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Best Famous Canopied Poems

Here is a collection of the all-time best famous Canopied poems. This is a select list of the best famous Canopied poetry. Reading, writing, and enjoying famous Canopied poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of canopied poems.

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Written by George (Lord) Byron | Create an image from this poem

The Dream

 I

Our life is twofold; Sleep hath its own world,
A boundary between the things misnamed
Death and existence: Sleep hath its own world,
And a wide realm of wild reality,
And dreams in their development have breath,
And tears, and tortures, and the touch of joy;
They leave a weight upon our waking thoughts,
They take a weight from off waking toils,
They do divide our being; they become
A portion of ourselves as of our time,
And look like heralds of eternity;
They pass like spirits of the past—they speak
Like sibyls of the future; they have power— 
The tyranny of pleasure and of pain;
They make us what we were not—what they will,
And shake us with the vision that's gone by,
The dread of vanished shadows—Are they so?
Is not the past all shadow?—What are they?
Creations of the mind?—The mind can make
Substances, and people planets of its own
With beings brighter than have been, and give
A breath to forms which can outlive all flesh.
I would recall a vision which I dreamed
Perchance in sleep—for in itself a thought,
A slumbering thought, is capable of years,
And curdles a long life into one hour.

II

I saw two beings in the hues of youth
Standing upon a hill, a gentle hill,
Green and of mild declivity, the last
As 'twere the cape of a long ridge of such,
Save that there was no sea to lave its base,
But a most living landscape, and the wave
Of woods and corn-fields, and the abodes of men
Scattered at intervals, and wreathing smoke
Arising from such rustic roofs: the hill
Was crowned with a peculiar diadem
Of trees, in circular array, so fixed,
Not by the sport of nature, but of man:
These two, a maiden and a youth, were there
Gazing—the one on all that was beneath
Fair as herself—but the boy gazed on her;
And both were young, and one was beautiful:
And both were young—yet not alike in youth.
As the sweet moon on the horizon's verge,
The maid was on the eve of womanhood;
The boy had fewer summers, but his heart
Had far outgrown his years, and to his eye
There was but one beloved face on earth,
And that was shining on him; he had looked
Upon it till it could not pass away;
He had no breath, no being, but in hers:
She was his voice; he did not speak to her,
But trembled on her words; she was his sight,
For his eye followed hers, and saw with hers,
Which coloured all his objects;—he had ceased
To live within himself: she was his life,
The ocean to the river of his thoughts,
Which terminated all; upon a tone,
A touch of hers, his blood would ebb and flow,
And his cheek change tempestuously—his heart
Unknowing of its cause of agony.
But she in these fond feelings had no share:
Her sighs were not for him; to her he was
Even as a brother—but no more; 'twas much,
For brotherless she was, save in the name
Her infant friendship had bestowed on him;
Herself the solitary scion left
Of a time-honoured race.—It was a name
Which pleased him, and yet pleased him not—and why?
Time taught him a deep answer—when she loved
Another; even now she loved another,
And on the summit of that hill she stood
Looking afar if yet her lover's steed
Kept pace with her expectancy, and flew.

III

A change came o'er the spirit of my dream.
There was an ancient mansion, and before
Its walls there was a steed caparisoned:
Within an antique Oratory stood
The Boy of whom I spake;—he was alone,
And pale, and pacing to and fro: anon
He sate him down, and seized a pen, and traced
Words which I could not guess of; then he leaned
His bowed head on his hands and shook, as 'twere
With a convulsion—then rose again,
And with his teeth and quivering hands did tear
What he had written, but he shed no tears.
And he did calm himself, and fix his brow
Into a kind of quiet: as he paused,
The Lady of his love re-entered there;
She was serene and smiling then, and yet
She knew she was by him beloved; she knew— 
For quickly comes such knowledge—that his heart
Was darkened with her shadow, and she saw
That he was wretched, but she saw not all.
He rose, and with a cold and gentle grasp
He took her hand; a moment o'er his face
A tablet of unutterable thoughts
Was traced, and then it faded, as it came;
He dropped the hand he held, and with slow steps
Retired, but not as bidding her adieu,
For they did part with mutual smiles; he passed
From out the massy gate of that old Hall,
And mounting on his steed he went his way;
And ne'er repassed that hoary threshold more.

IV

A change came o'er the spirit of my dream.
The Boy was sprung to manhood: in the wilds
Of fiery climes he made himself a home,
And his Soul drank their sunbeams; he was girt
With strange and dusky aspects; he was not
Himself like what he had been; on the sea
And on the shore he was a wanderer;
There was a mass of many images
Crowded like waves upon me, but he was
A part of all; and in the last he lay
Reposing from the noontide sultriness,
Couched among fallen columns, in the shade
Of ruined walls that had survived the names
Of those who reared them; by his sleeping side
Stood camels grazing, and some goodly steeds
Were fastened near a fountain; and a man,
Glad in a flowing garb, did watch the while,
While many of his tribe slumbered around:
And they were canopied by the blue sky,
So cloudless, clear, and purely beautiful,
That God alone was to be seen in heaven.

