Get Your Premium Membership

Best Famous Clippings Poems

Here is a collection of the all-time best famous Clippings poems. This is a select list of the best famous Clippings poetry. Reading, writing, and enjoying famous Clippings poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of clippings poems.

Search and read the best famous Clippings poems, articles about Clippings poems, poetry blogs, or anything else Clippings poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by Anne Sexton | Create an image from this poem

All My Pretty Ones

 Father, this year's jinx rides us apart 
where you followed our mother to her cold slumber; 
a second shock boiling its stone to your heart,
leaving me here to shuffle and disencumber
you from the residence you could not afford:
a gold key, your half of a woolen mill,
twenty suits from Dunne's, an English Ford,
the love and legal verbiage of another will, 
boxes of pictures of people I do not know. 
I touch their cardboard faces. They must go. 

But the eyes, as thick as wood in this album,
hold me. I stop here, where a small boy
waits in a ruffled dress for someone to come...
for this soldier who holds his bugle like a toy 
or for this velvet lady who cannot smile.
Is this your father's father, this Commodore 
in a mailman suit? My father, time meanwhile
has made it unimportant who you are looking for. 
I'll never know what these faces are all about. 
I lock them into their book and throw them out. 

Tlis is the yellow scrapbook that you began
the year I was born; as crackling now and wrinkly
as tobacco leaves: clippings where Hoover outran 
the Democrats, wiggling his dry finger at me 
and Prohibition; news where the Hindenburg went 
down and recent years where you went flush 
on war. This year, solvent but sick, you meant
to marry that pretty widow in a one-month rush. 
But before you had that second chance, I cried 
on your fat shoulder. Three days later you died. 

These are the snapshots of marriage, stopped in places. 
Side by side at the rail toward Nassau now; 
here, with the winner's cup at the speedboat races, 
here, in tails at the Cotillion, you take a bow,


here, by our kennel of dogs with their pink eyes, 
running like show-bred pigs in their chain-link pen; 
here, at the horseshow where my sister wins a prize; 
Now I fold you down, my drunkard, my navigator, 
my first lost keeper, to love or look at later.


I hold a five-year diary that my mother kept 
for three years, telling all she does not say 
of your alcoholic tendency. You overslept, 
she writes. My God, father, each Christmas Day 
with your blood, will I drink down your glass 
of wine? The diary of your hurly-burly years 
goes to my shelf to wait for my age to pass. 
Only in this hoarded span will love persevere. 
Whether you are pretty or not, I outlive you, 
bend down my strange face to yours and forgive you.


Written by Yusef Komunyakaa | Create an image from this poem

Potions

 The old woman made mint
Candy for the children
Who'd bolt through her front door,
Silhouettes of the great blue

Heron. She sold ten-dollar potions
 From a half-lit kitchen. Chinese boxes
Furnished with fliers & sinkers. Sassafras
& lizard tongues. They'd walk out

Of the woods or drive in from cities,
Clutching lovesick dollar bills
At a side door that opened beside
A chinaberry tree. Did their eyes

Doubt under Orion as voices
Of the dead spoke? They carried
Photos, locks of hair, nail clippings,
& the first three words of a wish.
Written by Robert Burns | Create an image from this poem

59. Death and Dr. Hornbook

 SOME books are lies frae end to end,
And some great lies were never penn’d:
Ev’n ministers they hae been kenn’d,
 In holy rapture,
A rousing whid at times to vend,
 And nail’t wi’ Scripture.


But this that I am gaun to tell,
Which lately on a night befell,
Is just as true’s the Deil’s in hell
 Or Dublin city:
That e’er he nearer comes oursel’
 ’S a muckle pity.


The clachan yill had made me canty,
I was na fou, but just had plenty;
I stacher’d whiles, but yet too tent aye
 To free the ditches;
An’ hillocks, stanes, an’ bushes, kenn’d eye
 Frae ghaists an’ witches.


