a great pummelling, But might have pummelled at a stone For all the sleeper knew or cared; And after heaped up stone on stone, And then, grown weary, prayed and cursed And heaped up stone on stone again, And prayed and cursed and cursed and bed From Maeve and all that juggling plain, Nor gave God thanks till overhead The clouds were brightening with the dawn.
Written by Rainer Maria Rilke | Create an image from this poem

Self-Portrait

1906


The stamina of an old long-noble race
in the eyebrows' heavy arches.
In the mild blue eyes the solemn anguish of a child and here and there humility-not a fool's but feminine: the look of one who serves.
The mouth quite ordinary large and straight composed yet not willing to speak out when necessary.
The forehead still na?ve most comfortable in shadows looking down.
This as a whole just hazily foreseen- never in any joy of suffering collected for a firm accomplishment; and yet as though from far off with scattered Things a serious true work were being planned.


Written by William Butler Yeats | Create an image from this poem

Among School Children

 I

I walk through the long schoolroom questioning;
A kind old nun in a white hood replies;
The children learn to cipher and to sing,
To study reading-books and histories,
To cut and sew, be neat in everything
In the best modern way - the children's eyes
In momentary wonder stare upon
A sixty-year-old smiling public man.
II I dream of a Ledaean body, bent Above a sinking fire.
a tale that she Told of a harsh reproof, or trivial event That changed some childish day to tragedy - Told, and it seemed that our two natures blent Into a sphere from youthful sympathy, Or else, to alter Plato's parable, Into the yolk and white of the one shell.
III And thinking of that fit of grief or rage I look upon one child or t'other there And wonder if she stood so at that age - For even daughters of the swan can share Something of every paddler's heritage - And had that colour upon cheek or hair, And thereupon my heart is driven wild: She stands before me as a living child.
IV Her present image floats into the mind - Did Quattrocento finger fashion it Hollow of cheek as though it drank the wind And took a mess of shadows for its meat? And I though never of Ledaean kind Had pretty plumage once - enough of that, Better to smile on all that smile, and show There is a comfortable kind of old scarecrow.
V What youthful mother, a shape upon her lap Honey of generation had betrayed, And that must sleep, shriek, struggle to escape As recollection or the drug decide, Would think her Son, did she but see that shape With sixty or more winters on its head, A compensation for the pang of his birth, Or the uncertainty of his setting forth? VI Plato thought nature but a spume that plays Upon a ghostly paradigm of things; Solider Aristotle played the taws Upon the bottom of a king of kings; World-famous golden-thighed Pythagoras Fingered upon a fiddle-stick or strings What a star sang and careless Muses heard: Old clothes upon old sticks to scare a bird.
VII Both nuns and mothers worship images, But thos the candles light are not as those That animate a mother's reveries, But keep a marble or a bronze repose.
And yet they too break hearts - O presences That passion, piety or affection knows, And that all heavenly glory symbolise - O self-born mockers of man's enterprise; VIII Labour is blossoming or dancing where The body is not bruised to pleasure soul.
Nor beauty born out of its own despair, Nor blear-eyed wisdom out of midnight oil.
O chestnut-tree, great-rooted blossomer, Are you the leaf, the blossom or the bole? O body swayed to music, O brightening glance, How can we know the dancer from the dance?
Written by Ogden Nash | Create an image from this poem

No You Be A Lone Eagle

 I find it very hard to be fair-minded
About people who go around being air-minded.
I just can't see any fun In soaring up up up into the sun When the chances are still a fresh cool orchid to a paper geranium That you'll unsoar down down down onto your (to you) invaluable cranium.
I know the constant refrain About how safer up in God's trafficless heaven than in an automobile or a train But .
.
.
My God, have you ever taken a good look at a strut? Then that one about how you're in Boston before you can say antidis- establishmentarianism So that preferring to take five hours by rail is a pernicious example of antiquarianism.
At least when I get on the Boston train I have a good chance of landing in the South Station And not in that part of the daily press which is reserved for victims of aviation.
Then, despite the assurance that aeroplanes are terribly comfortable I notice that when you are railroading or automobiling You don't have to take a paper bag along just in case of a funny feeling.
It seems to me that no kind of depravity Brings such speedy retribution as ignoring the law of gravity.
Therefore nobody could possibly indict me for perjury When I swear that I wish the Wright brothers had gone in for silver fox farming or tree surgery.
Written by Wendell Berry | Create an image from this poem

