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Best Famous Canaries Poems

Here is a collection of the all-time best famous Canaries poems. This is a select list of the best famous Canaries poetry. Reading, writing, and enjoying famous Canaries poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of canaries poems.

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Written by Lewis Carroll | Create an image from this poem

Rules and Regulations

 A short direction 
To avoid dejection, 
By variations 
In occupations, 
And prolongation 
Of relaxation, 
And combinations 
Of recreations, 
And disputation 
On the state of the nation 
In adaptation
To your station, 
By invitations 
To friends and relations, 
By evitation 
Of amputation, 
By permutation 
In conversation, 
And deep reflection 
You'll avoid dejection. 

Learn well your grammar, 
And never stammer, 
Write well and neatly, 
And sing most sweetly, 
Be enterprising, 
Love early rising, 
Go walk of six miles, 
Have ready quick smiles, 
With lightsome laughter, 
Soft flowing after. 
Drink tea, not coffee;
Never eat toffy. 
Eat bread with butter. 
Once more, don't stutter. 

Don't waste your money, 
Abstain from honey. 
Shut doors behind you, 
(Don't slam them, mind you.) 
Drink beer, not porter. 
Don't enter the water 
Till to swim you are able. 
Sit close to the table. 
Take care of a candle. 
Shut a door by the handle, 
Don't push with your shoulder 
Until you are older. 
Lose not a button. 
Refuse cold mutton. 
Starve your canaries. 
Believe in fairies. 
If you are able, 
Don't have a stable 
With any mangers. 
Be rude to strangers. 

Moral: Behave.


Written by John Donne | Create an image from this poem

Elegy XVIII: Loves Progress

 Who ever loves, if he do not propose
The right true end of love, he's one that goes
To sea for nothing but to make him sick.
Love is a bear-whelp born: if we o'erlick
Our love, and force it new strange shapes to take,
We err, and of a lump a monster make.
Were not a calf a monster that were grown
Faced like a man, though better than his own?
Perfection is in unity: prefer
One woman first, and then one thing in her.
I, when I value gold, may think upon
The ductileness, the application,
The wholsomeness, the ingenuity,
From rust, from soil, from fire ever free;
But if I love it, 'tis because 'tis made
By our new nature (Use) the soul of trade.
All these in women we might think upon
(If women had them) and yet love but one.
Can men more injure women than to say
They love them for that by which they're not they?
Makes virtue woman? Must I cool my blood
Till I both be, and find one, wise and good?
May barren angels love so! But if we
Make love to woman, virtue is not she,
As beauty's not, nor wealth. He that strays thus
From her to hers is more adulterous
Than if he took her maid. Search every sphere
And firmament, our Cupid is not there;
He's an infernal god, and under ground
With Pluto dwells, where gold and fire abound:
Men to such gods their sacrificing coals
Did not in altars lay, but pits and holes.
Although we see celestial bodies move
Above the earth, the earth we till and love:
So we her airs contemplate, words and heart
And virtues, but we love the centric part.
Nor is the soul more worthy, or more fit,
For love than this, as infinite is it.
But in attaining this desired place
How much they err that set out at the face.
The hair a forest is of ambushes,
Of springs, snares, fetters and manacles;
The brow becalms us when 'tis smooth and plain,
And when 'tis wrinkled shipwrecks us again— 
Smooth, 'tis a paradise where we would have
Immortal stay, and wrinkled 'tis our grave.
The nose (like to the first meridian) runs
Not 'twixt an East and West, but 'twixt two suns;
It leaves a cheek, a rosy hemisphere,
On either side, and then directs us where
Upon the Islands Fortunate we fall,
(Not faint Canaries, but Ambrosial)
Her swelling lips; to which when we are come,
We anchor there, and think ourselves at home,
For they seem all: there Sirens' songs, and there
Wise Delphic oracles do fill the ear;
There in a creek where chosen pearls do swell,
The remora, her cleaving tongue doth dwell.
These, and the glorious promontory, her chin,
O'erpassed, and the straight Hellespont between
The Sestos and Abydos of her breasts,
(Not of two lovers, but two loves the nests)
Succeeds a boundless sea, but yet thine eye
Some island moles may scattered there descry;
And sailing towards her India, in that way
Shall at her fair Atlantic navel stay;
Though thence the current be thy pilot made,
Yet ere thou be where thou wouldst be embayed
Thou shalt upon another forest set,
Where many shipwreck and no further get.
When thou art there, consider what this chase
Misspent by thy beginning at the face.
Rather set out below; practise my art.
Some symetry the foot hath with that part
Which thou dost seek, and is thy map for that,
Lovely enough to stop, but not stay at;
Least subject to disguise and change it is— 
Men say the devil never can change his.
It is the emblem that hath figured
Firmness; 'tis the first part that comes to bed.
Civility we see refined; the kiss
Which at the face began, transplanted is,
Since to the hand, since to the imperial knee,
Now at the papal foot delights to be:
If kings think that the nearer way, and do
Rise from the foot, lovers may do so too;
For as free spheres move faster far than can
Birds, whom the air resists, so may that man
Which goes this empty and ethereal way,
Than if at beauty's elements he stay.
Rich nature hath in women wisely made
Two purses, and their mouths aversely laid:
They then which to the lower tribute owe
That way which that exchequer looks must go:
He which doth not, his error is as great
As who by clyster gave the stomach meat.
Written by Ruth Padel | Create an image from this poem

The Appointment

 Flamingo silk. New ruff, 
the ivory ghost 
of a halter. Chestnut curls,

*

commas behind the ear.
"Taller, by half a head, 
than my Lord Walsingham."

*

His Devon-cream brogue,
malt eyes. New cloak 
mussed in her mud.

