Written by
Henry Wadsworth Longfellow |
INSCRIPTION FOR AN ANTIQUE PITCHER
Come, old friend! sit down and listen!
From the pitcher, placed between us,
How the waters laugh and glisten
In the head of old Silenus!
Old Silenus, bloated, drunken,
Led by his inebriate Satyrs;
On his breast his head is sunken,
Vacantly he leers and chatters.
Fauns with youthful Bacchus follow;
Ivy crowns that brow supernal
As the forehead of Apollo,
And possessing youth eternal.
Round about him, fair Bacchantes,
Bearing cymbals, flutes, and thyrses,
Wild from Naxian groves, or Zante's
Vineyards, sing delirious verses.
Thus he won, through all the nations,
Bloodless victories, and the farmer
Bore, as trophies and oblations,
Vines for banners, ploughs for armor.
Judged by no o'erzealous rigor,
Much this mystic throng expresses:
Bacchus was the type of vigor,
And Silenus of excesses.
These are ancient ethnic revels,
Of a faith long since forsaken;
Now the Satyrs, changed to devils,
Frighten mortals wine-o'ertaken.
Now to rivulets from the mountains
Point the rods of fortune-tellers;
Youth perpetual dwells in fountains,--
Not in flasks, and casks, and cellars.
Claudius, though he sang of flagons
And huge tankards filled with Rhenish,
From that fiery blood of dragons
Never would his own replenish.
Even Redi, though he chaunted
Bacchus in the Tuscan valleys,
Never drank the wine he vaunted
In his dithyrambic sallies.
Then with water fill the pitcher
Wreathed about with classic fables;
Ne'er Falernian threw a richer
Light upon Lucullus' tables.
Come, old friend, sit down and listen
As it passes thus between us,
How its wavelets laugh and glisten
In the head of old Silenus!
|
Written by
Mahmoud Darwish |
Here on the slopes of hills, facing the dusk and the cannon of time
Close to the gardens of broken shadows,
We do what prisoners do,
And what the jobless do:
We cultivate hope.
***
A country preparing for dawn.
We grow less intelligent
For we closely watch the hour of victory:
No night in our night lit up by the shelling
Our enemies are watchful and light the light for us
In the darkness of cellars.
***
Here there is no "I".
Here Adam remembers the dust of his clay.
***
On the verge of death, he says:
I have no trace left to lose:
Free I am so close to my liberty.
My future lies in my own hand.
Soon I shall penetrate my life,
I shall be born free and parentless,
And as my name I shall choose azure letters.
.
.
***
You who stand in the doorway, come in,
Drink Arabic coffee with us
And you will sense that you are men like us
You who stand in the doorways of houses
Come out of our morningtimes,
We shall feel reassured to be
Men like you!
***
When the planes disappear, the white, white doves
Fly off and wash the cheeks of heaven
With unbound wings taking radiance back again, taking possession
Of the ether and of play.
Higher, higher still, the white, white doves
Fly off.
Ah, if only the sky
Were real [a man passing between two bombs said to me].
***
Cypresses behind the soldiers, minarets protecting
The sky from collapse.
Behind the hedge of steel
Soldiers piss—under the watchful eye of a tank—
And the autumnal day ends its golden wandering in
A street as wide as a church after Sunday mass.
.
.
***
[To a killer] If you had contemplated the victim’s face
And thought it through, you would have remembered your mother in the
Gas chamber, you would have been freed from the reason for the rifle
And you would have changed your mind: this is not the way
to find one’s identity again.
***
The siege is a waiting period
Waiting on the tilted ladder in the middle of the storm.
***
Alone, we are alone as far down as the sediment
Were it not for the visits of the rainbows.
***
We have brothers behind this expanse.
Excellent brothers.
They love us.
They watch us and weep.
Then, in secret, they tell each other:
"Ah! if this siege had been declared.
.
.
" They do not finish their sentence:
"Don’t abandon us, don’t leave us.
"
***
Our losses: between two and eight martyrs each day.
And ten wounded.
And twenty homes.
And fifty olive trees.
.
.
Added to this the structural flaw that
Will arrive at the poem, the play, and the unfinished canvas.
***
A woman told the cloud: cover my beloved
For my clothing is drenched with his blood.
