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Best Famous Catherine Poems

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Written by Catherine Anderson | Create an image from this poem

Before Sleep

 I was in love with anatomy
the symmetry of my body
poised for flight,
the heights it would take
over parents, lovers, a keen
riding over truth and detail.
I thought growing up would be
this rising from everything
old and earthly,
not these faltering steps out the door
every day, then back again.


Written by Sir John Suckling | Create an image from this poem

A Ballad upon a Wedding

 I tell thee, Dick, where I have been, 
Where I the rarest things have seen, 
O, things without compare! 
Such sights again cannot be found 
In any place on English ground, 
Be it at wake or fair.

At Charing Cross, hard by the way 
Where we, thou know'st, do sell our hay, 
There is a house with stairs; 
And there did I see coming down 
Such folks as are not in our town, 
Forty at least, in pairs.

Amongst the rest, one pest'lent fine 
(His beard no bigger, though, than thine) 
Walked on before the rest: 
Our landlord looks like nothing to him; 
The King (God bless him!) 'twould undo him, 
Should he go still so dressed.

At course-a-park, without all doubt, 
He should have first been taken out 
By all the maids i' th' town: 
Though lusty Roger there had been, 
Or little George upon the Green, 
Or Vincent of the Crown.

But wot you what? the youth was going 
To make an end of all his wooing; 
The Parson for him stayed. 
Yet, by his leave, for all his haste, 
He did not so much wish all past, 
Perchance, as did the maid.

The maid (and thereby hangs a tale), 
For such a maid no Whitsun-ale 
Could ever yet produce; 
No grape that's kindly ripe could be 
So round, so plump, so soft, as she, 
Nor half so full of juice!

Her finger was so small the ring 
Would not stay on, which they did bring; 
It was too wide a peck: 
And to say truth (for out it must), 
It looked like a great collar (just) 
About our young colt's neck.

Her feet beneath her petticoat, 
Like little mice, stole in and out, 
As if they feared the light: 
But oh! she dances such a way, 
No sun upon an Easter Day 
Is half so fine a sight!

He would have kissed her once or twice, 
But she would not, she was so nice, 
She would not do 't in sight: 
And then she looked as who should say 
"I will do what I list today, 
And you shall do 't at night."

Her cheeks so rare a white was on, 
No daisy makes comparison, 
(Who sees them is undone), 
For streaks of red were mingled there, 
Such as are on a Catherine pear, 
(The side that's next the sun).

Her lips were red, and one was thin 
Compared to that was next her chin, - 
(Some bee had stung it newly); 
But, Dick, her eyes so guard her face, 
I durst no more upon them gaze 
Than on the sun in July.

Her mouth so small, when she does speak 
Thou'dst swear her teeth her words did break, 
That they might passage get; 
But she so handled still the matter, 
They came as good as ours, or better, 
And are not spent a whit.

If wishing should be any sin, 
The Parson himself had guilty been, 
(She looked that day so purely); 
And, did the youth so oft the feat 
At night, as some did in conceit, 
It would have spoiled him surely.

Just in the nick, the cook knocked thrice, 
And all the waiters in a trice 
His summons did obey. 
Each servingman, with dish in hand, 
Marched boldly up, like our trained band, 
Presented, and away.

When all the meat was on the table, 
What man of knife or teeth was able 
To stay to be entreated? 
And this the very reason was, 
Before the parson could say grace, 
The company was seated.

The business of the kitchen's great, 
For it is fit that man should eat; 
Nor was it there denied. 
Passion o' me, how I run on! 
There's that that would be thought upon, 
I trow, besides the bride.

Now hats fly off, and youths carouse, 
Healths first go round, and then the house: 
The bride's came thick and thick; 
And when 'twas named another's health, 
Perhaps he made it hers by stealth. 
And who could help it, Dick?

O' th' sudden, up they rise and dance; 
Then sit again and sigh and glance; 
Then dance again and kiss. 
Thus several ways the time did pass, 
Whilst every woman wished her place, 
And every man wished his!

