10 Best Famous Certificates Poems

Here is a collection of the top 10 all-time best famous Certificates poems. This is a select list of the best famous Certificates poetry. Reading, writing, and enjoying famous Certificates poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of certificates poems.

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Marginalia

by Barry Tebb
 Here is a silence I had not hoped for

This side of paradise, I am an old believer

In nature’s bounty as God’s grace

To us poor mortals, fretting and fuming

At frustrated lust or the scent of fame 

Coming too late to make a difference

Blue with white vertebrae of cloud forms

Riming the spectrum of green dark of poplars

Lined like soldiers, paler the hue of hawthorn 

With the heather beginning to bud blue

Before September purple, yellow ragwort

Sways in the wind as distantly a plane hums

And a lazy bee bumbles by.

A day in Brenda’s flat, mostly play with Eydie,

My favourite of her seven cats, they soothe better

Than Diazepan for panic

Seroxat for grief

Zopiclone to make me sleep.

I smoke my pipe and sip blackcurrant tea

Aware of the ticking clock: I have to be back

To talk to my son’s key nurse when she comes on

For the night shift. Always there are things to sort,

Misapprehensions to untangle, delusions to decipher,

Lies to expose, statistics to disclose, Trust Boards

And team meetings to attend, ‘Mental Health Monthly’

To peruse, funds for my press to raise – the only one 

I ever got will leave me out of pocket.

A couple sat on the next bench

Are earnestly discussing child custody, broken marriages,

Failed affairs, social service interventions – 

Even here I cannot escape complexity

"I should never have slept with her once we split" 

"The kids are what matters when it comes to the bottom line"

"Is he poisoning their minds against me?" 


Part of me nags to offer help but I’ve too much

On already and the clock keeps ticking.

"It’s a pity she won’t turn round and clip his ear"

But better not to interfere. Damn my bloody superego

Nattering like an old woman or Daisy nagging 

About my pipe and my loud voice on buses –

No doubt she’s right – smoking’s not good 

And hearing about psychosis, medication and end-on-sections

Isn’t what people are on buses for.



I long for a girl in summer, pubescent

With a twinkle in her eye to come and say

"Come on, let’s do it!" 

I was always shy in adolescence, too busy reading Baudelaire

To find a decent whore and learn to score

And now I’m probably impotent with depression

So I’d better forget sex and read more of Andr? Green

On metaphor from Hegel to Lacan and how the colloquium

At Bonneval changed analytic history, a mystery

I’ll not unravel if I live to ninety.

Ignorance isn’t bliss, I know enough to talk the piss

From jumped-up SHO’s and locums who’d miss vital side effects

And think all’s needed is a mother’s kiss.



I’ll wait till the heather’s purple and bring nail scissors

To cut and suture neatly and renew my stocks

Of moor momentoes vased in unsunny Surrey.

Can you believe it? Some arseholes letting off fireworks 

On the moor? Suburban excesses spread like the sores

Of syphilis and more regulations in a decade of Blair

Than in the century before.

"Shop your neighbours. Prove it. Bring birth certificates to A&E

If you want NHS treatment free. Be careful not to bleed to death

While finding the certificate. Blunkett wants us all to have ID

Photo cards, genetic codes, DNA database, eye scans, the lot – 

And kiss good-bye to the last bits of freedom we’ve got"

"At the end of the day she shopped me and all I’d done

Was take a few pound from the till ’cos Jenny was ill

And I didn’t have thirteen quid to get the bloody prescription done" 

To-morrow I’ll be back in the Great Wen,

Two days of manic catching up and then

Thistledown, wild wheat, a dozen kinds of grass,

The mass of beckoning hills I’d love to make

A poet’s map of but never will.

"Oh to break loose" Lowell’s magic lines

Entice me still but slimy Fenton had to have his will

And slate it in the NYB, arguing that panetone

Isn’t tin foil as Lowell thought. James you are a dreadful bore,

A pedantic creep like hundreds more, five A4 pages

Of sniping and nit-picking for how many greenbacks?

A thousand or two I’d guess, they couldn’t pay you less

For churning out such a king-size mess

But not even you can spoil this afternoon

Of watching Haworth heather bloom.

Goody for Our Side and Your Side Too

by Ogden Nash
 Foreigners are people somewhere else,
Natives are people at home;
If the place you’re at
Is your habitat,
You’re a foreigner, say in Rome.
But the scales of Justice balance true,
And tit leads into tat,
So the man who’s at home
When he stays in Rome
Is abroad when he’s where you’re at.

When we leave the limits of the land in which
Our birth certificates sat us,
It does not mean
Just a change of scene,
But also a change of status.
The Frenchman with his fetching beard,
The Scot with his kilt and sporran,
One moment he
May a native be,
And the next may find him foreign.

There’s many a difference quickly found
Between the different races,
But the only essential
Differential
Is living different places.
Yet such is the pride of prideful man,
From Austrians to Australians,
That wherever he is,
He regards as his,
And the natives there, as aliens.

Oh, I’ll be friends if you’ll be friends,
The foreigner tells the native,
And we’ll work together for our common ends
Like a preposition and a dative.
If our common ends seem mostly mine,
Why not, you ignorant foreigner?
And the native replies
Contrariwise;
And hence, my dears, the coroner.

So mind your manners when a native, please,
And doubly when you visit
And between us all
A rapport may fall
Ecstatically exquisite.
One simple thought, if you have it pat,
Will eliminate the coroner:
You may be a native in your habitat,
But to foreigners you’re just a foreigner.

You Can Have It

by Philip Levine
 My brother comes home from work 
and climbs the stairs to our room. 
I can hear the bed groan and his shoes drop 
one by one. You can have it, he says. 

The moonlight streams in the window 
and his unshaven face is whitened 
like the face of the moon. He will sleep 
long after noon and waken to find me gone. 

Thirty years will pass before I remember 
that moment when suddenly I knew each man 
has one brother who dies when he sleeps 
and sleeps when he rises to face this life, 

and that together they are only one man 
sharing a heart that always labours, hands 
yellowed and cracked, a mouth that gasps 
for breath and asks, Am I gonna make it? 

All night at the ice plant he had fed 
the chute its silvery blocks, and then I 
stacked cases of orange soda for the children 
of Kentucky, one gray boxcar at a time 

with always two more waiting. We were twenty 
for such a short time and always in 
the wrong clothes, crusted with dirt 
and sweat. I think now we were never twenty. 

In 1948 the city of Detroit, founded 
by de la Mothe Cadillac for the distant purposes 
of Henry Ford, no one wakened or died, 
no one walked the streets or stoked a furnace, 

for there was no such year, and now 
that year has fallen off all the old newspapers, 
calendars, doctors' appointments, bonds 
wedding certificates, drivers licenses. 

The city slept. The snow turned to ice. 
The ice to standing pools or rivers 
racing in the gutters. Then the bright grass rose 
between the thousands of cracked squares, 

and that grass died. I give you back 1948. 
I give you all the years from then 
to the coming one. Give me back the moon 
with its frail light falling across a face. 

Give me back my young brother, hard 
and furious, with wide shoulders and a curse 
for God and burning eyes that look upon 
all creation and say, You can have it.
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