***
If you are not rain, my love
Be tree
Sated with fertility, be tree
If you are not tree, my love
Be stone
Saturated with humidity, be stone
If you are not stone, my love
Be moon
In the dream of the beloved woman, be moon
[So spoke a woman
to her son at his funeral]
***
Oh watchmen! Are you not weary
Of lying in wait for the light in our salt
And of the incandescence of the rose in our wound
Are you not weary, oh watchmen?
***
A little of this absolute and blue infinity
Would be enough
To lighten the burden of these times
And to cleanse the mire of this place.
***
It is up to the soul to come down from its mount
And on its silken feet walk
By my side, hand in hand, like two longtime
Friends who share the ancient bread
And the antique glass of wine
May we walk this road together
And then our days will take different directions:
I, beyond nature, which in turn
Will choose to squat on a high-up rock.
***
On my rubble the shadow grows green,
And the wolf is dozing on the skin of my goat
He dreams as I do, as the angel does
That life is here.
.
.
not over there.
***
In the state of siege, time becomes space
Transfixed in its eternity
In the state of siege, space becomes time
That has missed its yesterday and its tomorrow.
***
The martyr encircles me every time I live a new day
And questions me: Where were you? Take every word
You have given me back to the dictionaries
And relieve the sleepers from the echo’s buzz.
***
The martyr enlightens me: beyond the expanse
I did not look
For the virgins of immortality for I love life
On earth, amid fig trees and pines,
But I cannot reach it, and then, too, I took aim at it
With my last possession: the blood in the body of azure.
***
The martyr warned me: Do not believe their ululations
Believe my father when, weeping, he looks at my photograph
How did we trade roles, my son, how did you precede me.
I first, I the first one!
***
The martyr encircles me: my place and my crude furniture are all that I have changed.
I put a gazelle on my bed,
And a crescent of moon on my finger
To appease my sorrow.
***
The siege will last in order to convince us we must choose an enslavement that does no harm, in fullest liberty!
***
Resisting means assuring oneself of the heart’s health,
The health of the testicles and of your tenacious disease:
The disease of hope.
***
And in what remains of the dawn, I walk toward my exterior
And in what remains of the night, I hear the sound of footsteps inside me.
***
Greetings to the one who shares with me an attention to
The drunkenness of light, the light of the butterfly, in the
Blackness of this tunnel!
***
Greetings to the one who shares my glass with me
In the denseness of a night outflanking the two spaces:
Greetings to my apparition.
***
My friends are always preparing a farewell feast for me,
A soothing grave in the shade of oak trees
A marble epitaph of time
And always I anticipate them at the funeral:
Who then has died.
.
.
who?
***
Writing is a puppy biting nothingness
Writing wounds without a trace of blood.
***
Our cups of coffee.
Birds green trees
In the blue shade, the sun gambols from one wall
To another like a gazelle
The water in the clouds has the unlimited shape of what is left to us
Of the sky.
And other things of suspended memories
Reveal that this morning is powerful and splendid,
And that we are the guests of eternity.
|
Written by
Robinson Jeffers |
I have abhorred the wars and despised the liars, laughed at the frightened
And forecast victory; never one moment's doubt.
But now not far, over the backs of some crawling years, the next
Great war's column of dust and fire writhes
Up the sides of the sky: it becomes clear that we too may suffer
What others have, the brutal horror of defeat—
Or if not in the next, then in the next—therefore watch Germany
And read the future.
We wish, of course, that our women
Would die like biting rats in the cellars, our men like wolves on the mountain:
It will not be so.
Our men will curse, cringe, obey;
Our women uncover themselves to the grinning victors for bits of chocolate.
|
Written by
Johann Wolfgang von Goethe |
THERE was a wooer blithe and gay,
A son of France was he,--
Who in his arms for many a day,
As though his bride were she,
A poor young maiden had caress'd,
And fondly kiss'd, and fondly press'd,
And then at length deserted.
When this was told the nut-brown maid,
Her senses straightway fled;
She laugh'd and wept, and vow'd and pray'd,
And presently was dead.
The hour her soul its farewell took,
The boy was sad, with terror shook,
Then sprang upon his charger.
He drove his spurs into his side,
And scour'd the country round;
But wheresoever he might ride,
No rest for him was found.
For seven long days and nights he rode,
It storm'd, the waters overflow'd,
It bluster'd, lighten'd, thunder'd.
