Written by
Robert Lowell |
"Relinquunt Omnia Servare Rem Publicam."
The old South Boston Aquarium stands
in a Sahara of snow now. Its broken windows are boarded.
The bronze weathervane cod has lost half its scales.
The airy tanks are dry.
Once my nose crawled like a snail on the glass;
my hand tingled
to burst the bubbles
drifting from the noses of the cowed, compliant fish.
My hand draws back. I often sigh still
for the dark downward and vegetating kingdom
of the fish and reptile. One morning last March,
I pressed against the new barbed and galvanized
fence on the Boston Common. Behind their cage,
yellow dinosaur steamshovels were grunting
as they cropped up tons of mush and grass
to gouge their underworld garage.
Parking spaces luxuriate like civic
sandpiles in the heart of Boston.
A girdle of orange, Puritan-pumpkin colored girders
braces the tingling Statehouse,
shaking over the excavations, as it faces Colonel Shaw
and his bell-cheeked ***** infantry
on St. Gaudens' shaking Civil War relief,
propped by a plank splint against the garage's earthquake.
Two months after marching through Boston,
half the regiment was dead;
at the dedication,
William James could almost hear the bronze ******* breathe.
Their monument sticks like a fishbone
in the city's throat.
Its Colonel is as lean
as a compass-needle.
He has an angry wrenlike vigilance,
a greyhound's gently tautness;
he seems to wince at pleasure,
and suffocate for privacy.
He is out of bounds now. He rejoices in man's lovely,
peculiar power to choose life and die--
when he leads his black soldiers to death,
he cannot bend his back.
On a thousand small town New England greens,
the old white churches hold their air
of sparse, sincere rebellion; frayed flags
quilt the graveyards of the Grand Army of the Republic.
The stone statues of the abstract Union Soldier
grow slimmer and younger each year--
wasp-waisted, they doze over muskets
and muse through their sideburns . . .
Shaw's father wanted no monument
except the ditch,
where his son's body was thrown
and lost with his "niggers."
The ditch is nearer.
There are no statues for the last war here;
on Boylston Street, a commercial photograph
shows Hiroshima boiling
over a Mosler Safe, the "Rock of Ages"
that survived the blast. Space is nearer.
When I crouch to my television set,
the drained faces of ***** school-children rise like balloons.
Colonel Shaw
is riding on his bubble,
he waits
for the bless?d break.
The Aquarium is gone. Everywhere,
giant finned cars nose forward like fish;
a savage servility
slides by on grease.
|
Written by
Robert William Service |
Brave Thackeray has trolled of days when he was twenty-one,
And bounded up five flights of stairs, a gallant garreteer;
And yet again in mellow vein when youth was gaily run,
Has dipped his nose in Gascon wine, and told of Forty Year.
But if I worthy were to sing a richer, rarer time,
I'd tune my pipes before the fire and merrily I'd strive
To praise that age when prose again has given way to rhyme,
The Indian Summer days of life when I'll be Sixty-five;
For then my work will all be done, my voyaging be past,
And I'll have earned the right to rest where folding hills are green;
So in some glassy anchorage I'll make my cable fast, --
Oh, let the seas show all their teeth, I'll sit and smile serene.
The storm may bellow round the roof, I'll bide beside the fire,
And many a scene of sail and trail within the flame I'll see;
For I'll have worn away the spur of passion and desire. . . .
Oh yes, when I am Sixty-five, what peace will come to me.
I'll take my breakfast in my bed, I'll rise at half-past ten,
When all the world is nicely groomed and full of golden song;
I'll smoke a bit and joke a bit, and read the news, and then
I'll potter round my peach-trees till I hear the luncheon gong.
And after that I think I'll doze an hour, well, maybe two,
And then I'll show some kindred soul how well my roses thrive;
I'll do the things I never yet have found the time to do. . . .
Oh, won't I be the busy man when I am Sixty-five.
I'll revel in my library; I'll read De Morgan's books;
I'll grow so garrulous I fear you'll write me down a bore;
I'll watch the ways of ants and bees in quiet sunny nooks,
I'll understand Creation as I never did before.
When gossips round the tea-cups talk I'll listen to it all;
On smiling days some kindly friend will take me for a drive:
I'll own a shaggy collie dog that dashes to my call:
I'll celebrate my second youth when I am Sixty-five.
Ah, though I've twenty years to go, I see myself quite plain,
A wrinkling, twinkling, rosy-cheeked, benevolent old chap;
I think I'll wear a tartan shawl and lean upon a cane.
I hope that I'll have silver hair beneath a velvet cap.
