10 Best Famous Chattering Poems

Here is a collection of the top 10 all-time best famous Chattering poems. This is a select list of the best famous Chattering poetry. Reading, writing, and enjoying famous Chattering poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of chattering poems.

• All Famous Chattering Poems

 Love the quick profit, the annual raise,
vacation with pay. Want more 
of everything ready-made. Be afraid 
to know your neighbors and to die.

And you will have a window in your head. 
Not even your future will be a mystery 
any more. Your mind will be punched in a card 
and shut away in a little drawer. 

When they want you to buy something 
they will call you. When they want you 
to die for profit they will let you know. 
So, friends, every day do something 
that won't compute. Love the Lord. 
Love the world. Work for nothing. 
Take all that you have and be poor. 
Love someone who does not deserve it. 

Denounce the government and embrace 
the flag. Hope to live in that free 
republic for which it stands. 
Give your approval to all you cannot
understand. Praise ignorance, for what man 
has not encountered he has not destroyed. 

Ask the questions that have no answers. 
Invest in the millenium. Plant sequoias. 
Say that your main crop is the forest 
that you did not plant, 
that you will not live to harvest. 

Say that the leaves are harvested 
when they have rotted into the mold.
Call that profit. Prophesy such returns. 
Put your faith in the two inches of humus 
that will build under the trees 
every thousand years. 

Listen to carrion -- put your ear 
close, and hear the faint chattering 
of the songs that are to come. 
Expect the end of the world. Laugh. 
Laughter is immeasurable. Be joyful 
though you have considered all the facts. 
So long as women do not go cheap 
for power, please women more than men. 

Ask yourself: Will this satisfy 
a woman satisfied to bear a child? 
Will this disturb the sleep 
of a woman near to giving birth? 

Go with your love to the fields. 
Lie down in the shade. Rest your head 
in her lap. Swear allegiance 
to what is nighest your thoughts. 

As soon as the generals and the politicos 
can predict the motions of your mind, 
lose it. Leave it as a sign 
to mark the false trail, the way 
you didn't go. 

Be like the fox 
who makes more tracks than necessary, 
some in the wrong direction. 
Practice resurrection.

 I

Time present and time past
Are both perhaps present in time future,
And time future contained in time past.
If all time is eternally present
All time is unredeemable.
What might have been is an abstraction
Remaining a perpetual possibility
Only in a world of speculation.
What might have been and what has been
Point to one end, which is always present.
Footfalls echo in the memory
Down the passage which we did not take
Towards the door we never opened
Into the rose-garden. My words echo
Thus, in your mind.
 But to what purpose
Disturbing the dust on a bowl of rose-leaves
I do not know.
 Other echoes
Inhabit the garden. Shall we follow?
Quick, said the bird, find them, find them,
Round the corner. Through the first gate,
Into our first world, shall we follow
The deception of the thrush? Into our first world.
There they were, dignified, invisible,
Moving without pressure, over the dead leaves,
In the autumn heat, through the vibrant air,
And the bird called, in response to
The unheard music hidden in the shrubbery,
And the unseen eyebeam crossed, for the roses
Had the look of flowers that are looked at.
There they were as our guests, accepted and accepting.
So we moved, and they, in a formal pattern,
Along the empty alley, into the box circle,
To look down into the drained pool.
Dry the pool, dry concrete, brown edged,
And the pool was filled with water out of sunlight,
And the lotos rose, quietly, quietly,
The surface glittered out of heart of light,
And they were behind us, reflected in the pool.
Then a cloud passed, and the pool was empty.
Go, said the bird, for the leaves were full of children,
Hidden excitedly, containing laughter.
Go, go, go, said the bird: human kind
Cannot bear very much reality.
Time past and time future
What might have been and what has been
Point to one end, which is always present.


II

Garlic and sapphires in the mud
Clot the bedded axle-tree.
The trilling wire in the blood
Sings below inveterate scars
Appeasing long forgotten wars.
The dance along the artery
The circulation of the lymph
Are figured in the drift of stars
Ascend to summer in the tree
We move above the moving tree
In light upon the figured leaf
And hear upon the sodden floor
Below, the boarhound and the boar
Pursue their pattern as before
But reconciled among the stars.