On rode he through the tempest's din,
Till he a building spied;
In search of shelter crept he in,
When he his steed had tied.
And as he groped his doubtful way,
The ground began to rock and sway,--
He fell a hundred fathoms.
When he recover'd from the blow,
He saw three lights pass by;
He sought in their pursuit to go,
The lights appear'd to fly.
They led his footsteps all astray,
Up, down, through many a narrow way
Through ruin'd desert cellars.
When lo! he stood within a hall,
With hollow eyes.
and grinning all;
They bade him taste the fare.
A hundred guests sat there.
He saw his sweetheart 'midst the throng,
Wrapp'd up in grave-clothes white and long;
She turn'd, and----*
1774.
(* This ballad is introduced in Act II.
of Claudine
of Villa Bella, where it is suddenly broken off, as it is here.
)
|
Written by
W S Merwin |
There were years when I knew
the flower in the red stone walls
now in the courtyard where I have returned with you
we drink the wine of visitors
the temperature of the cellars
dusk is welling
out of the dried blood of the masonry
no hour remains on the sundial
by now the owls of the tower corners
are waking on their keepers' fists
but it is still day
out in the air
and three falcons appear there
over the courtyard
no feathers on heads or breasts
and they fly down to us
to our wrists and between them
then hover and perch just above us
keeping us in sight
waiting
they are waiting for us
this time they will come with us
when we leave the island
tonight for the rest of our lives
|
Written by
Amy Lowell |
Slowly, without force, the rain drops into the
city.
It stops a moment
on the carved head of Saint John, then slides on again, slipping
and trickling
over his stone cloak.
It splashes from the lead conduit
of a gargoyle,
and falls from it in turmoil on the stones in the Cathedral square.
Where are the people, and why does the fretted steeple sweep about
in the sky?
Boom! The sound swings against the rain.
Boom,
again! After it, only water
rushing in the gutters, and the turmoil from the spout of the gargoyle.
Silence.
Ripples and mutters.
Boom!
The room is damp, but warm.
Little flashes swarm about
from the firelight.
The lustres of the chandelier are bright, and clusters of rubies
leap in the bohemian glasses on the `etagere'.
Her hands
are restless,
but the white masses of her hair are quite still.
Boom! Will
it never cease
to torture, this iteration! Boom! The vibration
shatters a glass
on the `etagere'.
It lies there, formless and glowing,
with all its crimson gleams shot out of pattern, spilled, flowing
red,
blood-red.
A thin bell-note pricks through the silence.
A
door creaks.
The old lady speaks: "Victor, clear away that broken
glass.
" "Alas!
Madame, the bohemian glass!" "Yes, Victor, one hundred
years ago
my father brought it --" Boom! The room shakes,
the servitor quakes.
Another goblet shivers and breaks.
Boom!
It rustles at the window-pane, the smooth, streaming rain, and he
is shut
within its clash and murmur.
Inside is his candle, his
table, his ink,
his pen, and his dreams.
He is thinking, and the walls
are pierced with
beams of sunshine, slipping through young green.
A fountain
tosses itself
up at the blue sky, and through the spattered water in the basin
he can see
copper carp, lazily floating among cold leaves.
A wind-harp
in a cedar-tree
grieves and whispers, and words blow into his brain, bubbled, iridescent,
shooting up like flowers of fire, higher and higher.
Boom!
The flame-flowers snap on their slender stems.
The fountain
rears up
in long broken spears of dishevelled water and flattens into the
earth.
Boom!
And there is only the room, the table, the candle, and the sliding
rain.
Again, Boom! -- Boom! -- Boom! He stuffs his fingers
into his ears.
He sees corpses, and cries out in fright.
Boom! It
is night,
and they are shelling the city! Boom! Boom!
A child wakes and is afraid, and weeps in the darkness.
What
has made
the bed shake? "Mother, where are you? I am
awake.
" "Hush, my Darling,
I am here.
" "But, Mother, something so ***** happened,
the room shook.
"
Boom! "Oh! What is it? What is
the matter?" Boom! "Where is Father?
I am so afraid.
" Boom! The child sobs and
shrieks.
The house
trembles and creaks.
Boom!
Retorts, globes, tubes, and phials lie shattered.
All
his trials
oozing across the floor.