By this time all were stolen aside 
To counsel and undress the bride; 
But that he must not know; 
And yet 'twas thought he guessed her mind, 
And did not mean to stay behind 
Above an hour or so.

When in he came, Dick, there she lay 
Like new-fallen snow melting away 
('Twas time, I trow, to part). 
Kisses were now the only stay, 
Which soon she gave, as one would say, 
"God-be-with-ye, with all my heart."

But, just as Heavens would have, to cross it, 
In came the bridesmaids with the posset: 
The bridegroom ate in spite; 
For, had he left the women to 't, 
It would have cost two hours to do 't, 
Which were too much that night.

At length the candle's out, and now 
All that they had not done they do; 
What that is, who can tell? 
But I believe it was no more 
Than thou and I have done before 
With Bridget and with Nell.
Written by Erin Belieu | Create an image from this poem

For Catherine: Juana Infanta of Navarre

 Ferdinand was systematic when
he drove his daughter mad.

With a Casanova's careful art,
he moved slowly,
stole only one child at a time
through tunnels specially dug
behind the walls of her royal
chamber, then paid the Duenna
well to remember nothing
but his appreciation.

Imagine how quietly
the servants must have worked,

loosening the dirt, the muffled
ring of pick-ends against
the castle stone. The Duenna,
one eye gauging the drugged girl's
sleep, each night handing over
another light parcel, another
small body vanished
through the mouth of a hole.

Once you were a daughter, too,
then a wife and now the mother
of a baby with a Spanish name.

Paloma, you call her, little dove;
she sleeps in a room beyond you.

Your husband, too, works late,
drinks too much at night, comes
home lit, wanting sex and dinner.
You feign sleep, shrunk
in the corner of the queen-sized bed.

You've confessed, you can't feel things
when they touch you;

take Prozac for depression, Ativan
for the buzz. Drunk, you call your father
who doesn't want to claim
a ha!fsand-niggergrandkid.
He says he never loved your mother.

No one remembers Juana; almost
everything's forgotten in time,

and if I tell her story,
it's only when guessing
what she loved, what she dreamed
about, the lost details of a life
that barely survives history.

God and Latin, I suppose, what she loved.
And dreams of mice pouring out
from a hole. The Duenna, in spite
of her black, widow's veil, leaning
to kiss her, saying Juana, don't listen...
Written by Vernon Scannell | Create an image from this poem

A City Remembered

 Unlovely city, to which few tourists come
With squinting cameras and alien hats;
Left under a cloud by those who love the sun
And can afford to marry – a cloud of bits
Of soot more myriad than gnats, a cloud
Of smoke and rain, an insubstantial threat
Whose colour is the pigment of long wrath,
I think of you, surprised to find my blood
Warmed by a wry desire, a kind of love.
I see the trams, like galleons at night,
Go rocking with their golden cargo down
The iron hills; then hearing that bold din
My other senses frolic at a fête
Of phantom guests – the smells of fish and chips,
Laborious smoke, stale beer and autumn gusts,
The whispering shadows and the winking hips,
The crack of frosty whips, brief summer"s dust.
And in that city through a forked November
Love, like a Catherine-wheel, delighted me
And when it sputtered out, hung charred and sombre,
The city flavoured my delicious misery.
And so I guess that any landscape"s beauty
Is fathered by associative joys
Held in a shared, historic memory,
For beauty is the shape of our desires.
My northern city, then, by many called
Ugly or worse, much like an aged nurse
Tender yet stern who taught one how to walk,
Is dear to me, and it will always have
A desolate enchantment that I"ll love.
Written by Amy Lowell | Create an image from this poem