At the still point of the turning world. Neither flesh nor fleshless;
Neither from nor towards; at the still point, there the dance is,
But neither arrest nor movement. And do not call it fixity,
Where past and future are gathered. Neither movement from nor towards,
Neither ascent nor decline. Except for the point, the still point,
There would be no dance, and there is only the dance.
I can only say, there we have been: but I cannot say where.
And I cannot say, how long, for that is to place it in time.
The inner freedom from the practical desire,
The release from action and suffering, release from the inner
And the outer compulsion, yet surrounded
By a grace of sense, a white light still and moving,
Erhebung without motion, concentration
Without elimination, both a new world
And the old made explicit, understood
In the completion of its partial ecstasy,
The resolution of its partial horror.
Yet the enchainment of past and future
Woven in the weakness of the changing body,
Protects mankind from heaven and damnation
Which flesh cannot endure.
 Time past and time future
Allow but a little consciousness.
To be conscious is not to be in time
But only in time can the moment in the rose-garden,
The moment in the arbour where the rain beat,
The moment in the draughty church at smokefall
Be remembered; involved with past and future.
Only through time time is conquered.


III

Here is a place of disaffection
Time before and time after
In a dim light: neither daylight
Investing form with lucid stillness
Turning shadow into transient beauty
With slow rotation suggesting permanence
Nor darkness to purify the soul
Emptying the sensual with deprivation
Cleansing affection from the temporal.
Neither plenitude nor vacancy. Only a flicker
Over the strained time-ridden faces
Distracted from distraction by distraction
Filled with fancies and empty of meaning
Tumid apathy with no concentration
Men and bits of paper, whirled by the cold wind
That blows before and after time,
Wind in and out of unwholesome lungs
Time before and time after.
Eructation of unhealthy souls
Into the faded air, the torpid
Driven on the wind that sweeps the gloomy hills of London,
Hampstead and Clerkenwell, Campden and Putney,
Highgate, Primrose and Ludgate. Not here
Not here the darkness, in this twittering world.

Descend lower, descend only
Into the world of perpetual solitude,
World not world, but that which is not world,
Internal darkness, deprivation
And destitution of all property,
Desiccation of the world of sense,
Evacuation of the world of fancy,
Inoperancy of the world of spirit;
This is the one way, and the other
Is the same, not in movement
But abstention from movement; while the world moves
In appetency, on its metalled ways
Of time past and time future.


IV

Time and the bell have buried the day,
The black cloud carries the sun away.
Will the sunflower turn to us, will the clematis
Stray down, bend to us; tendril and spray
Clutch and cling?

 Chill
Fingers of yew be curled
Down on us? After the kingfisher's wing
Has answered light to light, and is silent, the light is still
At the still point of the turning world.


V

Words move, music moves
Only in time; but that which is only living
Can only die. Words, after speech, reach
Into the silence. Only by the form, the pattern,
Can words or music reach
The stillness, as a Chinese jar still
Moves perpetually in its stillness.
Not the stillness of the violin, while the note lasts,
Not that only, but the co-existence,
Or say that the end precedes the beginning,
And the end and the beginning were always there
Before the beginning and after the end.
And all is always now. Words strain,
Crack and sometimes break, under the burden,
Under the tension, slip, slide, perish,
Decay with imprecision, will not stay in place,
Will not stay still. Shrieking voices
Scolding, mocking, or merely chattering,
Always assail them. The Word in the desert
Is most attacked by voices of temptation,
The crying shadow in the funeral dance,
The loud lament of the disconsolate chimera.

 The detail of the pattern is movement,
As in the figure of the ten stairs.
Desire itself is movement
Not in itself desirable;
Love is itself unmoving,
Only the cause and end of movement,
Timeless, and undesiring
Except in the aspect of time
Caught in the form of limitation
Between un-being and being.
Sudden in a shaft of sunlight
Even while the dust moves
There rises the hidden laughter
Of children in the foliage
Quick now, here, now, always—
Ridiculous the waste sad time
Stretching before and after.

 Chattering finch and water-fly 
Are not merrier than I; 
Here among the flowers I lie 
Laughing everlastingly. 
No; I may not tell the best; 
Surely, friends, I might have guessed 
Death was but the good King's jest, 
It was hid so carefully.