The rising moon began to glowre
The distant Cumnock hills out-owre:
To count her horns, wi’ a my pow’r,
 I set mysel’;
But whether she had three or four,
 I cou’d na tell.


I was come round about the hill,
An’ todlin down on Willie’s mill,
Setting my staff wi’ a’ my skill,
 To keep me sicker;
Tho’ leeward whiles, against my will,
 I took a bicker.


I there wi’ Something did forgather,
That pat me in an eerie swither;
An’ awfu’ scythe, out-owre ae shouther,
 Clear-dangling, hang;
A three-tae’d leister on the ither
 Lay, large an’ lang.


Its stature seem’d lang Scotch ells twa,
The queerest shape that e’er I saw,
For fient a wame it had ava;
 And then its shanks,
They were as thin, as sharp an’ sma’
 As cheeks o’ branks.


“Guid-een,” quo’ I; “Friend! hae ye been mawin,
When ither folk are busy sawin!” 1
I seem’d to make a kind o’ stan’
 But naething spak;
At length, says I, “Friend! whare ye gaun?
 Will ye go back?”


It spak right howe,—“My name is Death,
But be na fley’d.”—Quoth I, “Guid faith,
Ye’re maybe come to stap my breath;
 But tent me, billie;
I red ye weel, tak care o’ skaith
 See, there’s a gully!”


“Gudeman,” quo’ he, “put up your whittle,
I’m no designed to try its mettle;
But if I did, I wad be kittle
 To be mislear’d;
I wad na mind it, no that spittle
 Out-owre my beard.”


“Weel, weel!” says I, “a bargain be’t;
Come, gie’s your hand, an’ sae we’re gree’t;
We’ll ease our shanks an tak a seat—
 Come, gie’s your news;
This while ye hae been mony a gate,
 At mony a house.” 2


“Ay, ay!” quo’ he, an’ shook his head,
“It’s e’en a lang, lang time indeed
Sin’ I began to nick the thread,
 An’ choke the breath:
Folk maun do something for their bread,
 An’ sae maun Death.


“Sax thousand years are near-hand fled
Sin’ I was to the butching bred,
An’ mony a scheme in vain’s been laid,
 To stap or scar me;
Till ane Hornbook’s 3 ta’en up the trade,
 And faith! he’ll waur me.


“Ye ken Hornbook i’ the clachan,
Deil mak his king’s-hood in spleuchan!
He’s grown sae weel acquaint wi’ Buchan 4
 And ither chaps,
The weans haud out their fingers laughin,
 An’ pouk my hips.


“See, here’s a scythe, an’ there’s dart,
They hae pierc’d mony a gallant heart;
But Doctor Hornbook, wi’ his art
 An’ cursed skill,
Has made them baith no worth a f—t,
 D—n’d haet they’ll kill!


“’Twas but yestreen, nae farther gane,
I threw a noble throw at ane;
Wi’ less, I’m sure, I’ve hundreds slain;
But deil-ma-care,
It just play’d dirl on the bane,
But did nae mair.


“Hornbook was by, wi’ ready art,
An’ had sae fortify’d the part,
That when I looked to my dart,
 It was sae blunt,
Fient haet o’t wad hae pierc’d the heart
 Of a kail-runt.


“I drew my scythe in sic a fury,
I near-hand cowpit wi’ my hurry,
But yet the bauld Apothecary
 Withstood the shock;
I might as weel hae tried a quarry
 O’ hard whin rock.


“Ev’n them he canna get attended,
Altho’ their face he ne’er had kend it,
Just —— in a kail-blade, an’ sent it,
 As soon’s he smells ’t,
Baith their disease, and what will mend it,
 At once he tells ’t.


“And then, a’ doctor’s saws an’ whittles,
Of a’ dimensions, shapes, an’ mettles,
A’ kind o’ boxes, mugs, an’ bottles,
 He’s sure to hae;
Their Latin names as fast he rattles
 As A B C.