Spring Day

 Bath
The day is fresh-washed and fair, and there is 
a smell of tulips and narcissus
in the air.
The sunshine pours in at the bath-room window and 
bores through the water
in the bath-tub in lathes and planes of greenish-white. It 
cleaves the water
into flaws like a jewel, and cracks it to bright light.
Little spots of sunshine lie on the surface of 
the water and dance, dance,
and their reflections wobble deliciously over the ceiling; a stir 
of my finger
sets them whirring, reeling. I move a foot, and the planes 
of light
in the water jar. I lie back and laugh, and let the green-white 
water,
the sun-flawed beryl water, flow over me. The day is 
almost
too bright to bear, the green water covers me from the too bright 
day.
I will lie here awhile and play with the water and the sun spots.
The sky is blue and high. A crow flaps 
by the window, and there is
a whiff of tulips and narcissus in the air.

Breakfast Table
In the fresh-washed sunlight, the breakfast table 
is decked and white.
It offers itself in flat surrender, tendering tastes, and smells,
and colours, and metals, and grains, and the white cloth falls over 
its side,
draped and wide. Wheels of white glitter in the silver 
coffee-pot,
hot and spinning like catherine-wheels, they whirl, and twirl -- 
and my eyes
begin to smart, the little white, dazzling wheels prick them like 
darts.
Placid and peaceful, the rolls of bread spread themselves in the 
sun to bask.
A stack of butter-pats, pyramidal, shout orange through the white, 
scream,
flutter, call: "Yellow! Yellow! Yellow!" Coffee 
steam rises in a stream,
clouds the silver tea-service with mist, and twists up into the 
sunlight,
revolved, involuted, suspiring higher and higher, fluting in a thin 
spiral
up the high blue sky. A crow flies by and croaks at the 
coffee steam.
The day is new and fair with good smells in the air.

Walk
Over the street the white clouds meet, and sheer 
away without touching.
On the sidewalks, boys are playing marbles. Glass 
marbles,
with amber and blue hearts, roll together and part with a sweet
clashing noise. The boys strike them with black and red 
striped agates.
The glass marbles spit crimson when they are hit, and slip into 
the gutters
under rushing brown water. I smell tulips and narcissus 
in the air,
but there are no flowers anywhere, only white dust whipping up the 
street,
and a girl with a gay Spring hat and blowing skirts. The 
dust and the wind
flirt at her ankles and her neat, high-heeled patent leather shoes. Tap, 
tap,
the little heels pat the pavement, and the wind rustles among the 
flowers
on her hat.
A water-cart crawls slowly on the other side of 
the way. It is green and gay
with new paint, and rumbles contentedly, sprinkling clear water 
over
the white dust. Clear zigzagging water, which smells 
of tulips and narcissus.
The thickening branches make a pink `grisaille' 
against the blue sky.
Whoop! The clouds go dashing at each 
other and sheer away just in time.
Whoop! And a man's hat careers down the street in front 
of the white dust,
leaps into the branches of a tree, veers away and trundles ahead 
of the wind,
jarring the sunlight into spokes of rose-colour and green.
A motor-car cuts a swathe through the bright air, 
sharp-beaked, irresistible,
shouting to the wind to make way. A glare of dust and 
sunshine
tosses together behind it, and settles down. The sky 
is quiet and high,
and the morning is fair with fresh-washed air.

Midday and Afternoon
Swirl of crowded streets. Shock and 
recoil of traffic. The stock-still
brick facade of an old church, against which the waves of people
lurch and withdraw. Flare of sunshine down side-streets. Eddies 
of light
in the windows of chemists' shops, with their blue, gold, purple 
jars,
darting colours far into the crowd. Loud bangs and tremors,
murmurings out of high windows, whirring of machine belts,
blurring of horses and motors. A quick spin and shudder 
of brakes
on an electric car, and the jar of a church-bell knocking against
the metal blue of the sky. I am a piece of the town, 
a bit of blown dust,
thrust along with the crowd. Proud to feel the pavement 
under me,
reeling with feet. Feet tripping, skipping, lagging, 
dragging,
plodding doggedly, or springing up and advancing on firm elastic 
insteps.
A boy is selling papers, I smell them clean and new from the press.
They are fresh like the air, and pungent as tulips and narcissus.
The blue sky pales to lemon, and great tongues 
of gold blind the shop-windows,
putting out their contents in a flood of flame.