V

A change came o'er the spirit of my dream.
The Lady of his love was wed with One
Who did not love her better: in her home,
A thousand leagues from his,—her native home,
She dwelt, begirt with growing Infancy,
Daughters and sons of Beauty,—but behold!
Upon her face there was a tint of grief,
The settled shadow of an inward strife,
And an unquiet drooping of the eye,
As if its lid were charged with unshed tears.
What could her grief be?—she had all she loved,
And he who had so loved her was not there
To trouble with bad hopes, or evil wish,
Or ill-repressed affliction, her pure thoughts.
What could her grief be?—she had loved him not,
Nor given him cause to deem himself beloved,
Nor could he be a part of that which preyed
Upon her mind—a spectre of the past.

VI

A change came o'er the spirit of my dream.
The Wanderer was returned.—I saw him stand
Before an altar—with a gentle bride;
Her face was fair, but was not that which made
The Starlight of his Boyhood;—as he stood
Even at the altar, o'er his brow there came
The selfsame aspect and the quivering shock
That in the antique Oratory shook
His bosom in its solitude; and then— 
As in that hour—a moment o'er his face
The tablet of unutterable thoughts
Was traced—and then it faded as it came,
And he stood calm and quiet, and he spoke
The fitting vows, but heard not his own words,
And all things reeled around him; he could see
Not that which was, nor that which should have been— 
But the old mansion, and the accustomed hall,
And the remembered chambers, and the place,
The day, the hour, the sunshine, and the shade,
All things pertaining to that place and hour,
And her who was his destiny, came back
And thrust themselves between him and the light;
What business had they there at such a time?

VII

A change came o'er the spirit of my dream.
The Lady of his love;—Oh! she was changed,
As by the sickness of the soul; her mind
Had wandered from its dwelling, and her eyes,
They had not their own lustre, but the look
Which is not of the earth; she was become
The queen of a fantastic realm; her thoughts
Were combinations of disjointed things;
And forms impalpable and unperceived
Of others' sight familiar were to hers.
And this the world calls frenzy; but the wise
Have a far deeper madness, and the glance
Of melancholy is a fearful gift;
What is it but the telescope of truth?
Which strips the distance of its fantasies,
And brings life near in utter nakedness,
Making the cold reality too real!

VIII

A change came o'er the spirit of my dream.
The Wanderer was alone as heretofore,
The beings which surrounded him were gone,
Or were at war with him; he was a mark
For blight and desolation, compassed round
With Hatred and Contention; Pain was mixed
In all which was served up to him, until,
Like to the Pontic monarch of old days,
He fed on poisons, and they had no power,
But were a kind of nutriment; he lived
Through that which had been death to many men,
And made him friends of mountains; with the stars
And the quick Spirit of the Universe
He held his dialogues: and they did teach
To him the magic of their mysteries;
To him the book of Night was opened wide,
And voices from the deep abyss revealed
A marvel and a secret.—Be it so.

IX

My dream is past; it had no further change.
It was of a strange order, that the doom
Of these two creatures should be thus traced out
Almost like a reality—the one
To end in madness—both in misery.


Written by Amy Lowell | Create an image from this poem

Roads

 I know a country laced with roads,
They join the hills and they span the brooks,
They weave like a shuttle between broad fields,
And slide discreetly through hidden nooks.
They are canopied like a Persian dome
And carpeted with orient dyes.
They are myriad-voiced, and musical,
And scented with happiest memories.
O Winding roads that I know so well,
Every twist and turn, every hollow and hill!
They are set in my heart to a pulsing tune
Gay as a honey-bee humming in June.
'T is the rhythmic beat of a horse's feet
And the pattering paws of a sheep-dog *****;
'T is the creaking trees, and the singing breeze,
And the rustle of leaves in the road-side ditch.
A cow in a meadow shakes her bell
And the notes cut sharp through the autumn air,
Each chattering brook bears a fleet of leaves
Their cargo the rainbow, and just now where
The sun splashed bright on the road ahead
A startled rabbit quivered and fled.
O Uphill roads and roads that dip down!
You curl your sun-spattered length along,
And your march is beaten into a song
By the softly ringing hoofs of a horse
And the panting breath of the dogs I love.
The pageant of Autumn follows its course
And the blue sky of Autumn laughs above.
And the song and the country become as one,
I see it as music, I hear it as light;
Prismatic and shimmering, trembling to tone,
The land of desire, my soul's delight.
And always it beats in my listening ears
With the gentle thud of a horse's stride,
With the swift-falling steps of many dogs,
Following, following at my side.
O Roads that journey to fairyland!
Radiant highways whose vistas gleam,
Leading me on, under crimson leaves,
To the opaline gates of the Castles of Dream.
Written by Henry Wadsworth Longfellow | Create an image from this poem