 Chaos ruled OK in the classroom
as bravely the teacher walked in
the nooligans ignored him
hid voice was lost in the din

"The theme for today is violence
and homework will be set
I'm going to teach you a lesson
one that you'll never forget"

He picked on a boy who was shouting
and throttled him then and there
then garrotted the girl behind him
(the one with grotty hair)

Then sword in hand he hacked his way
between the chattering rows
"First come, first severed" he declared
"fingers, feet or toes"

He threw the sword at a latecomer
it struck with deadly aim
then pulling out a shotgun
he continued with his game

The first blast cleared the backrow
(where those who skive hang out)
they collapsed like rubber dinghies
when the plug's pulled out

"Please may I leave the room sir?"
a trembling vandal enquired
"Of course you may" said teacher
put the gun to his temple and fired

The Head popped a head round the doorway
to see why a din was being made
nodded understandingly
then tossed in a grenade

And when the ammo was well spent
with blood on every chair
Silence shuffled forward
with its hands up in the air

The teacher surveyed the carnage
the dying and the dead
He waggled a finger severely
"Now let that be a lesson" he said

 I know a country laced with roads,
They join the hills and they span the brooks,
They weave like a shuttle between broad fields,
And slide discreetly through hidden nooks.
They are canopied like a Persian dome
And carpeted with orient dyes.
They are myriad-voiced, and musical,
And scented with happiest memories.
O Winding roads that I know so well,
Every twist and turn, every hollow and hill!
They are set in my heart to a pulsing tune
Gay as a honey-bee humming in June.
'T is the rhythmic beat of a horse's feet
And the pattering paws of a sheep-dog *****;
'T is the creaking trees, and the singing breeze,
And the rustle of leaves in the road-side ditch.
A cow in a meadow shakes her bell
And the notes cut sharp through the autumn air,
Each chattering brook bears a fleet of leaves
Their cargo the rainbow, and just now where
The sun splashed bright on the road ahead
A startled rabbit quivered and fled.
O Uphill roads and roads that dip down!
You curl your sun-spattered length along,
And your march is beaten into a song
By the softly ringing hoofs of a horse
And the panting breath of the dogs I love.
The pageant of Autumn follows its course
And the blue sky of Autumn laughs above.
And the song and the country become as one,
I see it as music, I hear it as light;
Prismatic and shimmering, trembling to tone,
The land of desire, my soul's delight.
And always it beats in my listening ears
With the gentle thud of a horse's stride,
With the swift-falling steps of many dogs,
Following, following at my side.
O Roads that journey to fairyland!
Radiant highways whose vistas gleam,
Leading me on, under crimson leaves,
To the opaline gates of the Castles of Dream.