Night and Sleep
The day takes her ease in slippered yellow. Electric 
signs gleam out
along the shop fronts, following each other. They grow, 
and grow,
and blow into patterns of fire-flowers as the sky fades. Trades 
scream
in spots of light at the unruffled night. Twinkle, jab, 
snap, that means
a new play; and over the way: plop, drop, quiver, is 
the sidelong
sliver of a watchmaker's sign with its length on another street.
A gigantic mug of beer effervesces to the atmosphere over a tall 
building,
but the sky is high and has her own stars, why should she heed ours?
I leave the city with speed. Wheels 
whirl to take me back to my trees
and my quietness. The breeze which blows with me is fresh-washed 
and clean,
it has come but recently from the high sky. There are 
no flowers
in bloom yet, but the earth of my garden smells of tulips and narcissus.
My room is tranquil and friendly. Out 
of the window I can see
the distant city, a band of twinkling gems, little flower-heads 
with no stems.
I cannot see the beer-glass, nor the letters of the restaurants 
and shops
I passed, now the signs blur and all together make the city,
glowing on a night of fine weather, like a garden stirring and blowing
for the Spring.
The night is fresh-washed and fair and there is 
a whiff of flowers in the air.
Wrap me close, sheets of lavender. Pour 
your blue and purple dreams
into my ears. The breeze whispers at the shutters and 
mutters
***** tales of old days, and cobbled streets, and youths leaping 
their horses
down marble stairways. Pale blue lavender, you are the 
colour of the sky
when it is fresh-washed and fair . . . I smell the stars . . . they 
are like
tulips and narcissus . . . I smell them in the air.


Written by Andrew Barton Paterson | Create an image from this poem

The Wargeilah Handicap

 Wargeilah town is very small, 
There's no cathedral nor a club, 
In fact the township, all in all, 
Is just one unpretentious pub; 
And there, from all the stations round, 
The local sportsmen can be found. 

The sportsmen of Wargeilah-side 
Are very few but very fit; 
There's scarcely any sport been tried 
But they can hold their own at it; 
In fact, to search their records o'er, 
They hold their own and something more. 

The precincts of Wargeilah town 
An English new-chum did infest: 
He used to wander up and down 
In baggy English breeches drest; 
His mental aspect seemed to be 
Just stolid self-sufficiency. 

The local sportsmen vainly sought 
His tranquil calm to counteract 
By urging that he should be brought 
Within the Noxious Creatures Act. 
"Nay, harm him not," said one more wise, 
"He is a blessing in disguise! 

"You see, he wants to buy a horse, 
To ride, and hunt, and steeplechase, 
And carry ladies, too, of course, 
And pull a cart, and win a race. 
Good gracious! he must be a flat 
To think he'll get a horse like that! 

"But, since he has so little sense 
And such a lot of cash to burn, 
We'll sell him some experience 
By which alone a fool can learn. 
Suppose we let him have The Trap 
To win Wargeilah Handicap!" 

And her, I must explain to you 
That round about Wargeilah run 
There lived a very aged screw 
Whose days of brilliancy were done. 
A grand old warrior in his prime -- 
But age will beat us any time. 

A trooper's horse in seasons past 
He did his share to keep the peace, 
But took to falling, and at last 
Was cast for age from the Police. 
A publican at Conroy's Gap 
Bought him and christened him The Trap. 

When grass was good and horses dear, 
He changed his owner now and then 
At prices ranging somewhere near 
The neighbourhood of two-pound-ten: 
And manfully he earned his keep 
By yarding cows and ration sheep. 

They brought him in from off the grass 
And fed and groomed the old horse up; 
His coat began to shine like glass -- 
You'd think he'd win the Melbourne Cup. 
And when they'd got him fat and flash 
They asked the new chum -- fifty -- cash! 