The life that was his choosing,
lonely, urgent,
goaded by a hope, all gone.
A weary man in a ruined laboratory,
that is his story.
Boom! Gloom and ignorance,
and the jig of drunken brutes.
Diseases like snakes crawling over the earth, leaving trails of
slime.
Wails from people burying their dead.
Through the window,
he can see
the rocking steeple.
A ball of fire falls on the lead
of the roof,
and the sky tears apart on a spike of flame.
Up the spire,
behind the lacings of stone, zigzagging in and out of the carved
tracings,
squirms the fire.
It spouts like yellow wheat from the
gargoyles, coils round
the head of Saint John, and aureoles him in light.
It
leaps into the night
and hisses against the rain.
The Cathedral is a burning
stain on the white,
wet night.
Boom! The Cathedral is a torch, and the houses next to
it begin to scorch.
Boom! The bohemian glass on the `etagere' is no longer
there.
Boom! A stalk of flame sways against the red damask curtains.
The old lady cannot walk.
She watches the creeping stalk
and counts.
Boom! -- Boom! -- Boom!
The poet rushes into the street, and the rain wraps him in a sheet
of silver.
But it is threaded with gold and powdered with scarlet beads.
The
city burns.
Quivering, spearing, thrusting, lapping, streaming, run the flames.
Over roofs, and walls, and shops, and stalls.
Smearing
its gold on the sky,
the fire dances, lances itself through the doors, and lisps and
chuckles
along the floors.
The child wakes again and screams at the yellow petalled flower
flickering at the window.
The little red lips of flame
creep along
the ceiling beams.
The old man sits among his broken experiments and looks at
the burning Cathedral.
Now the streets are swarming with
people.
They seek shelter and crowd into the cellars.
They shout
and call,
and over all, slowly and without force, the rain drops into the
city.
Boom! And the steeple crashes down among the people.
Boom! Boom,
again!
The water rushes along the gutters.
The fire roars and
mutters.
Boom!
|
Written by
Louis Untermeyer |
"Old Jews!" Well, David, aren't we?
What news is that to make you see so red,
To swear and almost tear your beard in half?
Jeered at? Well, let them laugh.
You can laugh longer when you're dead.
What? Are you still too blind to see?
Have you forgot your Midrash!... They were right,
The little goyim, with their angry stones.
You should be buried in the desert out of sight
And not a dog should howl miscarried moans
Over your foul bones....
Have you forgotten what is promised us,
Because of stinking days and rotting nights?
Eternal feasting, drinking, blazing lights
With endless leisure, periods of play!
Supernal pleasures, myriads of gay
Discussions, great debates with prophet-kings!
And rings of riddling scholars all surrounding
God who sits in the very middle, expounding
The Torah.... Now your dull eyes glisten!
Listen:
It is the final Day.
A blast of Gabriel's horn has torn away
The last haze from our eyes, and we can see
Past the three hundred skies and gaze upon
The Ineffable Name engraved deep in the sun.
Now one by one, the pious and the just
Are seated by us, radiantly risen
From their dull prison in the dust.
And then the festival begins!
A sudden music spins great webs of sound
Spanning the ground, the stars and their companions;
While from the cliffs and cañons of blue air,
Prayers of all colors, cries of exultation
Rise into choruses of singing gold.
And at the height of this bright consecration,
The whole Creation's rolled before us.
The seven burning heavens unfold....
We see the first (the only one we know)
Dispersed and, shining through,
The other six declining: Those that hold
The stars and moons, together with all those
Containing rain and fire and sullen weather;
Cellars of dew-fall higher than the brim;
Huge arsenals with centuries of snows;
Infinite rows of storms and swarms of seraphim....
Divided now are winds and waters. Sea and land,
Tohu and Bohu, light and darkness, stand
Upright on either hand.
And down this terrible aisle,
While heaven's ranges roar aghast,
Pours a vast file of strange and hidden things:
Forbidden monsters, crocodiles with wings
And perfumed flesh that sings and glows
With more fresh colors than the rainbow knows....
The reëm, those great beasts with eighteen horns,
Who mate but once in seventy years and die
In their own tears which flow ten stadia high.
The shamir, made by God on the sixth morn,
No longer than a grain of barley corn
But stronger than the bull of Bashan and so hard
It cuts through diamonds. Meshed and starred
With precious stones, there struts the shattering ziz
Whose groans are wrinkled thunder....