I see my little grandchildren a-romping round my knee;
So gay the scene, I almost wish 'twould hasten to arrive.
Let others sing of Youth and Spring, still will it seem to me
The golden time's the olden time, some time round Sixty-five.
|
Written by
Du Fu |
Fu (this) duke old guest Finish wine drunk sing open gold halberd Ride horse suddenly remember youth time Scatter hoof pour fall Qutang stone Baidicheng gate water cloud outside Lower body straight down eight thousand feet Whitewashed battlements lightning pass purple loose reins East gain level ridge out heaven cliff River village country hall fight enter eye Hang whip droop bridle approach purple road Always hoary head startle 10,000 people Self count on red face ability ride shoot How know burst chest chase wind foot Red sweat chariot horse black horse like spurt jade Not expect one stumble end injure Human life happy much that shame Must now sad lie quilt pillow Situation now late dusk increase bother demand Well know come ask hide my face Stick pigweed strong rise lean servant Speech end still manage open mouth smile Guide support go sweep clear stream bend Wine meat like mountain again one time Start feast sad silk move brave bamboo Together point west sun not together lend Noisy sigh then tip cup in filtered Why must hurry horse come to ask You not know Xi Kang life nourish meet kill I, Du Fu, the duke's elderly guest, Finished my wine, drunkenly sang, and waved a golden halberd. I mounted my horse and suddenly remembered the days of my youth, The flying hooves sent stones pouring down into Qutang gorge. Baidicheng's city gates are beyond the water's clouds, Bending over, I plunged straight down eight thousand feet. Whitewashed battlements passed like lightning, the purple reins were loose, Then east, I reached the level ridge, out past heaven's cliff. River villages and country halls vied to enter my eyes, The whip hung down, the bridle drooped, I reached the crimson road. All the ten thousand people amazed by my silver head, I trusted to the riding and shooting skills of my rosy-cheeked youth. How could I know that bursting its chest, hooves chasing the wind, That racing horse, red with sweat, breathing spurts of jade, Would unexpectedly take a tumble and end up injuring me? In human life, taking pleasure often leads to shame. That's why I'm feeling sad, lying on quilts and pillows, Being in the sunset of my life only adds to the bother. When I knew you'd come to visit, I wanted to hide my face, With a bramble stick I manage to rise, leaning on a servant. Then, after we've finished talking, we open our mouths and laugh, Giving me support, you help to sweep by the clear stream's bend. Wine and meat are piled up like mountains once again, The feast starts: sad strings and brave bamboo sound out. Together, we point to the western sun, not to be granted us long, Noise and exclamations, then we tip the cup of clear wine. Why did you have to hurry your horses, coming to ask after me? Don't you remember Xi Kang, who nourished life and got killed?
|
Written by
Claude McKay |
Far down, down through the city's great, gaunt gut,
The gray train rushing bears the weary wind;
In the packed cars the fans the crowd's breath cut,
Leaving the sick and heavy air behind.
And pale-cheeked children seek the upper door
To give their summer jackets to the breeze;
Their laugh is swallowed in the deafening roar
Of captive wind that moans for fields and seas;
Seas cooling warm where native schooners drift
Through sleepy waters, while gulls wheel and sweep,
Waiting for windy waves the keels to lift
Lightly among the islands of the deep;
Islands of lofty palm trees blooming white
That lend their perfume to the tropic sea,
Where fields lie idle in the dew drenched night,
And the Trades float above them fresh and free.
|
Written by
Algernon Charles Swinburne |
CHORUS
If with voice of words or prayers thy sons may reach thee,
We thy latter sons, the men thine after-birth,
We the children of thy grey-grown age, O Earth,
O our mother everlasting, we beseech thee,
By the sealed and secret ages of thy life;
By the darkness wherein grew thy sacred forces;
By the songs of stars thy sisters in their courses;
By thine own song hoarse and hollow and shrill with strife;
By thy voice distuned and marred of modulation;
By the discord of thy measure's march with theirs;
By the beauties of thy bosom, and the cares;
By thy glory of growth, and splendour of thy station;
By the shame of men thy children, and the pride;
By the pale-cheeked hope that sleeps and weeps and passes,
As the grey dew from the morning mountain-grasses;
By the white-lipped sightless memories that abide;
By the silence and the sound of many sorrows;
By the joys that leapt up living and fell dead;
By the veil that hides thy hands and breasts and head,
Wrought of divers-coloured days and nights and morrows;
Isis, thou that knowest of God what worlds are worth,
Thou the ghost of God, the mother uncreated,
Soul for whom the floating forceless ages waited
As our forceless fancies wait on thee, O Earth;
Thou the body and soul, the father-God and mother,
If at all it move thee, knowing of all things done
Here where evil things and good things are not one,
But their faces are as fire against each other;
By thy morning and thine evening, night and day;
By the first white light that stirs and strives and hovers
As a bird above the brood her bosom covers,
By the sweet last star that takes the westward way;
By the night whose feet are shod with snow or thunder,
Fledged with plumes of storm, or soundless as the dew;
By the vesture bound of many-folded blue
Round her breathless breasts, and all the woven wonder;
By the golden-growing eastern stream of sea;
By the sounds of sunrise moving in the mountains;
By the forces of the floods and unsealed fountains;
Thou that badest man be born, bid man be free.