Divina Commedia

 Oft have I seen at some cathedral door 
.
A laborer, pausing in the dust and heat, 
.
Lay down his burden, and with reverent feet 
.
Enter, and cross himself, and on the floor 
.
Kneel to repeat his paternoster o'er; 
.
Far off the noises of the world retreat; 
.
The loud vociferations of the street 
.
Become an undistinguishable roar. 
.
So, as I enter here from day to day, 
.

And leave my burden at this minster gate, 
.

Kneeling in prayer, and not ashamed to pray, 
.

The tumult of the time disconsolate 
.

To inarticulate murmurs dies away, 
.

While the eternal ages watch and wait.II.2.
How strange the sculptures that adorn these towers! 
.
This crowd of statues, in whose folded sleeves 
.
Birds build their nests; while canopied with leaves 
.
Parvis and portal bloom like trellised bowers, 
.
And the vast minster seems a cross of flowers! 
.
But fiends and dragons on the gargoyled eaves 
.
Watch the dead Christ between the living thieves, 
.
And, underneath, the traitor Judas lowers! 
.
Ah! from what agonies of heart and brain, 
.

What exultations trampling on despair, 
.

What tenderness, what tears, what hate of wrong, 
.

What passionate outcry of a soul in pain, 
.

Uprose this poem of the earth and air, 
.

This medi?val miracle of song!
III.Written December 22, 1865.3.
I enter, and I see thee in the gloom 
.
Of the long aisles, O poet saturnine! 
.
And strive to make my steps keep pace with thine. 
.
The air is filled with some unknown perfume; 
.
The congregation of the dead make room 
.
For thee to pass; the votive tapers shine; 
.
Like rooks that haunt Ravenna's groves of pine 
.
The hovering echoes fly from tomb to tomb. 
.
From the confessionals I hear arise 
.

Rehearsals of forgotten tragedies, 
.

And lamentations from the crypts below; 
.

And then a voice celestial that begins 
.

With the pathetic words, "Although your sins 
.

As scarlet be," and ends with "as the snow." 
IV.Written May 5, 1867.4.
With snow-white veil and garments as of flame, 
.
She stands before thee, who so long ago 
.
Filled thy young heart with passion and the woe 
.
From which thy song and all its splendors came; 
.
And while with stern rebuke she speaks thy name, 
.
The ice about thy heart melts as the snow 
.
On mountain heights, and in swift overflow 
.
Comes gushing from thy lips in sobs of shame. 
.
Thou makest full confession; and a gleam, 
.

As of the dawn on some dark forest cast, 
.

Seems on thy lifted forehead to increase; 
.

Lethe and Euno? -- the remembered dream 
.

And the forgotten sorrow -- bring at last 
.

That perfect pardon which is perfect peace.
V.Written January 16, 1866.5.
I lift mine eyes, and all the windows blaze 
.
With forms of Saints and holy men who died, 
.
Here martyred and hereafter glorified; 
.
And the great Rose upon its leaves displays 
.
Christ's Triumph, and the angelic roundelays, 
.
With splendor upon splendor multiplied; 
.
And Beatrice again at Dante's side 
.
No more rebukes, but smiles her words of praise. 
.
And then the organ sounds, and unseen choirs 
.

Sing the old Latin hymns of peace and love 
.

And benedictions of the Holy Ghost; 
.

And the melodious bells among the spires 
.

O'er all the house-tops and through heaven above 
.

Proclaim the elevation of the Host! 
VI.Written March 7, 1866.6.
O star of morning and of liberty! 
.
O bringer of the light, whose splendor shines 
.
Above the darkness of the Apennines, 
.
Forerunner of the day that is to be! 
.
The voices of the city and the sea, 
.
The voices of the mountains and the pines, 
.
Repeat thy song, till the familiar lines 
.
Are footpaths for the thought of Italy! 
.
Thy fame is blown abroad from all the heights, 
.

Through all the nations, and a sound is heard, 
.

As of a mighty wind, and men devout, 
.

Strangers of Rome, and the new proselytes, 
.

In their own language hear thy wondrous word, 
.