For thrice three hundred years the full parade
Files past, a cavalcade of fear and wonder.
And then the vast aisle clears.
Now comes our constantly increased reward.
The Lord commands that monstrous beast,
Leviathan, to be our feast.
What cheers ascend from horde on ravenous horde!
One hears the towering creature rend the seas,
Frustrated, cowering, and his pleas ignored.
In vain his great, belated tears are poured—
For this he was created, kept and nursed.
Cries burst from all the millions that attend:
"Ascend, Leviathan, it is the end!
We hunger and we thirst! Ascend!" ...
Observe him first, my friend.
God's deathless plaything rolls an eye
Five hundred thousand cubits high.
The smallest scale upon his tail
Could hide six dolphins and a whale.
His nostrils breathe—and on the spot
The churning waves turn seething hot.
If he be hungry, one huge fin
Drives seven thousand fishes in;
And when he drinks what he may need,
The rivers of the earth recede.
Yet he is more than huge and strong—
Twelve brilliant colors play along
His sides until, compared to him,
The naked, burning sun seems dim.
New scintillating rays extend
Through endless singing space and rise
Into an ecstasy that cries:
"Ascend, Leviathan, ascend!"
God now commands the multi-colored bands
Of angels to intrude and slay the beast
That His good sons may have a feast of food.
But as they come, Leviathan sneezes twice ...
And, numb with sudden pangs, each arm hangs slack.
Black terror seizes them; blood freezes into ice
And every angel flees from the attack!
God, with a look that spells eternal law,
Compels them back.
But, though they fight and smite him tail and jaw,
Nothing avails; upon his scales their swords
Break like frayed cords or, like a blade of straw,
Bend towards the hilt and wilt like faded grass.
Defeat and fresh retreat.... But once again
God's murmurs pass among them and they mass
With firmer steps upon the crowded plain.
Vast clouds of spears and stones rise from the ground;
But every dart flies past and rocks rebound
To the disheartened angels falling around.
A pause.
The angel host withdraws
With empty boasts throughout its sullen files.
Suddenly God smiles....
On the walls of heaven a tumble of light is caught.
Low thunder rumbles like an afterthought;
And God's slow laughter calls:
"Behemot!"
Behemot, sweating blood,
Uses for his daily food
All the fodder, flesh and juice
That twelve tall mountains can produce.
Jordan, flooded to the brim,
Is a single gulp to him;
Two great streams from Paradise
Cool his lips and scarce suffice.
When he shifts from side to side
Earthquakes gape and open wide;
When a nightmare makes him snore,
All the dead volcanoes roar.
In the space between each toe,
Kingdoms rise and saviours go;
Epochs fall and causes die
In the lifting of his eye.
Wars and justice, love and death,
These are but his wasted breath;
Chews a planet for his cud—
Behemot sweating blood.
Roused from his unconcern,
Behemot burns with anger.
Dripping sleep and languor from his heavy haunches,
He turns from deep disdain and launches
Himself upon the thickening air,
And, with weird cries of sickening despair,
Flies at Leviathan.
None can surmise the struggle that ensues—
The eyes lose sight of it and words refuse
To tell the story in its gory might.
Night passes after night,
And still the fight continues, still the sparks
Fly from the iron sinews,... till the marks
Of fire and belching thunder fill the dark
And, almost torn asunder, one falls stark,
Hammering upon the other!...
What clamor now is born, what crashings rise!
Hot lightnings lash the skies and frightening cries
Clash with the hymns of saints and seraphim.
The bloody limbs thrash through a ruddy dusk,
Till one great tusk of Behemot has gored
Leviathan, restored to his full strength,
Who, dealing fiercer blows in those last throes,
Closes on reeling Behemot at length—
Piercing him with steel-pointed claws,
Straight through the jaws to his disjointed head.
And both lie dead.
Then come the angels!
With hoists and levers, joists and poles,
With knives and cleavers, ropes and saws,
Down the long slopes to the gaping maws,
The angels hasten; hacking and carving,
So nought will be lacking for the starving
Chosen of God, who in frozen wonderment
Realize now what the terrible thunder meant.
How their mouths water while they are looking
At miles of slaughter and sniffing the cooking!