And when he said the price was high, 
Their indignation knew no bounds. 
They said, "It's seldom you can buy 
A horse like that for fifty pounds! 
We'll refund twenty if The Trap 
Should fail to win the handicap!" 

The deed was done, the price was paid, 
The new-chum put the horse in train. 
The local sports were much afraid 
That he would sad experience gain 
By racing with some shearer's hack, 
Who'd beat him half-way round the track. 

So, on this guileless English spark 
They did most fervently impress 
That he must keep the matter dark, 
And not let any person guess 
That he was purchasing The Trap 
To win Wargeilah Handicap. 

They spoke of "spielers from the Bland", 
And "champions from the Castlereagh", 
And gave the youth to understand 
That all of these would stop away, 
And spoil the race, if they should hear 
That they had got The Trap to fear. 

"Keep dark! They'll muster thick as flies 
When once the news gets sent around 
We're giving such a splendid prize -- 
A Snowdon horse worth fifty pound! 
They'll come right in from Dandaloo, 
And find -- that it's a gift for you!" 

The race came on -- with no display 
Nor any calling of the card, 
But round about the pub all day 
A crowd of shearers, drinking hard, 
And using language in a strain 
'Twere flattery to call profane. 

Our hero, dressed in silk attire -- 
Blue jacket and scarlet cap -- 
With boots that shone like flames of fire, 
Now did his canter on The Trap, 
And walked him up and round about, 
Until other steeds came out. 

He eyed them with a haughty look, 
But saw a sight that caught his breath! 
It was Ah John! the Chinee cook! 
In boots and breeches! pale as death! 
Tied with a rope, like any sack, 
Upon a piebald pony's back! 

The next, a colt -- all mud and burrs, 
Half-broken, with a black boy up, 
Who said, "You gim'me pair o' spurs, 
I win the bloomin' Melbourne Cup!" 
These two were to oppose The Trap 
For the Wargeilah Handicap! 

They're off! The colt whipped down his head, 
And humped his back, and gave a squeal, 
And bucked into the drinking shed, 
Revolving like a Catherine wheel! 
Men ran like rats! The atmosphere 
Was filled with oaths and pints of beer! 

But up the course the bold Ah John 
Beside The Trap raced neck and neck: 
The boys had tied him firmly on, 
Which ultimately proved his wreck; 
The saddle turned, and, like a clown, 
He rode some distance upside-down. 

His legs around the horse were tied, 
His feet towards the heavens were spread, 
He swung and bumped at every stride 
And ploughed the ground up with his head! 
And when they rescued him, The Trap 
Had won Wargeilah Handicap! 

And no enquiries we could make 
Could tell by what false statements swayed 
Ah John was led to undertake 
A task so foreign to his trade! 
He only smiled and said, "Hoo Ki! 
I stop topside, I win all li'!" 

But never in Wargeilah Town 
Was heard so eloquent a cheer 
As when the President came down, 
And toasted, in Colonial beer, 
"The finest rider on the course! 
The winner of the Snowdon Horse! 

"You go and get your prize," he said; 
"He's with a wild mob, somewhere round 
The mountains near the Watershed; 
He's honestly worth fifty pound -- 
A noble horse, indeed, to win, 
But none of us can run him in! 

"We've chased him poor, we've chased him fat, 
We've run him till our horses dropped; 
But by such obstacles as that 
A man like you will not be stopped; 
You'll go and yard him any day, 
So here's your health! Hooray! Hooray!" 