The Country Of Marriage

 I.
I dream of you walking at night along the streams of the country of my birth, warm blooms and the nightsongs of birds opening around you as you walk.
You are holding in your body the dark seed of my sleep.
II.
This comes after silence.
Was it something I said that bound me to you, some mere promise or, worse, the fear of loneliness and death? A man lost in the woods in the dark, I stood still and said nothing.
And then there rose in me, like the earth's empowering brew rising in root and branch, the words of a dream of you I did not know I had dreamed.
I was a wanderer who feels the solace of his native land under his feet again and moving in his blood.
I went on, blind and faithful.
Where I stepped my track was there to steady me.
It was no abyss that lay before me, but only the level ground.
III.
Sometimes our life reminds me of a forest in which there is a graceful clearing and in that opening a house, an orchard and garden, comfortable shades, and flowers red and yellow in the sun, a pattern made in the light for the light to return to.
The forest is mostly dark, its ways to be made anew day after day, the dark richer than the light and more blessed, provided we stay brave enough to keep on going in.
IV.
How many times have I come to you out of my head with joy, if ever a man was, for to approach you I have given up the light and all directions.
I come to you lost, wholly trusting as a man who goes into the forest unarmed.
It is as though I descend slowly earthward out of the air.
I rest in peace in you, when I arrive at last.
V.
Our bond is no little economy based on the exchange of my love and work for yours, so much for so much of an expendable fund.
We don't know what its limits are-- that puts us in the dark.
We are more together than we know, how else could we keep on discovering we are more together than we thought? You are the known way leading always to the unknown, and you are the known place to which the unknown is always leading me back.
More blessed in you than I know, I possess nothing worthy to give you, nothing not belittled by my saying that I possess it.
Even an hour of love is a moral predicament, a blessing a man may be hard up to be worthy of.
He can only accept it, as a plant accepts from all the bounty of the light enough to live, and then accepts the dark, passing unencumbered back to the earth, as I have fallen tine and again from the great strength of my desire, helpless, into your arms.
VI.
What I am learning to give you is my death to set you free of me, and me from myself into the dark and the new light.
Like the water of a deep stream, love is always too much.
We did not make it.
Though we drink till we burst we cannot have it all, or want it all.
In its abundance it survives our thirst.
In the evening we come down to the shore to drink our fill, and sleep, while it flows through the regions of the dark.
It does not hold us, except we keep returning to its rich waters thirsty.
We enter, willing to die, into the commonwealth of its joy.
VII.
I give you what is unbounded, passing from dark to dark, containing darkness: a night of rain, an early morning.
I give you the life I have let live for the love of you: a clump of orange-blooming weeds beside the road, the young orchard waiting in the snow, our own life that we have planted in the ground, as I have planted mine in you.
I give you my love for all beautiful and honest women that you gather to yourself again and again, and satisfy--and this poem, no more mine than any man's who has loved a woman.
Written by Thomas Hood | Create an image from this poem

No!

 No sun--no moon!
No morn--no noon!
No dawn--no dusk--no proper time of day--
No sky--no earthly view--
No distance looking blue--
No road--no street--no "t'other side this way"--
No end to any Row--
No indications where the Crescents go--
No top to any steeple--
No recognitions of familiar people--
No courtesies for showing 'em--
No knowing 'em!
No traveling at all--no locomotion--
No inkling of the way--no notion--
"No go" by land or ocean--
No mail--no post--
No news from any foreign coast--
No Park, no Ring, no afternoon gentility--
No company--no nobility--
No warmth, no cheerfulness, no healthful ease,
No comfortable feel in any member--
No shade, no shine, no butterflies, no bees,
No fruits, no flowers, no leaves, no birds--
November!
Written by John Wilmot | Create an image from this poem