“Calces o’ fossils, earths, and trees;
True sal-marinum o’ the seas;
The farina of beans an’ pease,
 He has’t in plenty;
Aqua-fontis, what you please,
 He can content ye.


“Forbye some new, uncommon weapons,
Urinus spiritus of capons;
Or mite-horn shavings, filings, scrapings,
 Distill’d per se;
Sal-alkali o’ midge-tail clippings,
 And mony mae.”


“Waes me for Johnie Ged’s-Hole 5 now,”
Quoth I, “if that thae news be true!
His braw calf-ward whare gowans grew,
 Sae white and bonie,
Nae doubt they’ll rive it wi’ the plew;
 They’ll ruin Johnie!”


The creature grain’d an eldritch laugh,
And says “Ye needna yoke the pleugh,
Kirkyards will soon be till’d eneugh,
 Tak ye nae fear:
They’ll be trench’d wi’ mony a sheugh,
 In twa-three year.


“Whare I kill’d ane, a fair strae-death,
By loss o’ blood or want of breath
This night I’m free to tak my aith,
 That Hornbook’s skill
Has clad a score i’ their last claith,
 By drap an’ pill.


“An honest wabster to his trade,
Whase wife’s twa nieves were scarce weel-bred
Gat tippence-worth to mend her head,
 When it was sair;
The wife slade cannie to her bed,
 But ne’er spak mair.


“A country laird had ta’en the batts,
Or some curmurring in his guts,
His only son for Hornbook sets,
 An’ pays him well:
The lad, for twa guid gimmer-pets,
 Was laird himsel’.


“A bonie lass—ye kend her name—
Some ill-brewn drink had hov’d her wame;
She trusts hersel’, to hide the shame,
 In Hornbook’s care;
Horn sent her aff to her lang hame,
 To hide it there.


“That’s just a swatch o’ Hornbook’s way;
Thus goes he on from day to day,
Thus does he poison, kill, an’ slay,
 An’s weel paid for’t;
Yet stops me o’ my lawfu’ prey,
 Wi’ his d—n’d dirt:


“But, hark! I’ll tell you of a plot,
Tho’ dinna ye be speakin o’t;
I’ll nail the self-conceited sot,
 As dead’s a herrin;
Neist time we meet, I’ll wad a groat,
 He gets his fairin!”


But just as he began to tell,
The auld kirk-hammer strak the bell
Some wee short hour ayont the twal’,
 Which rais’d us baith:
I took the way that pleas’d mysel’,
 And sae did Death.


 Note 1. This recontre happened in seed-time, 1785.—R. B. [back]
Note 2. An epidemical fever was then raging in that country.—R. B. [back]
Note 3. This gentleman, Dr. Hornbook, is professionally a brother of the sovereign Order of the Ferula; but, by intuition and inspiration, is at once an apothecary, surgeon, and physician.—R. B. [back]
Note 4. Burchan’s Domestic Medicine.—R. B. [back]
Note 5. The grave-digger.—R. B. [back]
Written by Robert William Service | Create an image from this poem

Tom

 That Tom was poor was sure a pity,
 Such guts for learning had the lad;
He took to Greek like babe to titty,
 And he was mathematic mad.
I loved to prime him up with knowledge,
 A brighter lad I never knew;
I dreamed that he would go to college
 And there be honoured too.

But no! His Dad said, "Son, I need you
 To keep the kettle on the boil;
No longer can I clothe and feed you,
 Buy study books and midnight oil.
I carry on as best I'm able,
 A humble tailor, as you know;
And you must squat cross-legged a table
 And learn to snip and sew."