*

The Queen leans forward,
a rosy envelope of civet.
A cleavage

*

whispering seed pearls.
Her own sleeve 
rubs that speck of dirt

*

on his cheek. Three thousand 
ornamental fruit baskets
swing in the smoke.

*

"It is our pleasure 
to have our servant trained 
some longer time 

*

in Ireland." Stamp out 
marks of the Irish.
Their saffron smocks.

*

All curroughs, bards
and rhymers. Desmonds
and Fitzgeralds

*

stuck on low spikes,
an avenue of heads to
the war tent.


*

Kerry timber 
sold to the Canaries.
Pregnant girls

*

hung in their own hair
on city walls. Plague 
crumpling gargoyles

*

through Munster. "They spoke 
like ghosts crying
out of their graves."
Written by Marilyn Hacker | Create an image from this poem

Paragraphs from a Day-Book

 Cherry-ripe: dark sweet burlats, scarlet reverchons
firm-fleshed and tart in the mouth
bigarreaux, peach-and-white napoléons
as the harvest moves north
from Provence to the banks of the Yonne
(they grow napoléons in Washington
State now). Before that, garriguettes,
from Périgord, in wooden punnets
afterwards, peaches: yellow-fleshed, white,
moss-skinned ruby pêches de vigne.
The vendors cry out "Taste," my appetite
does, too.. Birdsong, from an unseen
source on this street-island, too close for the trees:
it’s a young woman with a tin basin
of plastic whistles moulded like canaries.

– which children warbled on in Claremont Park
one spring day in my third year. Gísela
my father’s mother, took
me there. I spent the days with her
now that my mother had gone back to work.
In her brocade satchel, crochet-work, a picture-book
for me. But overnight the yellow bird
whistles had appeared
and I wanted one passionately. 
Watching big girls play hopscotch at curb’s edge 
or telling stories to V.J 
under the shiny leaves of privet hedge 
were pale pastimes compared to my desire 
Did I hector one of the privileged
warblers to tell us where they were acquired?

– the candy store on Tremont Avenue
Of course I don’t call her Gísela.
I call her Grandma.. "Grandma will buy it for you,"
– does she add "mammele "
not letting her annoyance filter through 
as an old-world friend moves into view?
The toddler and the stout
grey-haired woman walk out
of the small park toward the shopping streets
into a present tense
where what’s ineffaceable repeats
itself. Accidents.
I dash ahead, new whistle in my hand
She runs behind. The car. The almost-silent
thud. Gísela, prone, also silent, on the ground. 

Death is the scandal that was always hidden.
I never saw my grandmother again
Who took me home? Somebody did. In
the next few days (because that afternoon
and night are blank) I don’t think I cried, I didn’t
know what to ask (I wasn’t three), and then I did, and
"She’s gone to live in Florida" they said
and I knew she was dead.
A black woman, to whom I wasn’t nice,
was hired to look after me.
Her name was Josephine – and that made twice
I’d heard that name: my grandmother’s park crony
was Josephine. Where was Grandma; where was Gísela ?
she called me to her bench to ask one day.
I say, "She’s gone to live in Florida."
Written by Edgar Lee Masters | Create an image from this poem

Granville Calhoun

 I wanted to be County Judge
One more term, so as to round out a service
Of thirty years.
But my friends left me and joined my enemies,
And they elected a new man.
Then a spirit of revenge seized me,
And I infected my four sons with it,
And I brooded upon retaliation,
Until the great physician, Nature,
Smote me through with paralysis
To give my soul and body a rest.
Did my sons get power and money?
Did they serve the people or yoke them,
To till and harvest fields of self?
For how could they ever forget
My face at my bed-room window,
Sitting helpless amid my golden cages
Of singing canaries,
Looking at the old court-house?


Written by Edgar Lee Masters | Create an image from this poem

Henry C. Calhoun

 I reached the highest place in Spoon River,
But through what bitterness of spirit!
The face of my father, sitting speechless,
Child-like, watching his canaries,
And looking at the court-house window
Of the county judge's room,
And his admonitions to me to seek
My own in life, and punish Spoon River
To avenge the wrong the people did him,
Filled me with furious energy
To seek for wealth and seek for power.
But what did he do but send me along
The path that leads to the grove of the Furies?
I followed the path and I tell you this:
On the way to the grove you'll pass the Fates,
Shadow-eyed, bent over their weaving.
Stop for a moment, and if you see
The thread of revenge leap out of the shuttle,
Then quickly snatch from Atropos
The shears and cut it, lest your sons,
And the children of them and their children
Wear the envenomed robe.
Written by Robert William Service | Create an image from this poem

Convicts Love Canaries

 Dick's dead! It was the Polack guard
Put powdered glass into his cage
When I was tramping round the yard,--
I could have killed him in my rage.
I slugged him with that wrench I stole:
That's why I'm rotting in the Hole.

Dick's dead! Sure I wish I was too.
His honey breast, his lacy claws
I kissed and cried, for well I knew
They murdered him. I cursed because
He was my only chum on earth . . .
Oh how he cheered me with his mirth!

Dick's dead! I know he cared for me.
Being I'm Irish I love song,
And there was heaven in his glee;
I'd bless his heart the dour day long.
I'd let him flutter round the cell;
He'd light upon my hand . . . Oh hell!

Dick's dead! They've thrown me in the Hole.
To break our spirits how they try!
My bed a plank, blind as a mole,
Sure I'll be nuts before I die . . .
Here in the night, dark as the Pit
I'm seeing sunny wings aflit.
Here in the silence, hark his song!
--Poor Dick! Oh Christ, how long, how long!

Book: Reflection on the Important Things