Tunbridge Wells

 At five this morn, when Phoebus raised his head
From Thetis' lap, I raised myself from bed,
And mounting steed, I trotted to the waters
The rendesvous of fools, buffoons, and praters,
Cuckolds, whores, citizens, their wives and daughters.
My squeamish stomach I with wine had bribed To undertake the dose that was prescribed; But turning head, a sudden curséd view That innocent provision overthrew, And without drinking, made me purge and spew.
From coach and six a thing unweildy rolled, Whose lumber, card more decently would hold.
As wise as calf it looked, as big as bully, But handled, proves a mere Sir Nicholas Cully; A bawling fop, a natural Nokes, and yet He dares to censure as if he had wit.
To make him more ridiculous, in spite Nature contrived the fool should be a knight.
Though he alone were dismal signet enough, His train contributed to set him off, All of his shape, all of the selfsame stuff.
No spleen or malice need on them be thrown: Nature has done the business of lampoon, And in their looks their characters has shown.
Endeavoring this irksome sight to balk, And a more irksome noise, their silly talk, I silently slunk down t' th' Lower Walk, But often when one would Charybdis shun, Down upon Scilla 'tis one's fate to run, For here it was my curséd luck to find As great a fop, though of another kind, A tall stiff fool that walked in Spanish guise: The buckram puppet never stirred its eyes, But grave as owl it looked, as woodcock wise.
He scorns the empty talking of this mad age, And speaks all proverbs, sentences, and adage; Can with as much solemnity buy eggs As a cabal can talk of their intrigues; Master o' th' Ceremonies, yet can dispense With the formality of talking sense.
From hence unto the upper walk I ran, Where a new scene of foppery began.
A tribe of curates, priests, canonical elves, Fit company for none besides themselves, Were got together.
Each his distemper told, Scurvy, stone, strangury; some were so bold To charge the spleen to be their misery, And on that wise disease brought infamy.
But none had modesty enough t' complain Their want of learning, honesty, and brain, The general diseases of that train.
These call themselves ambassadors of heaven, And saucily pretend commissions given; But should an Indian king, whose small command Seldom extends beyond ten miles of land, Send forth such wretched tools in an ambassage, He'd find but small effects of such a message.
Listening, I found the cob of all this rabble Pert Bays, with his importance comfortable.
He, being raised to an archdeaconry By trampling on religion, liberty, Was grown to great, and looked too fat and jolly, To be disturbed with care and melancholy, Though Marvell has enough exposed his folly.
He drank to carry off some old remains His lazy dull distemper left in 's veins.
Let him drink on, but 'tis not a whole flood Can give sufficient sweetness to his blood To make his nature of his manners good.
Next after these, a fulsome Irish crew Of silly Macs were offered to my view.
The things did talk, but th' hearing what they said I did myself the kindness to evade.
Nature has placed these wretches beneath scorn: They can't be called so vile as they are born.
Amidst the crowd next I myself conveyed, For now were come, whitewash and paint being laid, Mother and daughter, mistress and the maid, And squire with wig and pantaloon displayed.
But ne'er could conventicle, play, or fair For a true medley, with this herd compare.
Here lords, knights, squires, ladies and countesses, Chandlers, mum-bacon women, sempstresses Were mixed together, nor did they agree More in their humors than their quality.
Here waiting for gallant, young damsel stood, Leaning on cane, and muffled up in hood.
The would-be wit, whose business was to woo, With hat removed and solemn scrape of shoe Advanceth bowing, then genteelly shrugs, And ruffled foretop into order tugs, And thus accosts her: "Madam, methinks the weather Is grown much more serene since you came hither.
You influence the heavens; but should the sun Withdraw himself to see his rays outdone By your bright eyes, they would supply the morn, And make a day before the day be born.
" With mouth screwed up, conceited winking eyes, And breasts thrust forward, "Lord, sir!" she replies.
"It is your goodness, and not my deserts, Which makes you show this learning, wit, and parts.
" He, puzzled, butes his nail, both to display The sparkling ring, and think what next to say, And thus breaks forth afresh: "Madam, egad! Your luck at cards last night was very bad: At cribbage fifty-nine, and the next show To make the game, and yet to want those two.
God damn me, madam, I'm the son of a whore If in my life I saw the like before!" To peddler's stall he drags her, and her breast With hearts and such-like foolish toys he dressed; And then, more smartly to expound the riddle Of all his prattle, gives her a Scotch fiddle.
Tired with this dismal stuff, away I ran Where were two wives, with girl just fit for man - Short-breathed, with pallid lips and visage wan.
Some curtsies past, and the old compliment Of being glad to see each other, spent, With hand in hand they lovingly did walk, And one began thus to renew the talk: "I pray, good madam, if it may be thought No rudeness, what cause was it hither brought Your ladyship?" She soon replying, smiled, "We have a good estate, but have no child, And I'm informed these wells will make a barren Woman as fruitful as a cony warren.
" The first returned, "For this cause I am come, For I can have no quietness at home.
My husband grumbles though we have got one, This poor young girl, and mutters for a son.
And this is grieved with headache, pangs, and throes; Is full sixteen, and never yet had those.
" She soon replied, "Get her a husband, madam: I married at that age, and ne'er had 'em; Was just like her.
Steel waters let alone: A back of steel will bring 'em better down.
" And ten to one but they themselves will try The same means to increase their family.
Poor foolish fribble, who by subtlety Of midwife, truest friend to lechery, Persuaded art to be at pains and charge To give thy wife occasion to enlarge Thy silly head! For here walk Cuff and Kick, With brawny back and legs and potent prick, Who more substantially will cure thy wife, And on her half-dead womb bestow new life.
From these the waters got the reputation Of good assistants unto generation.
Some warlike men were now got into th' throng, With hair tied back, singing a bawdy song.
Not much afraid, I got a nearer view, And 'twas my chance to know the dreadful crew.
They were cadets, that seldom can appear: Damned to the stint of thirty pounds a year.
With hawk on fist, or greyhound led in hand, The dogs and footboys sometimes they command.
But now, having trimmed a cast-off spavined horse, With three hard-pinched-for guineas in their purse, Two rusty pistols, scarf about the ****, Coat lined with red, they here presume to swell: This goes for captain, that for colonel.
So the Bear Garden ape, on his steed mounted, No longer is a jackanapes accounted, But is, by virtue of his trumpery, then Called by the name of "the young gentleman.
" Bless me! thought I, what thing is man, that thus In all his shapes, he is ridiculous? Ourselves with noise of reason we do please In vain: humanity's our worst disease.
Thrice happy beasts are, who, because they be Of reason void, and so of foppery.
Faith, I was so ashamed that with remorse I used the insolence to mount my horse; For he, doing only things fit for his nature, Did seem to me by much the wiser creature.

Book: Shattered Sighs