And that is what poor Tom is doing.
 He bravely makes the best of it;
But as he "fits" you he is knowing 
 That he himself is a misfit;
And thinks as he fulfils his calling,
 With patient heart yet deep distaste,
Like clippings from his shears down-falling,
 --He, too, is Waste.
Written by Ogden Nash | Create an image from this poem

So Does Everybody Else Only Not So Much

 O all ye exorcizers come and exorcize now, and ye clergymen draw nigh and clerge, For I wish to be purged of an urge. It is an irksome urge, compounded of nettles and glue, And it is turning all my friends back into acquaintances, and all my acquaintances into people who look the other way when I heave into view. It is an indication that my mental buttery is butterless and my mental larder lardless, And it consists not of "Stop me if you've heard this one," but of "I know you've heard this one because I told it to you myself, but I'm going to tell it to you again regardless," Yes I fear I am living beyond my mental means. When I realize that it is not only anecdotes that I reiterate but what is far worse, summaries of radio programs and descriptions of caroons in newspapers and magazines. I want to resist but I cannot resist recounting the bright sayins of celebrities that everybody already is familiar with every word of; I want to refrain but cannot refrain from telling the same audience on two successive evenings the same little snatches of domestic gossip about people I used to know that they have never heard of. When I remember some titlating episode of my childhood I figure that if it's worth narrating once it's worth narrating twice, in spite of lackluster eyes and dropping jaws, And indeed I have now worked my way backward from titllating episodes in my own childhood to titillating episodes in the childhood of my parents or even my parents-in-laws, And what really turns my corpuscles to ice, I carry around clippings and read them to people twice. And I know what I am doing while I am doing it and I don't want to do it but I can't help doing it and I am just another Ancient Mariner, And the prospects for my future social life couldn't possibly be barrener. Did I tell you that the prospects for my future social life couldn't be barrener?


Written by Frank Bidart | Create an image from this poem

For The Twentieth Century

 Bound, hungry to pluck again from the thousand
technologies of ecstasy

boundlessness, the world that at a drop of water
rises without boundaries,

I push the PLAY button:—

...Callas, Laurel & Hardy, Szigeti

you are alive again,—

the slow movement of K.218
once again no longer

bland, merely pretty, nearly
banal, as it is

in all but Szigeti's hands

 *
Therefore you and I and Mozart
must thank the Twentieth Century, for

it made you pattern, form
whose infinite

repeatability within matter
defies matter—

Malibran. Henry Irving. The young
Joachim. They are lost, a mountain of

newspaper clippings, become words
not their own words. The art of the performer.
Written by David Wagoner | Create an image from this poem

For A Row Of Laurel Shrubs

 They don't want to be your hedge,
 Your barrier, your living wall, the no-go
 Go-between between your property
And the prying of dogs and strangers. They don't

 Want to settle any of your old squabbles
 Inside or out of bounds. Their new growth
In three-foot shoots goes thrusting straight
 Up in the air each April or goes off

 Half-cocked sideways to reconnoiter
Wilder dimensions: the very idea
 Of squareness, of staying level seems
 Alien to them, and they aren't in the least

Discouraged by being suddenly lopped off
 Year after year by clippers or the stuttering
 Electric teeth of trimmers hedging their bets
To keep them all in line, all roughly

 In order. They don't even
 Want to be good-neighborly bushes
(Though under the outer stems and leaves
 The thick, thick-headed, soot-blackened

 Elderly branches have been dodging
And weaving through so many disastrous springs,
 So many whacked-out, contra-
 Dictory changes of direction, they've locked

Themselves together for good). Yet each
 Original planting, left to itself, would be
 No fence, no partition, no crook-jointed
Entanglement, but a tree by now outspread

 With all of itself turned upward at every
 Inconvenient angle you can imagine,
And look, on the ground, the fallen leaves,
 Brown, leathery, as thick as tongues, remain

 Almost what they were, tougher than ever,
Slow to molder, to give in, dead slow to feed
 The earth with themselves, there at the feet
 Of their fathers in the evergreen shade

Of their replacements. Remember, admirers
 Long ago would sometimes weave fresh clippings
 Into crowns and place them squarely on the heads
Of their most peculiar poets.

Book: Radiant Verses: A Journey Through Inspiring Poetry