 Sing, O Song of Hiawatha,
Of the happy days that followed,
In the land of the Ojibways,
In the pleasant land and peaceful!
Sing the mysteries of Mondamin,
Sing the Blessing of the Cornfields!
Buried was the bloody hatchet,
Buried was the dreadful war-club,
Buried were all warlike weapons,
And the war-cry was forgotten.
There was peace among the nations;
Unmolested roved the hunters,
Built the birch canoe for sailing,
Caught the fish in lake and river,
Shot the deer and trapped the beaver;
Unmolested worked the women,
Made their sugar from the maple,
Gathered wild rice in the meadows,
Dressed the skins of deer and beaver.
All around the happy village
Stood the maize-fields, green and shining,
Waved the green plumes of Mondamin,
Waved his soft and sunny tresses,
Filling all the land with plenty.
`T was the women who in Spring-time
Planted the broad fields and fruitful,
Buried in the earth Mondamin;
`T was the women who in Autumn
Stripped the yellow husks of harvest,
Stripped the garments from Mondamin,
Even as Hiawatha taught them.
Once, when all the maize was planted,
Hiawatha, wise and thoughtful,
Spake and said to Minnehaha,
To his wife, the Laughing Water:
"You shall bless to-night the cornfields,
Draw a magic circle round them,
To protect them from destruction,
Blast of mildew, blight of insect,
Wagemin, the thief of cornfields,
Paimosaid, who steals the maize-ear
"In the night, when all Is silence,'
In the night, when all Is darkness,
When the Spirit of Sleep, Nepahwin,
Shuts the doors of all the wigwams,
So that not an ear can hear you,
So that not an eye can see you,
Rise up from your bed in silence,
Lay aside your garments wholly,
Walk around the fields you planted,
Round the borders of the cornfields,
Covered by your tresses only,
Robed with darkness as a garment.
"Thus the fields shall be more fruitful,
And the passing of your footsteps
Draw a magic circle round them,
So that neither blight nor mildew,
Neither burrowing worm nor insect,
Shall pass o'er the magic circle;
Not the dragon-fly, Kwo-ne-she,
Nor the spider, Subbekashe,
Nor the grasshopper, Pah-puk-keena;
Nor the mighty caterpillar,
Way-muk-kwana, with the bear-skin,
King of all the caterpillars!"
On the tree-tops near the cornfields
Sat the hungry crows and ravens,
Kahgahgee, the King of Ravens,
With his band of black marauders.
And they laughed at Hiawatha,
Till the tree-tops shook with laughter,
With their melancholy laughter,
At the words of Hiawatha.
"Hear him!" said they; "hear the Wise Man,
Hear the plots of Hiawatha!"
When the noiseless night descended
Broad and dark o'er field and forest,
When the mournful Wawonaissa
Sorrowing sang among the hemlocks,
And the Spirit of Sleep, Nepahwin,
Shut the doors of all the wigwams,
From her bed rose Laughing Water,
Laid aside her garments wholly,
And with darkness clothed and guarded,
Unashamed and unaffrighted,
Walked securely round the cornfields,
Drew the sacred, magic circle
Of her footprints round the cornfields.
No one but the Midnight only
Saw her beauty in the darkness,
No one but the Wawonaissa
Heard the panting of her bosom
Guskewau, the darkness, wrapped her
Closely in his sacred mantle,
So that none might see her beauty,
So that none might boast, "I saw her!"
On the morrow, as the day dawned,
Kahgahgee, the King of Ravens,
Gathered all his black marauders,
Crows and blackbirds, jays and ravens,
Clamorous on the dusky tree-tops,
And descended, fast and fearless,
On the fields of Hiawatha,
On the grave of the Mondamin.
"We will drag Mondamin," said they,
"From the grave where he is buried,
Spite of all the magic circles
Laughing Water draws around it,
Spite of all the sacred footprints
Minnehaha stamps upon it!"
But the wary Hiawatha,
Ever thoughtful, careful, watchful,
Had o'erheard the scornful laughter
When they mocked him from the tree-tops.
"Kaw!" he said, "my friends the ravens!
Kahgahgee, my King of Ravens!
I will teach you all a lesson
That shall not be soon forgotten!"