And many are amazed and many doubt.
Written by Mary Darby Robinson | Create an image from this poem

The Widows Home

 Close on the margin of a brawling brook
That bathes the low dell's bosom, stands a Cot;
O'ershadow'd by broad Alders. At its door
A rude seat, with an ozier canopy
Invites the weary traveller to rest.
'Tis a poor humble dwelling; yet within,
The sweets of joy domestic, oft have made
The long hour not unchearly, while the Moor
Was covered with deep snow, and the bleak blast
Swept with impetuous wing the mountain's brow!
On ev'ry tree of the near shelt'ring wood
The minstrelsy of Nature, shrill and wild,
Welcomes the stranger guest, and carolling
Love-songs, spontaneous, greets him merrily.
The distant hills, empurpled by the dawn
And thinly scatter'd with blue mists that float
On their bleak summits dimly visible,
Skirt the domain luxuriant, while the air
Breathes healthful fragrance. On the Cottage roof
The gadding Ivy, and the tawny Vine
Bind the brown thatch, the shelter'd winter-hut
Of the tame Sparrow, and the Red-breast bold.

There dwells the Soldier's Widow! young and fair
Yet not more fair than virtuous. Every day
She wastes the hour-glass, waiting his return,--
And every hour anticipates the day,
(Deceiv'd, yet cherish'd by the flatt'rer hope)
When she shall meet her Hero. On the Eve
Of Sabbath rest, she trims her little hut
With blossoms, fresh and gaudy, still, herself
The queen-flow'r of the garland ! The sweet Rose
Of wood-wild beauty, blushing thro' her tears.

One little Son she has, a lusty Boy,
The darling of her guiltless, mourning heart,
The only dear and gay associate
Of her lone widowhood. His sun-burnt cheek
Is never blanch'd with fear, though he will climb
The broad oak's branches, and with brawny arm
Sever the limpid wave. In his blue eye
Beams all his mother's gentleness of soul;
While his brave father's warm intrepid heart
Throbs in his infant bosom. 'Tis a wight
Most valourous, yet pliant as the stem
Of the low vale-born lily, when the dew
Presses its perfum'd head. Eight years his voice
Has chear'd the homely hut, for he could lisp
Soft words of filial fondness, ere his feet
Could measure the smooth path-way.
On the hills
He watches the wide waste of wavy green
Tissued with orient lustre, till his eyes
Ache with the dazzling splendour, and the main,
Rolling and blazing, seems a second Sun !
And, if a distant whitening sail appears,
Skimming the bright horizon while the mast
Is canopied with clouds of dappled gold,
He homeward hastes rejoicing. An old Tree
Is his lone watch-tow'r; 'tis a blasted Oak
Which, from a vagrant Acorn, ages past,
Sprang up, to triumph like a Savage bold
Braving the Season's warfare. There he sits
Silent and musing the long Evening hour,
'Till the short reign of Sunny splendour fades
At the cold touch of twilight. Oft he sings;
Or from his oaten pipe, untiring pours
The tune mellifluous which his father sung,
When HE could only listen.
On the sands
That bind the level sea-shore, will he stray,
When morn unlocks the East, and flings afar
The rosy day-beam ! There the boy will stop
To gather the dank weeds which ocean leaves
On the bleak strand, while winter o'er the main
Howls its nocturnal clamour. There again
He chaunts his Father's ditty. Never more
Poor mountain minstrel, shall thy bosom throb
To the sweet cadence ! never more thy tear
Fall as the dulcet breathings give each word
Expression magical ! Thy Father, Boy,
Sleeps on the bed of death ! His tongue is mute,
His fingers have forgot their pliant art,
His oaten pipe will ne'er again be heard
Echoing along the valley ! Never more
Will thy fond mother meet the balmy smile
Of peace domestic, or the circling arm
Of valour, temper'd by the milder joys
Of rural merriment. His very name
Is now forgotten! for no trophied tomb
Tells of his bold exploits; such heraldry
Befits not humble worth: For pomp and praise
Wait in the gilded palaces of Pride
To dress Ambition's Slaves. Yet, on his grave,
The unmark'd resting place of Valour's Sons,
The morning beam shines lust'rous; The meek flow'r
Still drops the twilight tear, and the night breeze
Moans melancholy music!
Then, to ME,
O ! dearer far is the poor Soldier's grave,
The Widow's lone and unregarded Cot,
The brawling Brook, and the wide Alder-bough,
The ozier Canopy, and plumy choir,
Hymning the Morn's return, than the rich Dome
Of gilded Palaces ! and sweeter far--
O! far more graceful ! far more exquisite,
The Widow's tear bathing the living rose,
Than the rich ruby, blushing on the breast,
Of guilty greatness. Welcome then to me--
The WIDOW'S LOWLY HOME : The Soldier's HEIR;
The proud inheritor of Heav'n's best gifts--
The mind unshackled--and the guiltless Soul!
Written by Elinor Wylie | Create an image from this poem

Venetian Interior

 Allegra, rising from her canopied dreams, 
Slides both white feet across the slanted beams 
Which lace the peacock jalousies: behold 
An idol of fine clay, with feet of gold



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