Whiffs of delectable fragrance swim by;
Spice-laden vagrants that float and entice,
Tickling the throat and brimming the eye.
Ah! what rejoicing and crackling and roasting!
Ah! How the boys sing as, cackling and boasting,
The angels' old wives and their nervous assistants
Run in to serve us....
And while we are toasting
The Fairest of All, they call from the distance
The rare ones of Time, they share our enjoyment;
Their only employment to bear jars of wine
And shine like the stars in a circle of glory.
Here sways Rebekah accompanied by Zilpah;
Miriam plays to the singing of Bilhah;
Hagar has tales for us, Judith her story;
Esther exhales bright romances and musk.
There, in the dusky light, Salome dances.
Sara and Rachel and Leah and Ruth,
Fairer than ever and all in their youth,
Come at our call and go by our leave.
And, from her bower of beauty, walks Eve
While, with the voice of a flower, she sings
Of Eden, young earth and the birth of all things....
Peace without end.
Peace will descend on us, discord will cease;
And we, now so wretched, will lie stretched out
Free of old doubt, on our cushions of ease.
And, like a gold canopy over our bed,
The skin of Leviathan, tail-tip to head,
Soon will be spread till it covers the skies.
Light will still rise from it; millions of bright
Facets of brilliance, shaming the white
Glass of the moon, inflaming the night.
So Time shall pass and rest and pass again,
Burn with an endless zest and then return,
Walk at our side and tide us to new joys;
God's voice to guide us, beauty as our staff.
Thus shall Life be when Death has disappeared....
Jeered at? Well, let them laugh.
|
Written by
Edgar Lee Masters |
Reverend Wiley advised me not to divorce him
For the sake of the children,
And Judge Somers advised him the same.
So we stuck to the end of the path.
But two of the children thought he was right,
And two of the children thought I was right.
And the two who sided with him blamed me,
And the two who sided with me blamed him,
And they grieved for the one they sided with.
And all were torn with the guilt of judging,
And tortured in soul because they could not admire
Equally him and me.
Now every gardener knows that plants grown in cellars
Or under stones are twisted and yellow and weak.
And no mother would let her baby suck
Diseased milk from her breast.
Yet preachers and judges advise the raising of souls
Where there is no sunlight, but only twilight,
No warmth, but only dampness and cold --
Preachers and judges!
|
Written by
Anne Sexton |
Notice how he has numbered the blue veins
in my breast.
Moreover there are ten freckles.
Now he goes left.
Now he goes right.
He is buiding a city, a city of flesh.
He's an industrialist.
He has starved in cellars
and, ladies and gentlemen, he's been broken by iron,
by the blood, by the metal, by the triumphant
iron of his mother's death.
But he begins again.
Now he constructs me.
He is consumed by the city.
>From the glory of words he has built me up.
>From the wonder of concrete he has molded me.
He has given me six hundred street signs.
The time I was dancing he built a museum.
He built ten blocks when I moved on the bed.
He constructed an overpass when I left.
I gave him flowers and he built an airport.
For traffic lights he handed at red and green
lollipops.
Yet in my heart I am go children slow.
|
Written by
Percy Bysshe Shelley |
Men of England, wherefore plough
For the lords who lay ye low?
Wherefore weave with toil and care
The rich robes your tyrants wear?
Wherefore feed and clothe and save,
From the cradle to the grave,
Those ungrateful drones who would
Drain your sweat -- nay, drink your blood?
Wherefore, Bees of England, forge
Many a weapon, chain, and scourge,
That these stingless drones may spoil
The forced produce of your toil?
Have ye leisure, comfort, calm,
Shelter, food, love's gentle balm?
Or what is it ye buy so dear
With your pain and with your fear?
The seed ye sow another reaps;
The wealth ye find another keeps;
The robes ye weave another wears;
The arms ye forge another bears.
Sow seed, -- but let no tyrant reap;
Find wealth, -- let no imposter heap;
Weave robes, -- let not the idle wear;
Forge arms, in your defence to bear.
Shrink to your cellars, holes, and cells;
In halls ye deck another dwells.
Why shake the chains ye wrought? Ye see
The steel ye tempered glance on ye.
With plough and spade and hoe and loom,
Trace your grave, and build your tomb,
And weave your winding-sheet, till fair
England be your sepulchre!
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