He had risen before the daybreak,
He had spread o'er all the cornfields
Snares to catch the black marauders,
And was lying now in ambush
In the neighboring grove of pine-trees,
Waiting for the crows and blackbirds,
Waiting for the jays and ravens.
Soon they came with caw and clamor,
Rush of wings and cry of voices,
To their work of devastation,
Settling down upon the cornfields,
Delving deep with beak and talon,
For the body of Mondamin.
And with all their craft and cunning,
All their skill in wiles of warfare,
They perceived no danger near them,
Till their claws became entangled,
Till they found themselves imprisoned
In the snares of Hiawatha.
From his place of ambush came he,
Striding terrible among them,
And so awful was his aspect
That the bravest quailed with terror.
Without mercy he destroyed them
Right and left, by tens and twenties,
And their wretched, lifeless bodies
Hung aloft on poles for scarecrows
Round the consecrated cornfields,
As a signal of his vengeance,
As a warning to marauders.
Only Kahgahgee, the leader,
Kahgahgee, the King of Ravens,
He alone was spared among them
As a hostage for his people.
With his prisoner-string he bound him,
Led him captive to his wigwam,
Tied him fast with cords of elm-bark
To the ridge-pole of his wigwam.
"Kahgahgee, my raven!" said he,
"You the leader of the robbers,
You the plotter of this mischief,
The contriver of this outrage,
I will keep you, I will hold you,
As a hostage for your people,
As a pledge of good behavior!"
And he left him, grim and sulky,
Sitting in the morning sunshine
On the summit of the wigwam,
Croaking fiercely his displeasure,
Flapping his great sable pinions,
Vainly struggling for his freedom,
Vainly calling on his people!
Summer passed, and Shawondasee
Breathed his sighs o'er all the landscape,
From the South-land sent his ardor,
Wafted kisses warm and tender;
And the maize-field grew and ripened,
Till it stood in all the splendor
Of its garments green and yellow,
Of its tassels and its plumage,
And the maize-ears full and shining
Gleamed from bursting sheaths of verdure.
Then Nokomis, the old woman,
Spake, and said to Minnehaha:
`T is the Moon when, leaves are falling;
All the wild rice has been gathered,
And the maize is ripe and ready;
Let us gather in the harvest,
Let us wrestle with Mondamin,
Strip him of his plumes and tassels,
Of his garments green and yellow!"
And the merry Laughing Water
Went rejoicing from the wigwam,
With Nokomis, old and wrinkled,
And they called the women round them,
Called the young men and the maidens,
To the harvest of the cornfields,
To the husking of the maize-ear.
On the border of the forest,
Underneath the fragrant pine-trees,
Sat the old men and the warriors
Smoking in the pleasant shadow.
In uninterrupted silence
Looked they at the gamesome labor
Of the young men and the women;
Listened to their noisy talking,
To their laughter and their singing,
Heard them chattering like the magpies,
Heard them laughing like the blue-jays,
Heard them singing like the robins.
And whene'er some lucky maiden
Found a red ear in the husking,
Found a maize-ear red as blood is,
"Nushka!" cried they all together,
"Nushka! you shall have a sweetheart,
You shall have a handsome husband!"
"Ugh!" the old men all responded
From their seats beneath the pine-trees.
And whene'er a youth or maiden
Found a crooked ear in husking,
Found a maize-ear in the husking
Blighted, mildewed, or misshapen,
Then they laughed and sang together,
Crept and limped about the cornfields,
Mimicked in their gait and gestures
Some old man, bent almost double,
Singing singly or together:
"Wagemin, the thief of cornfields!
Paimosaid, who steals the maize-ear!"
Till the cornfields rang with laughter,
Till from Hiawatha's wigwam
Kahgahgee, the King of Ravens,
Screamed and quivered in his anger,
And from all the neighboring tree-tops
Cawed and croaked the black marauders.
"Ugh!" the old men all responded,
From their seats beneath the pine-trees!