The day wound up with booze and blow 
And fights till all were well content. 
But of the new-chum all I know 
Is shown by this advertisement -- 
"For sale, the well-known racehorse Trap. 
He won Wargeilah Handicap!"
Written by John Milton | Create an image from this poem

On the Religious Memory of Mrs. Catherine Thomson my Christian Friend Deceased Dec. 16 1646

 When Faith and Love, which parted from thee never, 
Had ripened thy just soul to dwell with God, 
Meekly thou didst resign this earthly load 
Of death, called life, which us from life doth sever. 
Thy works, and alms, and all thy good endeavour, 
Stayed not behind, nor in the grave were trod; 
But, as Faith pointed with her golden rod, 
Followed thee up to joy and bliss for ever. 
Love led them on; and Faith, who knew them best 
Thy handmaids, clad them o’er with purple beams 
And azure wings, that up they flew so drest, 
And speak the truth of thee on glorious themes 
Before the Judge; who henceforth bid thee rest, 
And drink thy fill of pure immortal streams.
Written by Barry Tebb | Create an image from this poem

Bridge Over The Aire Book 6

 THE WALK TO THE PARADISE GARDENS



1



Bonfire Night beckoned us to the bridge

By Saint Hilda’s where we started down

Knostrop to chump but I trailed behind

With Margaret when it was late September

The song of summer ceased and fires in

Blackleaded grates began and we were

Hidden from the others by the bridge’s span.

2



When you bent I saw the buds of your breasts

As you meant and I laughed at your craft when

You blushed and denied and finally cried

But there was a smile in your eyes.





3



It was the season of yo-yo’s in yellow or

Pink or pillar-box red and you spooled out

The thread as only you could and it dipped

And rose like a dancer.





4



The paddock by the tusky sheds was cropped

And polished by the horses’ hooves, their

Nostrils flared and they bared their teeth

As we passed and tossed their manes as we

Shied from the rusty fence where peg-legged

We jumped the cracks and pulled away each

Dandelion head, “Pee-the-bed! Pee-the bed!”

Rubbing the yellow dust into each other’s

Cheeks and chins as we kissed.





5



The bluebells had died and on the other side

The nettle beds were filled with broken branches

White as bone, clouds were tags of wool, the

Night sky magenta sands with bands of gold

And bright stars beckoned and burned like

Ragged robins in a ditch and rich magnolias

In East End Park.





6



I am alone in the dark

Remembering Bonfire Night

Of nineteen-fifty four

When it was early dusk

Your hair was gold

As angels’ wings.





7



From the binyard in the backstreet we brought

The dry stored branches, broken staves under

The taunting stars and we have never left

That night or that place on the Hollows

The fire we built has never gone out and

The light in your eyes is bright:

We took the road by the river with a star

Map and dream sacks on our backs.



8



The Hollows stretched into darkness

The fire burned in the frost, sparks

Crackled and jumped and floated

Stars into the invisible night and

The log glowed red and the fire we

Fed has never died.







9



The catherine-wheel pinned to the palings

Hissed and spun as we ran passed the railings

Rattling our sticks until the stars had beat retreat.





10



From the night comes a figure

Into the firelight: Margaret Gardiner

My first, my only love, the violet pools

Of your eyes, your voice still calling,

“I am here, I am waiting.”





11



Where the road turns

Past St Hilda’s

Down Knostrop

By the Black Road

By the Red Road

Interminable blue

And I remember you,

Margaret, in your

Mauve blazer standing

By the river, your

Worn-out flower patterned

Frock and black

Laceless runners





12



Into the brewer’s yard

Stumbled the drayhorses

Armoured in leather

And clashing brass

Strident as Belshazzar’s

Feast, rich as yeast

On Auntie Nellie’s

Baking board, barrels

Banked on barrels

From the cooper’s yard.





13



Margaret, are you listening?

Are your eyes still distant

And dreaming? Can you hear

My voice in Eden?

My poems are all for you

The one who never knew

Silent and most generous

Muse, eternal primavera

Under the streetlamps

Of Leeds Nine.





14



Margaret, hold my hand

As we set out into the

Land of summers lost

A day-time ghost surrenders

At the top of the steps

To the Aire where we

Looked over the Hollows

Misted with memory and

Images of summer.

We are standing on the corner of Falmouth Place

We are standing by the steps to the Aire

We are standing outside the Maypole

Falling into Eden.