GREECE
I am she that made thee lovely with my beauty
From north to south:
Mine, the fairest lips, took first the fire of duty
From thine own mouth.
Mine, the fairest eyes, sought first thy laws and knew them
Truths undefiled;
Mine, the fairest hands, took freedom first into them,
A weanling child.
By my light, now he lies sleeping, seen above him
Where none sees other;
By my dead that loved and living men that love him;
(Cho.) Hear us, O mother.
ITALY
I am she that was the light of thee enkindled
When Greece grew dim;
She whose life grew up with man's free life, and dwindled
With wane of him.
She that once by sword and once by word imperial
Struck bright thy gloom;
And a third time, casting off these years funereal,
Shall burst thy tomb.
By that bond 'twixt thee and me whereat affrighted
Thy tyrants fear us;
By that hope and this remembrance reunited;
(Cho.) O mother, hear us.
SPAIN
I am she that set my seal upon the nameless
West worlds of seas;
And my sons as brides took unto them the tameless
Hesperides.
Till my sins and sons through sinless lands dispersed,
With red flame shod,
Made accurst the name of man, and thrice accursed
The name of God.
Lest for those past fires the fires of my repentance
Hell's fume yet smother,
Now my blood would buy remission of my sentence;
(Cho.) Hear us, O mother.
FRANCE
I am she that was thy sign and standard-bearer,
Thy voice and cry;
She that washed thee with her blood and left thee fairer,
The same was I.
Were not these the hands that raised thee fallen and fed thee,
These hands defiled?
Was not I thy tongue that spake, thine eye that led thee,
Not I thy child?
By the darkness on our dreams, and the dead errors
Of dead times near us;
By the hopes that hang around thee, and the terrors;
(Cho.) O mother, hear us.
RUSSIA
I am she whose hands are strong and her eyes blinded
And lips athirst
Till upon the night of nations many-minded
One bright day burst:
Till the myriad stars be molten into one light,
And that light thine;
Till the soul of man be parcel of the sunlight,
And thine of mine.
By the snows that blanch not him nor cleanse from slaughter
Who slays his brother;
By the stains and by the chains on me thy daughter;
(Cho.) Hear us, O mother.
SWITZERLAND
I am she that shews on mighty limbs and maiden
Nor chain nor stain;
For what blood can touch these hands with gold unladen,
These feet what chain?
By the surf of spears one shieldless bosom breasted
And was my shield,
Till the plume-plucked Austrian vulture-heads twin-crested
Twice drenched the field;
By the snows and souls untrampled and untroubled
That shine to cheer us,
Light of those to these responsive and redoubled;
(Cho.) O mother, hear us.
GERMANY
I am she beside whose forest-hidden fountains
Slept freedom armed,
By the magic born to music in my mountains
Heart-chained and charmed.
By those days the very dream whereof delivers
My soul from wrong;
By the sounds that make of all my ringing rivers
None knows what song;
By the many tribes and names of my division
One from another;
By the single eye of sun-compelling vision;
(Cho.) Hear us, O mother.
ENGLAND
I am she that was and was not of thy chosen,
Free, and not free;
She that fed thy springs, till now her springs are frozen;
Yet I am she.
By the sea that clothed and sun that saw me splendid
And fame that crowned,
By the song-fires and the sword-fires mixed and blended
That robed me round;
By the star that Milton's soul for Shelley's lighted,
Whose rays insphere us;
By the beacon-bright Republic far-off sighted;
(Cho.) O mother, hear us.
CHORUS
Turn away from us the cross-blown blasts of error,
That drown each other;
Turn away the fearful cry, the loud-tongued terror,
O Earth, O mother.
Turn away their eyes who track, their hearts who follow,
The pathless past;
Shew the soul of man, as summer shews the swallow,
The way at last.