 Although you have given me a stomach upset,
Weak knees, a lurching heart, a fuzzy brain,
A high-pitched laugh, a monumental phone bill,
A feeling of unworthiness, sharp pain
When you are somewhere else, a guilty conscience,
A longing, and a dread of what’s in store,
A pulse rate for the Guinness Book of Records -
Life now is better than it was before.

Although you have given me a raging temper,
Insomnia, a rising sense of panic,
A hopeless challenge, bouts of introspection,
Raw, bitten nails, a voice that’s strangely manic,
A selfish streak, a fear of isolation,
A silly smile, lips that are chapped and sore,
A running joke, a risk, an inspiration –
Life now is better than it was before.

Although you have given me a premonition,
Chattering teeth, a goal, a lot to lose,
A granted wish, mixed motives, superstitions,
Hang-ups and headaches, fear of awful news,
A bubble in my throat, a dare to swallow,
A crack of light under a closing door,
The crude, fantastic prospect of forever –
Life now is better that it was before.

All round the knoll, on days of quietest air,
Secrets are being told; and if the trees
Speak out — let them make uproar loud as drums —
'Tis secrets still, shouted instead of whisper'd.

There must have been a warning given once:
No tree, on pain of withering and sawfly,
To reach the slimmest of his snaky toes
Into this mounded sward and rumple it;
All trees stand back: taboo is on this soil. —

The trees have always scrupulously obeyed.
The grass, that elsewhere grows as best it may
Under the larches, countable long nesh blades,
Here in clear sky pads the ground thick and close
As wool upon a Southdown wether's back;
And as in Southdown wool, your hand must sink
Up to the wrist before it find the roots.
A bed for summer afternoons, this grass;
But in the Spring, not too softly entangling
For lively feet to dance on, when the green
Flashes with daffodils. From Marcle way,
From Dymock, Kempley, Newent, Bromesberrow,
Redmarley, all the meadowland daffodils seem
Running in golden tides to Ryton Firs,
To make the knot of steep little wooded hills
Their brightest show: O bella età de l'oro!
Now I breathe you again, my woods of Ryton:
Not only golden with your daffodil-fires
Lying in pools on the loose dusky ground
Beneath the larches, tumbling in broad rivers
Down sloping grass under the cherry trees
And birches: but among your branches clinging
A mist of that Ferrara-gold I first
Loved in the easy hours then green with you;
And as I stroll about you now, I have
Accompanying me — like troops of lads and lasses
Chattering and dancing in a shining fortune —
Those mornings when your alleys of long light
And your brown rosin-scented shadows were
Enchanted with the laughter of my boys.

 TO get betimes in Boston town, I rose this morning early; 
Here’s a good place at the corner—I must stand and see the show. 

Clear the way there, Jonathan! 
Way for the President’s marshal! Way for the government cannon! 
Way for the Federal foot and dragoons—and the apparitions copiously tumbling.

I love to look on the stars and stripes—I hope the fifes will play Yankee Doodle. 

How bright shine the cutlasses of the foremost troops! 
Every man holds his revolver, marching stiff through Boston town. 

A fog follows—antiques of the same come limping, 
Some appear wooden-legged, and some appear bandaged and bloodless.

Why this is indeed a show! It has called the dead out of the earth! 
The old grave-yards of the hills have hurried to see! 
Phantoms! phantoms countless by flank and rear! 
Cock’d hats of mothy mould! crutches made of mist! 
Arms in slings! old men leaning on young men’s shoulders!

What troubles you, Yankee phantoms? What is all this chattering of bare gums? 
Does the ague convulse your limbs? Do you mistake your crutches for fire-locks, and level
 them?


If you blind your eyes with tears, you will not see the President’s marshal; 
If you groan such groans, you might balk the government cannon. 

For shame, old maniacs! Bring down those toss’d arms, and let your white hair be;
Here gape your great grand-sons—their wives gaze at them from the windows, 
See how well dress’d—see how orderly they conduct themselves. 

Worse and worse! Can’t you stand it? Are you retreating? 
Is this hour with the living too dead for you? 

Retreat then! Pell-mell!
To your graves! Back! back to the hills, old limpers! 
I do not think you belong here, anyhow. 

But there is one thing that belongs here—shall I tell you what it is, gentlemen of
 Boston?

I will whisper it to the Mayor—he shall send a committee to England; 
They shall get a grant from the Parliament, go with a cart to the royal vault—haste!

Dig out King George’s coffin, unwrap him quick from the grave-clothes, box up his
 bones
 for a
 journey; 
Find a swift Yankee clipper—here is freight for you, black-bellied clipper, 
Up with your anchor! shake out your sails! steer straight toward Boston bay. 

Now call for the President’s marshal again, bring out the government cannon, 
Fetch home the roarers from Congress, make another procession, guard it with foot and
 dragoons.

This centre-piece for them: 
Look! all orderly citizens—look from the windows, women! 

The committee open the box, set up the regal ribs, glue those that will not stay, 
Clap the skull on top of the ribs, and clap a crown on top of the skull. 

You have got your revenge, old buster! The crown is come to its own, and more than its
 own.

Stick your hands in your pockets, Jonathan—you are a made man from this day; 
You are mighty cute—and here is one of your bargains.