15



Falling into Eden is just a beginning

Hoardings on the gable ends for household

Soap, washing is out on the lines

Falmouth Street full of children playing,

Patrick Keown, Keith Ibbotson, the Flaherty

Twins spilling over the pavements, holding

A skipping rope, whirling and twirling;

Margaret you never missed a turn

While I could never make one, out before I began.
Written by William Topaz McGonagall | Create an image from this poem

The Collision in the English Channel

 'Twas on a Sunday morning, and in the year of 1888,
The steamer "Saxmundham," laden with coal and coke for freight,
Was run into amidships by the Norwegian barque "Nor,"
And sunk in the English Channel, while the storm fiend did roar. 

She left Newcastle on Friday, in November, about two o'clock,
And proceeded well on her way until she received a shock;
And the effects of the collision were so serious within,
That, within twenty minutes afterwards, with water she was full to the brim. 

The effects of the collision were so serious the water cduldn't be staunched,
So immediately the "Saxmundham's" jolly-boat was launched;
While the brave crew were busy, and loudly did clatter,
Because, at this time, the stem of the steamer was under water. 

Then the bold crew launched the lifeboat, without dismay,
While their hearts did throb, but not a word did they say;
They they tried to launch the port lifeboat, but in that they failed,
Owing to the heavy sea, so their sad fate they bewailed. 

Then into the jolly-boat and lifeboat jumped fifteen men in all,
And immediately the steamer foundered, which did their hearts appal,
As the good ship sank beneath the briny wave,
But they thanked God fervently that did them save. 

Oh! it was a miracle how any of them were saved,
But it was by the aid of God, and how the crew behaved;
Because God helps those that help themselves,
And those that don't try to do so are silly elves. 

So the two boats cruised about for some time,
Before it was decided to pull for St. Catherine;
And while cruising about they must have been ill,
But they succeeded in picking up an engineer and fireman, also Captain Milne. 

And at daybreak on Sunday morning the men in the lifeboat
Were picked up by the schooner "Waterbird" as towards her they did float,
And landed at Weymouth, and made all right
By the authorities, who felt for them in their sad plight. 

But regarding the barque "Nor," to her I must return,
And, no doubt, for the drowned men, many will mourn;
Because the crew's sufferings must have been great,
Which, certainly, is soul-harrowing to relate. 

The ill-fated barque was abandoned in a sinking state,
But all her crew were saved, which I'm happy to relate;
They were rescued by the steamer "Hagbrook" in the afternoon,
When after taking to their boats, and brought to Portland very soon. 

The barque "Nor" was bound from New York to Stettin,
And when she struck the "Saxmundham," oh! what terrible din!
Because the merciless water did rush in,
Then the ship carpenters to patch the breach did begin. 

But, alas! all their efforts proved in vain,
For still the water did on them gain;
Still they resolved to save her whatever did betide,
But, alas! the ill-fated "Nor" sank beneath the tide. 

But thanks be to God, the major part of the men have been saved,
And all honour to both crews that so manfully behaved;
And may God protect the mariner by night and by day
When on the briny deep, far, far away!
Written by Delmore Schwartz | Create an image from this poem

Sonnet On Famous And Familiar Sonnets And Experiences

 (With much help from Robert Good, William Shakespeare, 
John Milton, and little Catherine Schwartz) 


Shall I compare her to a summer play?
She is too clever, too devious, too subtle, too dark:
Her lies are rare, but then she paves the way
Beyond the summer's sway, within the jejune park
Where all souls' aspiration to true nobility
Obliges Statues in the Frieze of Death
And when this pantomime and Panama of Panorama Fails,
"I'll never speak to you agayne" -- or waste her panting breath.

When I but think of how her years are spent
Deadening that one talent which -- for woman is --
Death or paralysis, denied: nature's intent
That each girl be a mother -- whether or not she is
Or has become a lawful wife or bride
-- 0 Alma Magna Mater, deathless the living death of pride.

Book: Reflection on the Important Things