By the sloth of men that all too long endure men
On man to tread;
By the cry of men, the bitter cry of poor men
That faint for bread;
By the blood-sweat of the people in the garden
Inwalled of kings;
By his passion interceding for their pardon
Who do these things;
By the sightless souls and fleshless limbs that labour
For not their fruit;
By the foodless mouth with foodless heart for neighbour,
That, mad, is mute;
By the child that famine eats as worms the blossom
--Ah God, the child!
By the milkless lips that strain the bloodless bosom
Till woe runs wild;
By the pastures that give grass to feed the lamb in,
Where men lack meat;
By the cities clad with gold and shame and famine;
By field and street;
By the people, by the poor man, by the master
That men call slave;
By the cross-winds of defeat and of disaster,
By wreck, by wave;
By the helm that keeps us still to sunwards driving,
Still eastward bound,
Till, as night-watch ends, day burn on eyes reviving,
And land be found:
We thy children, that arraign not nor impeach thee
Though no star steer us,
By the waves that wash the morning we beseech thee,
O mother, hear us.
|
Written by
Jonas Mekas |
I do not know, whether the sun
accomplished it,
the rain or wind –
but I was missing so
the whiteness and the snow.
I listened to the rustling
of spring rain,
washing the reddish buds
of chestnut-trees, –
and a tiny spring ran down
into the valley from the hill –
and I was missing
the whiteness
and the snow.
And in the yards, and on the slopes
red-cheeked
village maidens
hung up the washings
blown over by the wind
and, leaning,
stared a long while
at the yellow tufts of sallow:
For love is like the wind,
And love is like the water –
it warms up with the spring,
and freezes over – in the autumn.
But to me, I don't know why,
whether the sun
accomplished it,
the rain or wind –
but I was missing so
the whiteness and the snow.
I know – the wind
will blow and blow the washings,
and the rain
will wash and wash the chestnut-trees, –
but love, which melted with
the snow –
will not return.
Deep below the snow sleep
words and feelings:
for today, watching
the dance of rain between the door –
the rain of spring! –
I saw another:
she walked by in the rain,
and beautiful she was,
and smiled:
For love is like the wind,
and love is like the water –
it warms up with the spring
and freezes over – in the autumn,
though to me, I don't know why,
whether the sun
accomplished it,
the rain or wind –
but I was missing so
the whiteness and the snow.
Translated by Clark Mills
|
Written by
Omar Khayyam |
Like tulips in the Spring your cups lift up,
And, with a tulip-cheeked companion, sup
With joy your wine, or e'er this azure wheel
With some unlooked-for blast upset your cup.
|
Written by
Stephen Crane |
The impact of a dollar upon the heart
Smiles warm red light,
Sweeping from the hearth rosily upon the white table,
With the hanging cool velvet shadows
Moving softly upon the door.
The impact of a million dollars
Is a crash of flunkeys,
And yawning emblems of Persia
Cheeked against oak, France and a sabre,
The outcry of old beauty
Whored by pimping merchants
To submission before wine and chatter.
Silly rich peasants stamp the carpets of men,
Dead men who dreamed fragrance and light
Into their woof, their lives;
The rug of an honest bear
Under the feet of a cryptic slave
Who speaks always of baubles,
Forgetting state, multitude, work, and state,
Champing and mouthing of hats,
Making ratful squeak of hats,
Hats.
|
Written by
Jane Kenyon |
Christ has been done to death
in the cold reaches of northern Europe
a thousand thousand times.
Suddenly bread
and cheese appear on a plate
beside a gleaming pewter beaker of beer.
Now tell me that the Holy Ghost
does not reside in the play of light
on cutlery!
A Woman makes lace,
with a moist-eyed spaniel lying
at her small shapely feet.
Even the maid with the chamber pot
is here; the naughty, red-cheeked girl. . . .
And the merchant's wife, still
in her yellow dressing gown
at noon, dips her quill into India ink
with an air of cautious pleasure.
|
Written by
Paul Muldoon |
He opens the scullery door, and a sudden rush
of wind, as raw as raw,
brushes past him as he himself will brush
past the stacks of straw
that stood in earlier for Crow
or Comanche tepees hung with scalps
but tonight past muster, row upon row,
for the foothills of the Alps.
He opens the door of the peeling-shed
just as one of the apple-peelers
(one of almost a score
of red-cheeked men who pare
and core
the red-cheeked apples for a few spare
shillings) mutters something about "bloodshed"
and the "peelers."
The red-cheeked men put down their knives
at one and the same
moment. All but his father, who somehow connives
to close one eye as if taking aim
or holding back a tear,
and shoots him a glance
he might take, as it whizzes past his ear,
for a Crow, or a Comanche, lance
hurled through the Tilley-lit
gloom of the peeling-shed,
when he hears what must be an apple split
above his head.
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