 "You ought to have seen what I saw on my way 
To the village, through Mortenson's pasture to-day: 
Blueberries as big as the end of your thumb, 
Real sky-blue, and heavy, and ready to drum 
In the cavernous pail of the first one to come! 
And all ripe together, not some of them green 
And some of them ripe! You ought to have seen!" 
"I don't know what part of the pasture you mean." 
"You know where they cut off the woods--let me see-- 
It was two years ago--or no!--can it be 
No longer than that?--and the following fall 
The fire ran and burned it all up but the wall." 
"Why, there hasn't been time for the bushes to grow. 
That's always the way with the blueberries, though: 
There may not have been the ghost of a sign 
Of them anywhere under the shade of the pine, 
But get the pine out of the way, you may burn 
The pasture all over until not a fern 
Or grass-blade is left, not to mention a stick, 
And presto, they're up all around you as thick 
And hard to explain as a conjuror's trick." 
"It must be on charcoal they fatten their fruit. 
I taste in them sometimes the flavour of soot. 
And after all really they're ebony skinned: 
The blue's but a mist from the breath of the wind, 
A tarnish that goes at a touch of the hand, 
And less than the tan with which pickers are tanned." 
"Does Mortenson know what he has, do you think?" 
"He may and not care and so leave the chewink 
To gather them for him--you know what he is. 
He won't make the fact that they're rightfully his 
An excuse for keeping us other folk out." 
"I wonder you didn't see Loren about." 
"The best of it was that I did. Do you know, 
I was just getting through what the field had to show 
And over the wall and into the road, 
When who should come by, with a democrat-load 
Of all the young chattering Lorens alive, 
But Loren, the fatherly, out for a drive." 
"He saw you, then? What did he do? Did he frown?" 
"He just kept nodding his head up and down. 
You know how politely he always goes by. 
But he thought a big thought--I could tell by his eye-- 
Which being expressed, might be this in effect: 
'I have left those there berries, I shrewdly suspect, 
To ripen too long. I am greatly to blame.'" 
"He's a thriftier person than some I could name." 
"He seems to be thrifty; and hasn't he need, 
With the mouths of all those young Lorens to feed? 
He has brought them all up on wild berries, they say, 
Like birds. They store a great many away. 
They eat them the year round, and those they don't eat 
They sell in the store and buy shoes for their feet." 
"Who cares what they say? It's a nice way to live, 
Just taking what Nature is willing to give, 
Not forcing her hand with harrow and plow." 
"I wish you had seen his perpetual bow-- 
And the air of the youngsters! Not one of them turned, 
And they looked so solemn-absurdly concerned." 
"I wish I knew half what the flock of them know 
Of where all the berries and other things grow, 
Cranberries in bogs and raspberries on top 
Of the boulder-strewn mountain, and when they will crop. 
I met them one day and each had a flower 
Stuck into his berries as fresh as a shower; 
Some strange kind--they told me it hadn't a name." 
"I've told you how once not long after we came, 
I almost provoked poor Loren to mirth 
By going to him of all people on earth 
To ask if he knew any fruit to be had 
For the picking. The rascal, he said he'd be glad 
To tell if he knew. But the year had been bad. 
There had been some berries--but those were all gone. 
He didn't say where they had been. He went on: 
'I'm sure--I'm sure'--as polite as could be. 
He spoke to his wife in the door, 'Let me see, 
Mame, we don't know any good berrying place?' 
It was all he could do to keep a straight face. 
"If he thinks all the fruit that grows wild is for him, 
He'll find he's mistaken. See here, for a whim, 
We'll pick in the Mortensons' pasture this year. 
We'll go in the morning, that is, if it's clear, 
And the sun shines out warm: the vines must be wet. 
It's so long since I picked I almost forget 
How we used to pick berries: we took one look round, 
Then sank out of sight like trolls underground, 
And saw nothing more of each other, or heard, 
Unless when you said I was keeping a bird 
Away from its nest, and I said it was you. 
'Well, one of us is.' For complaining it flew 
Around and around us. And then for a while 
We picked, till I feared you had wandered a mile, 
And I thought I had lost you. I lifted a shout 
Too loud for the distance you were, it turned out, 
For when you made answer, your voice was as low 
As talking--you stood up beside me, you know." 
"We sha'n't have the place to ourselves to enjoy-- 
Not likely, when all the young Lorens deploy. 
They'll be there to-morrow, or even to-night. 
They won't be too friendly--they may be polite-- 
To people they look on as having no right 
To pick where they're picking. But we won't complain. 
You ought to have seen how it looked in the rain, 
The fruit mixed with water in layers of leaves, 
Like two kinds of jewels, a vision for thieves."